Kerala Sends Team to Retrieve Illegally Dumped Medical Waste in Tamil Nadu

Amid public outrage, the Kerala government has dispatched a team to Tirunelveli to retrieve medical waste illegally dumped in several areas of Tamil Nadu. The team, led by a senior officer and supported by eight trucks from Thiruvananthapuram, began removing the hazardous waste on Sunday, according to local media reports. The waste was found in areas bordering the Tamil Nadu-Kerala border sparking local protests. Residents filed complaints with the Suttamalli police, leading to the registration of six cases. Two individuals, including the owner of the truck and a supervisor from a Kerala-based waste management company, have been arrested for their role in the illegal disposal. The National Green Tribunals southern bench has ordered the Kerala government to complete the removal by December 23. Tirunelveli District Collector Karthikeyan questioned the Kerala teams assessment of the waste, suggesting that if it were non-hazardous, there would be no need for such covert operations. He emphasized the need for strict action to prevent similar incidents in the future.

Kerala trader suicide: Wife seeks abetment charges against officials of CPI(M)-controlled bank

Kerala trader suicide: Wife seeks abetment charges against officials of CPI(M)-controlled bank Thiruvananthapuram: Marykutty, the wife of Mulangassery Sabu (56), a businessman from Kattapana in the Idukki district of Kerala, who committed suicide on December 20), has demanded abetment charges against the officials of a CPI(M)-controlled cooperative bank. Speaking at a press conference on Sunday, [] The post Kerala trader suicide: Wife seeks abetment charges against officials of CPI(M)-controlled bank appeared first on Mangalorean.com .

12-year-old bitten by snake: As per Minister Sivankutty's direction, report submitted to director of education

THIRUVANANTHAPURAM: As per the direction of Education Minister V Sivankutty, a detailed report on the snake bite incident involving a student at the aided Chenkal UP School was submitted to the director of public education, K Shanavas, by the deputy director of education on Saturday. The report will be forwarded to the minister after incorporating the directors recommendations. The ministers office has also informed that actions will be taken as per the findings of the report. The victim, Neha, 12, is the daughter of Shibu and Beena from Chenkal. The school only offers classes 5, 6, and 7. With fewer than 50 students enrolled, the school has been neglected for many years. The incident happened around 12.30pm on Friday during a Christmas celebration programme. Neha felt a sharp pain in her leg, which was later identified as a snake bite. Teachers immediately killed the snake and rushed Neha to the Vattavila Primary Health Centre. She was later admitted to Neyyattinkara General Hospital, after which she was shifted to the Medical College Hospital for specialised treatment. After the blood test at the hospital, Nehas condition was found to be satisfactory. The snake that bit the student was identified as a non-venomous species, Churutta.

Thiruvananthapuram police show soft side to SFI workers accused of serious crimes

THIRUVANANTHAPURAM: The state polices motto may be Mridhu Bhave Dhrida Kruthye, which means soft in temperament and firm in action, yet the force seems to getting used to forgetting the second part of the Sanskrit phrase when it comes to acting against SFI activists accused of serious crimes. Under fire for its languid response to the assault of a disabled student by SFI members of University College , city police have again come under the scanner for their failure to nab five activists who attacked a student from Lakshadweep on Saturday morning in the aftermath of the previous incident. Muhammed Fayaz Khan of Kavaratti was attacked inside the University College mens hostel in Palayam for allegedly coming to the aid of Muhammed Anas, a differently abled student, who was attacked by SFI members on December 2. Anas was allegedly attacked for refusing to tie an SFI flag to a tree within the campus. A native of Konniyoor, Anas, a second-year degree student, was hit on the head with an iron rod and stomped on his weaker leg. Following the incident, police registered cases against Amal Chand, Midhun, Alan Jamal, and Vidhu Uday -- all leaders of the CPM students wing -- under non-bailable sections. However, officers failed to arrest the culprits even after the additional chief judicial magistrate court rejected their anticipatory bail plea. The accused have now approached the High Court and police said they are awaiting the courts order before planning their next move. Meanwhile, Museum police claimed that those named in the Fayaz case have gone into hiding. Fayaz sustained injuries to his ear and arms after SFI members barged into his hostel room and attacked him. Officers claimed to have conducted searches at the homes of the accused, but to no avail. A Museum police source said they would arrest the culprits within this week. We are working hard on the case and the accused would be arrested soon, the source said. The Lakshadweep native belongs to the scheduled caste, which led to the invocation of the SC, ST (Prevention of Atrocities) Act. Despite this, police have reportedly been lethargic in tracking down the accused, precipitating criticism that it was slow-pedalling on the probe under political pressure. Ironically, both victims are also affiliated to the SFI.

Kerala government seeks special packages at Centres pre-budget consultation

THIRUVANANTHAPURAM: A special package of Rs 24,000 crore and Rs 2,000 assistance for Wayanad rehabilitation were among the demands made by the state at the pre-budget consultation held by the Union government. The state is fiscally stressed due to the cut in central transfers, stoppage of GST compensation and revenue deficit grant, Finance Minister K N Balagopal told the meeting. The curtailing of normal borrowing ceiling added to the states financial woes, he said. The minister said there was a continuous decline in Keralas share from the divisible pool - from 3.875 pc during the 10th Finance Commission to 1.925 pc during the 15th Finance Commission. The state is facing a crisis despite making a commendable increase in its own tax revenue. The share of Keralas own revenue in the total revenue expenditure was 63.58 pc, when compared to the national average of only 53.9 pc. He also requested the Centre to provide Rs 2,000 crore special package for the rehabilitation of the landslide victims in Wayanad. The affected area is no longer habitable due to natural disasters and potential hazards and hence the state government plans to relocate survivors to a new township. The rehabilitation plan aims to incorporate global best practices, adhering to the Sendai Framework and Build Back Better principles. Balagopal reiterated the states demand for a special assistance to the tune of Rs 5000 crore to the Vizhinjam International Seaport Limited. The minister called for a rethink on the Union governments new methodology, from 2022-23, for fixing the ceiling on open market borrowing.

Kerala motor vehicle department: Private vehicles may be lent to friends & kin in exigencies

THIRUVANANTHAPURAM: Putting an end to misinterpretations and concerns over the use of private and rental vehicles, the transport commissioner has said that private vehicles may be used by the owners family members or friends without being deemed a violation. In a press note, the commissioner clarified that it is acceptable to lend vehicles to relatives or friends in emergencies without charging a fee. However, regular use of private vehicles by third parties or their engagement for commercial activities like transporting passengers to airports, railway stations or tourist spots without authorisation is an offence, the release said. The motor vehicles department (MVD) also issued a warning against renting private vehicles for monetary, or other, benefits. The commissioner, in the press release, said such practices are punishable under the MVD Act, and can invite even cancellation of registrations. Advertising such services through media platforms is also a punishable under the Motor Vehicles Act, it said. Private vehicles with more than eight seats are registered based on an affidavit declaring they are solely for the use of owners and their families and permitting their use by a third party is a violation of the law. The MVD clarified that there are strict legal provisions for renting vehicles. Any person can rent private vehicles under the rent-a-cab scheme. Individuals or institutions applying for such licences must own a minimum of 50 all-India tourist permit vehicles and meet the criteria mandated under the act. Two wheelers can similarly be rented under the rent-a-bike scheme. Applicants for this licence must have at least five motorcycles or bikes registered as transport vehicles. The department said it issues distinctive number plates for rental vehicles. Rent-a-cab vehicles have black plates with yellow writing while electric vehicles under the scheme have green plates with black lettering.

At 3.16 per cent in five years, Kerala's economic growth 4th lowest in country

THIRUVANANTHAPURAM: Despite topping the national charts on various human-development indices, Keralas economy has been limping for some time now. A recent central bank report further cemented the condition that the state finds itself in. In the Reserve Bank of Indias Handbook of Statistics on Indian States 2023-24, Kerala took the 30th spot among select 33 states and Union territories (UTs) in terms of economic growth over a five-year period. Keralas average annual growth rate (AAGR) in gross state domestic product (GSDP, at constant prices) between 2018-19 and 2022-23 stood at 3.16%, with only Delhi (3.13%), Uttarakhand (2.16%) and Goa (0.70%) performing worse. Mizoram topped the chart with 6.75% growth, followed by Chhattisgarh (6.64%) and Gujarat (6.26%). Major south Indian states also registered commendable growth during the period. While Karnatakas economy grew by 5.62%, Telangana, Tamil Nadu and Andhra Pradesh posted 5.61%, 5.27% and 5.19% expansions, respectively. The quick estimate for 2023-24 showed that Keralas GSDP improved to rs 6.35 lakh crore, posting a 6.52% year-on-year (YoY) growth, from the previous years Rs 5.96 lakh crore (+4.24% YoY). The handbook did not have data for all states/UTs for this year. Telanganas growth rate was pegged at 9.24%, followed by Tamil Nadu (8.23%), Andhra Pradesh (7.35%), and Karnataka (6.60%). There are various factors behind Keralas slow growth rate, economist Mary George said. The state is yet to be industry-friendly in the true sense and hence big investments are limited. Kerala continues to grapple with militant trade unionism, she said. The agriculture sector is facing a crisis due to price falls and human-wildlife conflicts. The drop in NRI remittances following the pandemic and outward remittances through migrant labourers have compounded the states woes, Mary added. Exponential increase in states expenditure on disaster relief The handbook showed that Kerala performed well in important social indicators like maternal mortality (MMR) and life expectancy. Kerala topped the chart in MMR with 19 deaths per one lakh births. At six deaths per 1,000, Keralas infant mortality rate was the fifth lowest in the country. The unemployment rate in rural Kerala was 76, fourth highest in the country. Unemployment in the urban areas saw a significant decline from 104 in 2019-20 to 67 in 2023-24, 19th position in the country. The report also threw light on the exponential increase in state governments expenditure on relief following natural calamities. Keralas expenditure rose by 232% from Rs 14,181 lakh in 2011-12 to Rs 47,060 lakh in 2023-24. At 3,13,376 lakh, the highest spending was in the flood-hit 2018-19. In the states finance sector, Keralas own tax revenue saw a quantum jump in 2022-23, from Rs 58,341 crore in the previous year to Rs 70,189 crore. The budget estimate for 2023-24 is Rs 81,039. The states own non-tax revenue too rose from Rs 10,463 crore in 2021-22 to Rs 15,355 crore in 2022-23. The estimate for 2023-24 is Rs 17,089 crore. Kerala had the fifth-highest pension expenditure in the country in 2023-24. The pension liability rose from Rs 26,689 crore in 2022-23 to Rs 28,240 crore in the current year.

Ho, Ho, Ho! This Xmas, spread joy with personalised Santa greetings

THIRUVANANTHAPURAM: Six tech-savvy youths from the state have come together to develop an Artificial Intelligence-based web application designed to send personalised Christmas greetings and messages in Santa Claus voice. The application -- www.santacallingai.com -- which has gained significant traction globally, especially in the US and the UK, features interactive responses from Santa, offering a festive and fun experience for users. The idea was conceptualised by Sidharth N, who had previously developed a prank-call tool. Inspired to create an AI-powered solution for festive greetings, he collaborated with Richin R Chandran (CEO, Richinnovations Technologies), Muhammad Shanoob (CEO, Inventy International), Vignesh (UI/UX designer), Ajnas N B (developer), and Dheeraj Dileep (Cusat student). The concept took shape during the startup conclave, Huddle Global 2024, organised by the Kerala Startup Mission in November. The team turned the idea into reality within a week. The app features two modes: a Nice Santa for children and a Naughty Santa for adults, while ensuring child-friendly interactions by filtering out sensitive or inappropriate terms. Users can enjoy the first four minutes for free, with additional minutes available at a price. Initially piloted in Kerala, the app proved successful and has since expanded to target both Indian and global audiences. Currently, greetings are available in English and Hindi, with plans in place to expand to other languages. However, the existing AI tools have limitations in generating content in South Indian languages, including Malayalam, co-developer Richin R Chandran said. A notable feature of the app is its interactivity, allowing Santa to answer questions sensibly, enhancing the user experience. In addition to individual users, the app also offers a B2B option, enabling employers to send Christmas wishes to employees. The underlying technology used in this has potential applications in tele-sales, customer support, and automated conversational services. The innovative app has already attracted interest from numerous Indian and international clients, building Keralas reputation as a hub for innovative tech solutions. This AI-driven tool by the young entrepreneurs is bringing a new AI-generated festive cheer to audiences worldwide. The web application was launched on December 11 and within 10 days the page views crossed over 34,000 . The visitors to the web application have crossed 4,000. The rate for service for above 4 minutes is `19 in India, $5 outside India per minute.

INTERVIEW | Im living in a world of music... its just that Im not singing

Singer Minminis journey in the world of music has been nothing short of extraordinary. Her iconic rendition of A R Rahmans Chinna Chinna Asai in the film Roja catapulted her to nationwide fame, making her a household name across India. With a repertoire spanning over 2,000 songs in languages such as Malayalam, Tamil, Kannada, Telugu, Hindi, Badaga, and Odia, she established herself as one of the most versatile, ebullient playback singers of her time. However, her career has been a rollercoaster marked by a meteoric rise to stardom, the devastating struggle with singing, and a show of resilience. In a freewheeling interaction with TNIE, Minmini opens up about her highs & lows, spirituality, and how her familys unwavering love helped her overcome lifes toughest challenges Can you tell us about your first steps in music? My musical journey began at home. Both my parents were talented singers. My three older sisters also used to sing well. My father was passionate about music, and he encouraged us. He, in fact, relocated to a village on the outskirts of Ernakulam to ensure that we grew up in a pollution-free environment. Someone would be singing at any given time in our house. I was just three-and-a-half years old when my uncle first noticed my ability to grasp lyrics quickly and sing. At school, teachers were incredibly supportive. They were my first audience outside of home, and their enthusiasm played a significant role in shaping my musical journey. Did you take any formal training in music? During my childhood, there were no classical music teachers in our village. However, my mother, sisters and I would meticulously learn songs from the radio, paying attention to every detail. I still remember, it used to be a battery-powered radio, as we initially didnt have an electricity connection at home. My sisters would transcribe the lyrics into their notebooks, while I, being younger, would unknowingly absorb them. Whenever someone asked me to sing, I would recall them from memory and sing. I wasnt as serious about music as they were. I would say my early introduction to music was a blessing from within my family. How did your singing career start? It began unexpectedly when I was just 10 years old. I started singing for my cousin, who was a dance teacher. There was some dance programme and she wanted me to do the vocals. Many people appreciated my singing, and I started getting offers to participate in music programmes. Things, however, got serious when a ballet troupe, Srichakra Nritya Vihar, based in Tripunithura, approached my father, seeking permission to let me sing for them. Despite initial reservations due to the late hours and my young age, he agreed as it was a great opportunity. I eventually performed with the troupe for over three years. That experience served as a valuable training ground for me, as I had no formal classical training until then. You joined RLV College in between It would be an affront to RLV to say that I studied there (laughs). I rarely attended classes, as I used to have several music programmes, including ganamelas and cassette recordings. How did you get into cinema? It was by chance. At the CAC Studio in Kochi, [music directors] Rajamani Sir and his father, Chidambaranath Sir, had composed about 10 songs for [K S] Chitra chechi. I was called to sing the base tracks for the songs. After the recording, Rajamani sir asked if I could come to Thiruvananthapuram to sing for a film. I realised it would take five days, which required my fathers permission. The artists at the studio convinced him, explaining that it would be a big break for me to enter the film world. Thanks to their encouragement, I travelled to Thiruvananthapuram. When I arrived at the studio, I found myself in a galaxy of ace musicians. It was an incredible experience. My first recording was in Tharangini [K J Yesudass music company]. Everyone there encouraged me, and thats how my first film recording happened. It was for the film Swagatham. I was just 18 years old at the time. Whats the story behind your stage name? My official name is still P J Rosily. My father used to affectionately call me Mini or Minimon, never Minimol. I came to be known as Mini at stage shows. However, when I started working with Ilayaraja sir, he said the name Mini didnt exist in Tamil. He christened me Minmini. When did you move to Chennai? On January 1, 1991, there was a stage show in Palakkad by the CAC orchestra playing [music composer] Jerry Amaldev sirs songs. [Singer] Krishnachandran chettan, who also come to sing for the show, told me that Ilayaraja Sir had asked about me. I was so naive that I wondered, Who is this Ilayaraja? (Chuckles) He told my father that Jayan uncle (singer P Jayachandran) had been frantically trying to reach us. Next day, when my father called Jayan uncle, he told him to rush with me to Chennai. Thats how it all started. You met Ilayaraja straight away? Before meeting Raja sir, we went to Jerry sirs house in Chennai. I had been to Chennai twice before to sing for Jerry sir. During those times, we stayed at his house. That was our only connection we had in Chennai. After we reached his house, Jayan uncle also arrived. I was sitting in a room, while they were speaking about Raja sir in another room. Later, they asked me which song I would sing if Raja sir asked me to. I sang Raveendran Masters Valampiri sankhil, and they approved. Jayan uncle had earlier seen a video cassette of me singing Shanmugha priya ragamo during a stage show abroad. He asked me to sing that song if Raja sir asked for a second song. On the way, there was a huge crowd near Raja sirs house. Jayan uncle told me they were all waiting to just catch a glimpse of Raja sir. I also noticed large cutouts of Raja sir along the roadside. Despite all this, I still didnt realise the seriousness of the situation (laughs). How was your first meeting with Ilayaraja? Were you nervous? To feel nervous, one must know how great Ilayaraja is, right? Since I was clueless, I wasnt nervous at all (laughs). When we reached Raja sirs studio, we were first taken to the composing room. Raja sir was there with [lyricist] Vaali sir and Gangai Amaran sir (Ilayarajas brother and composer]. Raja Sir asked me to sing a keerthanam. I told him I didnt know any. Then he asked me to sing any song I knew well. I sang Valampiri sankhil. Raja Sir listened to the entire song and asked me how many times I had heard the song to learn it. What was your reply? (Laughs) Learning that song was a different story by itself. As I said earlier, we didnt have electricity at our house then. Our neighbours, who had electricity, used to often play the song loudly. We could hear it from our home. Thats how I learnt the song. But I didnt tell this to Raja sir. I simply said I had learnt it after hearing it two or three times. Then he asked me to sing another song, so I sang Shanmugha priya ragamo. After that session, Raja sir told me not to return to Kerala. I was so naive that I actually felt sad upon hearing this, as I had several music programmes lined up in Kerala. But my father said we would do as Raja sir instructed. Unlike me, he knew who Raja sir was. Later, I saw Asha Bhosle recording a song for Raja sir. She was a singer I admired, an icon. Thats when the scale of what I was up struck me (laughs). You later sang several songs for A R Rahman, whose style was totally different from that of Ilayaraja Singers shouldnt think too much about such things. It comes naturally if you avoid overthinking. The two are different individuals, but I, as the singer, remain the same. Their ways were different. God helped me deliver what they wanted in their respective styles. Its that simple (smiles). When did you realise you were a famous singer? It was when I started receiving a lot of letters after Chinna chinna asai. Thats when I realised people from other places were listening to my songs, just as I used to listen to Janaki Ammas songs. Such thoughts had never crossed my mind before. How did the song Chinna chinna asai happen? One day, [music director] Arjunan Master came to my house in an autorickshaw. I went along with my father in that same auto and sang the song. My sister Jansi was also there. Thats all (smiles). Nothing big happened. There used to be a rumour that K S Chitra was the initial choice to sing Chinna chinna asai... That I dont know. Maybe, its true. I also saw it mentioned in an interview with Rahman sir. After recording the song, some people asked [director] Mani Ratnam Sir whether the song was okay or if they should try another singer. I later came to know that he told them the song was fine. Rahman sir mentioned this in one of his interviews. I dont know who the initial choice was. I was a rookie then. If I had failed to deliver what they wanted, someone else might have sung it. What do you think made the song such a hit? Honestly, I dont know. Reflecting on my ignorance is amusing (laughs). Maybe because there was a similarity between the singer and the character in terms of innocence In the film, the character had at least passed Class 10, which set her apart (laughs). As for me, I entered this field knowing very little. As I mentioned earlier, I consider myself a blessed child of the Almighty to have experienced such wonderful things even before fully understanding them. Perhaps my voice reflected a certain innocence, just like the character. What was Rahmans style? Would he explain in detail what you should do? Yes, he would play the harmonium and explain. He would sing the song and show us how it was to be rendered. It was he who taught me how to sing Chinna chinna asai. Arjunan Master and Rahman sirs mother were also present at that time. Just as your career peaked, you had trouble with your voice. How did you overcome that situation? A lot of people supported me. My parents, sisters, cousins they were all there for me. I lost my voice just before my wedding. My husband, Joy, helped me a lot. He took care of me like a baby. He still does. My treatment was in Chennai. [Singer] Mano annan and his wife were there for me. I stayed at their house, and they supported me throughout the treatment. They cared for me like their own child. We consulted ENT specialists, gastroenterologists, and other doctors and did several tests, but nothing was found. It was not that I lost my voice I just could not sing in front of the mic. So, was it more of a psychological issue? That is it! (Smiles, and turns emotional) We have heard that Rahman tried to make you sing again Yes. I was not ready for it, but he insisted. It was the song Pachai kili paadum for Bharathiraja sirs film Karuthamma. In a way, I just uttered the lyrics bit by bit. He made it into a song with his skill, and technology. It was painful for me that I couldnt sing it well. Did anyone from the industry reach out to you at that time of crisis? No (smiles). No musician reached out to me. Maybe they found it hard to face me. I was their pet, and when someone like that goes through such a difficult time, people often hesitate they struggle with what to say or do to console or bring peace. Maybe they found it hard to face me, I dont know. I dont hold any sadness over that. Despite all the hardships, you have maintained a positive outlook on life. Is that because of your belief in God? What does Gods face look like? How can we define God? To me, God is love. Theres no specific figure or face. We might picture God in our minds based on what we know or how we envision, but for me, God is invisible and omnipresent. The love and happiness we share thats God. And that love, that happiness, is always around me. Whats your favourite song? S Janakis Thamara kumbilallo, Chirikkumbol koode chirikkan, Kuli kazhinju kodi mattiya; P Susheelas Maanathe mazhamukil; Vani Jayarams Seemantha rekhayil; P Madhuris Innu enikku pottu kuthan; K S Chithras Nimisham suvarna nimisham, Mouna sarovaram the list would go on. Did you listen to songs for solace while you were away from singing? No. There was a time when I fully stopped listening to songs. Listening to music brought back old memories, sad memories, and often triggered trauma. So I stopped listening to my songs. And other songs because that reminded me of my singing, recording days. So I made a conscious decision to avoid listening to songs. That said, I was not in a low place. I had my home and my loved ones to tend to. I found a lot of joy in that. What precisely did you do to take your mind off negative thoughts? How did you stay engaged? I love making food for my children. I tended to my plants like a normal homemaker. I am that as well. I am a singer only in the studio. My biggest achievement is that I was able to spend time with my kids during their development phase. It might seem trivial to some people, but no, I cherish those moments. That was the happiest phase of my life. Do you still manage to do concerts or shows? My days are still entirely filled with music. My husband and children are musicians, so what we talk and share is all music. We run a music academy in Kochi. I cannot sing as I used to do before because it is causes strain. I do stages where I only sing 4 to 5 songs now, unlike 15 or 16 songs as I used to before. You seem to be very spiritual... Yes. I cannot survive without depending on God. From childhood, I was taught that talent was a blessing from God. Whenever there was an incident, my father used to tell me God had a role in it. Thats how I grew up. When I lost my voice too, thats how I looked at it. Now I have accepted everything in my life. I am happy when I get an opportunity. If I dont, I dont worry about it. Because I am happy with the family and career I have. My husband has been a great pillar of support. I have several ailments, yet he unconditionally loves me. My God has given me the best in life. I found peace during difficult times because of the good people around me. They always treated me like chippikkul muthu (pearl in an oyster). What is the place for music right now in your life? I am living in music. Its just that Im not singing, but music envelops me everywhere. I cant imagine a life without music. Music is inside me and around always. TNIE team: Cithara Paul, Rajesh Ravi, Anu Kuruvilla, S Neeraj Krishna, Mahima Anna Jacob, Anna Jose, Manisha V C S, Harikrishna B, T P Sooraj (photos), Pranav V P (video)

