70th state school cricket championship: Kanpur division beats Ayodhya by 71 runs
Odisha Flags Off 6th Phase of Baristha Nagarika Tirtha Yatra Yojana
A wave of devotion and joy filled Bhubaneswar New Railway Station today as 775 senior citizens boarded a special train to begin a memorable pilgrimage to the holy cities of Varanasi and Ayodhya. The trip marks the commencement of the sixth phase of the Mukhyamantri Baristha Nagarika Tirtha Yatra Yojana for the financial year 202627. [] The post Odisha Flags Off 6th Phase of Baristha Nagarika Tirtha Yatra Yojana appeared first on Pragativadi I Latest Odisha News in English I Breaking News .
WPL 2027 auction: UPW pick Sushma Verma, MI get Disha Kasat as Bhatia, Sobhana, Saika go unsold
Digital Desk | Kochi, Oct 28 (IANS) UP Warriorz (UPW) signed veteran India wicketkeeper-batter Sushma Verma for Rs 30 lakh, and Mumbai Indians picked up uncapped batter Disha Kasat for Rs 10 lakh, in an otherwise quiet phase of the Womens Premier League (WPL) 2027 auction here on Wednesday. It was a phase where a string of India internationals went unsold. UPW continued to be the busiest franchise at the table by landing Sushma at her base price. She last played a T20I for India in December 2016, but was with Gujarat Giants in WPL 2023, and now returns to the league via UPW, a side whose trials she did attend before the auction happened. Disha, formerly with Royal Challengers Bengaluru (RCB) in their title winning season in 2024, was the only uncapped batter to find a buyer via Mumbai Indians. Taniyaa Bhatia, Asha Sobhana and Saika Ishaque were among the big names who failed to attract bids. Sushma was the only one of the four capped wicketkeepers to be picked. Uma Chetry, part of Indias ODI World Cup-winning squad and the first cricketer from Assam to represent India, went unsold, so did Taniyaa, who was released by Delhi Capitals and Nuzhat Parween. Though Taniyaas glovework is highly rated, but franchises have been wary of her batting. Fast bowlers had a lean round too. Indias Saima Thakor and Titas Sadhu, Australias Tayla Vlaeminck, Sri Lankas 19-year-old Mithali Ayodhya and New Zealands Rosemary Mair all went unsold at their base prices. Titas, an Under-19 World Cup winner in 2023 who has played for Delhi Capitals and Gujarat Giants, has had injury concerns. Rosemary was part of New Zealands T20 World Cup-winning squad in 2024. The capped spinners fared no better. Leg-spinner Priya Mishra, who made her India debut in 2024 and has played for Gujarat Giants, did not attract a bid. Left-arm spinner Saika, who made a strong impression in her debut WPL season with Mumbai Indians in 2023 before going on to play for India, did not get a buyer. South Africas Nonkululeko Mlaba, the first player from her country to go under the hammer on the day, was unsold. The most notable of them going unsold was Asha Sobhana, who was part of RCBs title-winning side in 2024, and missed the 2025 season through injury and was then bought by UP Warriorz for Rs 1.1 crore in 2026 after a fierce bidding war. This time, veteran leg-spinner Asha found no takers at Rs 30 lakh. Purvaja Verlekar, former UP Warriorz batter Vrinda Dinesh, former RCB player Gautami Naik, former Mumbai Indians batter Humaira Kazi and Shweta Sehrawat, who was UP Warriorzs lone retention ahead of 2026 WPL auction, all went unsold. Unsold players could still be picked up in the accelerated rounds later in the auction
Digital Desk | Lucknow, Oct 28 (IANS) In a bid to turn the state into a trillion-dollar economy Uttar Pradesh Chief Minister Yogi Adityanath on Wednesday proposed foreign investment from Singapore across manufacturing, logistics, semiconductors, data centres, green energy and urban infrastructure, assuring investors of government support from the signing of Memorandums of Understanding (MoUs) to the commencement of manufacturing. At a meeting with a 14-member delegation from the Singapore Business Federation, the Chief Minister proposed developing a dedicated 'Singapore City' and a high-tech industrial township near the Noida International Airport in Jewar. An eligibility certificate was handed over for one investment project, while MoUs were exchanged with two companies, marking steps towards translating investment proposals into projects on the ground. Adityanath said the state's priority was not merely to secure investment commitments but to ensure their timely implementation, generate employment and strengthen industrial production. He said Singapore's technological capabilities and management expertise, combined with Uttar Pradesh's large market, skilled workforce and expanding infrastructure, offered significant opportunities for collaboration. Recalling his visit to Singapore in February 2026, the Chief Minister said investment agreements worth approximately Rs 60,000 crore had been reached during the visit. He reiterated the government's commitment to providing investors with security, policy stability and support for timely project execution. The state, he said, has a land bank of more than 75,000 acres available for industrial development, while 27 integrated manufacturing and logistics clusters are being developed. The six nodes of the Uttar Pradesh Defence Industrial Corridor, located in Lucknow, Kanpur, Jhansi, Agra, Aligarh and Chitrakoot, have attracted investment proposals exceeding Rs 35,000 crore. Adityanath highlighted opportunities for Singaporean companies in multimodal logistics and warehousing, semiconductor and electronics manufacturing, data centres and cloud services, artificial intelligence, clean energy and waste management. He said Jewar's expressway network and connectivity to the Eastern and Western Dedicated Freight Corridors could position the region as a major supply chain hub for North India. Uttar Pradesh accounts for approximately 55 per cent of India's mobile phone production and nearly 60 per cent of electronic component manufacturing, the Chief Minister said. The state also contributes around 21 per cent of the country's foodgrain production, creating opportunities for foreign investment in food processing, packaging and exports. He also invited Singaporean investors to explore tourism and hospitality projects in Ayodhya, Kashi, Mathura-Vrindavan, Prayagraj and along the Buddhist Circuit. Collaboration in urban planning was another area of focus, particularly for Lucknow, the State Capital Region and new townships. Among the projects discussed, Greater Nashik Infracon Private Limited, associated with Singapore-based Universal Success Enterprises Group, received an eligibility certificate for the allocation of 50 acres in Sector 8D of the Yamuna Expressway Industrial Development Authority area. The company plans to establish a Universal Packaging Hub with an investment of Rs 775 crore, including foreign direct equity from Singapore. The project is expected to generate 1,880 direct jobs. An MoU was also exchanged with Agricorp International for a manufacturing unit to produce soy protein isolate and chickpea protein concentrate, aimed at strengthening agricultural processing and value addition in the state. Blue Planet Environmental Solutions, a global waste management company, signed an MoU to treat approximately 7.5 lakh tonnes of legacy waste in Sector 145, Noida, and process fresh waste at a capacity of 350 tonnes per day in Saharanpur. The Chief Minister said Uttar Pradesh was seeking to convert its investment potential into manufacturing capacity, infrastructure development and employment, positioning the state as a destination for international investors.
