UPSTDC launches six-hour Ayodhya Divine Heritage Trail ahead of Deepotsav 2026
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Diwali musical celebrates the triumph of good over evil at Wembley Arena
Diwali Story: The Journey of Ram A Musical proved to be a rising crescendo of joy, jealousy, loyalty, pain, suffering, fierce battle and the ultimate triumph of Good over Evil. With inspirational music, graceful movements, stupendous acting underpinned by brilliant choreography and costume design, a plethora of stars studded the night with their grace and charm in a retelling of the epic Ramayan, winning over the audience with their passion and performance. The show produced by Nitin Palan and Sanatan Events took place at the OVO Wembley Arena, London, on the 27th of September. Written and directed by Samir Bhamra, it was choreographed by Shruti Shah and Rohan Shah from the Bollywood Dance School, UK with music composed by Rahul Ranade. Eastern Eye The energy of the entire cast, starting with the main characters, rippled through the auditorium right from the onset. Their gestures and facial expressions, intricate yet explosive, kept the audience invested and absorbed throughout. The actors did a splendid job matching voice to expression with accuracy and projection. The casting was inspirational, evinced by the innocence of the storytellers Luv and Khushi (a play on Rams children Luv and Khush), the sweet integrity of Sita played by Bhavithra Gananathan, the noble humility of Ram, the devotional loyalty of Lakshman portrayed by Aarya Singh, the evil manipulation of Manthara enacted by Rukmini Sircar, gullible Kaikeyi performed by Charlotte Barnes, the wickedness of Shoorpanakha and the mighty physique of Raavan, the main antagonist. Eastern Eye Evocative dance and searing music aid the narrative by giving the show momentum right at the outset. The combination visually and emotionally pierced the hearts of the audience, like the mighty bow and arrow of Ram, played superbly by Kiran Kaanan. The dancing added a whole new dimension to the show by accurately capturing the essence of the physical and emotional environment of every scene. Each piece was intricately put together with movements derived from a variety of dance styles including indo-contemporary, commercial and Indian semi-classical dance. Each style was brilliantly adapted to the narrative, the dancers embodying the amalgamation with technical perfection, exuberant detail and captivating energy. A Spectacular Display of Dance, Light, and Music Eastern Eye The opening dance, set in the snowcapped mountainous abode of Lord Siva and Goddess Parvati, came to life when the dance ensemble walked on stage in silver shimmering attire with crystal jewellery, glistening like diamond ice. Their movements were sharp, linear, firm yet magical. The entrance of Shoorpanakha, played by Vanshika Mitter, demoness sister of Raavan, played by Robin Ravi, brought shivers down my spine, accentuated by the ensembles animalistic, contortions. This dance sequence, like many others, utilised elements of commercial jazz and contemporary genres to create a fierce, rebellious and fearless energy, representing an extension of the vampish character. With the plethora of performers to choose from, the highlight of the evenings show was the synchronicity of the dance ensemble (Nitya Chikodi, Divya Nebel, Diya Lakhani, Heer Mohan, Kavit Haria, just to name a few), enhancing the richness of the main protagonists and the antagonists artistry. Even the mighty Raavans thrilling dance epitomises the Demon Kings transformation from ahankara (ego) to bhakti (devotion), expressed through the ferocity of the Lord Shiva Thandava. The music and original songs created specifically for the show uplifted the intensity of the scenes, giving it theatrical flair, acting as emotional catalyst, and complimenting the narrative. The compositions also showcased the actors range of talent and proficiency in both acting and singing, with their vocal expressions and rhythm that enhance the portrayal of their characters. Eastern Eye As the story progressed, the audience was enthralled, lifted, tossed and turned by the emotion-filled epic, sensation heightened by matching melancholy, joy or rage, combining the depth of Indian tradition with the more contemporary jazz with superb fluidity. Each character received special attention. Jatayu, played by Sidharth Banswal, is given aerial, sweeping movements denoting both protection and aggression in equal proportion, while Raavan is given angular, forceful and percussive action. The show was brought to a spectacular end with the city of Ayodhya filled with lights welcoming Ram, Sita, and Lakshman, thereby symbolising the essence of Diwali. The sound of the live drums reverberated throughout the arena, vibrating through the ground. Jumps, thumkas and twirls galore, the dancers exploded across the stage like fireworks. A standing ovation greeted the whole cast as they took their final bows in a joyous celebration of Diwali, the Festival of Lights.
UPSTDC launches one-day Ayodhya tour package ahead of Diwali
Ayodhya hotels, homestays full, overbooked ahead of Deepotsav
SP to showcase Ayodhya-Kashi wins to spice up its 2027 poll narrative
Remain alert during polling: Jagan to YSRCP leaders ahead of Andhra local body polls
Digital Desk | Tadepalli, Oct 29 (IANS) YSR Congress Party President and former Chief Minister YS Jagan Mohan Reddy on Thursday directed party leaders and polling agents to remain extremely vigilant during the upcoming local-body elections, preserve evidence of every irregularity and prepare for legal action against electoral misconduct. Addressing regional coordinators and district presidents through a video conference from the YSRCP central office, he warned that the unprecedented rigging witnessed during nominations could continue during polling on November 1 and November 5. He condemned the capture of nomination centres, attacks on candidates, destruction of nomination papers, forged withdrawals, disappearance of B-Forms and rejection of nominations after Returning Officers removed supporting certificates. He also highlighted the issuance of BC certificates to OC candidates. Ys Jagan alleged that the Chandrababu government is functioning like a mafia, using police and Returning Officers to undermine democratic rights, and celebrating uncontested victories after obstructing opposition candidates. He warned of possible polling rigging, obstruction of polling agents, interference with ballot boxes and irregularities at strongrooms and counting centres. Expressing concern over the State Election Commissions failure to ensure adequate CCTV surveillance despite the Supreme Courts directions, YS Jagan instructed party cadres to document every violation through video evidence. Polling agents must understand election procedures, challenge suspicious votes through prescribed procedures, preserve their entry authorisations and immediately report any attempt to prevent them from entering polling stations. He directed district presidents to coordinate closely with regional coordinators and Assembly and Parliamentary constituency in-charges, conduct reviews with Assembly coordinators twice daily and remain in constant contact with the party central office. All complaints must be forwarded to the central leadership for submission to the SEC, with legal assistance obtained whenever necessary. YS Jagan warned that every electoral irregularity would be pursued through legal channels and those responsible would face accountability. He stressed that protecting the right to nominate candidates and the right to vote required constant vigilance, coordination and credible evidence. The video conference was attended by Sajjala Ramakrishna Reddy, MVS Nagi Reddy, MLC Lella Appireddy, M. Manohar Reddy, Chevireddy Bhaskar Reddy, Legislative Council Deputy Chairman Thumati Madhava Rao, regional coordinators YV Subba Reddy, Peddireddy Ramachandra Reddy, PV Midhun Reddy, Kurasala Kannababu, Gudivada Amarnath, Budi Mutyala Naidu, Alla Ayodhya Rami Reddy and district presidents.
Delhi Police bust bank account impersonation syndicate, arrest two; assets worth Rs 2.5 crore seized
Digital Desk | New Delhi, Oct 29 (IANS) Delhi Police's Central District has busted a syndicate involved in impersonation of bank account holders and arrested two accused for defrauding bank officials of Rs 22.56 lakh through fraudulent Real-Time Gross Settlement (RTGS) instructions, officials said on Thursday. Assets worth approximately Rs 2.50 crore, including gold jewellery, 101 gold coins, cash and a SUV, have been seized in the present and connected cases. One of the arrested accused was also found to be a proclaimed offender who had been absconding for more than seven years in a forged currency case, police said. The case originated from a complaint filed by the Branch Manager of Bank of India, Rajendra Place, New Delhi. On August 5, a person impersonating Deepak Malhotra, a director associated with multiple corporate entities maintaining accounts at the branch, contacted bank officials. According to the police, the caller initially discussed creating a Fixed Deposit Receipt (FDR) worth Rs 1 crore to gain the officials' confidence. He later contacted them, claiming that the company needed to make a payment but had exhausted its cheque book. He requested that the transaction be processed through email. The accused sent a forged payment request using an email ID closely resembling the company's registered address. The email, bearing a forged company letterhead, instructed the bank to transfer Rs 22,56,922 to another account. When bank officials sought mandatory indemnity documents, the caller pressured them by claiming that similar transactions had been processed earlier and stressing the urgency of the payment. The bank subsequently processed the fraudulent RTGS transfer. An e-FIR was registered at the Cyber Police Station of Central District under relevant sections of the Bharatiya Nyaya Sanhita (BNS). During the investigation, police traced the defrauded amount to a mule bank account maintained with Bandhan Bank in West Bengal. Technical analysis of telecom records, digital evidence and communication details helped investigators identify the suspects. A police team led by Sub-Inspector Kamlesh Kumar arrested the accused, identified as Vinay Kumar Yadav, 36, a resident of Loni in Ghaziabad, Uttar Pradesh, and Anil Kumar Sehgal, 65, a resident of Noida. The investigation revealed that the accused used forged company letterheads, deceptive email IDs, social engineering and mule accounts to target corporate bank transactions. The money was subsequently diverted into other assets, including gold purchased from a jeweller in West Bengal. Police said both accused had previous criminal involvement in financial fraud cases across several locations, including Ghaziabad, Saharanpur, Ayodhya and Faridabad. They allegedly became acquainted while in jail and had previously been associated with cheque-related frauds involving so-called magic pens. The arrests have also helped police work out six similar cases registered in Gurugram, Palwal and Delhi, involving fraud amounts ranging from Rs 16.65 lakh to Rs 2.98 crore, along with an attempted fraud of Rs 88 lakh.