Lack of facilities, public resistance land Kerala in grip of medical-waste crisis

THIRUVANANTHAPURAM: Kerala is grappling with a medical-waste crisis as incidents of illegal dumping in neighbouring states become a major concern. The dumping of medical waste in Tamil Nadu has landed the state under the scanner of the National Green Tribunal (NGT), which has reiterated its call for urgent measures to address the critical issue. According to sources, only 70 tonnes of medical waste generated daily in the state are being handled scientifically. And the fact that the health department and the state government have no clue as to the actual number of medical-waste generators is exacerbating the situation, they add. Currently, Kerala Enviro Infrastructure Ltd (KEIL) and Indian Medical Association's Image are the two agencies in the state processing medical waste. According to the IMA, only 60% of the total medical waste generated in the state is being managed scientifically, as per rules and regulations stipulated under the Biomedical Waste Management Rules 2016. The state requires more medical waste management facilities, Image chairman Dr Abraham Varghese pointed out. As per rules mandated by the National Pollution Control Board (PCB) and state PCB, Kerala has only two accredited agencies for managing biomedical waste. And 30-40% of medical-waste generators are managing their refuse illegally through unauthorised service providers, Dr Abraham told TNIE. According to available information, only 28,000 establishments avail the services of KEIL and Image. In an effort to ensure the scientific handling of medical waste, the state government, jointly with the IMA, has moved to set up another plant in Adoor with the capacity to treat around 15 tonnes of medical waste daily. The process for execution of the project has been completed, including public hearings. Owing to public resistance the government has put the project on hold. We just need the go-ahead from the government to implement the project, he said. Special LSG department team to investigate dumping of medical waste in Tamil Nadu The state government and the health department have been accused of being in the dark about the actual generation of medical waste. LSGD Minister M B Rajesh said medical-waste management is a critical issue, which will be taken up at an upcoming meeting with the health department. We will take urgent measures to address the crisis, Rajesh told TNIE. The minister added that premier institutions like the RCC can set up their own plants for managing waste. Public resistance is becoming a major challenge for the state government in setting up waste management facilities. Chief secretary Sarada Muraleedharan said that there have been relentless efforts for the past many years to identify suitable locations for setting up these facilities. The proposed waste management projects were torpedoed by stiff public resistance. We have identified umpteen number of suitable locations but nobody wants the waste to be disposed in their own backyard. This attitude should change, so as to resolve our waste management crisis. We are forced to depend on other states because of this, she said. Improper disposal Biomedical waste generators include hospitals, nursing homes, clinics, dispensaries, veterinary hospitals and clinics, animal houses, pathological laboratories, blood banks, health care facilities, and clinical establishments Only KEIL and IMAGE are the two accredited agencies eligible for managing medical waste 30 to 40% of the medical waste generators are managing their medical waste illegally through unauthorised service providers

Anita Katyal | Fuss over edited Amit Shah clip; how Priyanka got her Bangla bag

Irrespective of who is to blame for last weeks scuffle between MPs of the Bharatiya Janata Party and the Congress on the Parliament House premises, the fact is that the Narendra Modi government was rattled by the campaign launched by a united Opposition against home minister Amit Shah for what it described as derogatory references to Babasaheb Ambedkar in his Rajya Sabha speech. The Congress circulated a clip of Mr Shahs speech to prove its point. Here, the Congress appears to have learnt from the BJPs IT cell which has edited innumerable speeches of Rahul Gandhi and other Congress leaders to show them in poor light. Coming at a time when all political parties are seeking to appropriate Ambedkars legacy with an eye on the dalit vote, Prime Minister Narendra Modi defended Mr Shah in a series of tweets in which he also attacked the Congress with the use of extreme terms like its rotten ecosystem. This was followed the next day with the BJP amassing its MPs outside Parliament as a counter to the Opposition protests. A nervous Congress rushed into damage control mode last week when Wayanad MP Priyanka Gandhi Vadra stirred a controversy by carrying a tote bag to Parliament with Palestine written on it. The BJP lost no time in accusing her of minority appeasement, stating that while she was sympathetic to the Palestine cause, Priyanka had not spoken about the attacks on Hindus in Bangladesh. Finding itself on the backfoot, the Congress went on an overdrive to procure a fresh set of bags with Bangladesh emblazoned on them. A batch of hundred cloth bags were ordered from Tirupur in Tamil Nadu. These were stitched overnight so they could reach before the Parliament session commenced the next day so that Priyanka could carry this bag. The bags were said to have been procured with the help of Kanyakumari MP Vijay Vasanth who has contacts with several vendors in Tirupur. He had also helped organise cloth bags and T-shirts during Congress leader Rahul Gandhis Bharat Jodo Yatra. Army chief Upendra Dwivedi s recent actions have raised quite a few eyebrows within the service and invited open criticism from veterans for bending backwards to please the political establishment. According to the buzz in Army circles, this could be because Gen. Dwivedis elevation as Army chief was not a smooth affair. Apparently, the Modi government was not too pleased because his stint as Northern Army commander witnessed a spike in terror strikes in the Jammu region. It was speculated that this was the reason the government delayed announcing his name as Army chief, giving his predecessor an extension. Gen. Dwivedi recently courted controversy when the painting showing the ceremonial surrender of Pakistani soldiers to the Indian Army following the 1971 war removed from his South Block office and replaced with a garish painting with mythological images from the Mahabharata , a portrait of Chanakya along with tanks, planes and submarines. Dismayed veterans said this was an insult to those who fought and died in the 1971 war and blamed the Army chief for bringing religion into the armed forces. Gen. Dwivedi was also in the news when he went to Prayagraj on the anniversary of the Babri Masjid demolition and spoke appreciatively of the collaboration between the Army and local civil administration in the redevelopment of the historic Patalpuri Temple and other religious places. It was a book launch on Bollywood actresses but Thiruvananthapuram MP Shashi Tharoor made political capital out of it by using the occasion to pay homage to both soldiers who laid down their lives in the 1971 war and Indira Gandhi for her able leadership because of which India registered a historic victory. Participating in a discussion on retired diplomat Surendra Kumars book, Unforgettable Divas of Bollywood , Mr Tharoor first spoke at length about the contribution of women in Indian cinema, how they have put the spotlight on gender and social issues through their roles while many have taken up causes outside their work and still others made a mark in public life. Since the programme was held on December 16, celebrated as Vijay Diwas to commemorate Indias victory in the 1971 war, Mr Tharoor took full advantage of this and ended his talk with a tribute to Indira Gandhi and the soldiers who died in the war. While his cousins are constantly in the news, Varun Gandhi is neither seen nor heard these days. For starters, hes no longer an MP as he was denied a ticket by the Bharatiya Janata Party in the last Lok Sabha election. Currently at a loose end, Varun is spending most of his time at his Delhi farmhouse or travelling abroad. However, he is also said to be exploring other options. According to the Delhi political grapevine, Varun is in touch with a leader of a regional party and is not averse to switching sides if he gets the right offer. Though Varun and the regional party leader are on friendly terms, the latter is learnt to have remarked jokingly that a A Mercedes part would not fit into a Fiat. But then politics is the art of possible.

Alleged assault by KWA staff: Human Rights Commission orders probe by KWA Chief Engineer

The Commission files case suo motu in incident which took place at KWAs Pongumoodu section office in Thiruvananthapuram

Bhima Jewellery Thiruvananthapuram enters Guinness World Records with 200 crore single-day revenue

Bhima Jewellery celebrated its 100th anniversary with a record-breaking single-day turnover of 200 crores in Keralas Thiruvananthapuram, earning a Guinness World Record. The milestone saw sales of over 250 kg of gold and 400 carats of diamonds across three showrooms, driven purely by customer trust and loyalty. Bhima now plans ambitious expansions to take its legacy of purity and trust to a global audience.

STP, dome-shaped fencing to combat pollution of Amayizhanchan Canal

THIRUVANANTHAPURAM: In an effort to prevent pollution and dumping of waste into the Amayizhanchan Canal, the irrigation department and local self-government department (LSGD) are all set to implement an underground compact STP and dome-shaped fencing. LSGD Minister M B Rajesh told TNIE that a tender has been floated for setting up an underground compact STP to address the pollution caused by Rajaji Nagar, which is home to around 900 families. He said that Trivandrum Central Railway Station, Thampanoor Bus Terminal and Rajaji Nagar are the three critical hotspots causing severe pollution to the Amayizhanchan Canal. Rajaji Nagar is one of the hotspots and we have re-tendered the project. The work will be awarded immediately. We have held talks with the KSRTC and the transport minister is very much interested. Wastewater management solutions will be established immediately at the bus terminal. The Railways continue to release gray water to the canal and we will take efforts to hold another round of meeting to resolve the issue, said Rajesh. Meanwhile, efforts are in full swing by the irrigation department to establish dome fencing of the Amayizhanchan Canal. The project is estimated to cost around rS 5.5 crore. The dome fencing is proposed over 2km of the entire canal stretch. Vanchiyoor, Bakery and Thakaraparambu are among the locations where dome fencing will be established. We are waiting for administrative sanction from the government to go ahead with the project, said a senior official of irrigation department. As part of the enforcement activities, around 24 vehicles were seized for dumping waste into the Amayizhanchan Canal. The police have registered 31 FIRs against violators. In an effort to step up surveillance, the civic body has installed 24 CCTV cameras for booking violations. The camera feeds are being monitored live from the Integrated Command and Control Centre (ICCC) at the corporation main office.

Ernakulam edu institutions score high in first KIRF

KOCHI: The first-ever Kerala Institutional Ranking Framework (KIRF) 2024 saw higher education institutions in Ernakulam showcasing a stellar performance. KIRF, released on Friday, had the Cochin University of Science and Technology (Cusat) taking the first spot among the universities in the state. Arts and science and engineering colleges in the district also performed well to feature among the first 10 spots in the list. Expressing joy over the achievement, Cusat vice-chancellor M Junaid Bushiri said, The first position in KIRF ranking comes as an honour for Cusat. This is a recognition for the universitys scientific research, and technology and innovation developed in collaboration with industries, in tandem with the states development. The recognition will be an impetus for the academic and research advances carried out by Cusat, he said. The list also covers arts and science colleges, engineering colleges, teacher education colleges, nursing colleges and agriculture and allied colleges in the state. Ernakulam fared well in the college section also. Two of its premier colleges featured in the top three ranks Rajagiri College of Social Sciences (autonomous) stood second behind the University College of Thiruvananthapuram while St Teresas College (autonomous) stood third.

Commando Vineeth suicide case: Training has stooped to level of persecution, says State Police Association

THIRUVANANTHAPURAM: Following the suicide of a commando attached with the Special Operations Group of the state police on December 15, the State Police Association has alleged that the suicide was the end result of inhumane treatment meted out towards subordinates by senior officers. The association state committee passed an unusually strong-worded resolution which said there was information that the commando training stoops to the level of persecution of individuals in accordance with the mental condition of the senior officers. The details coming from the SOG justifies this (information). Such an incident is not appropriate for the police force. The association cannot see this death merely as a suicide committed under stress, the resolution said. Vineeth, a havildar with the SOG based in Areekode, was found dead with a self-inflicted gunshot wound. The colleagues of the deceased had given statement to the Special Investigation Team (SIT) that the suicide was abetted by the highhandedness of Assistant Commandant Ajith Kumar. The family members of Vineeth also had alleged that the senior officer harboured grudge towards Vineeth for talking on behalf of another commando, who had died during training three years ago. The incident created a big furore among policemen, prompting the association, which usually takes a diplomatic stand, to come up with terse statements. The resolution also criticised the training methodology being followed in the case of commandos and said age-wise relaxation in efficiency standards is not provided unlike the National Security Guard (NSG). The association also asked for redeployment of cops working in the wing after a fixed period and decried the decision not to allow union activities in SOG and India Reserve Battalion.

Suspended IAS officer issues legal notice to chief secretary, top officials in Kerala

THIRUVANANTHAPURAM: Suspended IAS officer Prasanth N has issued a legal notice to chief secretary Sarada Muraleedharan and IAS officers A Jayathilak, and K Gopalakrishnan besides a vernacular newspaper, alleging grave misconduct, including document fabrication, forgery, manipulation of official records and criminal conspiracy. Prasanths legal move is against an inquiry report prepared by Jayathilak, in his capacity as additional chief secretary, that held the former responsible for missing files and attendance irregularities during his tenure as the founding CEO of Unnathi, the state governments SC/ST empowerment initiative. According to the legal notice, the inquiry report was intended to malign Prasanth and was based on two letters that were allegedly fabricated and uploaded on the governments e-office portal. These letters were signed by Gopalakrishnan, the then director of industries, and were allegedly uploaded in August, just before Jayathilak and Gopalakrishnan moved out of the department. The two letters mentioned that files related to Unnathi were missing. However, the charge was proven false by a government letter that showed that both officers were in possession of all the files. The notice said that the actions of both officers were punishable under various sections of the Bharatiya Nyaya Samhitha (BNS) and also violated the All India Services (Conduct) Rules, 1968. The vernacular daily has been served legal notice for carrying the news report on the missing files. The legal notice also pointed out that the chief secretary was formally informed of the actions of the officers but failed to act, allowing the continued manipulation of government records by the perpetrators. The notice said the chief secretarys actions would attract charges of abetment under the BNS. The legal notice also demanded a public apology from the accused besides a detailed inquiry into the actions of Jayathilak and Gopalakrishnan.

CPM dismisses P Mohanans view on MEC 7

THIRUVANANTHAPURAM: The CPM has dismissed its Kozhikode district secretary P Mohanans statement that MEC 7, a group that promotes physical exercise, has links with Jamaat-e-Islami and banned Popular Front of India (PFI). State secretary M V Govindan told media on Friday that Mohanan retracted his stand as the party does not hold such an opinion. CPM never said MEC 7 group has become a tool in the hands of communal elements. We dont view any groups that are engaged in physical exercise as part of communalism. Mohanan has clarified that he was advising caution that there are chances fringe elements might infiltrate these groups, Govindan said. He also dismissed CPI state secretary Binoy Viswams criticism against the governments decision to include ADGP M R Ajith Kumar in the promotion list for DGP. CPM has not discussed the issue. I disagree with his opinion that the government decision is not suited to the Lefts position.

388 beneficiaries in first phase of Wayanad rehabilitation, list to be published shortly

THIRUVANANTHAPURAM: Chief Minister Pinarayi Vijayan will hold a meeting of officials of state governments, institutions and organisations which have come up with sponsorship offers for the rehabilitation of landslide victims in Wayanad. The meeting will be held in January 2025. Addressing mediapersons here on Friday, Revenue Minister K Rajan said the first phase of rehabilitation will include 388 beneficiaries. The list will be published shortly. People will be given fifteen days to submit grievances on the first phase list of beneficiaries. The state government is waiting for the court verdict to begin rehabilitation work, Rajan said. The government is waiting for the courts decision on the dispute over land for the proposed township. We will not wait for the central assistance to begin work, he said. The government had assigned an expert committee to examine the plantations which had expressed willingness to give land for the project. The committee recommended nine plantations and the government selected Nedumpala and Elstone estates. An all-party meeting had approved the governments idea to build a township. Rajan said the land will be acquired under the provisions of the Disaster Management Act. The estate owners, apparently, approached the court because of their concern over the price. The government expects a favourable verdict from the court without delay. The government informed the court that it was ready to pay compensation to the land owners. The minister said 38 agencies have expressed willingness to join the constructions for rehabilitation.