For decades, Hollywood has dominated the market for large-scale cinematic spectacles. From Star Wars and The Lord of the Rings to Avatar and the Marvel Cinematic Universe, American studios have mastered the art of transforming extraordinary fictional worlds into multibillion-dollar entertainment properties. Indian cinema has produced its own spectacular successes, particularly with Baahubali, RRR, KGF and several other ambitious productions. But with Ramayana: Part One, the industry is attempting something particularly audacious. It is taking one of the world's oldest and most culturally significant epic narratives and presenting it as a technologically ambitious, multi-part theatrical spectacle. The project raises a fascinating question. Could Ramayana become India's answer to Hollywood's biggest fantasy franchises? And more importantly, should Hollywood be paying attention? India already possesses something Hollywood spends billions trying to create One of the biggest challenges facing entertainment companies is developing intellectual property that audiences recognise and care about. Hollywood studios invest enormous sums in building cinematic universes, introducing characters, establishing fictional worlds and persuading audiences to return for sequels. Ramayana begins with an extraordinary advantage. Its characters and central narrative have existed in cultural memory for centuries. The epic has inspired literature, theatre, television, music, art and countless retellings across different countries and traditions. For millions of people, Rama, Sita, Lakshman, Hanuman and Ravana are already familiar figures. In commercial terms, that is an extraordinary foundation for a major cinematic project. The makers do not need to create awareness of the underlying story among Indian audiences. They need to persuade viewers that their interpretation is worth experiencing on the big screen. However, this advantage is accompanied by a unique responsibility. Unlike an entirely fictional cinematic universe, the Ramayana carries profound religious and cultural significance. Its characters cannot be treated simply as commercially exploitable intellectual property. The challenge is to combine the ambitions of a global blockbuster with sensitivity towards the traditions from which the story emerges. The Avatar comparison: Technology must create emotion James Cameron's Avatar franchise established new benchmarks for visual effects, immersive world-building and theatrical spectacle. But its success cannot be explained by technology alone. Audiences were drawn into Pandora because the visual environment supported the characters, conflicts and emotional journey. For Ramayana, the technological ambition is similarly important. The involvement of Prime Focus Studios and DNEG has generated expectations of sophisticated visual effects and elaborate cinematic environments. Ayodhya, Lanka, forests, palaces, extraordinary creatures and large-scale battles provide immense opportunities for visual storytelling. Yet the lesson from Avatar is that technical sophistication must create immersion rather than merely showcase expensive imagery. A spectacular digital environment means little if audiences do not believe in the characters inhabiting it. The real test will be whether viewers become emotionally involved in the story rather than simply admiring the scale of its production. The Lord of the Rings comparison: The importance of world-building Peter Jackson's The Lord of the Rings trilogy offers another useful comparison. The films succeeded partly because Middle-earth felt like a coherent world with its own history, geography, cultures and visual identity. The filmmakers devoted extraordinary attention to costumes, architecture, landscapes, weapons, languages and the smallest details of the fictional universe. Ramayana presents a comparable challenge, although its source material and cultural context are fundamentally different. The filmmakers must establish distinctive visual identities for Ayodhya and Lanka, create convincing environments and ensure that the world feels internally consistent. The audience should be able to understand the differences between these places through their architecture, atmosphere, design and storytelling. This is particularly important for viewers unfamiliar with the epic. A strong cinematic world can make an unfamiliar narrative accessible without requiring lengthy explanations. But the comparison with The Lord of the Rings also highlights another crucial factor. World-building succeeds when audiences feel that the environment is real within the logic of the story. Expensive sets and elaborate visual effects cannot compensate for an inconsistent cinematic vision. The financial equation: Bigger isn't always better Hollywood's largest franchises are supported by sophisticated commercial ecosystems. Their revenue comes not only from theatrical collections but also from streaming, television, licensing, merchandise, games and long-term franchise exploitation. A film's worldwide gross is only one component of its financial performance. For Ramayana, the economics of such an ambitious project deserve close examination. The scale of the production implies substantial financial expectations. But reported budgets must be interpreted carefully, particularly when expenditure may cover multiple instalments, shared assets and long-term production infrastructure. A project can achieve enormous box-office collections and still face profitability challenges if costs are exceptionally high. Conversely, investments in visual assets, technology and production infrastructure may deliver benefits across sequels or future projects. This is where the comparison with Hollywood becomes especially relevant. The world's biggest studios do not merely produce expensive films. They build commercial systems that can generate returns over many years. Whether Ramayana can create a comparable long-term model will depend on far more than its opening weekend. The sequel challenge A major advantage of a multi-part cinematic project is the possibility of building anticipation across instalments. Baahubali: The Beginning demonstrated how a compelling narrative cliffhanger could transform a sequel into a nationwide event. The Lord of the Rings showed how a sustained creative vision across multiple films could deepen audience engagement. For Ramayana, the first instalment must achieve two objectives simultaneously. It must deliver a satisfying theatrical experience in its own right while creating anticipation for the continuation. If audiences leave feeling that they have watched an incomplete film rather than a compelling chapter of a larger story, the sequel strategy could become a disadvantage. On the other hand, if the first instalment establishes memorable characters, a convincing world and powerful emotional stakes, the next chapter could benefit from substantial built-in demand. Why Hollywood should pay attention The significance of Ramayana extends beyond whether it matches the collections of Avatar or The Lord of the Rings. The larger question is whether major cinematic spectacles must continue to emerge predominantly from Hollywood. India possesses a vast storytelling tradition, a large domestic theatrical market, increasingly sophisticated production capabilities and audiences willing to support ambitious films. If Ramayana demonstrates that these advantages can be combined into a globally successful franchise, it could encourage more large-scale productions rooted in Indian stories. That would not necessarily threaten Hollywood's dominance overnight. But it could broaden the industry's understanding of where globally marketable cinematic properties can originate. There is also a creative opportunity. Rather than imitating Hollywood's storytelling formulas, Indian filmmakers could introduce international audiences to narrative traditions, visual identities and emotional sensibilities that feel genuinely different. That distinctiveness may ultimately prove more valuable than attempting to replicate an American blockbuster. The final verdict It would be premature to call Ramayana India's Avatar or The Lord of the Rings. Those franchises earned their reputations through their films' execution, audience response, commercial success and long-term cultural influence. Ramayana has yet to undergo those tests. But the ambition itself is significant. For years, Indian cinema has looked towards Hollywood for benchmarks in visual effects, production scale and international distribution. With Ramayana, the industry has an opportunity to demonstrate that its own stories can support cinematic spectacles of comparable ambition. The question is not whether India can spend enough money to compete with Hollywood. It is whether Indian filmmakers can combine technology, storytelling and cultural authenticity to create something that global audiences have never experienced before. Hollywood doesn't need to fear Ramayana. But it may have a very good reason to watch it. Also Read: Is Ramayana benefiting from Adipurushs failure? The surprising advantage nobody is talking about
Amit Shah to Be Chief Guest at Ayodhya's 10th Deepotsav on November 7
The city of Ram is regaining its ancient glory: Adityanath highlights Ayodhya
Uttar Pradesh Chief Minister Yogi Adityanath on Tuesday highlighted Ayodhya
Is Ramayana benefiting from Adipurush's failure? The surprising advantage nobody is talking about
When Adipurush was released in June 2023, it was expected to be one of the biggest cinematic events of the year. Starring Prabhas, Kriti Sanon and Saif Ali Khan, the Om Raut directorial attempted to bring the timeless story of the Ramayana to a new generation through modern visual effects and large-scale filmmaking. The expectations were enormous. So was the disappointment. Despite a massive opening, Adipurush faced widespread criticism over its visual effects, dialogues, characterisation and treatment of the source material. Its theatrical performance declined sharply after the initial enthusiasm, turning what was supposed to be a landmark cinematic event into a cautionary tale for the industry. Three years later, another ambitious adaptation of the same epic is preparing to arrive in cinemas. Nitesh Tiwari's Ramayana: Part One, starring Ranbir Kapoor, Yash and Sai Pallavi, is scheduled to release on November 5, 2026. The film has been mounted on an enormous scale and carries expectations that extend far beyond conventional box-office success. Interestingly, however, the failure of Adipurush might have given Ramayana an unexpected advantage. Could one film's disappointment have created the perfect opportunity for another to succeed? Adipurush proved that the audience was there One of the most important lessons from Adipurush is often overlooked. Despite the controversies that surrounded the film after its release, it generated enormous initial interest. Audiences turned up in large numbers during the opening weekend, demonstrating the tremendous curiosity surrounding a big-screen adaptation of the Ramayana. This is significant because Adipurush did not fail due to a lack of familiarity with its subject. On the contrary, the story was already deeply embedded in Indian culture. The film benefited from that recognition, along with Prabhas' popularity and the promise of a large-scale spectacle. The problem emerged when audiences began evaluating the execution. The criticism surrounding the visual effects, dialogues and creative choices suggested that familiarity with the source material was not enough to guarantee sustained commercial success. In other words, Adipurush demonstrated both the extraordinary potential and the considerable risks of adapting the Ramayana. And that is precisely why its failure could work in favour of Nitesh Tiwari's film. The audience now knows exactly what it doesn't want Before Adipurush, the makers of a modern Ramayana adaptation faced a difficult creative challenge. How should such a revered story be presented to contemporary audiences? How much creative liberty would viewers accept? Could modern dialogue and visual effects make the epic more accessible without compromising its emotional and cultural identity? The response to Adipurush offered some important clues. A section of the audience objected strongly to what it perceived as inappropriate dialogues, unconvincing