70th state school cricket championship: Kanpur division beats Ayodhya by 71 runs
Odisha Flags Off 6th Phase of Baristha Nagarika Tirtha Yatra Yojana
A wave of devotion and joy filled Bhubaneswar New Railway Station today as 775 senior citizens boarded a special train to begin a memorable pilgrimage to the holy cities of Varanasi and Ayodhya. The trip marks the commencement of the sixth phase of the Mukhyamantri Baristha Nagarika Tirtha Yatra Yojana for the financial year 202627. [] The post Odisha Flags Off 6th Phase of Baristha Nagarika Tirtha Yatra Yojana appeared first on Pragativadi I Latest Odisha News in English I Breaking News .
WPL 2027 auction: UPW pick Sushma Verma, MI get Disha Kasat as Bhatia, Sobhana, Saika go unsold
Digital Desk | Kochi, Oct 28 (IANS) UP Warriorz (UPW) signed veteran India wicketkeeper-batter Sushma Verma for Rs 30 lakh, and Mumbai Indians picked up uncapped batter Disha Kasat for Rs 10 lakh, in an otherwise quiet phase of the Womens Premier League (WPL) 2027 auction here on Wednesday. It was a phase where a string of India internationals went unsold. UPW continued to be the busiest franchise at the table by landing Sushma at her base price. She last played a T20I for India in December 2016, but was with Gujarat Giants in WPL 2023, and now returns to the league via UPW, a side whose trials she did attend before the auction happened. Disha, formerly with Royal Challengers Bengaluru (RCB) in their title winning season in 2024, was the only uncapped batter to find a buyer via Mumbai Indians. Taniyaa Bhatia, Asha Sobhana and Saika Ishaque were among the big names who failed to attract bids. Sushma was the only one of the four capped wicketkeepers to be picked. Uma Chetry, part of Indias ODI World Cup-winning squad and the first cricketer from Assam to represent India, went unsold, so did Taniyaa, who was released by Delhi Capitals and Nuzhat Parween. Though Taniyaas glovework is highly rated, but franchises have been wary of her batting. Fast bowlers had a lean round too. Indias Saima Thakor and Titas Sadhu, Australias Tayla Vlaeminck, Sri Lankas 19-year-old Mithali Ayodhya and New Zealands Rosemary Mair all went unsold at their base prices. Titas, an Under-19 World Cup winner in 2023 who has played for Delhi Capitals and Gujarat Giants, has had injury concerns. Rosemary was part of New Zealands T20 World Cup-winning squad in 2024. The capped spinners fared no better. Leg-spinner Priya Mishra, who made her India debut in 2024 and has played for Gujarat Giants, did not attract a bid. Left-arm spinner Saika, who made a strong impression in her debut WPL season with Mumbai Indians in 2023 before going on to play for India, did not get a buyer. South Africas Nonkululeko Mlaba, the first player from her country to go under the hammer on the day, was unsold. The most notable of them going unsold was Asha Sobhana, who was part of RCBs title-winning side in 2024, and missed the 2025 season through injury and was then bought by UP Warriorz for Rs 1.1 crore in 2026 after a fierce bidding war. This time, veteran leg-spinner Asha found no takers at Rs 30 lakh. Purvaja Verlekar, former UP Warriorz batter Vrinda Dinesh, former RCB player Gautami Naik, former Mumbai Indians batter Humaira Kazi and Shweta Sehrawat, who was UP Warriorzs lone retention ahead of 2026 WPL auction, all went unsold. Unsold players could still be picked up in the accelerated rounds later in the auction
Digital Desk | Lucknow, Oct 28 (IANS) In a bid to turn the state into a trillion-dollar economy Uttar Pradesh Chief Minister Yogi Adityanath on Wednesday proposed foreign investment from Singapore across manufacturing, logistics, semiconductors, data centres, green energy and urban infrastructure, assuring investors of government support from the signing of Memorandums of Understanding (MoUs) to the commencement of manufacturing. At a meeting with a 14-member delegation from the Singapore Business Federation, the Chief Minister proposed developing a dedicated 'Singapore City' and a high-tech industrial township near the Noida International Airport in Jewar. An eligibility certificate was handed over for one investment project, while MoUs were exchanged with two companies, marking steps towards translating investment proposals into projects on the ground. Adityanath said the state's priority was not merely to secure investment commitments but to ensure their timely implementation, generate employment and strengthen industrial production. He said Singapore's technological capabilities and management expertise, combined with Uttar Pradesh's large market, skilled workforce and expanding infrastructure, offered significant opportunities for collaboration. Recalling his visit to Singapore in February 2026, the Chief Minister said investment agreements worth approximately Rs 60,000 crore had been reached during the visit. He reiterated the government's commitment to providing investors with security, policy stability and support for timely project execution. The state, he said, has a land bank of more than 75,000 acres available for industrial development, while 27 integrated manufacturing and logistics clusters are being developed. The six nodes of the Uttar Pradesh Defence Industrial Corridor, located in Lucknow, Kanpur, Jhansi, Agra, Aligarh and Chitrakoot, have attracted investment proposals exceeding Rs 35,000 crore. Adityanath highlighted opportunities for Singaporean companies in multimodal logistics and warehousing, semiconductor and electronics manufacturing, data centres and cloud services, artificial intelligence, clean energy and waste management. He said Jewar's expressway network and connectivity to the Eastern and Western Dedicated Freight Corridors could position the region as a major supply chain hub for North India. Uttar Pradesh accounts for approximately 55 per cent of India's mobile phone production and nearly 60 per cent of electronic component manufacturing, the Chief Minister said. The state also contributes around 21 per cent of the country's foodgrain production, creating opportunities for foreign investment in food processing, packaging and exports. He also invited Singaporean investors to explore tourism and hospitality projects in Ayodhya, Kashi, Mathura-Vrindavan, Prayagraj and along the Buddhist Circuit. Collaboration in urban planning was another area of focus, particularly for Lucknow, the State Capital Region and new townships. Among the projects discussed, Greater Nashik Infracon Private Limited, associated with Singapore-based Universal Success Enterprises Group, received an eligibility certificate for the allocation of 50 acres in Sector 8D of the Yamuna Expressway Industrial Development Authority area. The company plans to establish a Universal Packaging Hub with an investment of Rs 775 crore, including foreign direct equity from Singapore. The project is expected to generate 1,880 direct jobs. An MoU was also exchanged with Agricorp International for a manufacturing unit to produce soy protein isolate and chickpea protein concentrate, aimed at strengthening agricultural processing and value addition in the state. Blue Planet Environmental Solutions, a global waste management company, signed an MoU to treat approximately 7.5 lakh tonnes of legacy waste in Sector 145, Noida, and process fresh waste at a capacity of 350 tonnes per day in Saharanpur. The Chief Minister said Uttar Pradesh was seeking to convert its investment potential into manufacturing capacity, infrastructure development and employment, positioning the state as a destination for international investors.