Waste found dumped in another two sites in Nellai

TIRUNELVELI: A day after the National Green Tribunal directed the Kerala government and its pollution control board to remove biomedical waste dumped in Tirunelveli villages, the district administration on Friday revealed that waste from the neighbouring state had been dumped in two more villages -- Sivaniyarkulam and Vadakku Ariyanayagipuram. TNIE visited Sivaniyarkulam and spotted blood sample containers with blood, used PPE kits, gloves, plastic covers of surgical items, urinary bags wrapped in the bag of Thiruvananthapuram Regional Cancer Centre. Earlier, a team from Kerala also visited the five sites where the waste was found so far in Kodaganallur, Palavoor, Sivaniyarkulam, Vadakku Ariyanayagipuram and Kondanagaram. Speaking to reporters, an official from Kerala said he had not seen any dangerous biomedical waste. He said tablet covers were found. When reporters told him they had seen biomedical waste and had photos, officials denied it. The team from Kerala met District Collector Karthikeyan and assured him that their findings would be submitted to the Kerala government and action would be taken to comply with the NGT order. The collector emphasised the need to thoroughly investigate the source of the waste and hold the culprits accountable. If the waste was handed over to a waste management organisation, the Kerala officials must find out who dumped the waste in TN villages. If the waste poses no harm, there would have been no need to incur significant costs to transport it here, Karthikeyan said. The team from Kerala included Thiruvananthapuram Corporation Public Health Officer Dr Gopukumar, Kerala State Pollution Control Board Environmental Engineer Bincy, District Environmental Engineer Saba Naseemudeen, assistant engineers Rahul and Mohammed Zakariya and Biomedical Waste Management Organisations Siju. The collector said FIRs have been filed at Suthamalli, Seethaparpanallur and Mukkudal police stations. Disinfectants have been sprayed at these locations, he added. Kerala must remove biomedical waste from Tamil Nadu in three days: NGT Two held for facilitating dumping of Kerala biomedical waste in Nellai

Brazils 'Malu' wins top honour as fest ends; Farshad Hashemi best director

THIRUVANANTHAPURAM: One of 29th IFFKs prime inclusions was Brazilian filmmaker Pedro Freires passionate portrayal of Malu Rocha, a free-spirited woman who shares a volatile relationship with her mother and daughter. Titled Malu , the films intense treatment of the protagonist, who lingered in the minds of the viewer long after the film was over, led it to be adjudged the best film at the festival that concluded in the state capital on Friday. Freire received the Golden Crow Pheasant (Suvarna Chakoram) award that carries a cash prize of Rs 20 lakh and a trophy. The Silver Crow Pheasant (Rajata Chakoram) award for best director went to Farshad Hashemi for Me, Maryam, the Children, and 26 Others which brought forth the complex ties between a lonely woman and a man in Iranian society. The nuances he explored in the screenplay were noteworthy, and won him the award. It also won the NETPAC award for the best Asian film in competition. The Rajata Chakoram for best debut director went to Cristobel Leon and Joaquin Cocina for Hyperboreans , termed a challenging film from many a level. Feminichi Fathima wins big Feminichi Fathima , a talked about movie that was polled most by the audience at IFFK, won Fasil Mohammed the jury award. The movie also won rave reviews as it was shown at the festival. It also won the FIPRESCI award for the best film in international competition and the NETPAC award for the best Malayalam film, besides a special mention by the FFSI KR Mohanan award jury. The special jury mention for technical excellence went to East of Noon by Hala Elkoussy for the balance it struck between the technical aspects of sound, art design and cinematography. The special jury mention for performance went to Anagha Ravi, for playing the lead in Indu Lakshmis Appuram and for Chinmaya Siddhi for her role in Jayan K Cherians Rhythm of Dammam . Indu Lakshmi won the FFSI KR Mohanan award for best debut director. The FIPRESCI award for the best Malayalam film of a debut director went to Victoria by Shivaranjini J. The NETPAC award special jury mention for the best Malayalam film was bagged by Kiss Wagon by Midhun Murali. At the concluding ceremony of the festival, Agnes Godard, the chairperson of the International Competition jury, said films were a window to the world around. If you want to know the news, watch films, she said, announcing the awards. International Competition Awards Suvarna Chakoram for best film: Malu by Pedro Freire (Brazil) Rajata Chakoram for best director: Farshad Hashemi for Me, Maryam, the Children and 26 others (Iran) Rajata Chakoram for best debut director: Cristobel Leon and Joaquin Cocina for The Hyperboreans Jury prize: Fasil Muhammed for the screenplay of Feminichi Fathima Special jury mention for technical excellence: East of Noon by Hala Elkoussy Special jury mention for performance: Anagha Ravi for The Other Side / Appuram by Indu Lakshmi, Chinmaya Siddi for Rhythm of Dammam by Jayan K Cherian FIPRESCI Awards Best film in international competition: Feminichi Fathima by Fasil Muhammed (India) Best Malayalam film of a debut director: Victoria by Shivaranjani J NETPAC Awards Best Asian film in competition: Me, Maryam, the Children and 26 others by Farshad Hashemi (Iran) Best Malayalam film: Feminichi Fathima by Fasil Muhammed Special jury mention for best Malayalam film: Kiss Wagon by Midhun Murali FFSI K R Mohanan Award Best debut director from India: Indu Lakshmi for Appuram

Focus on feminist politics highlight of IFFK: CM Pinarayi Vijayan

THIRUVANANTHAPURAM: The 29th edition of the International Film Festival of Kerala (IFFK) gained prominence for its focus on feminist politics, said Chief Minister Pinarayi Vijayan. He was inaugurating the closing ceremony held at Nishagandhi Auditorium on Friday. Crediting cinephiles unparalleled participation for the festivals success, the chief minister said that IFFK serves as an inspiration for the younger generation to venture into the world of cinema. Calling it a celebration of solidarity with the oppressed and marginalised, the chief minister highlighted that the films by directors who faced state repression, and narratives about economic and social struggles in third-world countries took centre stage. These films hold the potential to ignite a politically aware younger generation to enter the world of cinema, said the chief minister. The Suvarna Chakoram (Golden Crow Pheasant Award) for Best Film went to Malu , directed by Pedro Freire. Feminichi Fatima swept five awards, including the FIPRESCI award for Best Film in the International Competition and the NETPAC award for Best Malayalam Film. Filmmaker Payal Kapadia, director of All We Imagine as Light, received the Spirit of Cinema Award from the chief minister. Expressing her gratitude, Payal said that the award inspires her to create more socially relevant films. Making a film in Malayalam was a crazy idea for me, but I am immensely proud of the support it has received in Kerala, said Payal Kapadia. Actors Kani Kusruti and Divya Prabha, who starred in her film, were also present at the ceremony. Presiding over the ceremony, Minister for Cultural Affairs Saji Cherian spoke about how IFFK has evolved into a platform for understanding global human conditions and connecting emotionally with diverse narratives. Revenue Minister K Rajan remarked that the festival transcends mere cinematic appreciation, evolving into a space for political and cultural engagement. He also praised the humanitarian spirit demonstrated by participants in the festivals blood donation drive. Kerala State Chalachitra Academy secretary C Ajoy announced the award winners, and the 30th edition of IFFK was scheduled to take place from December 12 to 19, 2025. The festival hosted 238 filmmakers, including several international guests, with over 15,000 participants. The event concluded with the screening of the award-winning Brazilian film Malu. Rajesh Cherthala performed a flute recital preceding the closing ceremony. Other notable attendees included Cultural Affairs Minister Saji Cherian, Cultural Department Director Divya S Iyer, Jury Chairperson Agnes Godard and several prominent filmmakers and officials.

Former Kerala Transport Minister Antony Raju appears in court to answer charges of evidence tampering in narcotic case

He is accused of tampering with evidence submitted to a magistrate court in Thiruvananthapuram in connection with a narcotics case involving an Australian national

Foundation rebuilds life, hands over 14 houses to Wayanad victims

THIRUVANANTHAPURAM: Even as the blame game between the state and centre over the post-landslide rehabilitation in Wayanad continues, a charity organisation is rekindling the hope for survivors. The Chalakudi-based Philokalia Foundation handed over new houses to 14 families and is building another 15 houses that would be handed over in January. The 'Rebuild Wayanad' project of the foundation is supported by donations from kind-hearted individuals, said Mario Joseph, who along with his wife Gigi Mario founded Philokalia. The husband is a preacher-cum-activist and the wife is a councillor by profession. Philokalia received about 500 applications from survivors and priority was given to people who could not find a place in the government's rehabilitation list, Mario told TNIE . They include families who lived in the paadi (estate quarters) and occupants of rented houses. The new houses were built at three locations in Pulpally. All the land parcels were donations, he said. The survivors were given 600 sq ft houses with power and water connections. The land size varies from 5 to 10 cents. Large number of people responded to his YouTube video seeking support for the rehabilitation project, Mario said. Most of the donors were individuals and we did not go for corporate funding. They include some schools from Tamil Nadu and Karnataka. The construction cost was Rs 8-9 lakh per house, he said. Thirty-nine year-old Sreedharan N., received a house at Sita Mount in Pulpally. Our house and belongings were destroyed in the disaster. We were a joint family living at Chooralmala. The house was owned by my mother-in-law and her name is in the government's list for second phase rehabilitation. It would take time since the first phase is yet to begin, he said. Aneesh R, another survivor, said the new house has boosted his morale. We are piecing our lives back together. Luckily, we got a new house in three months, a big relief indeed, he said. Aneesh, wife and three children live at the new house. Philokalia's original plan was to build 100 houses. We are now waiting for the government to finalise its rehabilitation plan. The next phase will begin only after that, he said. Meanwhile, the foundation has begun work on its new project at Vilangad, another landslide-hit area in Kozhikode. Houses will be built for 16 families there. The Mario-Gigi couple turned to charity after the 2018 floods in which their house was destroyed. Along with our new house, we built another one for a woman neighbour who lacked money. Afterwards we started supplying medicines and building homes to the poor, he said. The foundation built 18 houses for people who lost houses in sea rage at Chellanam and eight houses at landslide-hit Koottickal.

INTERVIEW | Life made me a rebel

Thrissur-native Poly Varghese is Keralas own icon in Hindustani music. Yet, he feels the state doesnt recognise his art. A product of Kerala Kalamandalam, 54-year-old Pauly started as a mridangam player and later became a Mohan veena exponent. Poly was among Grammy awardee Pandit Vishwa Mohan Bhatts first students. He took his music to stages across India and abroad, and forged bonds with global musicians. TNIE caught up with this Chennai-based maverick musician, who recently visited the state for the Swaryagna festival in Thiruvananthapuram. Excerpts from the interaction Lets start with some basics. Could you please tell us a bit about how Mohan veena differs from veena? See, veena basically refers to a string instrument. However, people usually refer to Saraswati veena when they say veena. There are many types Samudra veena, Rudra veena, etc. In Mohan veena, we can play five different string instruments such as sarangi, sarod, santoor, sitar, and Hawaiian guitar. My guru Pandit Vishwa Mohan Bhatts veena has 19-21 strings. I have added two more to play Dhrupad music. How did your guru develop Mohan Veena? My guru comes from a family with a 600-year legacy. He was a sitar player. Once a foreigner went to him with a guitar. Guruji wondered about the range of possibilities with a sitar-guitar combo. So he used his genius by adding taraf to the guitar. The instrument was later named after him as Mohan Veena. How did you get interested in music, and how did this journey begin? My beginning! My musical journey commenced at the age of eight. I started learning mridangam, and started as a Carnatic musician. I studied mridangam at Kalamandalam. But I often used to listen to Hindustani music, right from an early age. Did your family have any sort of musical legacy? No. This is something that just happened to me. Thrissur Christians are known for their business acumen I do not seem to possess such a knack for money matters. Thats why I am idly roaming around! So, what initially spurred your music journey? There was a Bhagavathar near my home. He was my fathers friend. Whenever I went to his place, I would hear him sing. His house was near the church. Also, at home, there was an old Murphy radio. Film songs would be aired from Thrissur, but they would air Carnatic music from Alappuzha and Thiruvananthapuram stations. This was a big problem. My sister would want to listen to film songs, and I wanted Carnatic. One day, Ammachi [ mother] was so vexed with our argument that she threw the radio! My whole world was classical music. I cannot enjoy film music even today. My family was settled in the Thriprayar part of the Thrissur district. From there, I went to academies and sabhas where music programmes were held. My father was supportive. I joined Kalamandalam after completing Class 10, without giving a second thought. When I was at Kalamandalam, I used to go to my ashans house where there was a TV. On the national network, at times, Guruji [Vishwa Mohan Bhat], who was not that famous then, would appear. I used to wonder what he played. I wrote letters to Guruji, but never received a reply. After graduating from Kalamandalam, I headed to Shantiniketan, where I met Guruji. I went with him to Rajasthan. From then, my life was at Gurujis house. I gradually stopped playing mridangam. Its been almost 30 years. It is believed that the philosophy of Indian classical music is dictated by the notion that it is from the divine I want to break such notions. I do not see any divinity. You may disagree with me. If this is divine, every occupation is. We, too, are like scavengers. Music, to me, is an art that emerges from a space of mental strife and social conflict. How can you label divinity to it? Are you trying to imply that art or talent is something that anyone can have? This [Mohan veena] was an unfamiliar instrument for me. I constantly practise this instrument. Even for a scavenger or a mason, in the beginning, it would be challenging. The skill is imparted to them by a mentor. The same goes for me; this is something I learned from a guru. This, to me, is more about activism than divinity. Isnt passion what separates art and, say, masonry? There is just a slight difference. Masonry and scavenging are livelihoods, but music isnt a livelihood for me. Doesnt art uphold a certain kind of creativity? A mason building a new structure is akin to me playing an instrument. So, if Poly Varghese decides to be a mason, he could? Poly Varghese cant be a mason, though I have done similar jobs. During my life in Kolkata, I had worked as a painter. But I cannot do it full-time. I am tuned in the way of art, but a mason is not tuned so. I cannot be a full-time construction worker because my taste doesnt work out like that. I am from a conventional Christian family. The songs I listened to while growing up were gospel music, Christian hymns. My relatives are big gold merchants in Thrissur. If I were in Thrissur town, then I too would have been a gold merchant or an entrepreneur. I cannot be a business person; I am not meant for it. Even today, I cannot commercialise my music. How do you people back home know you? When people in Thrissur organise programmes and approach advertisers for it, some businessmen, especially jewellers, wonder if there is an artist named Poly Varghese. They assume it is some keyboard player. I used to be known as Kalamandalam Poly, and that was a big hurdle. So I just removed the Kalamandalam tag. I have received a lot of laurels and honours. I even got it from Thailands Bangkok Universitys Sangeeta Ratnakara. But I do not like to hold on to all that. Some people attach Pandit to my name. I do not want to attach any titles. Are there any issues you faced as a classical musician due to your Christian identity? It affected me in Kerala. How? In Kerala, I only had three or four performances. They do not call me for any sabhas. Why do Stephen Devassys keyboard concerts get sold out? Because it is the keyboard. Let him do a Carnatic kacheri, will it sell as much? Kalamandalam Poly could have been a new brand You need to live in my shoes, and then judge. T M Krishna and I are close friends. I was living in Chennai for a while. When Krishna started getting involved in social causes linked to music, conversations began to erupt. But before Krishna came on board, I was there in Chennai for 17 years. I have played Mohan Veena on the streets and gullies of Chennai. During that time, there was a movement to get rid of LTTE in Sri Lanka. It was a political issue. Linked to that, many of us played musical instruments and were imprisoned. But no discourses happened. Why? Because T M Krishna comes from a background of privilege, and I dont. You mean caste privilege? Krishna is someone who does not hold casteist values. But caste flows as an undercurrent without even his awareness. You know how? [ TM] Krishna was thrown out of the sabha circle. I was also expelled. However, Malayalis have accepted Krishna; he is invited to literature fests and is popular in the socio-political circuit here. If Poly Varghese speaks out, that will not be the case. Even Krishna has told me that my name is a hindrance. During my mridangam days, Devarajan Master once told me that I should be known by a different name, and suggested Prasad Varadhan. I told the Master that I had a strong political stance, and that I could not change my father and mother. Are you a believer? I am not. The word belief itself is dangerous. If you start to believe something, there is something wrong with you. That means you are impeding your search, you are losing yourself to a particular subject. You said there was a problem with the Kalamandalam tag. But there have been revered artists such as Kalamandalam Hyder Ali I know what all Hyder Ali ashan had to endure. When I was studying at Kalamandalam, there was a Kathakali teachers who ridiculed me, asking on my face: What music will be there in a Nasrani (Christian)? I was so upset. Later, Hyder Ali ashan comforted me. He also taught there, but he was not even appointed as a permanent teacher there. There was also one Kalamandalam John, who was not made permanent. Do you believe in guruthwam (reverence to Guru)? It is just a fancy word. Guruthwam means the gurus blessings. They can teach you letters, words, and grammar, but art cannot be taught that easily. Artists are rebels, radical in nature. Are you saying an artist must be a rebel? No, but an artist naturally becomes a rebel due to circumstances. Experimentations in art lead an artist to go against rules. If you want to be a rebel, you must be a breaker of rules naturally or ideologically, like T R Mahalingam or Bismillah Khan. Are you a rebellious artist? Life made me a rebel, thanks to the frictions and denials I have experienced. What segregations or denials did you face as a mridangam artist? I have faced several incidents, including being shut out of stage performances due to my Christian faith. I was once made to leave the stage without performing on a reality show. Once my mridangam was thrown away from the stage at a temple I was not allowed to perform in temples. Is this segregation issue only in Kerala? Yes. I am basically a Malayali musician, but have you seen me perform in any kacheri in Kerala? Maybe four or five times. In north India, however, they were bothered only by the fact that I am a south Indian. However, as I have gained an identity, I no longer face such issues. Keralas cultural activism is superficial What hurdles does a south Indian Hindustani musician face in the north? The north-south divide is stark in my field. The famous vocalist from Karnataka, Bhimsen Joshi, also experienced it. But because of his legendary stature, he could not be avoided by the north Indian groups. Once, I was omitted from the line-up for the Konark festival in Odisha due to uproar from some quarters. Imagine my plight! But now, I do not face much discrimination. I have a Jazz Blues band with members from the US and Australia. Doing so, has opened my musical boundaries beyond Mohan Veena. We always prop up Indian classical music on a pedestal. There is not much to be gained from that in my opinion. We must transcend such musical categorisations. Music is universal. Why do you think you have not got due recognition in Kerala? One, Kerala is a consumer society. Discussions are mostly on gains/losses. Second, I am a south Indian who plays north Indian music. Also, organisations here, even the ruling Left government, are not interested in the arts. The art they know is limited to Stephen Devassy, Rimi Tomy film-oriented. Had Yesudas not sung for films, would we know him? Thats it. You worked on a film I composed for Kala Varkey, which came out in 2003. The film did not do very well. Then came Jeevamshamayi. For that, I came from Bengal. I was very interested in Baul music at that time. They wanted to recreate a similar music for the movie (breaks into a Baul song of Lalon Fakir, an 18th-century Baul/Sufi singer). How did you stumble across Baul music? Growing up, I had been familiar with Rabindra Sangeet. But I came to know of Baul only during my time at Shantiniketan. I saw several performances there and it greatly influenced me. I wanted to learn. Another aspect of Baul music that deeply influenced me was the singers ability to craft spontaneous songs that reflected their rebellious spirit. This experience sparked a desire within me to learn Bengali. I also wanted to read Rabindranath Tagores Gitanjali in its original form. I also had a great passion for playing traditional instruments like the ektara, gomukh, and dotara. What languages are you fluent in? Tamil, Bengali, Hindi, English, Malayalam, Urdu, Odiya, Marathi. I have done a drama in Marathi. Having been exposed to the cultural scenes of many states, how do you perceive the cultural scene of Kerala in comparison? I dont perceive Keralas cultural scene as being particularly profound. The cultural activism in Kerala seems somewhat superficial. Could the relative absence of such groups in Kerala be attributed to the states unique socio-cultural context, making them less relevant? The left wings shift away from cultural norms in Kerala has indeed had a significant impact. It appears that they have abandoned cultural activism. They are focused on electoral politics alone. The term activism appears repeatedly in your conversation. Do you believe it is essential for an artist to be an activist? I believe that art is not something that falls from the sky, nor is it something that is taught by a teacher. Art comes from the way you live your life. If you listen to the songs of the people around you, if you engage with others regularly, if you watch dramas, you will be affected by the problems in society. Even Nadanpattu exists as a response, right? Artists react through their songs. An artist needs people to listen to him when he sings. They receive energy from him, and he receives energy from them. An artist cant live isolated in a palace, do PR work, and move around in a Benz. What about the concept of purity in art? What remains here that is untarnished? Purity is something rooted in the Brahminical context. Does that concept still exist? Caste consciousness exists within you, even if youre unaware of it. You express it in various ways Can a fair-skinned man accept a dark-skinned wife? Even in movies, dont they lighten the complexion of dark-skinned heroines? I am experiencing it even in Australia. Are songs by Black people ever truly celebrated? Are the art forms of Black communities ever discussed on major global platforms? How long has it been since a Black artist won a Grammy Award or Oscar? Its talent that earns one honour, not colour, right? I need social acceptance. I dont think people who come to listen to me are here just for my music. I dont believe there is such an exemplary society here. Havent we moved beyond caste, at least in the realm of culture? Let me ask you a question. If you wanted to get married, would you marry a Dalit? Do you feel love for a Dalit? Love is also influenced by caste. Love is not activism Love is totally a vibrant, rebellious activism. Octavia Paz had said the world changes when two people kiss. Shouldnt an artists activism be more about music, rather than an agitation? To play well is my activism. This is my way of life. The show of culture isnt. But if you mean playing well is sticking to the conventions of purity, you might be disappointed. What is being discussed through my art are the social and political and personal issues. Arent there good artists who arent in activism mode? It is just that they dont speak. T M Krishna is a great artist and a rebel. But equally great is Sanjay Subramaniam, who doesnt show much rebellion Sanjay Subrmaniam was the one who opposed the grant of award for T M Krishna, taking a Hindutva stance. Ranjini-Gayatri, Anuradha Sriram, Trichur Brothers all did so. Ones politics will be revealed in ones music. Kabir Das, too, responded to social aspects, but never denied transcendental quality of art. Kabirs Rama is not the Rama of the masses. Ustad All Rakha, Bismillah Khan, Zakir Hussain none questioned arts divinity. Its my personal choice. I will totally deny arts facets that are not rooted in social activism. Cant music exist for the sake of experience, without activism? Thats unlikely, at least for me. Are you primarily an activist, then? Yes, I see myself as an activist, with art as my tool. Okay, lets end on a melodious note. Which is your favourite raga? Its difficult, but I can play a folk song in Khamas raga (plays his version of Oh Mridule). This is a film song I dont mind playing film songs. By the way, did you guys find me rude? Im a nave fellow (laughs, and plays Bhoopali and Mohanam ragas). TNIE Team: Cithara Paul, Anil S, Aparna Nair, Parvana K B, Varsha Somaraj, Vincent Pulickal (photos), Pranav V P (video)

CPM district meet begins today, MLA V Joy likely to continue as secretary

THIRUVANANTHAPURAM: Varkala MLA V Joy would continue as the district secretary of the CPM as the four-day Thiruvananthapuram district conference starts on Friday at Kovalam. Joy was elected the partys Thiruvananthapuram district secretary in January 2023 after Anavoor Nagappan was inducted into the state secretariat. Senior politburo member M A Baby will officially inaugurate the conference at Anathalavattom Nagar on Saturday. The state leadership is satisfied with the work of the district leadership as, in the last assembly election, barring one seat, the left had won all the other seats in the districts under Joys leadership. After the inauguration of the conference, Joy will present the work report, which the delegates will then discuss. The leadership is likely to replace some leaders who have crossed the partys age bar of 75 years and are facing health problems. It remains to be seen whether K C Vikraman and Puthankada Vijayan who are below 75 years but have been facing health problems, will be retained in the district committee. Former corporation deputy mayor V Jayaprakash, Attingal Sugunan and R Ramachandran Nair will make way for new faces. All India Democratic Womens Association district secretary Sreeja Shaiju Dev, and DYFI district president Anoop are likely to be inducted into the district committee. The conference will end on December 23 with a public meeting to be inaugurated by CM Pinarayi Vijayan.