visual effects and departures from familiar characterisations. These reactions were not necessarily representative of every viewer. However, their intensity demonstrated how deeply audiences care about the way these characters are portrayed. For the makers of Ramayana, this creates an opportunity. They have the benefit of observing the public response to another expensive adaptation of the same story. Of course, there is no public evidence that the makers have altered their creative approach specifically because of Adipurush. But the broader lessons are difficult to ignore. Sometimes, a competitor's failure can provide valuable information about what the market expects. From disappointment to redemption There is also an interesting psychological dimension to the situation. When audiences are disappointed by a film based on a beloved story, their attachment to that story does not necessarily disappear. In fact, disappointment can sometimes increase the desire to see the material adapted successfully. This is where Ramayana could benefit. A section of viewers who were dissatisfied with Adipurush may be particularly interested in discovering whether Nitesh Tiwari's film delivers the cinematic experience they had hoped for. The possibility of finally witnessing a visually impressive and emotionally satisfying adaptation could become an important part of the film's appeal. Why the casting could make a difference The casting of Ramayana also offers an interesting contrast. Ranbir Kapoor plays Lord Rama, Sai Pallavi portrays Sita and Yash takes on the role of Ravana. The film also features Sunny Deol as Hanuman and Ravie Dubey as Lakshman. Each actor brings a distinct screen image and audience following. However, the more important question is whether the performances will convince audiences that they are watching the characters rather than merely recognising the stars. This was one of the central challenges facing Adipurush, and it will remain equally relevant for Ramayana. The visual-effects challenge The scale of Ramayana has attracted considerable attention, particularly because of its association with Prime Focus Studios and DNEG. The involvement of a globally established visual-effects company raises expectations of a technically sophisticated production. But Adipurush demonstrated that spending heavily on visual effects does not automatically guarantee audience approval. The challenge is not merely to create spectacular imagery. It is to create a believable cinematic world in which the visual effects complement the performances and storytelling. Audiences must feel emotionally connected to Ayodhya, Lanka and the characters inhabiting these worlds. The film must ensure that spectacle serves the story rather than overwhelming it. Could Adipurush also become a disadvantage? There is another side to this argument. The failure of Adipurush may have made audiences more cautious about expensive mythological spectacles. Viewers who felt disappointed in 2023 could approach Ramayana with greater scepticism, particularly when it comes to visual effects, dialogues and the portrayal of revered characters. This means Nitesh Tiwari's film may face more scrutiny than it otherwise would have. Every major promotional asset could be examined closely. Comparisons with Adipurush may become inevitable, even if the two films differ significantly in their creative approach. Moreover, the immense expectations surrounding Ramayana create an additional challenge. Merely being better received than Adipurush would not be enough. Given the scale of the project, the film will need to establish its own identity and deliver an experience that justifies its ambitions. The real lesson from Adipurush The biggest takeaway from Adipurush is not that audiences have rejected mythological cinema. Rather, it is that the audience's attachment to a beloved story cannot be taken for granted. The familiarity of the Ramayana can generate extraordinary curiosity, but sustained box-office success requires compelling storytelling, convincing performances and strong word of mouth. This distinction is especially important for Ramayana, which is planned as a two-part cinematic event. The first instalment must not only succeed commercially but also establish sufficient audience confidence and emotional investment to sustain anticipation for the sequel. A spectacular opening weekend would be an achievement. But strong collections in the subsequent weeks would offer much more convincing evidence that the film has connected with viewers. Adipurush may have shown the industry what audiences did not want. Ramayana now has the opportunity to show them what they were waiting for. And if Nitesh Tiwari and his team manage to deliver on that promise, the disappointment of 2023 could become an unexpected chapter in one of Indian cinema's biggest success stories. Also Read: Ramayana Promotion: Lord Rams grand bow on display at PVR Palladium in Mumbai
Before Ranbir Kapoor, only THIS actor has played Lord Rama and Lord Parshurama in the same project
Filmmaker Nitesh Tiwaris Ramayana is one of the most keenly-awaited films of recent times. This can be seen from how it has been in the news ever since it was announced. The movies strong advance booking, as reported by Bollywood Hungama, is also proof of it. Ramayana stars Ranbir Kapoor as Lord Rama, as we all know. But this isnt the only character he is playing in the film. As seen in the first trailer and confirmed by him later, he is also playing Lord Parshurama in the movie. This is a rare feat as there is only actor in the history of Indian entertainment to do that before him. The reason for Rama and Parshurama crossing paths was Goddess Sitas Swayamvar. As per the rules of the Swayamvar laid down by Sitas father King Janaka, the person who would break the Shiv Dhanush (bow of Lord Shiva) would be eligible to marry his daughter. Of all the kings and princes present at the Swayamvar, only Rama is able to break the bow. Hence, he and Sita are married off. However, an angry Parshurama enters the scene. As he is an ardent devotee of Shiva, he is offended to see the bow being broken. This is when Rama and Parshurama, both avatars of Vishnu, come face-to-face. The trailer of Ramayana features this moment briefly. Veteran actor Nitish Bharadwaj, known for playing Lord Krishna in BR Chopras classic television show Mahabharat (1988), is that actor who played both Rama and Parshurama in the same project. He did that in the TV show Vishnu Puran (2000), which was also made by BR Chopra. On one hand, he played the calm and composed Prince of Ayodhya while on the other, he managed to pull off an angry Parshurama. Nitish Bharadwaj, however, didnt stop at playing Rama and Parshurama in Vishnu Puran. As per the format of the show, he, along with Vishnu, also played his other avatars like Vamana and Krishna. How Ranbir has performed the face off scene between the two avatars of Vishnu will be known only once Ramayana releases on November 5. As Bharadwajs feat was for TV, Ranbir is the only actor to achieve this in a feature film. Also Read: Ranbir Kapoor says portraying Lord Rama in Ramayan was a huge responsibility: My first instinct was fear, the fear of whether I was worthy of it
Discover the Spiritual Charms of Prayagraj, Varanasi, and Ayodhya This Winter
Experience the spiritual allure of Prayagraj, Varanasi, and Ayodhya this winter with rich traditions and culinary delights. Discover the Spiritual Charms of Prayagraj, Varanasi, and Ayodhya This Winter
RMLAU Result 2026 Out - Direct Link to Check UG
RMLAU Result 2026 on the official result portal of Dr. Rammanohar Lohia Avadh University, Ayodhya. Get the direct link, course categories (NEP Odd Semester, NEP Even Semester, Non-NEP), steps to check your marksheet, and answers to common questions.
Ayodhya Ram Temple revises darshan timings from November 1
Digital Desk | Ayodhya, Oct 26 (IANS) The Shri Ram Janmabhoomi Teerth Kshetra has revised the daily schedule for worship, aarti, bhog, rest and darshan of Ram Lalla at the Ram Janmabhoomi Temple in Ayodhya, Uttar Pradesh, in view of the seasonal change. The new timings will come into effect from Sunday, November 1, 2026. According to the temple trust, the temple doors, which currently open at 3.45 a.m. and close at 10.30 p.m., will now open at 4 a.m. and close at 10 p.m. Sharing the revised schedule on X, the official account of Shri Ram Janmabhoomi Teerth Kshetra said the changes had been made considering the change of seasons and the daily rituals associated with the deity. Under the new schedule, Mangala Aarti will be performed from 4.30 a.m. to 4.40 a.m., following the opening of the temple doors at 4 a.m. The doors will then remain closed until 6.30 a.m. for abhishek, shringar, dhoop-deep and naivedya. Shringar Aarti will take place at 6.30 a.m., while darshan for devotees will begin at 7 a.m. The doors will remain closed briefly from 8 a.m. to 8.10 a.m. for Bal Bhog, after which darshan will continue until 11.30 a.m. Raj Bhog will be offered from 11.30 a.m. to noon, followed by Raj Bhog Aarti at 12 p.m. Ram Lalla's rest period will be from 12.30 p.m. to 1.30 p.m. After the priests' entry and the offering of light bhog, darshan will resume at 1.35 p.m. Explaining the rationale behind the revised timings, Rajkumar Das, a member of the Ram Temple's Religious Committee, said the seasonal adjustment was in keeping with the traditions followed at major temples across the country. In all the major temples of the country, there are distinct traditions and arrangements for darshan during the summer season and the autumn season. Our Thakur Shri Ram Lalla Sarkar is present in a child form, and no one can truly serve him, as he is the provider and preserver of the entire universe... However, out of parental affection, Thakur Ram Lalla Sarkar is worshipped in his child form, and from that perspective, the morning darshan timing has been extended slightly because in autumn, nights are longer and days are shorter, he said. In the afternoon, the temple doors will remain closed from 4 p.m. to 4.10 p.m. for Bal Bhog, with darshan continuing until 6.45 p.m. Dhoop-deep and naivedya will be performed from 6.45 p.m. to 7 p.m., followed by Sandhya Aarti at 7 p.m. The doors will remain closed from 8 p.m. to 8.30 p.m. and again from 9.15 p.m. to 9.30 p.m. for dhoop-deep and naivedya. Shayan Aarti will be performed at 9.30 p.m., and the temple doors will close for the day at 10 p.m.
30L diyas order to set aglow lives of Ayodhya potters
Major Change in Ram Lalla Darshan Timings in Ayodhya Starting November 1
The Ram Lalla temple in Ayodhya will open at 4 AM starting November 1, 2026, altering the daily darshan schedule. Major Change in Ram Lalla Darshan Timings in Ayodhya Starting November 1
Open Your Eyes: Kharge Targets BJP, Asks Lord Ram To Punish Those Accused Of Temple Fund Theft
Congress president Mallikarjun Kharge on Sunday criticised the BJP over allegations of theft involving funds linked to the Ayodhya temple, invoking Lord Ram to demand action against those accused of misusing wealth in his name. Speaking in Patna, he also raised
Mallikarjun Kharge Targets BJP in Patna, Demands Ballot Papers and Immediate End to SIR
Congress President Mallikarjun Kharge launched a sharp attack against the Bharatiya Janata Party (BJP) while addressing a gathering in Patna on Sunday, invoking Lord Ram over the Ayodhya temple fund theft controversy and calling for a nationwide movement against electoral roll revisions. Invocation of Lord Ram and Attacks on RSS-BJP Focusing on the alleged financial [] The post Mallikarjun Kharge Targets BJP in Patna, Demands Ballot Papers and Immediate End to SIR appeared first on Pragativadi I Latest Odisha News in English I Breaking News .
Congress accuses PM, Shah of covering up Ram Temple donation theft
New Delhi: The Congress on Sunday, October 25, accused Prime Minister Narendra Modi of choosing to cover up the sins of the thieves, who stole donations at the Ram Temple in Ayodhya, instead of initiating a comprehensive investigation, and demanded that the PM break his silence on the issue. Congress general secretary in-charge communications Jairam Get the latest updates in Hyderabad City News , Technology , Entertainment , Sports , Politics and Top Stories on WhatsApp & Telegram by subscribing to our channels. You can also download our app for Android and iOS .