For decades, Hollywood has dominated the market for large-scale cinematic spectacles. From Star Wars and The Lord of the Rings to Avatar and the Marvel Cinematic Universe, American studios have mastered the art of transforming extraordinary fictional worlds into multibillion-dollar entertainment properties. Indian cinema has produced its own spectacular successes, particularly with Baahubali, RRR, KGF and several other ambitious productions. But with Ramayana: Part One, the industry is attempting something particularly audacious. It is taking one of the world's oldest and most culturally significant epic narratives and presenting it as a technologically ambitious, multi-part theatrical spectacle. The project raises a fascinating question. Could Ramayana become India's answer to Hollywood's biggest fantasy franchises? And more importantly, should Hollywood be paying attention? India already possesses something Hollywood spends billions trying to create One of the biggest challenges facing entertainment companies is developing intellectual property that audiences recognise and care about. Hollywood studios invest enormous sums in building cinematic universes, introducing characters, establishing fictional worlds and persuading audiences to return for sequels. Ramayana begins with an extraordinary advantage. Its characters and central narrative have existed in cultural memory for centuries. The epic has inspired literature, theatre, television, music, art and countless retellings across different countries and traditions. For millions of people, Rama, Sita, Lakshman, Hanuman and Ravana are already familiar figures. In commercial terms, that is an extraordinary foundation for a major cinematic project. The makers do not need to create awareness of the underlying story among Indian audiences. They need to persuade viewers that their interpretation is worth experiencing on the big screen. However, this advantage is accompanied by a unique responsibility. Unlike an entirely fictional cinematic universe, the Ramayana carries profound religious and cultural significance. Its characters cannot be treated simply as commercially exploitable intellectual property. The challenge is to combine the ambitions of a global blockbuster with sensitivity towards the traditions from which the story emerges. The Avatar comparison: Technology must create emotion James Cameron's Avatar franchise established new benchmarks for visual effects, immersive world-building and theatrical spectacle. But its success cannot be explained by technology alone. Audiences were drawn into Pandora because the visual environment supported the characters, conflicts and emotional journey. For Ramayana, the technological ambition is similarly important. The involvement of Prime Focus Studios and DNEG has generated expectations of sophisticated visual effects and elaborate cinematic environments. Ayodhya, Lanka, forests, palaces, extraordinary creatures and large-scale battles provide immense opportunities for visual storytelling. Yet the lesson from Avatar is that technical sophistication must create immersion rather than merely showcase expensive imagery. A spectacular digital environment means little if audiences do not believe in the characters inhabiting it. The real test will be whether viewers become emotionally involved in the story rather than simply admiring the scale of its production. The Lord of the Rings comparison: The importance of world-building Peter Jackson's The Lord of the Rings trilogy offers another useful comparison. The films succeeded partly because Middle-earth felt like a coherent world with its own history, geography, cultures and visual identity. The filmmakers devoted extraordinary attention to costumes, architecture, landscapes, weapons, languages and the smallest details of the fictional universe. Ramayana presents a comparable challenge, although its source material and cultural context are fundamentally different. The filmmakers must establish distinctive visual identities for Ayodhya and Lanka, create convincing environments and ensure that the world feels internally consistent. The audience should be able to understand the differences between these places through their architecture, atmosphere, design and storytelling. This is particularly important for viewers unfamiliar with the epic. A strong cinematic world can make an unfamiliar narrative accessible without requiring lengthy explanations. But the comparison with The Lord of the Rings also highlights another crucial factor. World-building succeeds when audiences feel that the environment is real within the logic of the story. Expensive sets and elaborate visual effects cannot compensate for an inconsistent cinematic vision. The financial equation: Bigger isn't always better Hollywood's largest franchises are supported by sophisticated commercial ecosystems. Their revenue comes not only from theatrical collections but also from streaming, television, licensing, merchandise, games and long-term franchise exploitation. A film's worldwide gross is only one component of its financial performance. For Ramayana, the economics of such an ambitious project deserve close examination. The scale of the production implies substantial financial expectations. But reported budgets must be interpreted carefully, particularly when expenditure may cover multiple instalments, shared assets and long-term production infrastructure. A project can achieve enormous box-office collections and still face profitability challenges if costs are exceptionally high. Conversely, investments in visual assets, technology and production infrastructure may deliver benefits across sequels or future projects. This is where the comparison with Hollywood becomes especially relevant. The world's biggest studios do not merely produce expensive films. They build commercial systems that can generate returns over many years. Whether Ramayana can create a comparable long-term model will depend on far more than its opening weekend. The sequel challenge A major advantage of a multi-part cinematic project is the possibility of building anticipation across instalments. Baahubali: The Beginning demonstrated how a compelling narrative cliffhanger could transform a sequel into a nationwide event. The Lord of the Rings showed how a sustained creative vision across multiple films could deepen audience engagement. For Ramayana, the first instalment must achieve two objectives simultaneously. It must deliver a satisfying theatrical experience in its own right while creating anticipation for the continuation. If audiences leave feeling that they have watched an incomplete film rather than a compelling chapter of a larger story, the sequel strategy could become a disadvantage. On the other hand, if the first instalment establishes memorable characters, a convincing world and powerful emotional stakes, the next chapter could benefit from substantial built-in demand. Why Hollywood should pay attention The significance of Ramayana extends beyond whether it matches the collections of Avatar or The Lord of the Rings. The larger question is whether major cinematic spectacles must continue to emerge predominantly from Hollywood. India possesses a vast storytelling tradition, a large domestic theatrical market, increasingly sophisticated production capabilities and audiences willing to support ambitious films. If Ramayana demonstrates that these advantages can be combined into a globally successful franchise, it could encourage more large-scale productions rooted in Indian stories. That would not necessarily threaten Hollywood's dominance overnight. But it could broaden the industry's understanding of where globally marketable cinematic properties can originate. There is also a creative opportunity. Rather than imitating Hollywood's storytelling formulas, Indian filmmakers could introduce international audiences to narrative traditions, visual identities and emotional sensibilities that feel genuinely different. That distinctiveness may ultimately prove more valuable than attempting to replicate an American blockbuster. The final verdict It would be premature to call Ramayana India's Avatar or The Lord of the Rings. Those franchises earned their reputations through their films' execution, audience response, commercial success and long-term cultural influence. Ramayana has yet to undergo those tests. But the ambition itself is significant. For years, Indian cinema has looked towards Hollywood for benchmarks in visual effects, production scale and international distribution. With Ramayana, the industry has an opportunity to demonstrate that its own stories can support cinematic spectacles of comparable ambition. The question is not whether India can spend enough money to compete with Hollywood. It is whether Indian filmmakers can combine technology, storytelling and cultural authenticity to create something that global audiences have never experienced before. Hollywood doesn't need to fear Ramayana. But it may have a very good reason to watch it. Also Read: Is Ramayana benefiting from Adipurushs failure? The surprising advantage nobody is talking about
Amit Shah to Be Chief Guest at Ayodhya's 10th Deepotsav on November 7
UP to seek public ideas through MyGov UP for Ayodhya Deepotsav
Public ideas and youth participation will help shape Uttar Pradeshs plans for Deepotsav 2026 in Ayodhya, with Tourism and Culture Minister Jaiveer Singh directing officials to invite suggestions through MyGov UP to make the celebrations grander and ...
Discover the Spiritual Charms of Prayagraj, Varanasi, and Ayodhya This Winter
Experience the spiritual allure of Prayagraj, Varanasi, and Ayodhya this winter with rich traditions and culinary delights. Discover the Spiritual Charms of Prayagraj, Varanasi, and Ayodhya This Winter
RMLAU Result 2026 Out - Direct Link to Check UG
RMLAU Result 2026 on the official result portal of Dr. Rammanohar Lohia Avadh University, Ayodhya. Get the direct link, course categories (NEP Odd Semester, NEP Even Semester, Non-NEP), steps to check your marksheet, and answers to common questions.
Ayodhya Ram Temple revises darshan timings from November 1
Digital Desk | Ayodhya, Oct 26 (IANS) The Shri Ram Janmabhoomi Teerth Kshetra has revised the daily schedule for worship, aarti, bhog, rest and darshan of Ram Lalla at the Ram Janmabhoomi Temple in Ayodhya, Uttar Pradesh, in view of the seasonal change. The new timings will come into effect from Sunday, November 1, 2026. According to the temple trust, the temple doors, which currently open at 3.45 a.m. and close at 10.30 p.m., will now open at 4 a.m. and close at 10 p.m. Sharing the revised schedule on X, the official account of Shri Ram Janmabhoomi Teerth Kshetra said the changes had been made considering the change of seasons and the daily rituals associated with the deity. Under the new schedule, Mangala Aarti will be performed from 4.30 a.m. to 4.40 a.m., following the opening of the temple doors at 4 a.m. The doors will then remain closed until 6.30 a.m. for abhishek, shringar, dhoop-deep and naivedya. Shringar Aarti will take place at 6.30 a.m., while darshan for devotees will begin at 7 a.m. The doors will remain closed briefly from 8 a.m. to 8.10 a.m. for Bal Bhog, after which darshan will continue until 11.30 a.m. Raj Bhog will be offered from 11.30 a.m. to noon, followed by Raj Bhog Aarti at 12 p.m. Ram Lalla's rest period will be from 12.30 p.m. to 1.30 p.m. After the priests' entry and the offering of light bhog, darshan will resume at 1.35 p.m. Explaining the rationale behind the revised timings, Rajkumar Das, a member of the Ram Temple's Religious Committee, said the seasonal adjustment was in keeping with the traditions followed at major temples across the country. In all the major temples of the country, there are distinct traditions and arrangements for darshan during the summer season and the autumn season. Our Thakur Shri Ram Lalla Sarkar is present in a child form, and no one can truly serve him, as he is the provider and preserver of the entire universe... However, out of parental affection, Thakur Ram Lalla Sarkar is worshipped in his child form, and from that perspective, the morning darshan timing has been extended slightly because in autumn, nights are longer and days are shorter, he said. In the afternoon, the temple doors will remain closed from 4 p.m. to 4.10 p.m. for Bal Bhog, with darshan continuing until 6.45 p.m. Dhoop-deep and naivedya will be performed from 6.45 p.m. to 7 p.m., followed by Sandhya Aarti at 7 p.m. The doors will remain closed from 8 p.m. to 8.30 p.m. and again from 9.15 p.m. to 9.30 p.m. for dhoop-deep and naivedya. Shayan Aarti will be performed at 9.30 p.m., and the temple doors will close for the day at 10 p.m.