Three-day celebration of local talent, food & music

THIRUVANANTHAPURAM: This year, Locally Made returns with a Christmas Carnival to kick off the festive season. The 8th edition of the event promises to celebrate local talent and festival cheer. The three-day gala is set to light up the Salvation Army School Ground, Kowdiar, from December 20 to 22. Organised by a five-member team led by Amal Babu, the founder of the Instagram page WhatsAroundThiruvananthapuram, the carnival aims to create visibility and opportunities for small-scale businesses in the region. The goal is to create visibility, exposure, opportunities, and a space for people from different communities to come together and showcase their small-scale businesses, says Amal. With more than 75 stalls, the event features an array of handcrafted items, artisanal gifts, eco-friendly dcor, clothing, and Christmas specials. Visitors can shop these unique items from local artists, home chefs, jewellery makers, and more. A lineup of engaging workshops, including henna art, pottery, and more, will provide attendees with hands-on experiences. Additionally, live performances by regional musicians and a one-hour spoken word special titled Antifragile will highlight stories of resilience and creativity. For food lovers, a food festival with a selection of home-cooked delicacies and festive treats awaits. Popular names in the capital like Lyzaq Honey, Home Slice Cakes, Taste Magic, Hilton Garden Inn, MRA, Chai Cult and others will present their best dishes at the food court. The musical highlight includes performances by the Street Academics, Kalla Sha Live, Kaalam music band, DJ Kolf, and more. The events official title sponsor, Luxon Tata, will showcase a 20-EV vehicle carnival as part of their green initiative. We have been organising Locally Made consistently, and moving forward, we plan to scale it up and establish it as a brand. We plan to expand the carnival to cities like Kochi and Bengaluru, Amal adds. The carnival is pet-friendly, inviting attendees to bring their furry companions. The event runs from 4pm to 10pm daily. Entry tickets are available atWhatsAround Thiruvananthapurams Instagram bio.

Alhind Air to take off by mid-25; starts office at Kochi airport

KOCHI: Alhind Air, a new player in the airline sector, is set to commence operations by mid-2025. The private airline, promoted by the Alhind Group, is expecting the first of the seven ATR 72-600 aircraft to be delivered in March next year. The airline, which will start its operations with Kochi as the hub, started its office at the Kochi airport the other day. Well initially start with Kochi as our only base. However, our strategy is to adopt the multi-base concept as part of expanding our network in a phased manner once we start the operations by the middle of next year. This is vital as the ATR 72, a proven aircraft most-widely used in the country, has a maximum range of two-and-a-half hours of flying, Reena Abdul Rahiman, newly-appointed chief operating officer, told TNIE. While Cochin International Airport Ltd (CIAL) has allocated space for the office after the applications were submitted six months back, the airline has started working from the aero-lounge located at Terminal 2. Well set up a dedicated office at the allocated space once the operations start in another six months. Now the activities like recruitment of engineering and technical teams are progressing and we require a space where there is free public access, the official pointed out. While keeping regional connectivity as the foundation for organic growth, the airline also plans to expand its global footprint in the future. Our initial priority will be Kerala connectivity, the Kochi-Thiruvananthapuram-Calicut sector. We aim to connect over 40 airports across India before expanding to the Gulf in 18 months. Operations will begin with two ATR aircraft, with plans to scale up to seven ATRs within a year, Reena said, adding that the airline aims to buy wide-bodied aircraft -- either Airbus A320 or Boeing 737, after two years as part of its long-term strategy. The airline plans to connect six destinations with each of the 72-seat aircraft. Once we start the commercial operations, we plan to set up multi-bases and expand connectivity to destinations like Pondicherry, Hyderabad, Bengaluru, Madurai, Goa and Mangaluru. We expect to have the delivery of the first aircraft by March and it will take another 45 to 60 days to finish the processes, including trial flying. Were hopeful of receiving the air operation certificate (AOC), the final clearance from the Director General of Civil Aviation (DGCA), by that time, the official added. The airline received the initial nod of the DGCA earlier in August. Alhind Group, which has a turnover of over Rs 20,000 crore and more than 130 offices in India and overseas, is the general sales agent for many reputed airlines. Future goals The group plans to set up multi-bases and expand connectivity to destinations like Pondicherry, Hyderabad, Bengaluru, Madurai, Goa and Mangaluru It aims to buy wide-bodied aircraft either Airbus A320 or Boeing 737, after 2 years as part of its long-term strategy

Urban Commission proposes 25 per cent reservation for youth in local bodies

THIRUVANANTHAPURAM: The Urban Commission, formed to guide urbanisation for next 25 years, has come up with a slew of recommendations including 25% reservation for youngsters in local bodies, formation of metropolitan planning committees in Kochi, Kozhikode and Thiruvananthapuram, strengthened early-warning systems to address climate-related risks, professionalisation of urban governance and more. The commission submitted its interim report to the chief minister on Wednesday. LSG Minister M B Rajesh on Thursday said that the commission will be submitting the completed report by March 2025. He said that the commission has identified that Kerala is evolving into a continuous urban expanse, making it difficult to differentiate where cities begin and villages end. The urban commission headed by Satheesh Kumar of Queens University Belfast, includes national and international experts. The minister said that the recommendations are based on extensive studies, discussions focusing on 10 key areas including urbanisation, planning and design strategies, sustainable infrastructure and more. Rajesh said that the report offers comprehensive recommendations setting a roadmap for Keralas urbanisation simultaneously addressing environmental, social and economic challenges. The report strongly recommends the strengthening of LSG institutions to tackle the problems and opportunities of urbanisation. He said that the commission recommends efforts to increase own fund of local bodies by intensifying property tax collection to 90%. Key recommendations Professionalisation of urban governance Dedicated project teams for financial management of projects Metropolitan planning committees for Kochi, Thiruvananthapuram and Kozhikode Similar committees in Kollam, Thrissur and Kannur in the next decade. Business development councils in urban areas 25% reservation for youngsters SPVs under local bodies for projects Comprehensive spatial planning framework, including joint planning committees for all municipalities Strengthened early-warning systems for climate-related risks Comprehensive flood mapping and management systems Carbon audits and de-carbonisation measures by local bodies.

Special LSG department team to investigate dumping of medical waste in Tamil Nadu

THIRUVANANTHAPURAM: On the heels of the intervention by the National Green Tribunal (NGT) and Tamil Nadu Pollution Control Board, the Kerala government has formed a special team to investigate the recent illegal dumping of medical and other waste in Tamil Nadus Tirunelveli district . The illegal dumping of medical and unsegregated waste in neighbouring states is becoming a major challenge for the state government, which is on a mission to declare Kerala garbage free by March 2025. With the NGT and TN government breathing down its neck, the local self-government department (LSGD), the Kerala State Pollution Control Board and the state government have landed in a fix. PCB chairperson Sreekala S told TNIE that legal action will be initiated against Regional Cancer Centre (RCC) and Leela Kovalam for illegal dumping of waste in Tamil Nadu. According to the PCB, its the responsibility of the generator to ensure that the waste is handled scientifically. Collective efforts by local bodies, police and motor vehicles department are required to address this issue, said Sreekala. The PCB is in the final stages of introducing a software for tracking interstate waste movement. We are hoping to introduce it immediately. The trial run is ongoing, she added. LSGD Minister M B Rajesh said besides the criminal investigation, LSGD has formed a special team to probe the matter. Hospitals, including RCC, have come under the scanner and our team will launch a probe and strict action will be taken against violators, he said. Following NGTs orders, Kerala informed the government and PCB of the neighbouring state that it will to remove the waste. Chief secretary Saradha Muraleedharan told TNIE that the state has formed a team to get it done. Dumping of unsegregated medical waste is a serious issue and we will get to the bottom of it. Strict action will be taken against violators. A detailed probe will be launched as well, she said. P N Damodaran, head of waste management division, Integrated Rural Technology Centre, Palakkad, said the state should establish additional medical waste management facilities. Kerala waste dumped in Nellai villages; police register two cases after 37 days

Congress holds protest in Thiruvananthapuram against Amit Shahs remarks

Protest against the Union Home Ministers remarks allegedly slighting B.R. Ambedkar

Kerala Urban Policy suggests major reforms

Thiruvananthapur: Kerala Urban Commission constituted by the government to formulate State Urban Policy for the next 25 years has recommended various pathbreaking measures to deal with the challenges of rapid urbanisation. The major recommendations include setting up of Metropolitan Planning Committees (MPC) in three major cities Thiruvananthapuram, Ernakulam and Kozhikode by 2025, 25 per cent reservation for youth in corporation councils and appointment of city managers. The Urban Commission, composed of national and international experts, had submitted the interim report to the Chief Minister the other day. Given the rapid urbanization, it was felt that an urban policy was needed. According to studies, the rate of urbanisation in Kerala is double the national average and higher than many cities internationally. One of the studies pointed out that 90 per cent of Kerala's population will be urban by 2035. It is in this context that the government chose to formulate a 25-year action plan. Kerala is the first state to constitute a commission and formulate urban policy. Kerala local bodies minister M B Rajesh spoke about the recommendations at a press conference here on Thursday. A comprehensive urban policy is essential for Kerala, which is rapidly urbanising. These recommendations are expected to address and overcome major challenges posed by urbanisation, he said. The minister said the recommendations would be discussed with stakeholders from various sectors and the final report would be ready by March 31, 2025. He said the basis for formulating the urban policy is to shape the growth of Kerala's cities over the next 25 years and to develop perspectives on balanced development. The primary consideration of the commission was to shape various strategies and policies for the future of Kerala in the new global context. Rajesh stated that strengthening urban local government institutions financially and implementing social inclusion are among the main objectives. The commission envisions an urban development strategy that also incorporates climate change. The rural-urban divide has narrowed down considerably over the last two and half decades. The rapid urbanization being witnessed in the state poses major problems and challenges. But it also throws up an opportunity to tap the potential in various sectors, he said. The Urban Commission was headed by M. Satheesh Kumar, Belfast University, UK. Commission members E. Narayanan, M. Anil Kumar, Sharmila Mary Joseph, Vyn Krishnamurthy, V. Suresh, K.S. James, Hitesh Vaidya, and Tikender Singh Panwar.

NGT directs Kerala to take back its biomedical waste dumped in Tamil Nadu within 3 days

CHENNAI: The southern bench of National Green Tribunal (NGT) on Thursday directed the Kerala state government and its pollution control board to remove the bio-medical waste and mixed solid waste illegally dumped at multiple points bordering Tirunelveli district within three days and file a compliance report on December 23. Dumping of hazardous biomedical waste by Kerala into Tamil Nadu area is occurring frequently. Truckloads of waste are reportedly being clandestinely disposed of in the pristine forests, water bodies and farm lands in Tamil Nadu in the middle of the night by miscreants from Kerala. Earlier, dumping was reported from Anamalai, Theni, and Nanguneri; now it has been dumped in four locations - Kodaganallur, Palavoor, Kondanagaram and Sivalarkulam - all in Tirunelveli district. The NGT was hearing a suo moto case filed based on TNIE article. The biomedical waste was from Regional Cancer Centre (RCC) in Thiruvananthapuram and Credence private hospital, while municipal waste was from the Leela Kovalam. The NGT has issued notices to all the three establishments apart from environment and health departments of both States for failing to curb the illegality. The green bench comprising Justice Pushpa Sathyanarayana and expert member K Satyagopal said either Kerala should take back the waste or enter into a MoU with Common Biomedical Waste Treatment Facility in Tamil Nadu for safe disposal. The waste dumped must be removed immediately, the bench said giving an ultimatum of three days. Tamil Nadu government pleader D Shanmuganathan said Kerala State Pollution Control Board (KSPCB) did not comply with the tribunal's earlier order in June this year, where it was asked to pay Rs 69,000 incurred by the local body to remove the waste dumped on the roadside of Nanguneri. Meanwhile, Tamil Nadu Pollution Control Board (TNPCB) officials told TNIE that a detailed assessment was being done to estimate the quantum of biomedical waste dumped. Its counsel Sai Sathya Jith said the chairperson of TNPCB wrote to the chairperson of KSPCB on December 18 demanding legal action against RCC and others, besides beefing-up the monitoring on the borders. Two FIRs were registered with Suthamalli police against the establishments under Sections 271 and 272 of the BNS, Section 15 (1) of the Environment Protection Act, and Section 3 of the Tamil Nadu Open Places (Prevention of Disfigurement) Act. VK Rema Smrithi, counsel for KSPCB, accepted that the waste dumped was from Kerala and she said criminal proceedings will be initiated against those responsible. I am told some unauthorised waste collectors, who are not recognised by the government, were indulging in this illegality. Local activists told TNIE that police and transport departments of both Kerala and Tamil Nadu need to be blamed. There is only a narrow Sengottai road connecting both States in Tirunelveli, where the dumping took place. If that one inter-state check-post is strengthened and strict vigil is maintained, the problem can be solved. Biomedical waste when improperly disposed can have adverse effects on the health of humans or to the environment. It is highly infectious and must be managed as per BMW management Rules.

Banned tobacco products worth Rs 4 crore seized in Thiruvananthapuram; Two held

THIRUVANANTHAPURAM: The Chirayinkeezhu police have arrested two persons and seized banned tobacco products worth Rs 4 crore from their possession at Koorakkada near Chirayinkeezhu. The raid was jointly conducted by Thiruvananthapuram DANSAF and the local police. The arrested have been identified as Shiju of Vanchiyoor and Shambhu Mohan of Chirayinkeezhu. The seized contraband was being stored for sale during Christmas-New Year festivals. According to the police, contraband was stored in 277 sacks in a godown which was originally used to keep bottled water. The accused sold the banned products under the guise of bottled water supply. The police added that the tobacco products were brought from Bengaluru in trucks carrying onion. The contraband was concealed under onion sacks to give the sleuths at the check posts a slip. The arrested were booked under the relevant sections of the Juvenile Justice Act, the Kerala Police Act and the COTP Act. They were produced before the court and remanded to judicial custody. The arrests were carried out by a team comprising Attingal DySP Manjulal, Chirayinkeezhu SHO V S Vineesh, SI Mani, DANSAF SI B Dileep, ASI Rajeevan and CPO Sunil Lookman.

How the Mizo population in Kerala celebrates Christmas

Mizos across Kerala come together in Thiruvananthapuram under the auspices of Kerala Mizo Association

IFFK 2024: Armenian cinema spreads its wings

THIRUVANANTHAPURAM: His years International Film Festival of Kerala (IFFK) is celebrating Armenian cinema in its Country Focus section, giving audiences a chance to discover the rich stories of this small yet resilient northwestern Asian nation. Filmmakers Mikael Dovlatyan, Serge Avedikian, and producer Karina Simonyan shared their thoughts on the history, struggles, Indian connection, and future of Armenian cinema. Armenia has many important stories to share, remarked Avedikian. During the Soviet era, Armenias film industry thrived despite political and economic pressures. Yerevan, the capital, once had over 50 theatres, showing how deeply cinema was loved. But after the Soviet Union collapsed, Armenia faced tough times as it built its independence, leaving little money for cultural activities like filmmaking. Today, only a few theatres remain. Yet, Armenian filmmakers have been telling stories for over 100 years, says Avedikian, a recipient of the Short Film Palme dO -- the highest prize given to a short film at the Cannes Film Festival. He added that while filmmakers such as Sergei Parajanov are famous worldwide, many others from Armenias Soviet period remain largely unknown. Avedikian hopes that showcasing Armenian films at international festivals like IFFK will help bring attention to these lesser-known voices. The festival is also a chance to create new opportunities for Armenian cinema to reach global audiences. Dovlatyan emphasised that his films, like Labyrinth , which have been featured at IFFK, focus on human struggles, making them relatable to global audiences. I always believe that cinema can bridge cultures. Be it Syrian, French, American, or Indian, human struggles are universally applicable.. I know that when I take these themes, I can speak to people from different cultures, he shared. Speaking about how Armenian cinema is expanding its reach, he says the process has been gradual. Currently, the Armenian National Film Foundation is working on funding to distribute movies across various online platforms. Existing forms are limited. While you can find Armenian movies on YouTube, they lack subtitles. We are working on improving that. Simonyan, who is also an actor, sees potential for collaborations between Armenia and India. Armenia and India are both ancient cultures with so much in common. And there is a point where these cultures can meet. Indian films have a special place in Armenian hearts because in Armenia, during the 70s and 80s, Indian movies were frequently shown. Many grew up watching them, she said. Dovlatyan and Avedikian reminisced about watching Indian films during their youth. We loved Indian cinema. We would laugh, cry, enjoy the music, and even try to dance like in the movies! Today, a growing Indian community in Armenia continues to strengthen this connection. Film education should be more accessible, says Payal Kapadia Calling for systemic changes to make film education more inclusive, Cannes Grand Prix-winning filmmaker Payal Kapadia said here on Wednesday that one needs a certain kind of privilege to access film schools and that there should be more film schools which are inclusive or even free. For me, film school was essential. It helped me focus and introduced me to amazing people. It is not necessary to go to a film school to be a filmmaker, and it is ones temperament that matters. There should be more grants and stipends to support aspiring filmmakers, Kapadia said at the In Conversation session as part of the IFFK. Finding inspiration in the mundane, she said she titled her films in a way that invokes the imagery of nature and daily life. Inspiration is everywhere. Even a flower or a chai conversation can spark a story. The film festival and the people here could also make an interesting film, she said. Touching on networking and building a film circle for independent filmmakers, Kapadia told TNIE that while independent filmmakers often face challenges in sourcing people, the upside is that those who join such projects, despite lower pay, are genuinely passionate and believe in the vision.