PM Modi pays homage to Maharishi Valmiki, says his Ramayan continues to guide us
Digital Desk | New Delhi, Oct 25 (IANS) Prime Minister Narendra Modi on Sunday highlighted the timeless teachings of Maharishi Valmiki and the values of service, compassion and social harmony reflected in the Ramayan, urging people to draw inspiration from the ancient epic as the country prepares to celebrate the sage's birth anniversary. Addressing the 139th episode of his monthly radio programme, 'Mann Ki Baat', PM Modi said the Ramayan, composed by Maharishi Valmiki thousands of years ago, continued to offer valuable lessons and fresh insights to people even today. Tomorrow, October 26, marks the birth anniversary of Maharishi Valmiki. Though thousands of years have passed, the Ramayan of Maharishi Valmiki ji continues to offer us new insights even today, the Prime Minister said. Reflecting on the teachings of the epic, PM Modi said, Through the Ramayan, Maharishi Valmiki has imparted profound life lessons to us on the one hand, he emphasises the value of persistent effort; on the other, he also highlights the importance of service, compassion, and social harmony. The Prime Minister further explained how these ideals were embodied in the character of Bhagwan Ram in the Valmiki Ramayan. He referred to Bhagwan Ram's acceptance of Mata Shabari's love and devotion and his friendship with Nishadraj as examples of respect, inclusiveness and the spirit of taking everyone along. In the Valmiki Ramayan, the character of Bhagwan Ram serves as a beautiful embodiment of these values Bhagwan Ram embraced the love and devotion of Mata Shabari honoured his friendship with Nishadraj. The spirit of taking everyone along -- these ideals continue to guide us even today, PM Modi said. This sentiment is also reflected in the grand Ram Mandir in Ayodhya, where shrines dedicated to Maharishi Valmiki, Nishadraj and Mata Shabari as well have been built, he added. PM Modi also expressed happiness over the naming of Ayodhya's airport after Maharishi Valmiki. These initiatives enrich our great tradition -- the very tradition that places the highest value on service, social harmony, and compassion, the Prime Minister said. Towards the end of the programme, PM Modi extended his greetings to the people ahead of the upcoming festive season. He urged people to celebrate the festivals with their families. The coming days will be filled with the festive spirit of Diwali, the great festival of Chhath, and several other celebrations. Do celebrate these festivals with your entire family while staying healthy and safe, and include others in your joy. I extend my best wishes to all of you for the upcoming festivals, he said.
The world of Ramayana unfolds through another musical offering, Mangal Rang, which brings Lord Rama and Maa Sita into focus through a series of beautiful visuals capturing their journey together. The song brings together striking landscapes, majestic palace settings and glimpses of the couples wedding, offering a look at the beauty and emotional depth of their relationship. Featuring Ranbir Kapoor as Lord Rama and Sai Pallavi as Goddess Sita, the song is now available on the official YouTube channels of World of Ramayana and T-Series and streaming on all platforms. Released simultaneously across Hindi, Tamil, Telugu, Kannada and Malayalam, Mangal Rang brings the musical experience to audiences across languages. It moves through different moments in their journey, from the grandeur of the palace and the sacredness of their wedding to their life beyond Ayodhya. Beyond the scale of its settings, Mangal Rang also offers glimpses of the bond between Rama and Sita. Their wedding sequences capture the joy and sanctity of their union, while the visuals from their journey into Vanvas bring a different dimension to their relationship. The song brings together an accomplished musical collaboration, with A. R. Rahman composing the music and Dr. Kumar Vishwas penning the Hindi lyrics. Arijit Singh and Shreya Ghoshal lend their voices to the Hindi version, while each language features its own vocalists and lyricist, bringing the songs emotional core to audiences across the country. The Tamil version features Abhay Jodhpurkar and Saindhavi, with lyrics by Karthik Netha. The Telugu version features Raghav Kaushik and Vaishali Samant, with lyrics by Rakendu Mouli. Armaan Malik and Bela Shende lend their voices to the Kannada version, with lyrics by Karthik Saragur, while the Malayalam version features Naresh Iyer and Amritha Rajan, with lyrics by Vinayak Sasikumar. Speaking about composing the music for Ramayana and bringing the love story of Rama and Sita to life through Mangal Rang, A. R. Rahman said, Ramayana is a story that has lived in the hearts of people for generations, and approaching it through music was a very special experience for me. There is a certain purity and tenderness in the relationship between Rama and Sita that I wanted the music to hold on to. With Mangal Rang, I hope listeners feel that warmth and devotion, and find something personal in the melody. Some stories don't need to be explained; they simply need to be felt. Speaking about lending his voice to Mangal Rang and being part of Ramayana, Arijit Singh said, Ramayana is not merely a story or an epic; it is a timeless reflection of life, our inner consciousness and the connection we share with everything around us. The melody of Mangal Rang, composed by A. R. Rahman sir, took me somewhere beyond words, into a space where love blossoms in its purest form. The sincerity and tenderness of the eternal relationship between Shri Ram and Mata Sita kept reminding me of the thread of love that connects us all, beyond everything that makes us seem different. Being part of this melody has been a deeply transformative experience, and I feel blessed to have been a part of a dream that Namit sir and his team are bringing to life. I hope this song reaches every listener with the same feeling of love, gratitude and devotion that I experienced while singing it. Speaking about singing for Mangal Rang and connecting with the love story of Rama and Sita in Ramayana, Shreya Ghoshal said, What makes Rama and Sita's love so beautiful is that it goes beyond the happiness of being together. There is faith, understanding and a quiet strength in their bond that makes it deeply moving. Singing Mangal Rang allowed me to connect with that tenderness, and I approached it with a lot of love in my heart. Being part of a story that means so much to so many people is something I feel truly grateful for. I hope the song brings listeners a sense of warmth and peace, and lets them experience the beauty of Rama and Sita's relationship in their own way. Speaking about being part of the musical journey of Ramayana with Mangal Rang, Abhay Jodhpurkar said, Ramayana is a story that has been a part of our lives and our cultural memory for generations. Being able to lend my voice to Mangal Rang was a deeply moving experience, especially because the song captures the love and togetherness between Rama and Sita. There is a certain sincerity in their relationship that makes it timeless, and I tried to bring that emotion into my singing. I feel grateful to be part of a musical offering that allows this beautiful story to reach audiences in Tamil as well. Speaking about the opportunity to be part of Ramayana through the Telugu version of Mangal Rang, Vaishali Samant said, Being part of Mangal Rang has been a very special experience. Rama and Sitas relationship carries so much love, trust and devotion, and there is a beautiful gentleness to the way their story unfolds in this song. I approached it with a lot of emotion, hoping to do justice to the feeling at its heart. To be able to share this story with Telugu-speaking audiences through music is something I feel very fortunate about. Reflecting on collaborating on Ramayana and lending his voice to the Kannada version of Mangal Rang, Armaan Malik said, Ramayana is a story that transcends generations, and being part of its musical journey is something I feel deeply grateful for. Mangal Rang celebrates the love between Rama and Sita in a way that feels intimate and heartfelt. I wanted my singing to reflect that emotion and allow the melody to speak for itself. I hope the Kannada version connects with listeners in a personal way and brings them closer to the beauty of this timeless relationship. Talking about the emotional connection she found with Rama and Sitas relationship while singing the Kannada version of Mangal Rang, Bela Shende said, There is something incredibly moving about the love between Rama and Sita. It is rooted in trust, understanding and a bond that remains strong through every turn of their journey. Singing Mangal Rang gave me an opportunity to connect with that emotion, and I approached the song with a great deal of love and reverence. I hope the Kannada version brings listeners the same warmth and peace that I felt while singing it. Dr Kumar Vishwas on penning the lyrics of Mangal Rang for Namit Malhotras Ramayana: I sat down several times to write a song celebrating the divine wedding of Shri Ram. Yet, every time I wrote a couple of lines and revisited them, I felt that the grandeur of the wedding of the ParamPita must have been a thousand times greater than anything I could express through my words. Eventually, when I found myself unable to feel satisfied with my own writing, I turned to Maa Saraswati in prayer. Whatever this composition has become, I believe it is her creation. Ramayana features Ranbir Kapoor as Lord Rama, Sai Pallavi as Goddess Sita, Yash as Ravana, Sunny Deol as Lord Hanuman and Ravi Dubey as Lakshman. The film is set to release on November 5. Also Read: Box Office: Ramayana advance bookings pick up pace; Ranbir Kapoor-Yash starrer crosses 1 lakh tickets in national chains, eyes Rs. 70 crore opening
AR Rahman, Arijit Singh bring Rama and Sitas love story to life with Mangal Rang from Ramayana
Digital Desk | Mumbai, Oct 25 (IANS) Music composer A. R. Rahman and singer Arijit Singh have come together for Mangal Rang, a song from Namit Malhotras upcoming film Ramayana. Featuring Ranbir Kapoor as Lord Rama and Sai Pallavi as Maa Sita, the song captures the couples journey, from their wedding to their life beyond Ayodhya, and has been released simultaneously in five languagesHindi, Tamil, Telugu, Kannada, and Malayalam. Speaking about composing the music for Mangal Rang, A. R. Rahman said, Ramayana is a story that has lived in the hearts of people for generations, and approaching it through music was a very special experience for me. There is a certain purity and tenderness in the relationship between Rama and Sita that I wanted the music to hold on to. With Mangal Rang, I hope listeners feel that warmth and devotion and find something personal in the melody. Some stories don't need to be explained; they simply need to be felt. Talking about lending his voice to Mangal Rang and being part of Ramayana, Arijit Singh mentioned, Ramayana is not merely a story or an epic; it is a timeless reflection of life, our inner consciousness and the connection we share with everything around us. The melody of Mangal Rang, composed by A. R. Rahman sir, took me somewhere beyond words, into a space where love blossoms in its purest form. The sincerity and tenderness of the eternal relationship between Shri Ram and Mata Sita kept reminding me of the thread of love that connects us all, beyond everything that makes us seem different. Being part of this melody has been a deeply transformative experience, and I feel blessed to have been a part of a dream that Namit sir and his team are bringing to life. I hope this song reaches every listener with the same feeling of love, gratitude and devotion that I experienced while singing it. Speaking about singing for Mangal Rang and connecting with the love story of Rama and Sita in Namit Malhotras Ramayana, Shreya Ghoshal mentioned, What makes Rama and Sita's love so beautiful is that it goes beyond the happiness of being together. There is faith, understanding and a quiet strength in their bond that makes it deeply moving. Singing Mangal Rang allowed me to connect with that tenderness, and I approached it with a lot of love in my heart. Being part of a story that means so much to so many people is something I feel truly grateful for. I hope the song brings listeners a sense of warmth and peace, and lets them experience the beauty of Rama and Sita's relationship in their own way. The song features Arijit Singh and Shreya Ghoshal in Hindi, Abhay Jodhpurkar and Saindhavi in Tamil, Raghav Kaushik and Vaishali Samant in Telugu, Armaan Malik and Bela Shende in Kannada, and Naresh Iyer and Amritha Rajan in Malayalam. A. R. Rahman has composed the music, while Dr. Kumar Vishwas has written the Hindi lyrics. The Tamil version features Abhay Jodhpurkar and Saindhavi, with lyrics by Karthik Netha. Armaan Malik and Bela Shende lend their voices to the Kannada version, with lyrics by Karthik Saragur, while the Malayalam version features Naresh Iyer and Amritha Rajan, with lyrics by Vinayak Sasikumar. Reflecting on collaborating on Namit Malhotras Ramayana and lending his voice to the Kannada version of Mangal Rang, Armaan Malik stated, Ramayana is a story that transcends generations, and being part of its musical journey is something I feel deeply grateful for. Mangal Rang celebrates the love between Rama and Sita in a way that feels intimate and heartfelt. I wanted my singing to reflect that emotion and allow the melody to speak for itself. I hope the Kannada version connects with listeners in a personal way and brings them closer to the beauty of this timeless relationship. Ramayana features Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita, Rocking star Yash as Ravana, Sunny Deol as Hanuman, and Ravi Dubey as Lakshman. Directed by Nitesh Tiwari and produced by Namit Malhotras Prime Focus Studios in collaboration with 8-time Oscar-winning DNEG and Yashs Monster Mind Creations, Ramayana will release worldwide on 5 November 2026, followed by Part 2 in Diwali 2027, in Hindi, Tamil, Telugu, Kannada, and Malayalam across India.