Digital Desk | Lucknow, Oct 26 (IANS) Uttar Pradesh Chief Minister Yogi Adityanath on Monday extended greetings to the people on the birth anniversary of Adi Kavi Maharishi Valmiki, highlighting his contributions to Indian civilisation and humanity, and urged the youth to draw inspiration from the ideals of Lord Shri Ram and pledge never to accept discrimination in any form. In a message issued on the occasion, the Chief Minister described Maharishi Valmiki as a great exponent of social harmony. On the sacred occasion of the birth anniversary of Adi Kavi Maharishi Valmiki, the great exponent of social harmony, justice, and humanity, I extend my heartfelt greetings and best wishes to all of you, CM Yogi said. He said Maharishi Valmiki was not only a revered figure in Indian civilisation but also a timeless guide and a source of inspiration for all humanity. Through his immortal epic, the Ramayana, he conveyed enduring values of truth, righteousness, dignity, and devotion to duty. These ideals continue to illuminate the path of society across generations, the Chief Minister said. Addressing the youth, CM Yogi called for a society free from discrimination and prejudice. On this auspicious occasion, I make a special appeal to our youth. Let us draw inspiration from the ideals of Lord Shri Ram and pledge never to accept discrimination in any form. A truly harmonious society can be built only when the barriers of inequality and prejudice are removed from our hearts and minds, he said. Recalling the circumstances that led to the creation of the first Sanskrit verse, CM Yogi said the profound compassion that arose from witnessing the killing of a krauncha bird found expression in the verse, ultimately paving the way for the composition of the Ramayana. He said that by bringing the life and character of Lord Shri Ram to the forefront, Maharishi Valmiki envisioned an ideal society founded on love, justice, social harmony and fraternity. The Ramayana recounts how Lord Ram embraced Nishadraj Guha as a close friend, reminding us that genuine respect, equality, and human connection transcend social identities. The concept of Ram Rajya is likewise built upon the principles of dignity, security, and welfare for every individual, he said. Highlighting the Uttar Pradesh government's initiatives inspired by Maharishi Valmiki's teachings, CM Yogi said efforts were being undertaken to promote his ideals and preserve sites associated with his life and legacy. He said development work at Maharishi Valmiki's revered meditation site in Chitrakoot was aimed at inspiring devotees and the younger generation. Various projects had also been implemented for the preservation and tourism development of Maharishi Valmiki Ashram in Bithoor, where tradition associates the composition of the Ramayana. The Chief Minister added that naming Ayodhya's international airport after Maharishi Valmiki had brought national and global recognition to his legacy. The declaration of a public holiday on Valmiki Jayanti in Uttar Pradesh also reflected the state's respect for the revered sage. CM Yogi said the government remained committed to the social and economic advancement of marginalised and underprivileged communities, with initiatives aimed at ensuring dignity, security and equal opportunities for all. The true spirit of Maharishi Valmiki's teachings can be realized only when the person standing at the last mile of society enjoys dignity, security, and equal opportunities, he said. He also highlighted welfare initiatives for sanitation workers and said villages inhabited by the Van Tangiya community had been granted revenue village status.
30L diyas order to set aglow lives of Ayodhya potters
Major Change in Ram Lalla Darshan Timings in Ayodhya Starting November 1
The Ram Lalla temple in Ayodhya will open at 4 AM starting November 1, 2026, altering the daily darshan schedule. Major Change in Ram Lalla Darshan Timings in Ayodhya Starting November 1
Mallikarjun Kharge Targets BJP in Patna, Demands Ballot Papers and Immediate End to SIR
Congress President Mallikarjun Kharge launched a sharp attack against the Bharatiya Janata Party (BJP) while addressing a gathering in Patna on Sunday, invoking Lord Ram over the Ayodhya temple fund theft controversy and calling for a nationwide movement against electoral roll revisions. Invocation of Lord Ram and Attacks on RSS-BJP Focusing on the alleged financial [] The post Mallikarjun Kharge Targets BJP in Patna, Demands Ballot Papers and Immediate End to SIR appeared first on Pragativadi I Latest Odisha News in English I Breaking News .
Congress accuses PM, Shah of covering up Ram Temple donation theft
New Delhi: The Congress on Sunday, October 25, accused Prime Minister Narendra Modi of choosing to cover up the sins of the thieves, who stole donations at the Ram Temple in Ayodhya, instead of initiating a comprehensive investigation, and demanded that the PM break his silence on the issue. Congress general secretary in-charge communications Jairam Get the latest updates in Hyderabad City News , Technology , Entertainment , Sports , Politics and Top Stories on WhatsApp & Telegram by subscribing to our channels. You can also download our app for Android and iOS .
PM Modi pays homage to Maharishi Valmiki, says his Ramayan continues to guide us
Digital Desk | New Delhi, Oct 25 (IANS) Prime Minister Narendra Modi on Sunday highlighted the timeless teachings of Maharishi Valmiki and the values of service, compassion and social harmony reflected in the Ramayan, urging people to draw inspiration from the ancient epic as the country prepares to celebrate the sage's birth anniversary. Addressing the 139th episode of his monthly radio programme, 'Mann Ki Baat', PM Modi said the Ramayan, composed by Maharishi Valmiki thousands of years ago, continued to offer valuable lessons and fresh insights to people even today. Tomorrow, October 26, marks the birth anniversary of Maharishi Valmiki. Though thousands of years have passed, the Ramayan of Maharishi Valmiki ji continues to offer us new insights even today, the Prime Minister said. Reflecting on the teachings of the epic, PM Modi said, Through the Ramayan, Maharishi Valmiki has imparted profound life lessons to us on the one hand, he emphasises the value of persistent effort; on the other, he also highlights the importance of service, compassion, and social harmony. The Prime Minister further explained how these ideals were embodied in the character of Bhagwan Ram in the Valmiki Ramayan. He referred to Bhagwan Ram's acceptance of Mata Shabari's love and devotion and his friendship with Nishadraj as examples of respect, inclusiveness and the spirit of taking everyone along. In the Valmiki Ramayan, the character of Bhagwan Ram serves as a beautiful embodiment of these values Bhagwan Ram embraced the love and devotion of Mata Shabari honoured his friendship with Nishadraj. The spirit of taking everyone along -- these ideals continue to guide us even today, PM Modi said. This sentiment is also reflected in the grand Ram Mandir in Ayodhya, where shrines dedicated to Maharishi Valmiki, Nishadraj and Mata Shabari as well have been built, he added. PM Modi also expressed happiness over the naming of Ayodhya's airport after Maharishi Valmiki. These initiatives enrich our great tradition -- the very tradition that places the highest value on service, social harmony, and compassion, the Prime Minister said. Towards the end of the programme, PM Modi extended his greetings to the people ahead of the upcoming festive season. He urged people to celebrate the festivals with their families. The coming days will be filled with the festive spirit of Diwali, the great festival of Chhath, and several other celebrations. Do celebrate these festivals with your entire family while staying healthy and safe, and include others in your joy. I extend my best wishes to all of you for the upcoming festivals, he said.