Film critics' role in shaping cinema faces new challenges amid social media influence

THIRUVANANTHAPURAM: Film critics are known to be opinionated, scalpel-witted, and even caustic. Yet, the likes of Quentin Tarantino, the acclaimed Hollywood director known for mixing cathartic, suave violence, profane dialogues, and show of pop culture in his landmark movies, took them seriously, at least in his younger days. He later transformed into a critic himself and even contemplated making a movie titled The Movie Critic , which now remains one of his famously unrealised projects. The role of critics has been one that has influenced both filmmakers and cinephiles, wielding, as they presumably do, the power to change the destinies of films and filmmakers. It is said that Alfred Hitchcock began to be taken seriously in his homeland, and in Hollywood, thanks to the French critics at the acclaimed publication Cahiers du Cinma . Back home, too, several critics are taken seriously. But most of the publications they worked for have downed shutters, especially after the social media wave struck. Social media influencers now call the shots, telling their followers what to watch, and spicing their comments with tidbits on popular actors. Such juicy rants are also based on popular ranking sites where anything above three stars is considered apt for watching. It was in this context that the film industry railed against what it termed as review bombing, which involves influencing the rating system via a semi-organised campaign of online negative reviews. Prominent critic and writer Deepa Gahlot feels that such a trend is reflective of the films that are now being produced. Whatever is being carried out in the name of reviewing is hardly reviewing. Also, what is there to review? That the protagonist somersaulted three more times in the sequel? What is there to write about movies such as Pushpa , Singham or Bhool Bhulaiyaa ? In a way, we get the films we deserve and the films get the criticism they deserve, says Deepa, who is part of this years IFFK Netpac (Network for the Promotion of Asian Cinema) jury. The world over, too, there is a dependence on influencers, although serious publications still maintain a high standard of reviewing. In India, on the other hand, most of the cinema-based publications have shut shop, including Cinema in India, which was edited by Deepa. The popular media here is dependent on ranking dished out by websites and influencers, and reviewing is patchy with novices being tasked with watching films and writing about them. But here, too, questions abound about the quality of films. The ones on the festival circuit will never see any theatre release. Of late, OTT has been showing promise as a platform for good cinema. Even the non-Malayalam speaking crowd is interested in movies such as Manjummel Boys and Aavesham , and actors such as Fahadh Faasil and Parvathy are no longer regional names. So, yes, there is hope, Deepa says. The slow growth of streaming platforms is helping serious criticism, according to IFFKs Fipresci (International Federation of Film Critics) jury member Martina Vackova. The criticism was very serious before, and with films becoming mass entertainment, its role did turn bleak. But now, content is moving to streaming platforms and audiences are becoming picky again. So, the critical approach is making a re-entry, she says. Here, the role of Fipresci, formed in 1930, is pertinent, feels Martina. The problem, however, is the gap between films that get the attention of masses and those that interest just a few. But the latter kind could be ahead of their time, and critics should be encouraged more and more to flag their importance. Fipresci could aid such an exchange now more than ever, observes Martina, the managing editor of Czech Radio and a writer on films in Czech and Slovak media. There is also the need to strike a balance between social media commentaries and serious reviewing in India, Deepa remarks. Like in globally known publications, where reviewing is still serious business, Indian publications too could raise the bar by investing in experienced and erudite criticism of films rather than treating it as routine affair, she says.

Self-financing educational institutions come under RTI Act, rules Kerala information commission

THIRUVANANTHAPURAM: In a landmark ruling, the state information commission has held that self-financing educational institutions, that function with the approval of the government, come under the purview of the Right To Information (RTI) Act. State Information Commissioner M Sreekumar made the clarification while hearing an appeal filed by an RTI applicant who was denied a reply by a self-financing teachers training institute. The commission has issued directives to the secretaries of general education, higher education and health to make necessary arrangements for appointment of State Public Information Officer and appellate authorities in such institutions. The commissions intervention came after the principal of CSI TTI at Amaravila here told a woman applicant from Nellivila that the institution does not come under the purview of the RTI Act. The commission noted that recognised self-financing institutions come under the definition of public authority as they have given an undertaking that they will function as per the rules and regulations framed by the government. Besides, such institutions enjoy concessions in terms of building tax and water and electricity charges. The commissioner also directed the institution to provide details sought by the applicant within 15 days and inform it of the action taken.

No complaints or suggestions received on Kerala Forest Amendment Bill: State Forest Minister

THIRUVANANTHAPURAM: Even as there is growing opposition towards the Kerala Forest Amendment Bill, the state government has not received even a single complaint or amendment to the draft legislation. The government is open to looking into any complaint or discussion with any organisation regarding the legislation, said Forest Minister A K Saseendran. The government decided to bring in amendments, as there were lapses in the legislation. Only the draft has been published. It will become legislation, only after a lot of process. The draft has been published so that the public can come up with suggestions, opinions and complaints. Till date, no one has come forward to use the opportunity, said Saseendran, adding that the department has enemies all around. Speaking after launching eight e-governance applications under the department here on Wednesday, Saseendran pointed out that theres substantial decrease in the number of people killed in wild animal attacks in the last three years. Going by the data from a decade ago, there were about 901 deaths. This year there were only 37 deaths. Of these, 16 were due to snakebites. In 2023, 25 people were killed in animal attacks while the year before it was 110, and 123 in 2021. It shows that effective intervention by the department has succeeded in bringing down the number of deaths. We are yet to get any appreciation for that. Shouldnt we then reach out to the people? he asked. The minister also had a word of caution for forest officials. Though the forest department was able to make major achievements, the same isnt effectively conveyed to the people. We need to also market activities of the forest department, he said. Unfortunately even now among the masses, the forest department and its activities carry an anti-people tag. To bring in a change, we should provide modern, foolproof and speedy services to the public. Alongside administrative reforms, we should ensure that the benefits of such services reach the farmers who are at the receiving end of wild animal attacks. Though we have been doing many things, we should keep in mind that there is hardly any support at present for the forest department, he said. Head of Forest Force Ganga Singh presided over while US Agency for International Development Team Lead Soumitri Das delivered the keynote adress. Forests Additional chief secretary K R Jyothilal, chief wildlife warden Pramod G Krishnan, PCCF Rajesh Ravindan, APCCFs P Pugazhendi, L Chandrasekar, G Phanindrakumar Rao, J Justin Mohan, Social Forestry CCF Sanjayan Kumar, and DCF Santhosh Kumar also spoke.

Modi government handing over countrys wealth to Adani: Kerala Congress president Sudhakaran

THIRUVANANTHAPURAM: Congress state president K Sudhakaran has accused the Union government of handing over the countrys wealth to industrialist Adani. He was inaugurating a march in front of Raj Bhavan organised by the KPCC as part of the AICCs call for nationwide marches against the Union government. He alleged that the Modi government is working like a servant of Adani. No investigation was declared into the financial-share frauds related to Adani. Instead of that the government is giving protection to him. The Modi government is interested in handing over the countrys wealth to Adani rather than resolving peoples issues, he said. He also alleged that, in the last 18 months, the prime minister had never visited strife-torn Manipur. The BJP governments at the state and centre have failed to resolve the Manipur issue, he added. Slam move to promote Ajith Kumar Sudhakaran also came out against the decision of the state government to include ADGP M R Ajith Kumar in the seniority list to be considered for the post of DGP. He alleged that Chief Minister Pinarayi Vijayan has surrendered to the RSS by promoting Ajith Kumar. Ajith Kumar is facing inquiry related to corruption, illegal acquisition of property and gold smuggling. However, these were not considered as he was a confidante of CM. Ajith was the link between RSS and CM, he alleged.

Vizhinjam port gets new location code aligning with Thiruvananthapuram

THIRUVANANTHAPURAM: The Vizhinjam International Seaport has been assigned a new location code - IN TRV 01 - which is easily identifiable with the capital city of Thiruvananthapuram. The new code breaks down as follows: IN for India, TRV for Thiruvananthapuram, and 01 for the port. This update replaces the previous code, IN NYY 1, which stood for India and Neyyattinkara thaluk. Ports Minister V N Vasavan said that the change was made following a recommendation from the United Nations Economic Commission for Europe (UNECE) to adopt a new location code. As Thiruvananthapuram International Port operates internationally, it applied for the new code, similar to the one used for the citys airport (TRV), the minister added. The Directorate General of System and Data Management approved the change after receiving the port authoritys request. The UNECE, a UN regional commission focused on promoting economic cooperation and integration among member states, officially approved the new code on Wednesday. This code, allocated by the central governments Directorate General of System and Data Management, will be used for shipping and navigation purposes. Port authorities confirmed that UNECE will notify the new code, and shipping companies are expected to begin using it from January. The previous code, IN NYY 1, was approved on June 21, 2024, but did not align with UNECE standards. The code IN VZJ (Vizhinjam) was not an option as it had already been assigned to a minor port under the Kerala Maritime Board, said an officer. The port received its commercial commissioning certificate on December 4.

K Jayakumar wins Kendra Sahitya Akademi Award for Malayalam work 'Pingalakeshini'

THIRUVANANTHAPURAM: Noted poet, author and former chief secretary K Jayakumar has been chosen for the Kendra Sahitya Akademi Award. His work Pingalakeshini was selected for the award in the Malayalam category. The award is in the form of a casket containing an engraved copper-plaque, a shawl and an amount of Rs 1 lakh. The award jury for Malayalam comprised Prabha Varma, Kavadiyar Ramachandran and M Krishnan Nampoothiri. The jury unanimously selected Pingalakeshini from nine works recommended for the award, the Akademi said in a statement. The award function will be held at Kamani Auditorium, Copernicus Marg, New Delhi. Responding to the media, Jayakumar said the award was a big honour. As a writer it is the happiest day for me, he said. The annual awards in 21 languages were announced on Wednesday . They include eight books of poetry, three of novels, two of short stories, three of essays, three of literary criticism, one each on theatre and research. A popular lyricist, Jayakumar had penned lyrics for about a hundred Malayalam films, including several hit songs. He had earlier received the Kerala Sahitya Akademi Award for overall contributions and the coveted Asan Poetry Prize.

Kerala private bus operators to oppose permit cancellation of buses involved in serious accidents

THIRUVANANTHAPURAM: Private bus operators have decided to challenge Minister K B Ganesh Kumars decision to cancel permits of buses involved in serious accidents. While agreeing to comply with any rules that enhance road safety, they said the decision, if implemented, would be a further blow to a struggling industry. Hamsa Erikunnan, general secretary of the Kerala State Bus Operators Federation, said any arbitrary decision to cancel the permits would be challenged in court.Accidents cannot be stopped by cancelling the permits of 7,000 private buses. In fact, no private buses were involved in the four major accidents that resulted in 20 fatalities recently. We will take a decision based on the governments order, Hamsa said. According to T Gopinathan, general convener of the State Private Bus Operators Federation, bus operators would launch a statewide protest against denying permits to buses operating services beyond 140km, despite a favourable court order. The government is giving unreasonable excuses for not issuing permits. The public has been denied a proper public transport service because of this. We will also protest against the delay in increasing the students concession fare, he said. Officials with the motor vehicle department said the permits of buses involved in serious accidents would be suspended if an RTO-level officer finds mistakes on the part of bus owners.

Congress resolves row over SCTIMST seat; Tharoor, Basheer to be included

THIRUVANANTHAPURAM: At a time when political opponents have been pointing to how the Indian Union Muslim League (IUML) has been throwing its weight around in the UDF, a controversy erupted over the Congress leadership allegedly deciding to hand its seat on the prestigious Sree Chitra Tirunal Institute for Medical Sciences and Technology (SCTIMST) institute body to IUML leader and Lok Sabha MP E T Mohammed Basheer, in place of Shashi Tharoor. It was only after Tharoor, the Thiruvananthapuram MP, took the issue up with the Congress high command that the party intervened and reached an agreement with the BJP to get a seat for its CWC member. Tharoor, who is still a member of the institute body of SCTIMST was hoping to continue in the position, as the MP from the region. However, according to sources, the League leadership approached a senior Congress leader from the state and demanded that the seat be allotted to their representative. In central government-controlled institutions like SCTIMST and AIIMS, representation in governing bodies is shared by main parties, such as the BJP and the Congress, to avoid voting. In SCTIMSTs institute body, the Congress and the BJP each had a representative -- Tharoor and former MP Umesh G Jadhav, respectively. Two Union ministers from the state can also attend the meetings. The League told Congress leaders from the state in New Delhi that since many people from the Malabar region seek treatment in SCTIMST, they should have representation instead of the Congress, sources from both parties told TNIE on condition of anonymity. The League proposed Basheers name. The Congress decided to give the opportunity to the League considering the latters stature in the UDF, a source added. Tharoor reportedly told the party leadership that as the local MP he has a responsibility to intervene on issues of the constituency. He conveyed that he had no issue with the inclusion of a League representative, but not at the cost of his position. Congress general secretary K C Venugopal intervened and asked the partys chief whip in the Lok Sabha, Kodikunnil Suresh, to ensure inclusion of the two leaders to the body. Kodikunnil held discussions with BJP leaders and it was decided that Congress would hand over its claim in the Gujarat Ayurved University in Jamnagar to the BJP. In return, the saffron party agreed to hand over its claim in SCTIMST. Meanwhile, Kodikunnil dismissed the row. There was no issue, he told TNIE. Tharoor has not raised any complaint. Since the League wanted a representative, Venugopal asked me to hold talks with the BJP so that both Tharoor and Basheer could be included, he remarked.

Swift intervention by bank, cyber police save doctor from losing lakhs to scammers in Kerala

THIRUVANANTHAPURAM: The swift intervention of the Cyber Investigation Division helped a Changanassery-based doctor recover Rs 4.2 lakh that he had transferred to cyber scammers, who had held him under 'virtual arrest' after making him believe they were from the Mumbai police. The doctor was contacted by the cyber criminals impersonating Mumbai police officers on Tuesday, alleging that they had found him involved in illegal financial activities. Known as vishing, this tactic is the most popular method used by scammers to fleece money from unsuspecting victims. The fraudsters operated with such finesse that the doctor was made to believe them. They enforced his 'virtual arrest' and goaded him into transferring Rs 5.2 lakh to a bank account. However, the SBI Financial Intelligence Unit found something suspicious as the money was transferred to an account that had already been flagged. They immediately contacted the Changanassery branch of the bank, and the branch manager duly alerted the Cyber Investigation Headquarters in Thiruvananthapuram. The cyber police liaised with the local police, and within 15 minutes, the officers managed to locate the doctor's residence. Caught in a virtual web: The rise of 'digital arrest' scams in India A cyber police official told TNIE that when the cops in uniform knocked on the victim's door, he was reluctant to cooperate with them, thinking that it was none of their business. He had believed everything the impersonators said. So when our men reached his place, he was like, 'Please don't interfere. This is a serious matter.' The cops forced their way into the doctor's room and briefed him about the scam. After learning that financial transactions had taken place, the cops registered a complaint with 1930, the national cyber crime helpline. Since the complaint was filed immediately after the transaction, the cops managed to retrieve Rs 4.2 lakh, an official said. Cyber police sources said the SBI had set up a special intelligence wing to monitor suspicious transactions, which helped in detecting the fraud. The State Police Chief had written to the RBI and the central government recommending the implementation of several measures to curb cyber financial crimes. One of the suggestions was to set up financial intelligence units in each bank. Unfortunately, there were not many takers for the suggestions. However, SBI set up its own unit, and because of that, they could prevent fraud, said a senior officer. People in Madhya Pradesh lost 130 per cent more money due to digital arrest in 2024 compared to 2023

Through foods, drinks and traditions, foreigners make themselves at home during Christmas in Thiruvananthapuram

People from different diasporas celebrate the holidays combining the best of two worlds

Kerala human rights panel directs removal of waste dumped on AIR property

THIRUVANANTHAPURAM: The Kerala State Human Rights Commission on Tuesday directed the corporation secretary and Akashvani director to take immediate steps to remove the waste dumped on the property of All India Radio near Beemapally Nursery School. Commission chairperson Justice Alexander Thomas also directed the compliance of the resolution passed by the District Legal Services Authority (DLSA). The commission has issued a directive to form a committee comprising the corporation secretary, health inspector, engineer, AIR director, district police chief and assistant commissioner as members to ensure prevention of waste dumping. The committee has been asked to convene meetings at regular intervals. The commission also highlighted the need for strict police surveillance, especially at night, to prevent illegal waste dumping that could pose health risks to children. It has also directed the AIR to submit the CCTV footage to help identify violators responsible for dumping. The DLSA has been asked to monitor the progress of the waste removal.

Governor Arif Mohammed Khan faces SFI protests at Kerala varsity

THIRUVANANTHAPURAM: The Kerala Universitys senate house campus here witnessed tense moments on Tuesday after SFI activists staged protests against Governor Arif Mohammed Khan who came to inaugurate a Sanskrit seminar in his capacity as the varsitys Chancellor. Khan was visiting the university after a gap of over two years amid ongoing tensions between him and the state government over vice-chancellor appointments. The Left-dominated Syndicate of the university had given a call to boycott the event as a mark of protest. Shortly after the governor arrived, SFI activists marched to the main gate of the university that was closed to block the protesters. The police used water cannons to disperse the crowd. However, some SFI activists scaled the gate and reached the senate hall where the event was being held. Accusing the governor of attempting to saffronise the higher education sector by appointing persons affiliated to Sangh Parivar as vice-chancellors, the SFI activists staged protests outside the senate hall. When asked why no SFI protesters were arrested, the governor shot back at reporters and asked them to pose such questions to the police.

Dissolve SFI unit in University College: Thiruvananthapuram district CPM

THIRUVANANTHAPURAM: The CPM Thiruvananthapuram district secretariat has called for the dissolution of the University College unit of the SFI. The party, in a meeting on Tuesday, expressed concerns that the actions of the unit contradict the values upheld by the CPM. In a letter to the SFI state committee, the district secretariat cited two recent incidents as reasons for their request. One incident involved the assault of a disabled student by a group allegedly linked to the SFI. The students friend, who tried to intervene, was also beaten. Additionally, there have been allegations that SFI leaders operate a torture room at the college, where students who oppose the outfit are allegedly subjected to mistreatment. The CPM district leadership believes that, given the ongoing issues, the SFI unit should no longer be allowed to function at the college. The party has adopted a watch and wait approach, meaning that if the SFI state leadership does not take action, the CPM will escalate the matter to the state leadership for more stringent measures.