UP Elections 2027: Yogi Vs Akhilesh, Ayodhya 27 ? | Election Expressway
UP Elections 2027: Yogi Vs Akhilesh, Ayodhya 27 ? | Election Expressway
Ayodhya to Showcase Cultural Heritage Through Art Competitions at Deepotsav 2026
Ayodhyas Deepotsav 2026 will feature art competitions to highlight its cultural heritage, inviting participants from all ages. Ayodhya to Showcase Cultural Heritage Through Art Competitions at Deepotsav 2026
Ayodhya Municipal Corporation launches cleanliness drive at 27 sites ahead of Deepotsav
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Evicting Ayodhya shopkeepers without rehabilitation highly condemnable: HC
MP- NHRC Orders Probe Over Use Of Children In Diggys Ujjain To Ayodhya Padayatra
The NHRC has directed the chief secretary and director general of police (DGP) of the Madhya Pradesh government to conduct a thorough investigation: Reports
India has recovered over 650 stolen ancient statues in 12 years: PM Modi
Digital Desk | New Delhi, Oct 23 (IANS) Prime Minister Narendra Modi on Friday said that India has recovered more than 650 stolen ancient statues over the past 12 years, highlighting the government's efforts to preserve the country's cultural heritage. He also said that a revival of India's cultural centres was taking place from north to south and east to west. Addressing the Chinmaya Amrit Mahotsav Global Sammelan in New Delhi, PM Modi said preserving India's heritage was one of the missions of Swami Chinmayananda, the founder of the Chinmaya Mission. There was another mission of Swamiji: the conservation of Indian heritage. You have seen the Vivekananda Rock Memorial. Today, it is a source of inspiration for millions of people visiting from across India and the world, he said. The Prime Minister cited several examples of India's cultural and spiritual heritage being restored to prominence, including the Kashi Vishwanath Dham, the Ram temple in Ayodhya, and the sacred sites of Kedarnath and Badrinath. A revival of India's cultural centres is taking place from north to south and east to west. Whether it is the new look of the Kashi Vishwanath Dham, the grand temple of Lord Shri Ram in Ayodhya, or our sacred sites such as Kedarnath and Badrinath, these places are regaining their prominence, he said. Referring to Kedarnath, PM Modi said a magnificent statue of Adi Shankaracharya had been installed at the site where the philosopher is believed to have attained his final state of existence. If you visited Kedarnath recently, you would have seen a magnificent and divine statue of Adi Shankaracharya installed at the place where he left his mortal body. These sites are now returning to their former grandeur, he said. PM Modi said that in the past, numerous ancient statues had been stolen from India and taken abroad, where they were sold without adequate intervention. You all know that there was a time when many statues were stolen and taken to foreign countries. They were sold, and no one stopped them. In the last 12 years, we have brought back more than 650 stolen ancient statues, he said. The Prime Minister also highlighted India's growing international cultural presence, saying that the country's cultural centres were gaining recognition and that International Yoga Day was connecting people worldwide with India's ancient traditions. Just as Swamiji took our religion and philosophy to people across the world, today International Yoga Day is connecting people from all over the world with India. It is connecting people with our ancient and great traditions, he said. PM Modi said the growing pride in India's heritage and the determination to overcome a colonial mindset reflected the country's progress towards the vision cherished by its sages and freedom fighters. He also called for collective efforts to address emerging social challenges and unite society against divisive forces. We must awaken our citizens to the need for self-reliance. We must connect every citizen with the resolve for a developed India in 2047. We must become more active towards these objectives, he said. The Prime Minister noted that 2047 would mark 100 years of India's Independence and the centenary of the Chinmaya Mission, saying both milestones presented an opportunity to work together towards shared goals. Our aim is the same. We will have to come forward together, he said.
Digvijaya Singh Engages with Farmers During Saty Sanatan Swabhiman Yatra
Digvijaya Singh listens to farmers concerns about crop issues during his yatra from Ujjain to Ayodhya. Digvijaya Singh Engages with Farmers During Saty Sanatan Swabhiman Yatra
Kashi Tamil Sangamams fifth edition will be a tribute to Thirukkural: Education Minister
Pralhad Joshi opens registration portal for event to be held from November 28 to December 12; 1,400 participants from Tamil Nadu expected to embark on eight-day trip to Varanasi, Prayagraj, Ayodhya
Ravi Kishan plays Lord Rama for the first time at Ramleela, recalls journey from playing Sita
Ravi Kishan played Lord Rama for the first time at Delhis Ayodhya Ki Ramleela during Dussehra. The actor, whose childhood Ramleela roles included Sita, Parshuram and Kevat, reflected on his journey from village performances to a career in cinema and politics. He also urged young people to learn about Hindu deities and embrace spirituality and meditation.
BJP Youth Leaders Express Confidence in Upcoming Elections in Ayodhya
BJP youth leaders Harshvardhan Singh and Nikhil Mani Tiwari express confidence in youth support ahead of the 2027 Uttar Pradesh elections. BJP Youth Leaders Express Confidence in Upcoming Elections in Ayodhya
Mosque-Temple Disputes: Is India Moving Forward Or Backward?
In 1949, one night, an idol of Ram Lala (the infant Ram) was placed in Babri Masjid in Fyzabad (Ayodhya), and it was declared that Lord Ram had miraculously appeared there.
Dussehra celebrated with traditional fervour
Srinagar, Oct 20: Dussehra was celebrated in Srinagar with traditional fervour on Tuesday at S K Stadium, with members of the Kashmiri Pandit community participating in the festivities marking the victory of good over evil. The festival, also known as Vijayadashami, marks the victory of Lord Rama over Ravana and symbolises the triumph of righteousness over evil. It is celebrated on the tenth day of the Hindu lunar month of Ashwin, following the nine-day Navratri festival. The celebrations brought together members of the community to observe the occasion through religious rituals and traditional festivities. Dussehra holds particular cultural and religious significance for Hindus, commemorating the victory of truth, justice and righteousness. In Srinagar, the festival also reflects the communitys efforts to preserve its religious traditions and cultural heritage. The occasion provides an opportunity for people to come together and pass on longstanding customs to younger generations. Across the country, Dussehra is celebrated in different ways, with the burning of effigies of Ravana, Meghnath and Kumbhkaran forming a major attraction in several places. The festival also marks the culmination of Ramlila performances depicting episodes from the Ramayana. Dussehra conveys the timeless message that good always triumphs over evil. The festival is an occasion to come together, preserve our cultural and religious traditions, and pass on the values of truth, righteousness and mutual respect to the younger generation, an organiser said. The celebrations are followed by Diwali, the festival of lights, which is observed to mark Lord Ramas return to Ayodhya after 14 years of exile. Dussehra conveys the message that good ultimately triumphs over evil, while encouraging people to uphold truth, compassion and righteousness in their lives.