AR Rahman, Arijit Singh bring Rama and Sitas love story to life with Mangal Rang from Ramayana
Digital Desk | Mumbai, Oct 25 (IANS) Music composer A. R. Rahman and singer Arijit Singh have come together for Mangal Rang, a song from Namit Malhotras upcoming film Ramayana. Featuring Ranbir Kapoor as Lord Rama and Sai Pallavi as Maa Sita, the song captures the couples journey, from their wedding to their life beyond Ayodhya, and has been released simultaneously in five languagesHindi, Tamil, Telugu, Kannada, and Malayalam. Speaking about composing the music for Mangal Rang, A. R. Rahman said, Ramayana is a story that has lived in the hearts of people for generations, and approaching it through music was a very special experience for me. There is a certain purity and tenderness in the relationship between Rama and Sita that I wanted the music to hold on to. With Mangal Rang, I hope listeners feel that warmth and devotion and find something personal in the melody. Some stories don't need to be explained; they simply need to be felt. Talking about lending his voice to Mangal Rang and being part of Ramayana, Arijit Singh mentioned, Ramayana is not merely a story or an epic; it is a timeless reflection of life, our inner consciousness and the connection we share with everything around us. The melody of Mangal Rang, composed by A. R. Rahman sir, took me somewhere beyond words, into a space where love blossoms in its purest form. The sincerity and tenderness of the eternal relationship between Shri Ram and Mata Sita kept reminding me of the thread of love that connects us all, beyond everything that makes us seem different. Being part of this melody has been a deeply transformative experience, and I feel blessed to have been a part of a dream that Namit sir and his team are bringing to life. I hope this song reaches every listener with the same feeling of love, gratitude and devotion that I experienced while singing it. Speaking about singing for Mangal Rang and connecting with the love story of Rama and Sita in Namit Malhotras Ramayana, Shreya Ghoshal mentioned, What makes Rama and Sita's love so beautiful is that it goes beyond the happiness of being together. There is faith, understanding and a quiet strength in their bond that makes it deeply moving. Singing Mangal Rang allowed me to connect with that tenderness, and I approached it with a lot of love in my heart. Being part of a story that means so much to so many people is something I feel truly grateful for. I hope the song brings listeners a sense of warmth and peace, and lets them experience the beauty of Rama and Sita's relationship in their own way. The song features Arijit Singh and Shreya Ghoshal in Hindi, Abhay Jodhpurkar and Saindhavi in Tamil, Raghav Kaushik and Vaishali Samant in Telugu, Armaan Malik and Bela Shende in Kannada, and Naresh Iyer and Amritha Rajan in Malayalam. A. R. Rahman has composed the music, while Dr. Kumar Vishwas has written the Hindi lyrics. The Tamil version features Abhay Jodhpurkar and Saindhavi, with lyrics by Karthik Netha. Armaan Malik and Bela Shende lend their voices to the Kannada version, with lyrics by Karthik Saragur, while the Malayalam version features Naresh Iyer and Amritha Rajan, with lyrics by Vinayak Sasikumar. Reflecting on collaborating on Namit Malhotras Ramayana and lending his voice to the Kannada version of Mangal Rang, Armaan Malik stated, Ramayana is a story that transcends generations, and being part of its musical journey is something I feel deeply grateful for. Mangal Rang celebrates the love between Rama and Sita in a way that feels intimate and heartfelt. I wanted my singing to reflect that emotion and allow the melody to speak for itself. I hope the Kannada version connects with listeners in a personal way and brings them closer to the beauty of this timeless relationship. Ramayana features Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita, Rocking star Yash as Ravana, Sunny Deol as Hanuman, and Ravi Dubey as Lakshman. Directed by Nitesh Tiwari and produced by Namit Malhotras Prime Focus Studios in collaboration with 8-time Oscar-winning DNEG and Yashs Monster Mind Creations, Ramayana will release worldwide on 5 November 2026, followed by Part 2 in Diwali 2027, in Hindi, Tamil, Telugu, Kannada, and Malayalam across India.
UP Tourism unveils 3-day special Deepotsav Ayodhya tour package
Following the immense enthusiasm from people for Deepotsav 2026, Uttar Pradesh Tourism has unveiled a special Deepotsav Ayodhya two-night, three-day tour package for travellers.
UP Elections 2027: Yogi Vs Akhilesh, Ayodhya 27 ? | Election Expressway
UP Elections 2027: Yogi Vs Akhilesh, Ayodhya 27 ? | Election Expressway
Ayodhya to Showcase Cultural Heritage Through Art Competitions at Deepotsav 2026
Ayodhyas Deepotsav 2026 will feature art competitions to highlight its cultural heritage, inviting participants from all ages. Ayodhya to Showcase Cultural Heritage Through Art Competitions at Deepotsav 2026
Ayodhya Municipal Corporation launches cleanliness drive at 27 sites ahead of Deepotsav
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MP- NHRC Orders Probe Over Use Of Children In Diggys Ujjain To Ayodhya Padayatra
The NHRC has directed the chief secretary and director general of police (DGP) of the Madhya Pradesh government to conduct a thorough investigation: Reports
India has recovered over 650 stolen ancient statues in 12 years: PM Modi
Digital Desk | New Delhi, Oct 23 (IANS) Prime Minister Narendra Modi on Friday said that India has recovered more than 650 stolen ancient statues over the past 12 years, highlighting the government's efforts to preserve the country's cultural heritage. He also said that a revival of India's cultural centres was taking place from north to south and east to west. Addressing the Chinmaya Amrit Mahotsav Global Sammelan in New Delhi, PM Modi said preserving India's heritage was one of the missions of Swami Chinmayananda, the founder of the Chinmaya Mission. There was another mission of Swamiji: the conservation of Indian heritage. You have seen the Vivekananda Rock Memorial. Today, it is a source of inspiration for millions of people visiting from across India and the world, he said. The Prime Minister cited several examples of India's cultural and spiritual heritage being restored to prominence, including the Kashi Vishwanath Dham, the Ram temple in Ayodhya, and the sacred sites of Kedarnath and Badrinath. A revival of India's cultural centres is taking place from north to south and east to west. Whether it is the new look of the Kashi Vishwanath Dham, the grand temple of Lord Shri Ram in Ayodhya, or our sacred sites such as Kedarnath and Badrinath, these places are regaining their prominence, he said. Referring to Kedarnath, PM Modi said a magnificent statue of Adi Shankaracharya had been installed at the site where the philosopher is believed to have attained his final state of existence. If you visited Kedarnath recently, you would have seen a magnificent and divine statue of Adi Shankaracharya installed at the place where he left his mortal body. These sites are now returning to their former grandeur, he said. PM Modi said that in the past, numerous ancient statues had been stolen from India and taken abroad, where they were sold without adequate intervention. You all know that there was a time when many statues were stolen and taken to foreign countries. They were sold, and no one stopped them. In the last 12 years, we have brought back more than 650 stolen ancient statues, he said. The Prime Minister also highlighted India's growing international cultural presence, saying that the country's cultural centres were gaining recognition and that International Yoga Day was connecting people worldwide with India's ancient traditions. Just as Swamiji took our religion and philosophy to people across the world, today International Yoga Day is connecting people from all over the world with India. It is connecting people with our ancient and great traditions, he said. PM Modi said the growing pride in India's heritage and the determination to overcome a colonial mindset reflected the country's progress towards the vision cherished by its sages and freedom fighters. He also called for collective efforts to address emerging social challenges and unite society against divisive forces. We must awaken our citizens to the need for self-reliance. We must connect every citizen with the resolve for a developed India in 2047. We must become more active towards these objectives, he said. The Prime Minister noted that 2047 would mark 100 years of India's Independence and the centenary of the Chinmaya Mission, saying both milestones presented an opportunity to work together towards shared goals. Our aim is the same. We will have to come forward together, he said.
Digvijaya Singh Engages with Farmers During Saty Sanatan Swabhiman Yatra
Digvijaya Singh listens to farmers concerns about crop issues during his yatra from Ujjain to Ayodhya. Digvijaya Singh Engages with Farmers During Saty Sanatan Swabhiman Yatra
Kashi Tamil Sangamams fifth edition will be a tribute to Thirukkural: Education Minister
Pralhad Joshi opens registration portal for event to be held from November 28 to December 12; 1,400 participants from Tamil Nadu expected to embark on eight-day trip to Varanasi, Prayagraj, Ayodhya
On way to Ayodhya after Sangam dip, Nepal family robbed in Jhunsi
Ravi Kishan plays Lord Rama for the first time at Ramleela, recalls journey from playing Sita
Ravi Kishan played Lord Rama for the first time at Delhis Ayodhya Ki Ramleela during Dussehra. The actor, whose childhood Ramleela roles included Sita, Parshuram and Kevat, reflected on his journey from village performances to a career in cinema and politics. He also urged young people to learn about Hindu deities and embrace spirituality and meditation.