Night show: IFFK takes different vibe post sundown

THIRUVANANTHAPURAM: Post sundown, the International Film Festival of Kerala (IFFK) venues take on a different vibe. Indeed, Tagore Theatre at night has always held a subtle charm during IFFK. In earlier editions, the festival evenings were marked by loud gatherings, protests, and delegates shedding formality casually dressed, unwinding with swaying music. This year, however, the atmosphere is a tad different. A soothing calm envelops the venues, though they remain packed with the night crowd. Delegates can be seen heading to eateries for quick bites. Various small-scale businesses have pitched tents on the premises, including one that exude fruity and peachy fragrances, drawing people towards the shop. The heady perfumes are captivating, but more so are the glistening glass vials under the glow of night lamps. Some eateries adopted quirky names to match the festival spirit. One stall, for instance, is named Kim ki Muk. It is a play on the name of South Korean director Kim Ki-duk, says Santosh C A, its owner, . Tea stalls remain the biggest crowdpuller, offering a much-needed nighttime sip. Recently, as many treated themselves to the night-timefare, a band of three was seen belting out Malayalam and Hindi numbers. This is my first time at IFFK, and I am loving it, gushed Ankit, the guitarist and vocalist. Together with Asif and Adarsh, Ankit formed The Vocz a year ago. Concert @ Manaveeyam Asif and I work in Technopark, and Adarsh is into clinical research. This is also part of our weekend jaunt, he added as they packed up to move towards Manaveeyam for more jamming. Post 7pm, thats where all the fun is. True to his words, Manaveeyam Veedhi has transformed into a lively cultural hub and is buzzing. The street turns into a gala affair with bands performing on makeshift stages, as delegates groove to the rhythms. Surprisingly, amid the din, there are quieter corners where post-screening discussions unfold. In one such spot, a group of four gathers old friends who meet just once a year during IFFK. We come from Kannur, Palakkad, and Pathanamthitta. Usually, our meetings are at Tagore, but this time, Manaveeyam plays the host, said Noufal A, an FTII graduate and scriptwriter. Elsewhere on the street, a group celebrates the birthday of their teammate, Nikhil. Here, too, chai shops remain open well into the night and run packed with delegates who down cups of tea and help themselves to quick bites. An attar shop on Tagore Theatre premises The shift of cultural programmes to Manaveeyam was a decision by the IFFK committee, aimed at creating a festival corridor linking Tagore Theatre, Manaveeyam, and Nishagandhi, where night screenings take place, said IFFK deputy director H Shaji. The idea was to decongest venues and minimise chaos. The decision to segregate activities seems to have worked. The main venues, including Tagore, retain a stately air, while Manaveeyam is soaking in the revelry. Even protests, if any, have to be held there, though the music and merriment left little room or time for such events. Music shows coming up December 18: Music show by Funkus Band; From 6.30pm at Manaveeyam Veedhi December 19: Music show by Prarthana + ONV Choir; From 6.30pm at Manaveeyam Veedhi Closing Ceremony, December 20: Flute concert by Rajesh Cherthala and team; from 5 to 5.45pm at Nishagandhi

Nurturing young minds through handmade cards

THIRUVANANTHAPURAM: As Christmas is almost here, childrens world is filled with anticipation as they eagerly await their gifts. For them, this is a season of excitement, not just for what Santa might bring, but for the thrill of exchanging gifts with their Christmas friends at school. In between exams, children can often be found hunting for the perfect greeting card, spending ages deciding what to write inside to make it truly special. Its a tradition full of suspense, creativity, and joy something that lingers fondly in memories. This year, in Thiruvananthapuram that spirit is alive and well. Over the past few days, around 30 children from two schools have been busy crafting their own Christmas cards. These handcrafted cards are set to be sold to classmates and teachers. The Christmas card-making initiative is part of Changathi, a unique bio-psycho-social intervention programme, designed by the non-profit organisation Kanal. Funded as a corporate social responsibility (CSR) activity by Infoblox, Changathi aims to encourage creativity and emotional well-being among class 7 children from coastal areas. These children will soon enter adolescence, a stage where they will face various challenges. The Changathi project is designed to prepare them to handle these challenges effectively, explains Anson P D Alexander, founder of Kanal. Children residing in coastal regions, where one or both parents are working in the fishing field, often face challenges such as nutritional deficiencies, as well as academic and behavioural difficulties. Changathi initiative seeks to implement solutions through ongoing training for students, educators, and parents, Anson added. Regular counselling of students and parent management training are given. Basic motor skills, mental health improvement activities, and workshops such as theatre, pottery, or Christmas card-making are part of this project to address behavioural issues in children. Materials and training were provided to the children, along with guidance. When I told my students about the Christmas celebration, they were excited but nervous about making their own cards. They doubted their creativity, but we worked through the challenges together. Slowly, their confidence grew, and we created beautiful cards. Students themselves are astonished after witnessing their own creativity. It helped them discover their hidden talents. That was the biggest success of the initiative, Sneha Paleri, child welfare associate at Kanal, says. These cards will be sold within the school or at Christmas exhibitions around the city, and the amount collected will be used to organise medical camps in the schools. We conducted a similar activity last year. The aim is not financial gain but rather to help the children develop a skill, boost their self-esteem, and understand the importance of earning income or learning the means to do so, Anson elaborates. The medical camps, organised twice or thrice a year at the schools, address health concerns like nutritional deficiencies, low haemoglobin levels, and hydration habits. The Changathi project is currently being implemented in two schools St Rochs High School and St Marys Higher Secondary School. Together, the project reaches around 250 children.

Police mount surveillance on 790 people with criminal links in Thiruvananthapuram

THIRUVANANTHAPURAM: The Thiruvananthapuram city police have enhanced surveillance on 790 people who have criminal antecedents and are prone to committing the offences again, within its limits. The police painstakingly collected the details of the offenders in a bid to pre-empt regrouping of criminal gangs, which can pose a threat to law and order situation. Highly placed sources said these men on their radar were being monitored on a day-to-day basis and because of that organised crimes have come down in the city limits. Those people under watch include Om Prakash and Airport Dany, who had clashed during a DJ party that was organised by the latter in a city bar last week. As per police records, most number of criminals were found residing or operating in Nemom, Thiruvallam, Valiyathura, Kazhakootam and Thumba police station limits. Owing to minor incidents involving criminals that were reported recently and also taking into consideration Christmas and New Year celebrations that are round the corner, the police will verify the whereabouts and activities of all the men by putting under its radar, said a police official. We used to personally verify 100 persons in that list daily. Either they were summoned to the stations or the cops went to them and checked what they were up to. Their digital signatures were examined to ascertain their movements. Now, we are checking all the 790 people every single day, the officer said. The police felt the move has been successful so far and no gangland killings took place within the city limits in the last four months. The last gang-related murder took place in August first week within Sreekaryam police station limits. Thereafter the city has been silent and thats because of the heightened vigil we maintain, said a senior officer of the city police. The cops claimed sustained policing has broken the back of organised crime syndicates, and only their remnants exist now. Earlier there were several gangs led by seasoned criminals. Now they have all disintegrated due to the efforts of the police. Only the remnants of some groups exist and we will soon clear that menace too, said another officer. Other police sources, meanwhile, said the involvement of goons in drug peddling has emerged as a new threat. Forget about the gang wars, because the gangs are close to non-existent. Because of that the apprehension of a turf war emerging between them is misplaced. What is frightening is the involvement of some of the gangsters in drug business, an officer privy to the activities of the criminals said. According to the officer, there have been instances where some of the gangsters were found engaged in selling synthetic drugs, including MDMA, to earn quick bucks. A gangster, who conducts DJ parties in the city, arrives with an entourage of 10-15 people, who peddle MDMA to the participants. Some other goons are following suit. This worrying trend ought to be arrested, the officer added. Prakash too is accused of having antecedents in drug-peddling and was arrested by Kochi police in October for possessing cocaine. However, the police are now banking on freshly-arrived drug detection kits to fight the menace of drug abuse. The cops have been using the kits since November last to detect the presence of drugs by testing the saliva. A city police official said they are able to check up to 15 people regularly and the action was found to have a good deterrence effect. In places like Manaveeyam Street, we are testing people regularly. Because of the fear of getting caught, the drug abusers are reluctant to appear in such places, the official added.

IFFK pans an inclusive shot with live sign language interpretation

THIRUVANANTHAPURAM: For the first time, the International Film Festival of Kerala (IFFK) has introduced live sign language interpretation for people with hearing impairment, ensuring a disability-friendly environment for all participants. The live sign language interpretation is being conducted during events at the Nishagandhi auditorium, where speeches and performances are being made accessible. This initiative marks a significant step in making the film festival a truly inclusive space, attracting participants from across the world. Silvy Maxi Mena, a teacher at the National Institute of Speech and Hearing (NISH) and a sign language interpreter, volunteered to take up the role without any remuneration. She came up with this idea after learning that this years festival would be disability-friendly. We are all disabled in one way or other. While facilities like ramps were being provided, there was no mention of sign language interpretation. In most of the cases, disability is confined to locomotive inability, Silvy told TNIE. Determined to bridge this gap, Silvy reached out to the Kerala Cultural Welfare Board Chairman Madhupal, expressing her interest in volunteering for the purpose. The Chalachitra Academy then welcomed her as the official sign language interpreter. The organisers approved my idea and understood the scope of sign language on an international platform, she added. Since the opening day, Silvy has been a constant presence on the Nishagandhi stage, translating all proceedings into Indian Sign Language. The smiling faces of the hearing-impaired audience after each event are my greatest reward, she said, reflecting on her contribution. Further, Silvy has choreographed a unique dance performance -- titled Mudranatanam -- based on Indian Sign Language gestures, adding another dimension to the festivals efforts towards inclusivity. She believes that prioritising sign language at such international events provides much-needed recognition and acceptance to the hearing-impaired community. With this step, the IFFK has opened its doors wider to people with disabilities, setting an example of how international platforms can become accessible, inclusive, and welcoming for all.

Sabari rail project better proposal than Chengannur-Pampa route, says CM Pinarayi

THIRUVANANTHAPURAM: The state government will seek the Union governments sanction for the Sabari rail project implementation in two phases. The project would be a better alternative to the Chengannur-Pampa rail route proposal currently being considered by the Union government, Chief Minister Pinarayi Vijayan said at a high-level meeting held in Thiruvananthapuram on Tuesday. The Sabari rail project has big potential to boost the states development. It can be expanded upto Vizhinjam in future, according to the chief minister. As per the state governments plan, the first phase of the Sabari project would be the Angamaly-Erumeli-Nilakkal stretch. The Kerala Infrastructure Investment Fund Board (KIIFB) will bear 50 pc of the project cost. A request will be made to the Union Government to allow additional borrowing corresponding to the states expense. The state will reject the proposal for a tri-partite agreement with the RBI. The current plan is for a single line, and double line could be laid in the expansion phase.

Guard of honour at religious rituals in Kerala to stay

THIRUVANANTHAPURAM: The state government will not implement its decision to abolish police guard of honour at religious ceremonies, for the time being, Devaswom Minister V N Vasavan has said. The practice will continue. Though a direction was made earlier, it has not been implemented. Any future decision on the matter will be taken only after consultation with temple authorities, he told TNIE. Currently, the guard of honour is performed at about 20 temples in the Tranvancore-Cochin region. These include the Sree Padmanabhaswamy Temple (for festivals and processions), Thiruvallam Vellayani Devi Temple, Haripad Subrahmanya Temple, Tripunithura Poornathrayeesa Temple, Ernakulam Shiva Temple, Palluruthy Alangad Bhagavathy Temple, Thrissur Oorakam Ammathiruvadi Temple and Thriprayar Sree Rama Temple. It was in September that the home department decided to do away with the guard of honour at religious rituals. At a meeting convened by additional chief secretary (Home) Biswanath Sinha, it was decided the practice will be allowed only if temple authorities bear its expenses. The meeting was held to address a request from Sree Varaham Sree Kunnandan Ganapathi Temple to provide the guard of honour and police band performance during the Vinayaka Chathurthi procession. DCP Vijay Bharath Reddy, Sree Varaham Sree Kunnandan Ganapathi Temple advisory committee president C Jayachandran and secretary V Sreekanth had attended the meet, after which the home department had sent a letter to the state police chief. Sources said the decision was not implemented as a review is on. The decision to ask temples to bear the expenses is also under review now. No final call was taken to stop the guard of honour, said a source. Travancore Devaswom Board President P S Prasanth said the board has not received any official communication from the government. We came to know about it from media. From what we have understood, it will be applicable for six temples under TDB, said Prasanth. Following reports on the decision to abolish the guard of honour, many organisations had raised concerns. All Kerala Brahmins Association said the Union government in 1949 provided a written assurance to the Travancore-Cochin Maharaja, saying temple rituals and traditions would be upheld without any interruptions. It said the government should provide the guard of honour during festivals in around 20 temples, and it does not have the right to withdraw it. Even after the direction was issued in September, guard of honour was provided during the Alpashi festival and Navaratri festival at the Sree Padmanabhaswamy Temple. We have not received any official communication, but feel it might be implemented in future, said a member of the association. Hindu Aikya Vedi state secretary Sandeep Thampanoor termed the governments move part of a deliberate attempt to insult Hindus. In 1750 Anizham Tirunal Marthanda Varma, founder of modern Travancore, surrendered his kingdom to Sree Padmanabha Swamy. Since then, the deity became the principal ruler of the state. The constitution also acknowledges the right of deities. It is in this background the guard of honour is being given to deities, said K P Madhusoodhanan, state coordinator of People for Dharma Trust. performed at 20 temples Guard of honour is performed at about 20 temples in Tranvancore-Cochin region, including Sree Padmanabhaswamy Temple At a meeting in September, it was decided the practice will be allowed only if temple authorities bear its expenses. Reports about the decision had sparked concerns.

Thiruvananthapuram Corporation fines district collector Rs 25k for illegal hoardings

THIRUVANANTHAPURAM: The placement of illegal hoardings as part of Karuthalum Kaithangum a taluk-level complaint redressal adalat organised by the government in Thiruvananthapuram recently has landed the district collector in trouble. In what could be an open confrontation between two civic authorities, Thiruvananthapuram Corporation secretary Jahamgeer S has served a notice and imposed a fine of Rs 25,000 on District Collector Anu Kumari for having placed illegal hoardings. The notice was served as part of intensified enforcement activities following a stringent directive from the High Court, a top official with the corporation said. Around six hoardings were removed as part of the special crackdown launched by the civic body to remove illegal hoardings and banners which pose risks to the environment, pedestrians and motorists. We have imposed a fine of Rs 25,000 for the placement of hoardings relating to Karuthalum Kaithangum. A notice has been sent to the collector. We have served many notices to various organisations, including the CPM, Youth Congress, Joint Council and others, an official with the corporations revenue wing said. Responding to the corporations move, Collector Anu Kumari told TNIE that she has directed the tahsildars to remove the hoardings following the HC directive. Im yet to get any notice from the corporation and Im unaware of the fine imposed, she said.

Southern Railways new Perambur terminal plan raises operational concerns

CHENNAI: Even as the Southern Railway continues to drag its feet on the new terminal work at Tambaram for the last seven years, the decision to set up a greenfield terminal at Perambur, near Perambur Loco Works station and 7 km from Chennai Central, has left rail passengers shocked and disappointed. Intended to ease congestion at Chennai Central, the move has been strongly opposed by a section of passengers, terming it irrational and poorly planned. Official documents suggest the proposal was recently approved by general manager RN Singh. A Southern Railway spokesperson said the proposal is still in the nascent stage and the DPR has not been finalised. Due to operational and land issues at Royapuram and Salt Cotaurs, the fourth terminal has been proposed at Perambur. We have received in-principle approval from the railway board, said an official. As per earlier proposal, about 35 to 40% of trains from Chennai Central, including Shatabdi and Vande Bharat, and other trains bound for Thiruvananthapuram and Bengaluru, will be shifted to the new terminal. A former Zonal and Divisional Rail Users Consultative Committee member said the proposal would permanently disrupt the smooth operation of suburban trains. If express trains are operated from the proposed terminal, suburban trains would have to halt between Perambur and Villivakkam to allow them to access the fast line. To prevent this, the railway would have to interchange the slow and fast lines. This will result in shifting all amenities including toilets, eateries, water plants and railway offices at the en-route stations to the new platforms. It may take another 15 to 20 years to restore normalcy in suburban operations. Y Jayapaulraj, a member of DRUCC, Chennai, said, There is land available for developing the terminal near Tiruvallur. The station is also connected to the suburban network. 2016 report Passengers also pointed to a 2016 report by the Commissioner of Railway Safety, which probed a collision at Pattabiram involving an EMU train and express locomotive. CRS recommended avoiding frequent shifts between fast & slow lines to reduce accident risks. Further, MTC buses may find it hard to access the new terminal due to heavy traffic on Konnur High Road

With an eye on elections, UDF to focus on ways to address peoples issues in Kerala

THIRUVANANTHAPURAM: Contrary to current tactics of highlighting the ruling fronts failures on different issues, the UDF will adopt a different line now: Convincing voters how it proposes to resolve their issues if voted to power. A high-level leadership meeting of the UDF held in Thiruvananthapuram on Tuesday adopted this modified tactical line. The UDF leadership has realised that parties lost their credibility and morality by raising a plethora of accusations against each other during elections. It has found that raising allegations frequently against opponents often turns farcical. It is easy to point out failures and raise accusations against the ruling party, a senior UDF leader told TNIE. However, it will be more convincing if we tell people how we plan to address these issues if we come to power. Voters will definitely listen to us. There are many issues lying unresolved in the state administration. And there are many welfare measures people need urgently. We have to explain to them how we are going to address their issues. The meeting held on Tuesday was a preliminary brainstorming session to chart out the course of action in this direction, he said. It was also decided to raise public matters such as Munambam land issue, man-animal conflict, Forest Act Amendment Bill and rising road accidents in the coming session of the assembly. The UDF leadership is buoyed by the bypoll results assembly, Lok Sabha and local body. The leaders also expressed satisfaction with the way UDF handled the Munambam land issue. We have taken into confidence the Christian and Muslim parties who have been at loggerheads regarding the ownership of land at Munambam, the UDF leader said. We had conveyed to them that our position is that families living in the disputed land should not be evicted, he said. To tackle the challenges to be faced in the 2025 local body election, the UDF has decided to invigorate preparation which had been halted in view of the by-elections. It would create a mobile app for enrolling people in voters list. Party workers will visit each home in each ward armed with a mobile app. There will be a separate manifesto for each local body apart from the state-level manifesto of the UDF, front convener M M Hassan told TNIE.

Rubber tapper attacked in Thiruvananthapuram

The Valiyamala police suspect the incident to be a case of mistaken identity

Two Arrested for Dragging Adivasi youth in Wayanad

THIRUVANANTHAPURAM: Police apprehended two persons in connection with the incident where a tribal man was dragged along the road by a car in Wayanad district. The suspects, identified as Muhammed Arshad and Abhiram S, were arrested at their hideout in Kalpetta. The Minister for SC, ST, and Backward Communities Welfare, O R Kelu, visited the victim, Mathan, in the hospital and assured stringent legal action against the accused. The incident had triggered a major row. Meanwhile, the police continued their search for the remaining two accused, Nabeel and Vishnu, both natives of Panamarm who are still at large. Mathan, a native of the Chemmad tribal settlement in Koodalkadavu, was dragged for about 500 meters after he confronted the accused, who were allegedly harassing local residents. Mathan informed the media at the hospital on Tuesday that local residents had been particularly vigilant in recent days due to a rise in drug and alcohol misuse in the area. People have been on high alert for the past few days when tourists visited the Checkdam. The idea was to keep a watch on the antisocial elements coming to the area, he said.

Javadekar accuses Priyanka, Congress of ignoring Hamas attack in Israel

THIRUVANANTHAPURAM: Senior BJP leader and the party's Kerala in-charge, Prakash Javadekar, criticised Congress leader and Wayanad MP Priyanka Gandhi Vadra on Tuesday for showing support for the people of Palestine in Parliament. A day after Priyanka carried a bag to Parliament with Palestine emblazoned on it, Javadekar alleged that she and her party had never condemned the terror attack carried out by Hamas militants in Israeli territory, which had sparked the war. The former Union Minister said that Priyanka's action reflected the duplicity and appeasement politics practised by the Congress. Priyanka Gandhi brings Palestine bag, but she and @INCIndia never condemned Hamas terror attack, which started the war. This is the Duplicity and Appeasement politics practised by #Congress, Javadekar said in a post on 'X'. Priyanka Gandhi brings Palestine bag, but she and @INCIndia never condemned Hamas terror attack, which started the war. This is the Duplicity and Appeasement politics practiced by #Congress . #PriyankaGandhi #PalestineBag #CongressHypocrisy #AppeasementPolitics pic.twitter.com/Yh0mKQYEil Prakash Javadekar (@PrakashJavdekar) December 17, 2024 The Congress general secretary has been raising her voice against Israel's actions in Gaza and expressing solidarity with Palestinians. Gandhi was seen carrying a handbag emblazoned with the word Palestine and Palestinian emblems , including a watermelon: seen as a symbol of Palestinian solidarity. The Israel-Hamas war began after the outfit launched a large-scale attack on Israel on October 7, 2023. In a show of solidarity, Congress MP Priyanka Gandhi carries Palestine bag to Parliament

CPI(M) against 'one nation, one election' policy: Kerala MP

Thiruvananthapuram: CPI(M) MP and former Kerala Minister K Radhakrishnan on Tuesday said that his party was against the 'one nation, one election' policy being mooted by the central government and the legislation in favour of it would be strongly opposed. Radhakrishnan said that besides the CPI(M), even the Congress would oppose the legislation trying to bring simultaneous elections in the country. He further said that even the regional parties would oppose the policy of simultaneous polls as this concept was not beneficial for them. Two bills that lay down the mechanism to hold simultaneous elections were introduced in the Lok Sabha after a fiery debate on Tuesday. Opposition parties dubbed the draft laws -- a Constitution amendment bill and an ordinary bill -- as an attack on the federal structure, a charge rejected by the government.

Kilimanoor DYFI leader murder case: Kerala court acquits all accused members after 14 years

THIRUVANANTHAPURAM: The Additional Sessions Court has acquitted all the accused persons in the 2010 murder case of DYFI leader Ratheesh at Kilimanoor town. Judge Prasoon Mohan delivered the verdict, stating that the prosecution failed to establish the charges beyond reasonable doubt. The acquitted are Rahul of Pazhayakunnummel, Suraj (Kunjumon) of Vellalloor, Mohanan (Thankaputhran) of Vellalloor, Baiju of Anchal, and Vinod of Choondi. According to the prosecution, Ratheesh was attacked on May 7, 2010, around 9.30 pm, while returning to the auto stand after dropping off passengers. The accused, waiting near Kilimanoor police station, allegedly hacked and stabbed him. Despite Ratheeshs attempt to escape by jumping into a field, the attackers caught him and fatally assaulted him. The prosecution claimed the motive was prior enmity and alleged that the accused sought medical treatment under false identities to cover up their involvement. The investigation, led by Attingal DySP, included 151 witnesses. However, the court observed that the evidence presented was insufficient to prove the allegations beyond reasonable doubt.