Digvijay Singh Launches Truth and Pride Journey from Ujjain to Ayodhya
Former MP Chief Minister Digvijay Singh embarks on a spiritual journey from Ujjain to Ayodhya, promoting values of truth and transparency. Digvijay Singh Launches Truth and Pride Journey from Ujjain to Ayodhya
RSS Celebrates Dussehra with Traditional Procession in Ayodhya
The RSS marked Dussehra in Ayodhya with a ceremonial weapon worship and a disciplined procession, celebrating 100 years of the organization. RSS Celebrates Dussehra with Traditional Procession in Ayodhya
Digvijay To Begin 70-Day Ujjain-Ayodhya Padayatra Today On Ram Temple Funds, 'Vote Chori'
The Kamal Nath government then had however lasted barely 15 months in the wake of around 25 Congress MLAs, loyal to Union minister Jyotiraditya Scindia (who was then in Congress), switching over to BJP.
Ramayana: How 4,500 jewellery pieces were designed for Ranbir Kapoor, Sai Pallavi and Yash
Highlights More than 4,500 jewellery pieces were created for the first part of Ramayana . Tribe Amrapali spent over 18 months researching and designing jewellery for the epic. Ayodhya, Mithila and Lanka each have distinct styles inspired by their identities and characters. The world of Ramayana is being shaped not only by its grand sets and costumes but also by the intricate jewellery worn by its characters. For Nitesh Tiwaris two-part cinematic adaptation, jewellery brand Tribe Amrapali has created more than 4,500 individual pieces for the first instalment, drawing on traditional Indian craftsmanship, mythology and historical ornamentation. The project took more than 18 months of research and design, with the team developing distinct jewellery styles for Ayodhya, Mithila and Lanka. The designs help establish the visual identities of the kingdoms and reflect the personalities and values of the characters played by Ranbir Kapoor , Sai Pallavi and Yash . The research behind the jewellery Tribe Amrapali creative head Tarang Arora and his team studied mythology, ancient Indian jewellery, temple art and sculptures to develop designs suited to the films world. The aim was to draw from traditional forms while giving each character and kingdom a recognisable visual identity. The jewellery incorporates techniques such as embossing, engraving, filigree-inspired openwork and granulation-inspired beadwork. These methods bring texture and detail to the pieces while reflecting the craftsmanship of traditional Indian jewellery. Three kingdoms, three distinct styles Ayodhyas jewellery is built around symmetry and refined detailing. Designs associated with Ram draw on the Sun motif, reflecting his Suryavanshi lineage, alongside elements such as the Dharma Chakra and lotus. Together, these details connect the jewellery to the kingdoms visual identity and its themes of duty and righteousness. See on Instagram Mithila, associated with Sita, takes a softer approach. Floral motifs and graceful forms shape its jewellery, reflecting a different aesthetic from Ayodhyas more structured designs. Lanka, meanwhile, features bolder, more sculptural and asymmetrical forms, with darker stones used to establish a striking visual identity for Ravana and his kingdom. The designs for Mandodari and Vibhishana introduce more symmetry and warmer stones, giving their jewellery a distinct character within Lankas broader aesthetic. Craftsmanship on an epic scale The scale of the work reflects the productions attention to visual detail. With thousands of pieces created for the first film alone, the jewellery forms an important part of how the characters and their worlds are presented on screen. See on Instagram Ramayana stars Ranbir Kapoor as Ram, Sai Pallavi as Sita and Yash as Ravana, with Sunny Deol playing Hanuman and Ravi Dubey portraying Lakshman. The two-part film is produced by Prime Focus Studios, in association with DNEG and Yashs Monster Mind Creations. The first part of Ramayana is scheduled for a worldwide release on November 5, 2026, with the second part planned for Diwali 2027. The film is set to release in five Indian languages and in IMAX.
Punjab AAP seeks punishment for Ayodhya's Ram Temple 'chanda chori accused
Digital Desk | Chandigarh, Oct 19 (IANS) Aam Aadmi Party (AAP) Punjab President, Aman Arora, on Monday urged Prime Minister Narendra Modi to ensure strict punishment for those responsible for the reported 'chanda chori' at Shri Ram Mandir in Ayodhya. The AAP asserted that the BJP, which rose to power by invoking the sentiments associated with the Ram Temple, must not shield anyone who betrayed devotees faith. Citing 105 reported incidents of chanda-chori (donation theft)', Aman Arora demanded a thorough probe into the role of senior officials, questioning why accountability should end with junior employees. Arora said more than one lakh Ram devotees from Punjab had written to Prime Minister Modi seeking justice, declaring: Ram Bhakton ki ek pukar, Chanda choron ko saza is baar. Arora said, Millions of Ram devotees contributed their hard-earned money towards the construction of the Shri Ram Mandir in Ayodhya with immense faith and devotion. If the money donated by devotees has been misappropriated, it is a betrayal of their faith. Prime Minister Narendra Modi must ensure that everyone found guilty faces the strictest punishment. The AAP Punjab President said, I am raising this issue not as an AAP leader or party president, but as a Ram Bhakt who shares the anguish of lakhs of people across Punjab. People across the country celebrated the construction of the Shri Ram Mandir with immense joy and contributed generously from their hard-earned savings towards this sacred project. Their faith and contributions deserve to be respected. While displaying bundles of letters received from different parts of Punjab, Cabinet Minister Arora said, More than one lakh Ram devotees from Punjab have voluntarily written letters to Prime Minister Narendra Modi, urging him to intervene and ensure justice. These letters have come from across approximately 22,000 polling booths in the state. We will present them to the Prime Minister as a collective appeal from devotees who want accountability and strict action against everyone found responsible. Why should accountability end with lower-level employees when serious questions remain about the role of senior officials and those entrusted with managing the temples affairs? If repeated incidents of theft have taken place, the responsibility of those overseeing the institution must also be examined, he said.
Jairam Ramesh criticises BJP on alleged Ayodhya Ram Temple theft
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Digital Desk | Ayodhya, Oct 19 (IANS) BJP National Spokesperson, R.P. Singh, on Monday criticised Samajwadi Party (SP) chief, Akhilesh Yadav, ahead of the release of the party's manifesto on Constitution Day on November 26, for the 2027 Uttar Pradesh Assembly elections. Speaking to IANS, Singh claimed the people of UP had already witnessed the previous promises made by the party and experienced what he described as 'goonda raj' and 'mafia raj' during its rule. The people of Uttar Pradesh have already seen the party's previous promises and witnessed the 'goonda raj' and 'mafia raj' in the state. The people of Uttar Pradesh do not want such promises or a government run by goons and mafias, Singh alleged. Meanwhile, Samajwadi Party MP, Awadhesh Prasad, described the party's election manifesto as a sacred document, asserting that the party remained committed to fulfilling its promises after coming to power. For us, the election manifesto is like a sacred document. We treat it with the same faith and reverence with which we regard religious scriptures, bow before them and follow their teachings in our conduct. Whatever we promise before the elections, once the government is formed, we fulfil those promises over the next five years under all circumstances. For us, the manifesto is a sacred document, Prasad said. The Samajwadi Party will release its manifesto for the 2027 Uttar Pradesh Assembly elections on November 26, which is observed as Constitution Day, Akhilesh Yadav announced on Monday. In a post on X, Yadav wrote, The Resolve of '27: The PDA's Manifesto. On the sacred democratic occasion of 'Constitution Day' on November 26, 2026, we will release the 'Jan-Man Manifesto'. Uttar Pradesh is scheduled to hold Assembly elections in 2027, with political parties preparing for the electoral contest amid a controversy over the Election Commission of India's (ECI) Special Intensive Revision (SIR) of electoral rolls. On Sunday, Yadav urged party workers to remain vigilant at their respective polling booths, accusing the ruling Bharatiya Janata Party (BJP) of conspiring to create fake votes. He also accused the BJP-led state government of undermining the education and examination systems in Uttar Pradesh. In response to the SP's criticism, Chief Minister Yogi Adityanath took a swipe at the previous SP government on Saturday, comparing the party and education to he two banks of a river that can never meet. Addressing a Teachers' and Graduates' Conference in Lucknow, Adityanath accused the previous SP government of undermining recruitment processes. The Chief Minister alleged that the 'Saifai Syndicate' had weakened recruitment procedures and created an identity crisis for young people.
Major Changes to Ayodhyas Ram Lalla Viewing System Enhance Accessibility for Devotees
The Ram Janmabhoomi Trust has expanded the viewing pass system, allowing devotees to plan visits up to 90 days in advance. Major Changes to Ayodhyas Ram Lalla Viewing System Enhance Accessibility for Devotees
60-Foot Ayodhya Ram Temple Replica Draws Crowds At Siliguri Pandal
A 60-foot-tall saffron-coloured replica of the Ram Temple in Ayodhya has become a major attraction at a Durga Puja pandal in Siliguri, West Bengal. Organised by Saktigarh Ujjwal Sangha, the structure is drawing devotees and visitors.
Assam Chief Minister Himanta Biswa Sarma Criticizes Opposition Amid Ayodhya Visit
Assam CM Himanta Biswa Sarma attacks opposition protests, emphasizing that governments change through votes, not threats. Assam Chief Minister Himanta Biswa Sarma Criticizes Opposition Amid Ayodhya Visit
The Shri Ram Janmabhoomi Teerth Kshetra Trust has rolled out new initiatives aimed at enhancing devotees' access to Ram Lalla. Visitors can now reserve Sugam Darshan passes up to 90 days ahead of their intended visit, significantly boosting convenience. The trust has increased the daily online pass availability from 975 to 2,000, ensuring more people can access the site.