BJP Youth Leaders Express Confidence in Upcoming Elections in Ayodhya
BJP youth leaders Harshvardhan Singh and Nikhil Mani Tiwari express confidence in youth support ahead of the 2027 Uttar Pradesh elections. BJP Youth Leaders Express Confidence in Upcoming Elections in Ayodhya
Mosque-Temple Disputes: Is India Moving Forward Or Backward?
In 1949, one night, an idol of Ram Lala (the infant Ram) was placed in Babri Masjid in Fyzabad (Ayodhya), and it was declared that Lord Ram had miraculously appeared there.
Digvijay Singh Launches Truth and Pride Journey from Ujjain to Ayodhya
Former MP Chief Minister Digvijay Singh embarks on a spiritual journey from Ujjain to Ayodhya, promoting values of truth and transparency. Digvijay Singh Launches Truth and Pride Journey from Ujjain to Ayodhya
RSS Celebrates Dussehra with Traditional Procession in Ayodhya
The RSS marked Dussehra in Ayodhya with a ceremonial weapon worship and a disciplined procession, celebrating 100 years of the organization. RSS Celebrates Dussehra with Traditional Procession in Ayodhya
Digvijay To Begin 70-Day Ujjain-Ayodhya Padayatra Today On Ram Temple Funds, 'Vote Chori'
The Kamal Nath government then had however lasted barely 15 months in the wake of around 25 Congress MLAs, loyal to Union minister Jyotiraditya Scindia (who was then in Congress), switching over to BJP.
Ramayana: How 4,500 jewellery pieces were designed for Ranbir Kapoor, Sai Pallavi and Yash
Highlights More than 4,500 jewellery pieces were created for the first part of Ramayana . Tribe Amrapali spent over 18 months researching and designing jewellery for the epic. Ayodhya, Mithila and Lanka each have distinct styles inspired by their identities and characters. The world of Ramayana is being shaped not only by its grand sets and costumes but also by the intricate jewellery worn by its characters. For Nitesh Tiwaris two-part cinematic adaptation, jewellery brand Tribe Amrapali has created more than 4,500 individual pieces for the first instalment, drawing on traditional Indian craftsmanship, mythology and historical ornamentation. The project took more than 18 months of research and design, with the team developing distinct jewellery styles for Ayodhya, Mithila and Lanka. The designs help establish the visual identities of the kingdoms and reflect the personalities and values of the characters played by Ranbir Kapoor , Sai Pallavi and Yash . The research behind the jewellery Tribe Amrapali creative head Tarang Arora and his team studied mythology, ancient Indian jewellery, temple art and sculptures to develop designs suited to the films world. The aim was to draw from traditional forms while giving each character and kingdom a recognisable visual identity. The jewellery incorporates techniques such as embossing, engraving, filigree-inspired openwork and granulation-inspired beadwork. These methods bring texture and detail to the pieces while reflecting the craftsmanship of traditional Indian jewellery. Three kingdoms, three distinct styles Ayodhyas jewellery is built around symmetry and refined detailing. Designs associated with Ram draw on the Sun motif, reflecting his Suryavanshi lineage, alongside elements such as the Dharma Chakra and lotus. Together, these details connect the jewellery to the kingdoms visual identity and its themes of duty and righteousness. See on Instagram Mithila, associated with Sita, takes a softer approach. Floral motifs and graceful forms shape its jewellery, reflecting a different aesthetic from Ayodhyas more structured designs. Lanka, meanwhile, features bolder, more sculptural and asymmetrical forms, with darker stones used to establish a striking visual identity for Ravana and his kingdom. The designs for Mandodari and Vibhishana introduce more symmetry and warmer stones, giving their jewellery a distinct character within Lankas broader aesthetic. Craftsmanship on an epic scale The scale of the work reflects the productions attention to visual detail. With thousands of pieces created for the first film alone, the jewellery forms an important part of how the characters and their worlds are presented on screen. See on Instagram Ramayana stars Ranbir Kapoor as Ram, Sai Pallavi as Sita and Yash as Ravana, with Sunny Deol playing Hanuman and Ravi Dubey portraying Lakshman. The two-part film is produced by Prime Focus Studios, in association with DNEG and Yashs Monster Mind Creations. The first part of Ramayana is scheduled for a worldwide release on November 5, 2026, with the second part planned for Diwali 2027. The film is set to release in five Indian languages and in IMAX.
Ram Bhakton Ki Ek Pukar: Aman Arora Urges PM Modi to Act in Ram Mandir Donation Case
Aam Aadmi Party (AAP) Punjab President and Cabinet Minister Aman Arora on Monday urged Prime Minister Narendra Modi to ensure strict punishment for those responsible for the reported chanda chori at Shri Ram Mandir in Ayodhya, asserting that the BJP, which
Punjab AAP seeks punishment for Ayodhya's Ram Temple 'chanda chori accused
Digital Desk | Chandigarh, Oct 19 (IANS) Aam Aadmi Party (AAP) Punjab President, Aman Arora, on Monday urged Prime Minister Narendra Modi to ensure strict punishment for those responsible for the reported 'chanda chori' at Shri Ram Mandir in Ayodhya. The AAP asserted that the BJP, which rose to power by invoking the sentiments associated with the Ram Temple, must not shield anyone who betrayed devotees faith. Citing 105 reported incidents of chanda-chori (donation theft)', Aman Arora demanded a thorough probe into the role of senior officials, questioning why accountability should end with junior employees. Arora said more than one lakh Ram devotees from Punjab had written to Prime Minister Modi seeking justice, declaring: Ram Bhakton ki ek pukar, Chanda choron ko saza is baar. Arora said, Millions of Ram devotees contributed their hard-earned money towards the construction of the Shri Ram Mandir in Ayodhya with immense faith and devotion. If the money donated by devotees has been misappropriated, it is a betrayal of their faith. Prime Minister Narendra Modi must ensure that everyone found guilty faces the strictest punishment. The AAP Punjab President said, I am raising this issue not as an AAP leader or party president, but as a Ram Bhakt who shares the anguish of lakhs of people across Punjab. People across the country celebrated the construction of the Shri Ram Mandir with immense joy and contributed generously from their hard-earned savings towards this sacred project. Their faith and contributions deserve to be respected. While displaying bundles of letters received from different parts of Punjab, Cabinet Minister Arora said, More than one lakh Ram devotees from Punjab have voluntarily written letters to Prime Minister Narendra Modi, urging him to intervene and ensure justice. These letters have come from across approximately 22,000 polling booths in the state. We will present them to the Prime Minister as a collective appeal from devotees who want accountability and strict action against everyone found responsible. Why should accountability end with lower-level employees when serious questions remain about the role of senior officials and those entrusted with managing the temples affairs? If repeated incidents of theft have taken place, the responsibility of those overseeing the institution must also be examined, he said.
Jairam Ramesh criticises BJP on alleged Ayodhya Ram Temple theft
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Digital Desk | Ayodhya, Oct 19 (IANS) BJP National Spokesperson, R.P. Singh, on Monday criticised Samajwadi Party (SP) chief, Akhilesh Yadav, ahead of the release of the party's manifesto on Constitution Day on November 26, for the 2027 Uttar Pradesh Assembly elections. Speaking to IANS, Singh claimed the people of UP had already witnessed the previous promises made by the party and experienced what he described as 'goonda raj' and 'mafia raj' during its rule. The people of Uttar Pradesh have already seen the party's previous promises and witnessed the 'goonda raj' and 'mafia raj' in the state. The people of Uttar Pradesh do not want such promises or a government run by goons and mafias, Singh alleged. Meanwhile, Samajwadi Party MP, Awadhesh Prasad, described the party's election manifesto as a sacred document, asserting that the party remained committed to fulfilling its promises after coming to power. For us, the election manifesto is like a sacred document. We treat it with the same faith and reverence with which we regard religious scriptures, bow before them and follow their teachings in our conduct. Whatever we promise before the elections, once the government is formed, we fulfil those promises over the next five years under all circumstances. For us, the manifesto is a sacred document, Prasad said. The Samajwadi Party will release its manifesto for the 2027 Uttar Pradesh Assembly elections on November 26, which is observed as Constitution Day, Akhilesh Yadav announced on Monday. In a post on X, Yadav wrote, The Resolve of '27: The PDA's Manifesto. On the sacred democratic occasion of 'Constitution Day' on November 26, 2026, we will release the 'Jan-Man Manifesto'. Uttar Pradesh is scheduled to hold Assembly elections in 2027, with political parties preparing for the electoral contest amid a controversy over the Election Commission of India's (ECI) Special Intensive Revision (SIR) of electoral rolls. On Sunday, Yadav urged party workers to remain vigilant at their respective polling booths, accusing the ruling Bharatiya Janata Party (BJP) of conspiring to create fake votes. He also accused the BJP-led state government of undermining the education and examination systems in Uttar Pradesh. In response to the SP's criticism, Chief Minister Yogi Adityanath took a swipe at the previous SP government on Saturday, comparing the party and education to he two banks of a river that can never meet. Addressing a Teachers' and Graduates' Conference in Lucknow, Adityanath accused the previous SP government of undermining recruitment processes. The Chief Minister alleged that the 'Saifai Syndicate' had weakened recruitment procedures and created an identity crisis for young people.