Kerala police to seek AI cameras in state highways to curb road accidents

THIRUVANANTHAPURAM: The police will propose to the state government to install AI cameras in all state highways as well as minor roads in a bid to enforce traffic rules and curb road accidents. The decision was taken during a meeting of high-level police officers convened by Law and Order ADGP Manoj Abraham in which Transport Commissioner Ch Nagaraju also attended. The meeting that was held in the backdrop of a surge in road accidents discussed measures that ought to be implemented to bring down accidents and resulting casualties. It was also decided to conduct joint operations involving the police and the motor vehicles department officials to counter traffic violations. Intensive traffic checking will be jointly conducted across the state. The accident-prone spots will be specifically subjected to scrutiny, said a senior officer. The vehicle checking will particularly focus on detecting over-speed, drunk driving, overloading, rash driving, and non-wearing of helmets and seat belts, the officer added. It was also decided to conduct Road Safety Authority meetings in all districts. The plans for rectifying engineering glitches will be decided during these meetings. The safety of pedestrians were also discussed and it was decided to enhance awareness on their safety by sensitising the public. The meeting also decided to organise special adalats in each district to ensure that all e-challans are paid by traffic offenders. The meeting also decided to further activate night patrol and highway police vehicles. The highway police vehicles will be deployed in highways at regular intervals. They will be armed with speed radars and alcometers. The meeting was attended by officers of the rank of SP and above.

Digital University Kerala lands its first Indian patent with apparatus for salvaging blood

THIRUVANANTHAPURAM: In what could prove to be a life saver for many, the Digital University Kerala (DUK) has come up with an invention -- a gravity driven apparatus for reinfusing the blood of patients during surgeries -- that has won it its first Indian patent. The device, developed by a team of researchers led by Dr Joseph Tharion, senior research scientist at DUK, could prove to be path-breaking for patients who rupture the fallopian tube in ectopic pregnancies. In such cases, delay in removing the blood collected in the abdominal cavity could even endanger the life of patients. Globally, the mortality rate due to ectopic pregnancy is 3.5%, while in India it is 1.5-2%. In tribal hamlets, northeastern states, conflict zones, and continents like Africa, fatality rates are very high, Joseph told TNIE. The invention helps in situations that require salvaging the blood of patients. Bleeding due to the rupture of the fallopian tube can lead to life-threatening situations, as the blood is collected in the abdominal cavity. Usually, patients are unaware of the situation in the early stages of pregnancy. It is after they are is admitted to the hospital that the need for blood transfusion becomes apparent. Sourcing blood for a patient with a rare blood group can prove difficult. Our device plays a very decisive role in such situations. We received the patent in May, he said. The apparatus can be operated by a single person. The flow of blood is regulated using gravitational force. To transfuse the blood, the distal end of the first tube of the apparatus is inserted into the body cavity of the patient. The negative pressure-generating end is attached to the proximal end of the same tube to suck the blood out of the body cavity. The blood flow is initiated by compressing and releasing the system. After filtering out clots, the blood is collected in blood bags. The entire process takes just two minutes, says Joseph. This blood can then be used for intraoperative transfusion. We have for now experimented with fluids that have the same viscosity as human blood. This has proved to be very successful. The device was presented in a seminar at Harvard Universitys Radcliffe Institute for Advanced Study. We are now planning to test human blood in the device in collaboration with Christian Medical College (CMC) Vellore, he said. While the existing devices in the market are costly and heavy, Joseph added the new device can be developed within a budget of Rs 2,000 and is easily transportable. Dr John Eric Steephen (assistant professor, DUK), Dr Jose Joseph (assistant professor, DUK), Fr Vijay Anand Ismavel (CMC Vellore), and project technical assistant Ajeesh M V (DUK) were the other members on the team.

The journey behind Swapnaayanam, a tribute to Malayalam cinema

THIRUVANANTHAPURAM: The 29th International Film Festival of Kerala (IFFK) opened on December 13 with Swapnaayanam , a signature film that took audiences on a nostalgic journey through the legacy of Malayalam cinema. The minute-long film is written and directed by Mumbai-based cinematographer K O Akhil, who has captured the very beginning of Keralas cinematic heritage, the historic notice announcement of Vigathakumaran, the first film in Malayalam that was directed by J C Daniel. On the inspiration behind the project, Akhil said, The seed concept was the collective experience of watching a film together. When making a signature film for a festival like IFFK, it should be deeply rooted in history. The idea was to create something that not only paid homage to the beginnings of Malayalam cinema but also highlighted how far we have come. The transformation of cinema spaces - from Capitol Theatre, where Vigathakumaran was screened, to todays modern theatres, was a story worth telling. Akhil took on multiple roles for the project, including direction, cinematography, concept development, and screenplay. He crafted this hybrid work blending 2D, 3D, animation, live-action, and VFX. Out of nearly 15 entries, the jury selected his vision to be featured on the board. It was a challenge but also a privilege to handle so many aspects of the film. It allowed me to shape the narrative exactly as I envisioned it, Akhil said. Swapnaayanam also pays tribute to P K Rosy, the heroine of Vigathakumaran. The film ends with a visual of Rosy, portrayed by Abhirami Bose, enjoying a movie in a modern theatre. Looking back almost 95 years, a tragic event occurred in the same city that marked the birth of Malayalam cinema, an event that remains a disgrace to our history. The first gathering for the cinematic experience was shattered, and we know it was marred by caste-based atrocities. At the time, watching a film was a privilege reserved for only a select few, and that privilege deserves questioning. So for me, P K Rosy is not a victim. She is a symbol of courageous resistance. K O Akhil The common portrayal of her as submissive does not do justice to her strength. I wanted to imagine a world where Rosys dreams were realised, where she could enjoy the art she was once punished for. That thought became the emotional anchor of the film, Akhil explained. Akhils journey in creating the signature film was a collaborative effort involving his classmates from the K R Narayanan National Institute of Visual Sciences and Arts and the Film and Television Institute of India (FTII) in Pune. Working with friends who share the same passion for cinema was nice. Everyone contributed their best to make sure the film became special. Also, some scenes were shot in FTII, and some of its staff and students can be seen in some scenes, he said. For Akhil, directing the signature film for IFFK has been a dream come true. Its not just a professional milestone but also a personal one, as cinema has always been close to my heart. I have been a regular visitor to the IFFK, which, I believe, is a pilgrimage for any cinephile. The signature film is something we always look forward to at the beginning of every festival. So, this is very special to me, he said.

CBI rules out musician Balabhaskars connection with gold smuggling ring

KOCHI: At one point, the parents of musician Balabhaskar alleged a gold smuggling gang was involved in the suspicious death of their son in a car accident in September 2018. The CBIs further investigation, however, has revealed the smuggling by Balabhaskars friends Prakash Thampi and Vishnu Somasundaram occurred between October of 2018 and May 2019, after his death. Both the CBI and the DRI investigated the smuggling case but were unable to find any proof linking Balabhaskar with the gang, or its connection to his death. The CBI also said it did not find anything suspicious in Prakash holding on to Balabhaskars mobile phone after the accident. The gold-smuggling activities occurred after the death of Balabhaskar, the CBI report says. The violinist and his daughter died when their car rammed a tree in Pallippuram on the outskirts of Thiruvananthapuram in the early hours of September 25. While ordering the additional investigation, the High Court questioned why Prakash, an accused in a gold smuggling case, hid the musicians phone and refused to hand it over to Balabhaskars wife despite repeated requests. The interference of Prakash and Vishnu, who were arrested in connection with the smuggling case, is highly suspicious, the court observed. The CBIs supplementary report, in the possession of TNIE , said it examined this point by recording statements from witnesses and collecting documents from the Directorate of Revenue Intelligence (DRI). During an investigation into a gold smuggling case unearthed on May 13, 2019, the DRI found that the racket, involving Vishnu and Prakash, had been operating with the connivance of customs officers, including Radhakrishnan B, former superintendent of customs air intelligence, at Thiruvananthapuram airport. The DRI arrested Prakash on May 29, 2019, and Vishnu on June 17, 2019. They were later released on bail. The CBI said the case diary reveals Vishnu was introduced to Radhakrishnan by Balabhaskar to deal with his service tax matter, which Radhakrishnan dealt with in 2014 at the central excise department, Thiruvananthapuram. CBI scrutinised the service-tax documents and detected no irregularities. The HC also directed the CBI to investigate the allegation that Prakash refused to hand over the phone to Balabhaskars wife, Lekshmi. In its report, the CBI said its probe did not reveal any suspicious activity. It said Lekshmi deposed that Prakash had never misused the phone, and no evidence to the contrary was found. Prakash said he held on to the phone as it contained family pictures of Balabhaskar, Lekshmi, and their child. He claimed he had planned to return the phone once Lekshmis condition stabilised. However, during the smuggling case probe, the DRI seized two phones from his house, one of them the Samsung Galaxy Note of Balabhaskar. Prakash got hold of it from Mangalapuram police station on September 25, 2018. The phone was examined, but no useful data related to Balabhaskars death was found. Prakash did not try to conceal the phone in his house, the CBI said.

Keralas medical waste dumped in Nellai villages

TIRUNELVELI: A huge volume of Keralas biomedical, food and plastic waste, particularly from Thiruvananthapuram Regional Cancer Centre (RCC) and Credence Private Hospital, has been dumped at multiple locations, including on patta lands and a waterbody in Kodaganallur and Palavoor villages. When TNIE visited the spot on Monday, landowners alleged that no action was taken despite complaints. Waste from Kerala is being dumped on our land for the past several months. A few days after the dumping, the miscreants would burn it and dump new loads. Recently, they have started dumping heaps of waste, particularly biomedical waste from the Kerala governments Thiruvananthapuram RCC and a Kerala-based private hospital, without burning it. As this dumping occurs at night, we cannot catch the culprits. We suspect that trucks, which come from Kerala to carry load from a paper mill in the vicinity, bring in this waste, said J Santhanam, the supervisor of a tract of land in Kodaganallur village. I filed a complaint with the Suthamalli police last month. Since they did not register a case, I complained to the CMs Special Cell on December 2. However, no action has been taken. The police can trace the trucks by locating them through CCTV cameras, installed near the Tasmac outlet, paper mill and a quarry. Waste has been dumped at five locations across 40 acres of land. However, neither the police nor the revenue officials visited the spot. In fact, after complaining to the police, three loads of waste were dumped on my land, said Santhanam. M Subbaiah, a cattle farmer, said, I herd my cattle in Palavoor village. My goats fell ill recently after drinking water contaminated with biomedical waste. Another woman cattle farmer said the local body officials were indifferent about taking action against the menace despite oral complaints. Santhanam demanded that the state government take steps to send the waste back to Kerala to prevent further illegal transportation of such waste. District Collector Dr K P Karthikeyan told TNIE that he has asked the local body officials and the Tamil Nadu Pollution Control Board to take action as per law.

Wah, Ustad! Kerala film fest throbs with tributes to Zakir Hussain

THIRUVANANTHAPURAM: Tabla maestro Ustad Zakir Hussain, who passed away on Monday, shared a unique bond with Kerala. His demise has come a shock to scores of his admirers in the state. In 2015, his pulsating music had resonated during the inauguration of the 20th IFFK. On Monday, the 29th edition paid rich tributes to the master with Wah, Ustad posters put up during screenings. Zakir had worked on the award-winning Malayalam film Vanaprastham . His collaboration with director Shaji N Karun was a delight for music lovers. His ability to make the tabla sing, laugh and weep was exploited to the core in the movie. The hauntingly beautiful score he created became the soul of the film. His music did justice to the films themes of identity, art and struggle, more than any words could have achieved. Vanaprastham was conceived with many layers. One of the most important elements was the soundtrack. Zakir was integral to this vision. There was no one better to capture the identity crisis. His ability to blend north and south Indian traditions and respond to the screenplays needs were unmatched. He was a filmmakers musician who elevated the narrative. His contributions to the film, his only one in Malayalam, and the world of music can never be replaced. His work is study material, Karun told TNIE . He also recalled Zakirs performance during the 20th IFFK, terming it a moment of mutual respect and admiration. Zakir Hussain has no death. His unparalleled legacy will live on, the filmmaker, who was then chairman of the Kerala State Chalachitra Academy (KSCA), added. Zakir had also performed at the Soorya Festival twice -- once with his father Ustad Alla Rakha and then with Odissi exponent Protima Gauri Bedi. When I contacted him three years ago, he said that it should not just be about his solo performance, but something more innovative. We agreed on a collaboration with Shobana. We were confused after he did not confirm for three years. On Sunday we learnt that he had been in and out of hospital. So that dream is now left unfulfilled, said Soorya Krishnamoorthy, founder of the festival. As a pioneer of musical fusion with the band Shakti, Zakir collaborated with violinist L Shankar, whose roots trace back to Alappuzha. Legends like guitarist John McLaughlin, and percussionist T H Vinayakram were also part of the band. Zakir also had deep admiration for mridangam maestro Palghat Mani Iyer, whom he regarded as the greatest mridangam exponent of the century.

Ustad, unparalleled

Mattannur Sankarankutty Marar, percussionist and Padma Shri recipient I consider it my good fortune, a blessing, to have had the opportunity to perform with him. I am among the few, perhaps the only percussion artist, from Kerala to have had this privilege. I first met Zakirji in Thiruvananthapuram during the pre-production stage of Vanaprastham (the National Award-winning film directed by Shaji N Karun). Zakirji composed its music. When Shaji and actor Mohanlal introduced me as a chenda vidwan, Zakirji expressed interest in seeing my Thayambaka [percussion]. I performed with my team, and Zakirji recorded it on a cassette. That was the beginning of our friendship. The world knows the magic of his fingers, but what struck me most was his simplicity. Though I am four years younger, he used to address me as Guruji. In 2019, he organised a month-long performance tour in the US to mark his fathers centenary. He chose me as one of the performers. During that one month, we travelled across the US in a bus. I noticed his humility during that time he never even let anyone carry his luggage. Every day, he would step out of the hotel with his bag and tabla, always carrying those himself. Inspired, I began to do the same. His love for Keralas vadyam brought us together, and we performed on stage multiple times chenda with tabla. It was a God-given opportunity. It breaks my heart to know that the world will never again witness his tabla magic, his loving personality, or his mesmerising presence on stage. Its a loss beyond words. Rakesh Chaurasia, flautist I am truly devastated by the news that Ustad Zakir Hussain is no longer with us. I still cannot it. I spent the whole night hoping for a miracle. This is, without a doubt, one of the greatest losses to the music world. He was an extraordinary person. I have learned so much from him, about music and performing with him on stage. What stood out the most was his unwavering support for young artists, giving them a platform to showcase their talents. He was an amazing human being, always willing to go out of his way to help others. The entire world will miss him deeply. His music, his personality, and his legacy will never be forgotten. The way he bid farewell with grace and excellence in his performances has left an indelible mark on everyone. He didnt age into his later years in the public eye, and perhaps God had different plans for him. I can only hope his onward journey is even more pleasant. May he rest in peace. Padma Subrahmanyam, Bharatanatyam exponent The passing of Zakir Bhai the magical percussionist whom the entire world of music admired has created a sudden void in the field of music. He carried an unusual legacy and created a special niche for him as an unparalleled artiste and a great human being. His fingers danced on the tabla and emanated sounds of unusual resonance. I was fortunate that he played for my performance on January 1, 1988 at Krishna Gana Sabha. Bickram Ghosh, classical tabla player Till I was six, I grew up in the same house as Zakir Hussain. My parents were teachers at the Ali Akbar College of Music in the Bay Area of San Francisco. Zakir Bhai who shared a flat in one of the floors would babysit me. As an artiste he had the incredible quality of being able to play the subtlest and the most difficult parts of a composition with equal ease and also be able to communicate and connect with the audience at the same time as if it was a fun thing. He not only had the ability of interpretation, but he was also able to project it in a unique wayIts performance art at the end of the day. He was also a true ambassador of India in every sense. In fact, he has taken the mantle from Ravi Shankar of being a musician on the global stage and made it his own. Zakir Hussain made the tabla cool. Padma Subrahmanyam, Bharatanatyam exponent The passing of Zakir Bhai the magical percussionist whom the entire world of music admired has created a sudden void in the field of music. He carried an unusual legacy and created a special niche for him as an unparalleled artiste and a great human being. His fingers danced on the tabla and emanated sounds of unusual resonance. I was fortunate that he played for my performance on January 1, 1988 at Krishna Gana Sabha. Saswati Sen, disciple of Kathak guru Birju Maharaj In February 2024 when Kalashram (Birju Maharajs dance institute in Delhi) instituted an award in his name, the first person we awarded was Ustad Zakir Hussain. Maharaj and Ustad were magic on stage, I have also done some solos with Zakir Bhai. He was not only an ustad of the tabla, he was very versatile and could play western drums as well. He specialised in creating new sounds. He used to say that we need to look at rhythm visually. In his concerts he would talk of the legends of each gharana and played from each gharana on stage. Prakash Ulliyeri, instrumentalist I had the privilege of meeting Ustad Zakir Hussain several times. One of the most memorable occasions was while I Had performed with Hariharan and Shankar Mahadevan in Mumbai. Ustad was seated in the front row alongside the likes of British guitarist John McLaughlin aka Mahavishnu, mandolin ace U Srinivas, and percussionist V Selvaganesh. After the performance, he told me that I had played well. To this day, I consider it one of the highest recognitions I have ever received. I was told later by other musicians that he would ask about me. It felt like a dream that he remembered me. I feel fortunate to have lived in an era when Ustad Zakir Hussain graced the world. Trichur brothers, carnatic musicians There couldnt be any music lover, classical or otherwise who wouldnt have heard of Zakir Bhai as he was fondly addressed by fans. A rare blend of artistry, vidwat, charisma and humility, Zakir Hussain Saabs name will forever shine in the world of music. Dr Rajeswari Sainath, Bharatanatyam ace Ive been fortunate to witness his artistry on and off stage for many years. It is phenomenal how Zakir Bhai could bring diverse styles of music in percussion, vocals, or theatrical aspects to one platform. He had the unique ability to bring out the best in artists and to create a harmonious experience. He was most known for his warmth. Zakir Bhai treated everyone with respect, making each show a shared celebration. Peruvanam Kuttan Marar, percussionist and Padma Shri recipient Zakirji was a great admirer of Keralas percussion art. I first met him in 1999 at the Keli Festival in Mumbai, where he presented me with the Promising Young Artist Award. Since then, he was like an elder brother to me. Like his father, Alla Rakha Master, Zakirji was an artist touched by divinity. In 2017, he performed in my village of Peruvanam. The way he captivated everyone with his tabla was unforgettable. His fingers moved with such grace and momentum that it felt as though we were blessed to witness something divine. I last met him in December 2023 at the Keli Festival, where he was honoured with the Lifetime Achievement Award. Mattannur Sankarankutty Marar and I had the privilege of presenting it to him. I recall how Zakirji conducted numerous experiments with the tabla, excelling in all of them. He treated every artist big or small with equal respect. His humility made him truly great. L Subramaniam, violin maestro I first met Zakir in the late 1970s during a US tour. In 1975, there was a major tour with Pandit Ravi Shankar and Ustad Alla Rakha, Zakirs father. From then on, we collaborated frequently. One of the earliest Indian classical albums I recorded internationally, in Los Angeles, was with Zakir and my uncle Ramnad Raghavan. He was comfortable playing in a cross-cultural setup, whether it was North Indian classical or South Indian classical. He also effortlessly transitioned into fusion, working with legends like John McLaughlin in Shakti. Zakir was a global musician with extraordinary knowledge, technique, and charisma. He was a versatile, open-minded and deep rooted musician and he cannot be replaced. He, in fact, elevated the tabla to a soloists instrument and redefined its stature. On our travels, his energy used to be infectious and we would do impromptu jugalbandis. He was accommodating and I always enjoyed his companionship. It is extremely sad to lose him. Aditya Kalyanpur, tabla artist who featured in the Wah Taj ad I feel blessed to have had such a close relationship with Zakir bhai, as I called him. I was lucky to have studied with him from my childhood a bond that goes beyond four decades. For me, he was more than a guru; he was like a father. He didnt just teach me music he also taught me how to be humble, modest and kind to people as a way of life. These are rare qualities that we see in legendary figures. His passing is a monumental loss. Right now, I feel numb and lost, but I also know that Zakir bhai would want us to celebrate his life. He always taught us to honour those who pass on by carrying forward their legacy. As his disciple, I hope to contribute in my small way to keeping his great legacy alive. Ghatam Umashankar, percussionist From the time I was born in 1974, appa (Vikku Vinayakram) joined the Shakti band comprising John McLaughlin, L Shankar, Zakir Hussain, and Vinayakram with the help of L Shankar. Before the team went official, the four sat in a small room, one in each corner, taking reference pieces and practising. During that time, Zakirji taught many korvais (rhythmic patterns) to appa. Thats how much the team was dedicated to music. After going live, Shakti usually performed with the rock band The Beatles in many kutcheris. I have heard people say that The Beatles were no match for Shakti. They were famous, dedicated and thrived with the art form. This Carnatic music brought a North Indian, Hindi-speaking Zakir Hussain closer to a Tamil man, Vikku Vinayakram. They were so inseparable that once Zakirji told us that if appa invited him to sit and play on a street, he would. He respected appa for the man he was and showed the same approach towards our family too. I played with him during his Masters of Percussion tour. I remember we were leaving Germany some seven years ago after a performance. We were running to catch the train when I tripped and fell. He helped me. He said Get on the train, I will carry all the instruments. He lifted my two ghatam and his tabla and boarded the train. After that he asked me if I was fine, he offered me water and took good care of me. That was the man he was...so humble and grounded. The world has not lost a only great musician but also a great human being. Inputs by: Darshita Jain, Krishna PS, Paramita Ghosh, Pooja Das, Shreya Veronica, Sonu M Kothari, Vennapusala Ramya