CR to run 24 special trains between Mumbai and Ayodhya for festive season
The special trains will run with Amrit Bharat rakes, offering additional travel options for passengers travelling during the festive season. The Lokmanya Tilak Terminus (LTT)-Ayodhya Cantt-LTT Superfast Special services will operate as 12 trips in each direction
LK Advani: RSS days to Rath Yatra, photos that defined veteran BJP leader
Lal Krishna Advani, former Deputy Prime Minister and a veteran Bharatiya Janata Party (BJP) leader, is no more. A founding member of the BJP in 1980, Mr. Advani is considered the architect of the party's rise as a major national force in the 90s. The veteran leader rode the Ayodhya movement and elevated the BJP from the fringes to the mainstream. Mr Advani, along with former Prime Minister Atal Bihari Vajpayee, was the face of the party for several decades before the advent of the Modi-Shah era. From leading the rath yatra to his swearing-in as Deputy Prime Minister of India, here's look at the key moments from Advani's public life that also left an indelible footprint in the country's political terrain.
Akhilesh dares CM Yogi to contest from Ayodhya in assembly election
Promising to accelerate the growth of Ayodhya, the SP leader alleged rampant demolition under BJPs watch in the name of development
Akash Anand to relaunch BSP poll campaign from Ayodhyas Bikapur on Nov 20
A total of 148 of the 150 construction works in the Ram temple complex in Ayodhya have been completed.The remaining work focuses on the outer enclosure, which was delayed due to rain. The temple's lighting is targeted for completion by November 15 in preparation for Diwali. Additionally, the committee is reviewing financial matters and assessing contractor performance.
Ravi Kishans Garba Moves Go Viral Ahead of Ramleela Role
BJP MP Ravi Kishan shared a video of himself dancing garba, with his moves leaving netizens amazed as the video went viral. The actor has also recently opened up about the pressure of playing Lord Ram in Ayodhya Ki Ramleela on October 19 and 20, revealing that he is fasting, following a special diet and keeping calm for the role.
Kolkata: First-ever Durga Puja with theme Ram Ki Ayodhya; Guv Ravi graces the inauguration
Kolkata: First-ever Durga Puja with theme Ram Ki Ayodhya; Guv Ravi graces the inauguration
Ram Mandir remaining construction work to be fully completed by Nov 15: Nripendra Misra
Digital Desk | Ayodhya, Oct 16 (IANS) Ram Mandir Construction Committee Chairman Nripendra Misra on Friday said that almost all construction work at the temple complex has been completed, with the remaining work scheduled to be finished by November 15. Speaking to reporters, Misra extended greetings on the upcoming festivals and provided an update on the temple's development, stating that 148 of the approximately 150 construction works within the complex had been completed and handed over to the Ram Mandir Trust. He said L&T, which was responsible for executing the construction work, had to hand over the completed projects to the Trust along with the relevant records, drawings, designs and financial documentation. The Trust's project engineers subsequently inspect the works before approving their handover. Of these 150 works, 148 have been completed and handed over. The major construction work that is yet to be handed over is the Parkota, the temple's perimeter structure, Misra said. Explaining the delay, he said the water treatment work on the Parkota's roof was still pending. Continuous rainfall in Ayodhya over the past three days has affected the pace of construction, delaying the work. However, he expressed confidence that the remaining work would be completed by November 15. Lighting work is currently underway in the temple and the Parkota. That will be completed by November 15, he said, adding that the recent developments observed at the site were related to the temple complex's ongoing construction. Misra also provided updates on other projects in Ayodhya. He said the Martyrs' Memorial had been completed and that he had inspected it on Thursday. Only minor horticulture and landscaping work remained at the site. Regarding the Madhavacharya Gate, he said approximately 80 per cent of the construction work had been completed. Misra added that he was scheduled to inspect the site to assess the progress. The committee chairman's update comes as work continues on the remaining infrastructure, finishing and lighting arrangements at the Ram Mandir complex, with November 15 set as the deadline for completing the pending tasks.
148 of 150 construction works at Ayodhya Ram Temple completed, facade lighting due by November 15
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Yami Gautam Visits Ayodhya Ahead of Film Release, Seeks Blessings at Ram Temple
Actress Yami Gautam visits Ayodhyas Ram Temple, seeking blessings for her upcoming film Nayi Naveli. Yami Gautam Visits Ayodhya Ahead of Film Release, Seeks Blessings at Ram Temple
RMLAU Result 2026 Out - Check Result Online @ rmlau.ac.in
Dr. Ram Manohar Lohia Avadh University (RMLAU) Ayodhya result 2026 on the official portal. Find course-wise result categories for NEP odd and even semesters and non-NEP courses, how to check your marksheet.
Bihar CM: Lord Ram asked PM, 'When will I get a home?'
Bihar Chief Minister Samrat Choudhary recently made a statement suggesting Lord Ram was 'asking for a home' while Prime Minister Narendra Modi provided houses to millions. He linked the construction of the Ram Temple in Ayodhya to PM Modi's efforts, highlighting the BJP's ideological commitment to the temple and other key issues like Article 370 abrogation. Choudhary also mentioned plans for a Sita temple in Bihar.
Yami Gautam seeks blessings at Ram Mandir in Ayodhya ahead of Nayyi Navelli release | Photos
Yami Gautam seeks blessings at Ram Mandir in Ayodhya ahead of Nayyi Navelli release | Photos
SC protects Ayodhya journalist, quashes police data request
The Supreme Court has made permanent its order protecting a journalist from coercive action in a road rage case and quashed a police notice to 'X' seeking his digital details. The court noted the police sought data from before the alleged crime and granted the journalist liberty to challenge the FIR and seek guidelines for data collection.
Independent journalist Abhishek Upadhyay had authored investigative stories of the alleged misappropriation and theft of donations at the Ayodhya Ram Temple
Ayodhya Enhances Security with CCTV and Drones for Durga Puja Festivities
Ayodhya police have stepped up security measures for Durga Puja, utilizing CCTV and drones to ensure a peaceful celebration. Ayodhya Enhances Security with CCTV and Drones for Durga Puja Festivities
Ravi Kishan Opens Up on Portraying Lord Ram in Grand 'Ayodhya Ki Ramleela' in Delhi
Congress has no right to take Lord Ram
Telangana BJP president N Ramchander Rao on Monday criticised Telangana Chief Minister A Revanth Reddy over his remarks comparing the Congress to Lord Ram and the BJP to Ravana during his campaign speech in Goa on Sunday. Rao alleged that the Congress had opposed the construction of the Ram Temple in Ayodhya and accused the party of following an anti-Hindu approach. Speaking to ANI, Rao said the Congress had no right to invoke Lord Ram
Ayodhya decked up for Navratri, Durga idols installed across the city
Hyderabad:A 20-year-old man was injured in the neck by a manja while out on a bike with friends in the Jeedimetla Police Station limits on Sunday morning, October 11. Police identified him as Manish, a native of Bihar who lives in Ayodhyanagar, Qutbullapur. The incident took place around 9.30 am. The string cut across Manishs Get the latest updates in Hyderabad City News , Technology , Entertainment , Sports , Politics and Top Stories on WhatsApp & Telegram by subscribing to our channels. You can also download our app for Android and iOS .
Get your own ticket confirmed first, Akhilesh Yadav tells Yogi Adityanath on Ayodhya challenge
Mr. Yadav spoke in Lucknow after paying floral tributes to socialist leader Jayaprakash Narayan
20-Yr-Old Biker Sustains Severe Neck Injuries After Contact With Manja
According to detective inspector Ch. Dhanunjay, the survivor, Manish, a native of Bihar, was a resident of Ayodhyanagar, Quthbullapur and works at a plastic company in Subhashnagar.
Ayodhya Ram temple gets FSSAI's top 'Eat Right Place of Worship' rating
Food regulator FSSAI has certified Shri Ram Janmbhoomi Teerth Kshetra, Ayodhya, as 'Eat Right Place of Worship' for maintaining adequate food safety and hygiene standards. In a social media post on Sunday, the Food Safety and Standards Authority of India (FSSAI) said the certificate has been issued as per its guidelines for a period of two years, from October 11, 2026 to October 10, 2028. Shri Ram Janmbhoomi Teerth Kshetra, Ayodhya, has been officially certified as an 'Eat Right Place of Worship' by FSSAI, the regulator said. The certificate was handed over by FSSAI CEO Rajit Punhani in a special ceremony in Ayodhya on Saturday. According to the FSSAI website, the 'Eat Right Places of Worship' is an initiative to encourage places of worship to adopt and maintain food safety and hygiene. The objective is also to convey food safety messages through such places to people to act as responsible citizens. It aims at creation of awareness amongst the places of worship to prevent ...