60-Foot Ayodhya Ram Temple Replica Draws Crowds At Siliguri Pandal
A 60-foot-tall saffron-coloured replica of the Ram Temple in Ayodhya has become a major attraction at a Durga Puja pandal in Siliguri, West Bengal. Organised by Saktigarh Ujjwal Sangha, the structure is drawing devotees and visitors.
Assam Chief Minister Himanta Biswa Sarma Criticizes Opposition Amid Ayodhya Visit
Assam CM Himanta Biswa Sarma attacks opposition protests, emphasizing that governments change through votes, not threats. Assam Chief Minister Himanta Biswa Sarma Criticizes Opposition Amid Ayodhya Visit
The Shri Ram Janmabhoomi Teerth Kshetra Trust has rolled out new initiatives aimed at enhancing devotees' access to Ram Lalla. Visitors can now reserve Sugam Darshan passes up to 90 days ahead of their intended visit, significantly boosting convenience. The trust has increased the daily online pass availability from 975 to 2,000, ensuring more people can access the site.
CR to run 24 special trains between Mumbai and Ayodhya for festive season
The special trains will run with Amrit Bharat rakes, offering additional travel options for passengers travelling during the festive season. The Lokmanya Tilak Terminus (LTT)-Ayodhya Cantt-LTT Superfast Special services will operate as 12 trips in each direction
Haryana Hurricanes Triumph Over Punjab Aeroskikers in Volleyball Champions League Opener
Haryana Hurricanes and Ayodhya Garjan secure victories in the Volleyball Champions League, showcasing strong performances in their opening matches. Haryana Hurricanes Triumph Over Punjab Aeroskikers in Volleyball Champions League Opener
LK Advani: RSS days to Rath Yatra, photos that defined veteran BJP leader
Lal Krishna Advani, former Deputy Prime Minister and a veteran Bharatiya Janata Party (BJP) leader, is no more. A founding member of the BJP in 1980, Mr. Advani is considered the architect of the party's rise as a major national force in the 90s. The veteran leader rode the Ayodhya movement and elevated the BJP from the fringes to the mainstream. Mr Advani, along with former Prime Minister Atal Bihari Vajpayee, was the face of the party for several decades before the advent of the Modi-Shah era. From leading the rath yatra to his swearing-in as Deputy Prime Minister of India, here's look at the key moments from Advani's public life that also left an indelible footprint in the country's political terrain.
Akhilesh dares CM Yogi to contest from Ayodhya in assembly election
Promising to accelerate the growth of Ayodhya, the SP leader alleged rampant demolition under BJPs watch in the name of development
Akash Anand to relaunch BSP poll campaign from Ayodhyas Bikapur on Nov 20
Ravi Kishans Garba Moves Go Viral Ahead of Ramleela Role
BJP MP Ravi Kishan shared a video of himself dancing garba, with his moves leaving netizens amazed as the video went viral. The actor has also recently opened up about the pressure of playing Lord Ram in Ayodhya Ki Ramleela on October 19 and 20, revealing that he is fasting, following a special diet and keeping calm for the role.
Kolkata: First-ever Durga Puja with theme Ram Ki Ayodhya; Guv Ravi graces the inauguration
Kolkata: First-ever Durga Puja with theme Ram Ki Ayodhya; Guv Ravi graces the inauguration
Ram Mandir remaining construction work to be fully completed by Nov 15: Nripendra Misra
Digital Desk | Ayodhya, Oct 16 (IANS) Ram Mandir Construction Committee Chairman Nripendra Misra on Friday said that almost all construction work at the temple complex has been completed, with the remaining work scheduled to be finished by November 15. Speaking to reporters, Misra extended greetings on the upcoming festivals and provided an update on the temple's development, stating that 148 of the approximately 150 construction works within the complex had been completed and handed over to the Ram Mandir Trust. He said L&T, which was responsible for executing the construction work, had to hand over the completed projects to the Trust along with the relevant records, drawings, designs and financial documentation. The Trust's project engineers subsequently inspect the works before approving their handover. Of these 150 works, 148 have been completed and handed over. The major construction work that is yet to be handed over is the Parkota, the temple's perimeter structure, Misra said. Explaining the delay, he said the water treatment work on the Parkota's roof was still pending. Continuous rainfall in Ayodhya over the past three days has affected the pace of construction, delaying the work. However, he expressed confidence that the remaining work would be completed by November 15. Lighting work is currently underway in the temple and the Parkota. That will be completed by November 15, he said, adding that the recent developments observed at the site were related to the temple complex's ongoing construction. Misra also provided updates on other projects in Ayodhya. He said the Martyrs' Memorial had been completed and that he had inspected it on Thursday. Only minor horticulture and landscaping work remained at the site. Regarding the Madhavacharya Gate, he said approximately 80 per cent of the construction work had been completed. Misra added that he was scheduled to inspect the site to assess the progress. The committee chairman's update comes as work continues on the remaining infrastructure, finishing and lighting arrangements at the Ram Mandir complex, with November 15 set as the deadline for completing the pending tasks.
148 of 150 construction works at Ayodhya Ram Temple completed, facade lighting due by November 15
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Yami Visits Ayodhya Ahead Of Film Release
The occasion also marked the launch of a new song from Nayyi Navelli
Yami Gautam Visits Ayodhya Ahead of Film Release, Seeks Blessings at Ram Temple
Actress Yami Gautam visits Ayodhyas Ram Temple, seeking blessings for her upcoming film Nayi Naveli. Yami Gautam Visits Ayodhya Ahead of Film Release, Seeks Blessings at Ram Temple
RMLAU Result 2026 Out - Check Result Online @ rmlau.ac.in
Dr. Ram Manohar Lohia Avadh University (RMLAU) Ayodhya result 2026 on the official portal. Find course-wise result categories for NEP odd and even semesters and non-NEP courses, how to check your marksheet.
Bihar CM: Lord Ram asked PM, 'When will I get a home?'
Bihar Chief Minister Samrat Choudhary recently made a statement suggesting Lord Ram was 'asking for a home' while Prime Minister Narendra Modi provided houses to millions. He linked the construction of the Ram Temple in Ayodhya to PM Modi's efforts, highlighting the BJP's ideological commitment to the temple and other key issues like Article 370 abrogation. Choudhary also mentioned plans for a Sita temple in Bihar.
Yami Gautam seeks blessings at Ram Mandir in Ayodhya ahead of Nayyi Navelli release | Photos
Yami Gautam seeks blessings at Ram Mandir in Ayodhya ahead of Nayyi Navelli release | Photos
SC protects Ayodhya journalist, quashes police data request
The Supreme Court has made permanent its order protecting a journalist from coercive action in a road rage case and quashed a police notice to 'X' seeking his digital details. The court noted the police sought data from before the alleged crime and granted the journalist liberty to challenge the FIR and seek guidelines for data collection.
Independent journalist Abhishek Upadhyay had authored investigative stories of the alleged misappropriation and theft of donations at the Ayodhya Ram Temple
Ayodhya Enhances Security with CCTV and Drones for Durga Puja Festivities
Ayodhya police have stepped up security measures for Durga Puja, utilizing CCTV and drones to ensure a peaceful celebration. Ayodhya Enhances Security with CCTV and Drones for Durga Puja Festivities
Ahead Of UP Polls, Narrative Changes In BJP, Opposition Camps
Although the BDM issue had dominated the discourse for the past few months, the recent temple-related controversies in Kashi, Ayodhya, Mathura, and Sambhal suggests that the BJP is making a concerted effort to shift the political narrative.
Ravi Kishan Opens Up on Portraying Lord Ram in Grand 'Ayodhya Ki Ramleela' in Delhi
Congress has no right to take Lord Ram
Telangana BJP president N Ramchander Rao on Monday criticised Telangana Chief Minister A Revanth Reddy over his remarks comparing the Congress to Lord Ram and the BJP to Ravana during his campaign speech in Goa on Sunday. Rao alleged that the Congress had opposed the construction of the Ram Temple in Ayodhya and accused the party of following an anti-Hindu approach. Speaking to ANI, Rao said the Congress had no right to invoke Lord Ram
Ayodhya decked up for Navratri, Durga idols installed across the city
Get your own ticket confirmed first, Akhilesh Yadav tells Yogi Adityanath on Ayodhya challenge
Mr. Yadav spoke in Lucknow after paying floral tributes to socialist leader Jayaprakash Narayan
20-Yr-Old Biker Sustains Severe Neck Injuries After Contact With Manja
According to detective inspector Ch. Dhanunjay, the survivor, Manish, a native of Bihar, was a resident of Ayodhyanagar, Quthbullapur and works at a plastic company in Subhashnagar.
Ayodhya Ram temple gets FSSAI's top 'Eat Right Place of Worship' rating
Food regulator FSSAI has certified Shri Ram Janmbhoomi Teerth Kshetra, Ayodhya, as 'Eat Right Place of Worship' for maintaining adequate food safety and hygiene standards. In a social media post on Sunday, the Food Safety and Standards Authority of India (FSSAI) said the certificate has been issued as per its guidelines for a period of two years, from October 11, 2026 to October 10, 2028. Shri Ram Janmbhoomi Teerth Kshetra, Ayodhya, has been officially certified as an 'Eat Right Place of Worship' by FSSAI, the regulator said. The certificate was handed over by FSSAI CEO Rajit Punhani in a special ceremony in Ayodhya on Saturday. According to the FSSAI website, the 'Eat Right Places of Worship' is an initiative to encourage places of worship to adopt and maintain food safety and hygiene. The objective is also to convey food safety messages through such places to people to act as responsible citizens. It aims at creation of awareness amongst the places of worship to prevent ...
Kangana Ranaut Visits Ayodhya, Calls Meeting Ram Lalla a Divine Experience
Kangana Ranaut visits Ayodhya, describes her experience meeting Ram Lalla as divine and praises the beauty of the Ram Temple. Kangana Ranaut Visits Ayodhya, Calls Meeting Ram Lalla a Divine Experience
Regime change certain in 2027: Akhilesh lashes out at BJP, Election Commission
Digital Desk | Lucknow, Oct 11 (IANS) The Samajwadi Party (SP) Chief Akhilesh Yadav on Sunday asserted that a change of power was certain in 2027 Assembly elections and criticized the Election Commission (EC) over alleged police action on the protesters in the national capital. Speaking to the press, after paying respects to Loknayak Jayaprakash Narayan at the Jayaprakash Narayan International Centre (JPNIC) in Lucknow on latter's birth anniversary, the SP supremo said that the Bharatiya Janata Party (BJP) will be shown the door by people in 2027 Uttar Pradesh polls and the 'partisan' Election Commission won't be able to save its 'sinking' fortunes. Swearing by the Loknayak Jayaprakash Narayan (JP)'s 'Total Revolution' (Sampoorna Kranti) slogans, Akhilesh Yadav said that the movement remains relevant even today for challenging the regime and his party will bring out the 'desired' result by walking down that path. The process of change has begun. The anguish among the public will accelerate the process of change, he added, after garlanding the statue of Loknayak Jayaprakash Narayan at the memorial. The SP supremo also took a swipe over Chief Minister Yogi Adityanath over the Ayodhya seat, days after he challenged the latter to contest the elections from the holy city. Responding to the Chief Minister's questions regarding Ayodhya, Akhilesh Yadav said that arrogant individuals would not be able to withstand the strength of his 'PDA' (Pichhda, Dalit, AlpsankhyakBackward, Dalit, and Minority) alliance. The SP Chief said that the public is now familiar with the BJP's politics and the party will have to give befitting reply to its actions. He claimed that a change would occur in 2027 and that the process has already begun. He said that the BJP is rattled by political strength of the PDA and questioned the role of Election Commission. He said that EC's duty is to encourage maximum voter participation and ensure a smooth voting process. Raising the issue of the alleged assault on residents of Uttar Pradesh in Delhi, Akhilesh Yadav questioned the Election Commission's accountability and demanded its resignation.
Ayodhya Ram temple gets FSSAIs top Eat Right Place of Worship rating for prasad safety
'Pawan Ka Jhonka Aayega': Akhilesh Yadav Responds To Yogi Adityanath's Ayodhya Election Challenge
A political face-off over Ayodhya intensified on Sunday after Samajwadi Party chief Akhilesh Yadav responded to Yogi Adityanath's invitation to contest the Assembly elections from the constituency. Yadav asserted that SP leader Pawan Pandey was enough to challenge the BJP's position
UP Minister OP Rajbhar challenges Akhilesh Yadav to contest against Yogi Adityanath from Ayodhya
Uttar Pradesh ministers Om Prakash Rajbhar and Daya Shankar Singh on Sunday challenged Samajwadi Party chief Akhilesh Yadav to contest the 2027 Assembly elections against Chief Minister Yogi Adityanath from Ayodhya, after Yadav advised the Chief Minister to contest from the temple town. Suheldev Bharatiya Samaj Party (SBSP) chief Om Prakash Rajbhar said Yogi Adityanath was ready to contest from Ayodhya if Akhilesh Yadav was also willing to enter the electoral contest from there.
The FSSAI has officially certified the Ram Temple in Ayodhya as an Eat Right Place of Worship, ensuring food safety for offerings. FSSAI Awards Eat Right Place of Worship Certificate to Ram Temple in Ayodhya
Rajbhar Challenges Akhilesh to Account for JP-NIC Funds and Contest from Ayodhya
Om Prakash Rajbhar questions Akhilesh Yadav on JP-NIC funding and challenges him to contest elections from Ayodhya. Rajbhar Challenges Akhilesh to Account for JP-NIC Funds and Contest from Ayodhya
Ayodhya Ram temple gets FSSAI's 'Eat Right Place of Worship' certification
The Shri Ram Janmabhoomi Teerth Kshetra in Ayodhya has been certified as an
You [Akhilesh Yadav] should also file your nomination from Ayodhya, and I will too; let us both try our luck once; why fight through disciples, asked Yogi Adityanath
Why a Ramlila ground could be the perfect place to begin a relationship
Cultural festivals serve as the perfect backdrop for rekindling old connections, where shared experiences enhance interaction. These vibrant celebrations offer a relaxed atmosphere, reducing the stress of dating. Events like Ramlila melas create opportunities for engaging dialogues and activities, allowing individuals to discover each other deeply. Iconic places like Ramnagar and Ayodhya host spectacular Ramlila festivities that captivate those seeking romance, making cultural exploration an unforgettable journey for couples.
Yogi Adityanath Challenges Akhilesh Yadav To Face Him In Ayodhya Ahead Of UP Elections
Will Ayodhya see a face-off between Chief Minister Yogi Adityanath and his predecessor Akhilesh Yadav in the upcoming UP elections? The BJP leader has thrown down the gauntlet at the Samawadi chief in response to his Ayodhya dare. Akhilesh ji, I have an offer for you. You also file your nomination from Shri Ayodhya Dham, and I will do the same, Adityanath said while inaugurating and laying the foundation stones for 78 developmental projects worth over Rs 800 crore in Balrampur district. Responding to him, Yadav said a young candidate is enough to take on the BJP in Ayodhya, pointing to the Ram temple donation theft row. The Samajwadi Party has already declared Tej Narayan Pandey as its candidate from Ayodhya.
Akhilesh Yadav Targets BJP in Ayodhya, Calls for Youth Engagement
Akhilesh Yadav criticizes BJPs performance in Ayodhya, urging youth to unite against corruption ahead of upcoming elections. Akhilesh Yadav Targets BJP in Ayodhya, Calls for Youth Engagement
Ayodhyas Ram Janmabhoomi Trust Receives Food Safety Certification for Kitchens
The Ram Janmabhoomi Trusts kitchens have been certified by the Food Safety Department, ensuring safe offerings for devotees. Ayodhyas Ram Janmabhoomi Trust Receives Food Safety Certification for Kitchens
CM Yogi Challenges Akhilesh Yadav to Contest from Ayodhya in Upcoming Elections
Uttar Pradesh CM Yogi Adityanath dares Akhilesh Yadav to run from Ayodhya, emphasizing development and law enforcement in the region. CM Yogi Challenges Akhilesh Yadav to Contest from Ayodhya in Upcoming Elections
'Fight should be face-to-face': CM Yogi accepts Akhilesh's Ayodhya challenge
Yogi Adityanath Openly Challenges Akhilesh Yadav To Contest From Ayodhya, Says
Uttar Pradesh Chief Minister Yogi Adityanath has turned a political challenge from Samajwadi Party chief Akhilesh Yadav into an invitation for a direct electoral contest. Addressing a gathering in Balrampur on Saturday, 10 October, Yogi said he was ready to contest