Kangana Ranaut Visits Ayodhya, Calls Meeting Ram Lalla a Divine Experience
Kangana Ranaut visits Ayodhya, describes her experience meeting Ram Lalla as divine and praises the beauty of the Ram Temple. Kangana Ranaut Visits Ayodhya, Calls Meeting Ram Lalla a Divine Experience
Ayodhya Ram temple gets FSSAIs top Eat Right Place of Worship rating for prasad safety
'Pawan Ka Jhonka Aayega': Akhilesh Yadav Responds To Yogi Adityanath's Ayodhya Election Challenge
A political face-off over Ayodhya intensified on Sunday after Samajwadi Party chief Akhilesh Yadav responded to Yogi Adityanath's invitation to contest the Assembly elections from the constituency. Yadav asserted that SP leader Pawan Pandey was enough to challenge the BJP's position
UP Minister OP Rajbhar challenges Akhilesh Yadav to contest against Yogi Adityanath from Ayodhya
Uttar Pradesh ministers Om Prakash Rajbhar and Daya Shankar Singh on Sunday challenged Samajwadi Party chief Akhilesh Yadav to contest the 2027 Assembly elections against Chief Minister Yogi Adityanath from Ayodhya, after Yadav advised the Chief Minister to contest from the temple town. Suheldev Bharatiya Samaj Party (SBSP) chief Om Prakash Rajbhar said Yogi Adityanath was ready to contest from Ayodhya if Akhilesh Yadav was also willing to enter the electoral contest from there.
Ayodhya's Ram Temple Gets Food Authority's Highest Rating For Prasad Safety
The Ram temple scored 103 out of 114 points under the BHOG (Blissful Hygienic Offering to God) programme.
The FSSAI has officially certified the Ram Temple in Ayodhya as an Eat Right Place of Worship, ensuring food safety for offerings. FSSAI Awards Eat Right Place of Worship Certificate to Ram Temple in Ayodhya
Rajbhar Challenges Akhilesh to Account for JP-NIC Funds and Contest from Ayodhya
Om Prakash Rajbhar questions Akhilesh Yadav on JP-NIC funding and challenges him to contest elections from Ayodhya. Rajbhar Challenges Akhilesh to Account for JP-NIC Funds and Contest from Ayodhya
Ayodhya Ram temple gets FSSAI's 'Eat Right Place of Worship' certification
The Shri Ram Janmabhoomi Teerth Kshetra in Ayodhya has been certified as an
Why a Ramlila ground could be the perfect place to begin a relationship
Cultural festivals serve as the perfect backdrop for rekindling old connections, where shared experiences enhance interaction. These vibrant celebrations offer a relaxed atmosphere, reducing the stress of dating. Events like Ramlila melas create opportunities for engaging dialogues and activities, allowing individuals to discover each other deeply. Iconic places like Ramnagar and Ayodhya host spectacular Ramlila festivities that captivate those seeking romance, making cultural exploration an unforgettable journey for couples.
Yogi Adityanath Challenges Akhilesh Yadav To Face Him In Ayodhya Ahead Of UP Elections
Will Ayodhya see a face-off between Chief Minister Yogi Adityanath and his predecessor Akhilesh Yadav in the upcoming UP elections? The BJP leader has thrown down the gauntlet at the Samawadi chief in response to his Ayodhya dare. Akhilesh ji, I have an offer for you. You also file your nomination from Shri Ayodhya Dham, and I will do the same, Adityanath said while inaugurating and laying the foundation stones for 78 developmental projects worth over Rs 800 crore in Balrampur district. Responding to him, Yadav said a young candidate is enough to take on the BJP in Ayodhya, pointing to the Ram temple donation theft row. The Samajwadi Party has already declared Tej Narayan Pandey as its candidate from Ayodhya.
Akhilesh Yadav Targets BJP in Ayodhya, Calls for Youth Engagement
Akhilesh Yadav criticizes BJPs performance in Ayodhya, urging youth to unite against corruption ahead of upcoming elections. Akhilesh Yadav Targets BJP in Ayodhya, Calls for Youth Engagement
Ayodhyas Ram Janmabhoomi Trust Receives Food Safety Certification for Kitchens
The Ram Janmabhoomi Trusts kitchens have been certified by the Food Safety Department, ensuring safe offerings for devotees. Ayodhyas Ram Janmabhoomi Trust Receives Food Safety Certification for Kitchens
CM Yogi Challenges Akhilesh Yadav to Contest from Ayodhya in Upcoming Elections
Uttar Pradesh CM Yogi Adityanath dares Akhilesh Yadav to run from Ayodhya, emphasizing development and law enforcement in the region. CM Yogi Challenges Akhilesh Yadav to Contest from Ayodhya in Upcoming Elections
'Fight should be face-to-face': CM Yogi accepts Akhilesh's Ayodhya challenge
Yogi Adityanath Openly Challenges Akhilesh Yadav To Contest From Ayodhya, Says
Uttar Pradesh Chief Minister Yogi Adityanath has turned a political challenge from Samajwadi Party chief Akhilesh Yadav into an invitation for a direct electoral contest. Addressing a gathering in Balrampur on Saturday, 10 October, Yogi said he was ready to contest
CM Yogi dares Akhilesh Yadav to contest from Ayodhya, SP chief says 'arrogance will be swept away'
Samajwadi Party chief Akhilesh Yadav has hit back at Uttar Pradesh Chief Minister Yogi Adityanath after he challenged the SP leader to contest an election from Ayodhya. Responding to the remark, Yadav took aim at the Chief Minister over alleged wrongdoing in the temple town, the treatment of women and what he described as the arrogance of his political camp.
'If You Will, I Will': Yogi Adityanath On Akhilesh Yadav's Ayodhya Contest Dare
Responding to Yogi Adityanath, Akhilesh Yadav said a young candidate is enough to take on the BJP in Ayodhya.
Digital Desk | Balrampur, Oct 10 (IANS) Uttar Pradesh Chief Minister Yogi Adityanath on Saturday accepted the challenge thrown by Samajwadi Party (SP) President Akhilesh Yadav to contest the upcoming state Assembly polls from Ayodhya, saying that the political contest should be a direct face-off. The Chief Minister made the remarks while addressing a gathering in Uttar Pradesh's Balrampur for the inauguration and foundation-laying of several development projects. CM Adityanath also lashed out at Akhilesh Yadav for fielding his own uncle (Ram Gopal Yadav) and an industrialist (Dhanraj Parimal Nathwani) as SP's Rajya Sabha candidates from Uttar Pradesh, instead of someone from the backward or Brahmin communities. When people first asked me regarding PDA, I had replied that it stands for 'Parivar Development Authority' since they (Samajwadi Party) don't have anything else to think about other than their family. Recently Rajya Sabha polls were conducted in the state, was there any Dalit candidate from the Samajwadi Party? Or whether there is any SP candidate from any other backward community or from communities such as the Brahmins, Kayastha, Vaishya, Kshatriya or Khatri?... No, the Chief Minister said. Samajwadi Party contested in two of the ten seats, of which Akhilesh Yadav's uncle Ram Gopal Yadav was fielded from one, while the second seat was sold to a 'Dhanna seth' (industrialist Dhanraj Parimal Nathwani). This is what their PDA stands for, 'Parivar Development Authority' and 'Paraya Dhan Apna', CM Adityanath remarked. The Chief Minister accused the SP of selling out Uttar Pradesh, saying: That is why I say that the real meaning of PDA is 'Pradesh Dubau Alliance'. Those who drowned the state, created troubles for the youth here, those who robbed them of employment opportunities, troubled farmers and made Balrampur as the most poor district of the country, is the Samajwadi Party. He responded to Akhilesh Yadav's challenge regarding contesting Assembly polls from Ayodhya. CM Adityanath said: They challenged me to contest the election from Ayodhya. Well, Akhileshji, Ayodhya is our sacred abode. I visit it to ensure there is no laxity in its development and that no blemish tarnishes the identity of Uttar Pradesh. He also criticised the previous SP government of poor electricity supply and sanitation issues in Ayodhya. The place which only received three to four hours of electricity and was plagued by heaps of filth by you (Akhilesh Yadav)now stands as an example of 'Ram Rajya,' evoking memories of the Treta Yuga, he said. Issuing a direct challenge to Akhilesh Yadav, CM Adityanath said: I offer you to file your nomination from Ayodhya, and I will file mine. He asserted that political contests should be direct. Taking a jibe at the SP Chief, Chief Minister Adityanath remarked: Battle should be against the main adversaries rather than their 'disciples' (proxies); the contest should be a direct face-off. Accusing SP leaders of adopting a soft stance towards mafia, the Chief Minister said: Those people who visited the graves of professional criminals, don't stand a chance to contest against us! The public has already delivered a fitting response to such individuals in the past. The public has already delivered their verdict that the NDA will win 80 per cent of the seats in the upcoming Assembly elections and even if the rest 20 per cent go to them (SP), I assure you that we will not let Balrampur lag behind in terms of development, he said while reiterating a previous remark. Emphasising that there is a limit to opposing things, CM Adityanath claimed that Congress and its alliance partners have even forgotten the basics of decency, while referring to the ongoing protests against Chief Election Commissioner Gyanesh Kumar. By using deplorable language and letting go of all values, they are trying to spread anarchy in the country which will not be allowed by the double-engine government (of the NDA). Under Prime Minister Narendra Modi's leadership, nobody will be able to mess with India's dignity, he said. Those trying to spread anarchy will meet the same fate as those who attempted to spread terrorism and Naxalism, CM Adityanath warned.
Akhilesh Yadav Criticized for Political Remarks During Ayodhya Visit
Mahant Raju Das criticizes Akhilesh Yadav for using a religious event in Ayodhya for political gain instead of discussing faith. Akhilesh Yadav Criticized for Political Remarks During Ayodhya Visit
Akhilesh Yadav advises CM Yogi Adityanath to contest 2027 UP elections from Ayodhya
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