Call for permanent exhibition centres in Thiruvananthapuram and Kozhikode

Digital art offers glimpse into masters works at IFFK

THIRUVANANTHAPURAM: A walk through the historic lanes of world cinema. That is precisely what the exhibition Cinema Alchemy: A Digital Art Tribute has made possible on the sidelines of the 29th International Film Festival of Kerala (IFFK) in the state capital. The exhibition on the Tagore Theatre premises continued to draw large crowds on Sunday. Curated by renowned filmmaker and former Kerala State Chalachitra Academy Chairman T K Rajeev Kumar, the exhibition showcases 50 digital paintings by filmmaker and art director Razi Muhammad, honouring legendary filmmakers from around the world. The exhibition pays homage to cinematic luminaries such as Akira Kurosawa, Alfred Hitchcock, Andrei Tarkovsky, Agnes Varda, Meera Nair, Adoor Gopalakrishnan, K G George, Mrinal Sen, Satyajit Ray and many more. Each artwork offers an in-depth glimpse into the distinct cinematic approach of these masters, combining elements of surrealism and hyper-realism. The works are a seamless blend of digital art and cinematic aesthetics, leaving viewers in awe of their creativity and depth. These digital pictures carry the elements of their greatest work of all time. Visitors to the exhibition noted the meticulous craftsmanship involved in creating the artworks. Razi Muhammad utilised five different software tools and incorporated elements of artificial intelligence to complete the collection. Academy Lifetime Achievement Award recipient Ann Hui, who inaugurated the exhibition, remarked that the display is a reflection of how artistic and technological advancements can merge to create something timeless.

From crowdfunding to AI, directors explore new horizons at IFFK

THIRUVANANTHAPURAM: Even as the young crop of directors have backed the advent of Artificial Intelligence (AI) in the making of movies, not all are on board with this shift. Twenty-year-old Cyril Abraham Dennis, whose feature debut Watusi Zombie! is scheduled for three screenings at IFFK, voiced his concern over the pace at which AI is taking over human creativity. The heated debate over the disruptive technologies took centre stage during the Day 3 Meet the Director session, on Sunday. Cyril was joined by directors Satish and Santosh Babusenan (Mukhakannadi), Vipin Radhakrishnan (Angammal), Ishan Shukla (Schirkoa: In Lies We Trust), Abhijit Mazumdar (Body), Amala Popuri, producer of Body and Omara Shetty, actor in The Shameless. Mira Sahib moderated the session, which was held at Tagore Theatre in front of a packed audience. The Babusenan brothers opined that the definition of creativity itself would be changed in the future. Now, if you make a film using AI, youll have to hide it. But tomorrow, if you are not using AI in your creativity, then youre very old-fashioned, they said. Vipin Radhakrishnan added that the capability of AI in the technical aspects of movie-making was commendable. Beginning with a quick introduction to each of their films, the discussion soon shifted to the alternative ways of funding and production possibilities of new-age filmmaking. Ishan Shukla said the concept of Film Markets, though complicated in the process, was helpful in finding international collaborators. Omara Shetty shared her experience of facing heavy financial crunches and the help extended by four countries. Amala Popuri suggested her successful model of crowdfunding as another alternative that could be emulated. Conclusion of meet The discussion ended on a hopeful note with many agreeing that AI, if used thoughtfully and positively, could open up new markets for films. Director Balu Kiriyath concluded the session, thanking the audience for their encouraging participation

IFFK 2024: 67 films to be screened on Day 4

THIRUVANANTHAPURAM: The fourth day of the International Film Festival of Kerala (IFFK) on Monday will showcase 67 films across 14 theatres in various categories. Highlights include Akira Kurosawas Seven Samurai in the Restored Classics section, the Iranian film Me, Maryam, the Children and 26 Others in the International Competition category, and Lifetime Achievement Award winner Ann Huis works Boat People and The Postmodern Life of My Aunt. The World Cinema section will feature Abhijit Mazumdars Body, while the Festival Favourites category will screen Sean Bakers Anora and Grand Tour by Miguel Gomes. Another major attraction of the day is the Aravindan Memorial Lecture by French music composer and producer Beatrice Thiriet, scheduled at 2.30pm. The World Cinema section will also screen films like The Divorce, Young Hearts, and Viet and Nam. In the Latin American section, The Longest Summer and The Freshly Cut Grass will be featured. The Madhu Ambat Retrospective includes An Ode to Lost Love, while the Female Gaze category will showcase films such as Holy Cow and Simas Song. Contemporary Filmmaker in Focus will highlight Hong Sang-Soos Ha Ha Ha, and Khandhar will be screened under the Celebrating Shabana Azmi section. Notable premieres at IFFK include Young Hearts, a story of teenage love between Elias and his neighbour Alexander. The film won the Crystal Bear award at the Berlin International Film Festival. The Divorce narrates the conflict between Salimsak, a Kazakh villager, and his wife after he performs as a woman in a play during the 1920s. This film was awarded Best Picture at the Shanghai International Film Festival. Viet and Nam, which was screened at the Cannes Film Festival, portrays the lives of two miners working deep beneath the Earths surface. Additionally, Malayalam films to be screened on the day include Appuram, Mukhakannadi, Victoria, Kishkindha Kaandam, Velicham Thedi, and Saudi Vellakka. Highlights Akira Kurosawas Seven Samurai in the Restored Classics section, the Iranian film Me, Maryam, the Children and 26 Others in the International Competition category, and Lifetime Achievement Award winner Ann Huis works Boat People and The Postmodern Life of My Aunt

Wayanad relief: Satheesan flays Pinarayi for allegation against Opposition

THIRUVANANTHAPURAM: Leader of Opposition V D Satheesan has hit out at Chief Minister Pinarayi Vijayan for alleging that the Opposition was silent on the Centres alleged neglect towards rehabilitation of landslide-hit Wayanad district . Wondering whether Pinarayi was living on planet Earth, Satheesan said it was the Opposition that first spoke out against the Centres neglect towards Wayanad in the assembly. He pointed out that it was Wayanad MP Priyanka Gandhi who led the delegation of MPs from the state to meet the Union Home Minister on the issue. Congress MPs, including Shashi Tharoor, had highlighted in Parliament the unfair treatment meted out to Wayanad. If there are any state ministers who are ignorant of all this, I would say they are not living on this planet, Satheesan said. The Leader of Opposition termed the school terminal exam question paper leak as a shameful incident and asked what steps the government had taken to address the issue. He alleged that pro-Left teachers unions were behind the question paper leak. Satheesan asked why the government was not revealing the names of those who were illegally drawing welfare pensions. He added that the government was hesitant as the names of CPM men would be exposed as illegal beneficiaries of welfare pension. The Leader of the Opposition added that no discussions have begun over the entry of independent MLA P V Anvar into the UDF. Such discussions were not warranted at this juncture, he added.

Information for tourists will soon be just few clicks away in Kerala

THIRUVANANTHAPURAM: Traditional tourist-information centres, like the ones at airports, railway stations, etc., are set to be replaced with state-of-the-art kiosks enabled with chatbots. The tourism department has signed a memorandum of understanding (MoU) with the Kerala Startup Mission to this effect. According to official sources, besides the traditional locations, the kiosks would be strategically located at IT parks, as technology-sector workers form a key segment of domestic travellers in the state. The inking of the MoU is imminent, a department official said. The government plans to introduce the kiosks immediately. The tourist information centres were not serving their purpose and the government has shut down existing ones. The kiosks are very sleek and dont require much space, unlike information centres. Moreover, they will offer information in multiple languages and the service will be available round the clock, the official said. As many as 10 startups have come forward with proposals and concepts for the kiosks. The technical evaluation of proposals has been completed and financial appraisal is under way. We will be able to issue the work order by January so that the project is rolled out immediately, the official added. The user-friendly kiosks will provide all necessary tourist information in just a few clicks, covering key topics such as distance to popular locations, must-see attractions and available tour packages. A KSUM official said that besides information dissemination and guidance, the kiosks will offer other services like hotel booking, cab booking, railway booking, etc. We are awaiting the MoU. There are a lot of possibilities that can be explored, including virtual reality tours of destinations. All this will happen in a phased manner, the official said.

Registration backlog mounts as Kerala doctors abstain from cumbersome portal

THIRUVANANTHAPURAM: The National Medical Commission (NMC) is facing a significant backlog in the registration of doctors on its National Medical Register (NMR) portal, owing to cumbersome procedures. An RTI query revealed that in the 100 days since the portals launch in August 2023, only 284 doctors have been registered out of 6,198 who applied. The backlog is especially concerning given the mandate that registration must be completed within three months of notification. The reason, say the doctors, is the portals insistence on affidavits, including in cases of discrepancies in names. This, they say, deters many doctors from going through with the registration process, and prevents many others from even applying altogether. The NMR portal was designed to create a national database and simplify the process for doctors seeking authorisation to practise within India and abroad. According to 2022 government data, India has over 13 lakh medical practitioners. Kerala alone has more than 1 lakh registered doctors. Dr Babu K V, a health activist from Kannur and one of the first doctors to apply for registration, criticised the long-winded procedures, particularly those affecting doctors from Kerala. Doctors who received degrees before the establishment of the Kerala University of Health Sciences (KUHS) or the Kerala State Medical Council (KSMC) are required to provide an affidavit. Additionally, doctors must submit an affidavit from a notary if there are discrepancies in their names on their medical certificates and the Aadhaar cards, Babu said. Over 70% of doctors are impacted by these requirements, he said. He noted that many doctors have stopped applying for NMR registration due to the increasingly slim chances of successful approval. The Travancore Cochin Medical Council became the KSMC in 2021, while the KUHS was established in 2010. Doctors are urging the KSMC to address these issues and request that the NMC accept the authentication provided by the council without the need for additional affidavits due to changes in the names of statutory bodies and universities. One of the advantages of NMR registration is its integration with Aadhaar, allowing for easier verification and ensuring the authenticity of medical practitioners. The system also facilitates public verification of registration numbers while safeguarding privacy. Dr Harikumaran Nair G S, president of the KSMC for Modern Medicine, could not be reached for comments. Natl Medical Register In the 100 days since the portals launch in August 2023, only 284 doctors have been registered out of 6,198 who applied Portals insistence on affidavits cited as reason According to 2022 government data, India has over 13 lakh medical practitioners. Kerala alone has more than 1 lakh registered doctors

LSG department unveils hair waste-to-fertiliser plan as cosmetics sector booms in Kerala

THIRUVANANTHAPURAM: Its all about going from root to root! In a significant step to address the messy issue of hair waste, the local self-government department (LSGD) has come up with a first-of-its-kind initiative to convert the refuse generated into organic fertiliser. Approximately 125 to 130 tonnes of hair waste is generated monthly in the state by around 40,000 establishments, including salons, beauty clinics, and barber shops. Ever since the deployment of Haritha Karma Sena (HKS) members for door-to-door collection of non-biodegradable waste, grooming industry businesses have been on the warpath. Official sources said the collection of hair waste will begin on January 1, 2025. The Kerala State Barber & Beautician Association, with over 28,000 members, has staged protests demanding a solution to hair waste. This has been a long-pending demand. We were in a fix following the deployment of HKS. They collect only non-biodegradable waste and not hair waste. A few months ago we staged a 36-hour-long protest demanding a scientific solution to hair waste, said Ummer Alathiyur, general secretary of the association. We have been struggling without an answer. We have around 25,000 registered barber shops and salons. Its a booming sector, he pointed out. The association even approached the Kerala Agricultural University in Mannuthy for solutions. And, in an answer to their prayers, LSGD seems to have come up with an answer. The department recently roped in a Palakkad-based cosmetic waste management company Ashlogix that turns hair waste into organic fertiliser. An LSGD official said that there are not many agencies dealing with hair waste in the state. A meeting with stakeholders in the cosmetic sector will happen very soon to plan the launch of the unique initiative, the official said. Yousuf K K, founder of Ashlogix, who developed the technology, said that they are gearing up to upgrade machinery. We want to process around 150 tonnes of waste every month. For the past five years we have been working with around 11,000 businesses, Yousuf added.

'Marakkillorikkalum' event honours veteran actresses

THIRUVANANTHAPURAM: Festivals like this should happen more oftennot just in Thiruvananthapuram but also in places like Ernakulam, which is more central, said veteran actress Vidhubala after the Marakkillorikkalum event at the 29th International Film Festival of Kerala (IFFK) on Sunday. Organised by the Kerala State Chalachitra Academy, the event celebrated women who made their mark on Malayalam cinema from its early days to the 1980s. I still remember that back then we only had a few film clubs in Madras to watch world cinema. But today everyone has access to films and exposure to global cinema through festivals like this. Times have changed, and so have audiences, but festivals like this are a great way to reflect on how cinema has evolved, Vidhubala added. The evening brought together 21 actresses -- T R Omana, Vanchiyoor Radha, Vinodhini, Rajashree, K R Vijaya, Sacchu (Saraswathi), Ushakumari, Sreelatha Namboothiri, Vidhubala, Shobha (Chembarathi), Kanakadurga, Reena, Mallika Sukumaran, Hema Chowdhary, Bhavani, Anupama Mohan, Shanthakumari, Surekha, Jalaja, Shanthikrishna, and Menaka -- to celebrate their contributions and give them a chance to reconnect. Short videos about their careers were screened, reminding the audience of their remarkable roles that shaped Malayalam cinema. Minister for Cultural Affairs Saji Cherian draped them in ceremonial shawls and presented plaques and gifts. For actress Sreelatha Namboothiri, the event was emotional. The best part was meeting so many colleagues we hadnt seen in years. It makes me so happy. At the same time, its sad to remember those who are no longer with us. During my career, there were no festivals like this, but we had lively gatherings. What the government has done here is truly commendable, she said. Shanthi Krishna, a star of the 1980s, also appreciated the event for bringing people together. These days, there are so many channels, so much technology, and lots of festivals. When we started, there wasnt much of that. We only had press and magazines. But events like this are special because we get to meet legendary actors we have never worked with or even met. When they tell you they have seen your films, it feels like an award, she said. Vinodini, who acted in the 1960s, shared her thoughts after attending a public event after many years. I have been away from this field for quite a while, and I dont usually attend festivals. When I started acting in 1961, there was nothing like this. So, it is great to see so many forgotten people like me being honoured today. Mallika Sukumaran, speaking on behalf of all the awardees, expressed her gratitude to the state government for recognising their contributions. Minister Saji Cherian said the senior stars have offered several suggestions.

Newlyweds among four killed in car-bus collision in Pathanamthitta

PATHANAMTHITTA: Theirs was a fairytale love story. An eight-year-long courtship that culminated in marriage on November 30, and a honeymoon in Malaysia. Their plans to shift to Canada in January were also set. But the dreams of Nikhil Eapen Mathai and his wife Anu Biju shattered on early Sunday morning when the car in which the couple, along with their fathers, were travelling collided with a bus carrying Sabarimala pilgrims at Murinjakal in Koodal, Pathanamthitta. The couple and Anus father Biju P George, who was at the wheel, and Nikhils father Mathai Eapen, were killed in the accident that took place around 4am. Biju and Mathai Eapen had picked the couple up from the Thiruvananthapuram airport upon the latters return after spending honeymoon in Malaysia. They were heading back home when their car met with the accident on the Punalur-Muvattupuzha state highway, just 7km from their house. The couples residences are within a 2km distance. The police FIR said the accident took place as Biju fell asleep at the wheel. The Telangana bus carrying Sabarimala pilgrims was partially damaged, while the front portion of the car was completely damaged in the impact. The bus driver and a few passengers suffered minor injuries. The bus driver said he applied the brakes suddenly on seeing the car approaching the vehicle at high speed. Mathai Eapen Car pried open to take trapped victims out Though he tried his best to avoid the collision, the car rammed the vehicle. Soon, residents reached the spot and tried to help the victims. Later, police and fire and rescue services personnel arrived and used a hydraulic cutter to take out the four persons trapped inside the car. Efforts to break open the vehicle lasted about an hour. The police said the three men died on the spot, while Anu succumbed to injuries at a nearby private hospital. The bodies of the victims were handed over to their relatives.

Temple modelled after Ram Mandir to be constructed in US

Thiruvananthapuram: A temple modelled after Ayodhyas Ram Mandir will be constructed in the US by the Swami Satyananda Saraswati Foundation in Pearland, Houston, for the global Hindu community. As part of the Kerala Hindus of North America conference, the foundation aims to perform a Balalaya Pratishta ceremony at a powerful, divine location on November 23, Get the latest updates in Hyderabad City News , Technology , Entertainment , Sports , Politics and Top Stories on WhatsApp & Telegram by subscribing to our channels. You can also download our app for Android and iOS .

Kerala Hindu leader gifts Rig Veda to Pope Francis

Kerala Hindu leader gifts Rig Veda to Pope Francis Thiruvananthapuram: P. Sreekumar, Kerala State Coordinator of Hindus of America and a senior leader of the RSS-affiliated Hindu movement in Kerala, has presented a copy of the Rig Veda to Pope Francis at the Vatican in Rome. Sreekumar handed over the sacred text during his visit [] The post Kerala Hindu leader gifts Rig Veda to Pope Francis appeared first on Mangalorean.com .

This exhibition questions male monopoly of spaces; from tea-shops to cinema

In an exhibition housed at the Neighbour Art Gallery in Keralas Thiruvananthapuram, artists question the monopoly held by men in public spaces and workplaces, where women are seldom acknowledged and feel comfortable. The Neighbour Gallery, an art gallery is holding its inaugural exhibition titled You Cannot Act Upon What You Cannot See responds to the Get the latest updates in Hyderabad City News , Technology , Entertainment , Sports , Politics and Top Stories on WhatsApp & Telegram by subscribing to our channels. You can also download our app for Android and iOS .

Geo-political strife: Police up security in major tourist spots in Kerala

THIRUVANANTHAPURAM: The state police have stepped up vigil in places in Kerala which will be thronged by visitors from the United States, Russia, Ukraine, Israel and Bangladesh during Christmas-New Year celebrations. The decision to beef up security in such spots was taken in the wake of the advisory issued by the Ministry of Home Affairs cautioning that geo-political issues involving these countries could have a bearing on the safety of tourists. Police sources said the central government had asked the state police force to prepare a security design to enhance the safety of tourists from the above said countries and ensure their well-being. The ongoing Russia-Ukraine war, Israels war on Gaza and Lebanon, US governments support for Israels war and sectarian strife in Bangladesh were cited as reasons for stepping up security measures. The Ministry of Home Affairs (MHA) had instructed the state to provide adequate security for the tourists. We are extra careful and have taken measures to provide foolproof security to tourists, said a senior police officer. The officer said the intelligence mechanism has been streamlined to garner information from the ground. The tourism police have been activated in key tourist spots where foreign tourists frequent. In areas such as Fort Kochi, Wayanad and Idukki, where large number of international tourists assemble during Christmas and New Year period, the Station House Officers (SHO) have been instructed to liaison with the hotel managements to arrange security measures. Special attention will be paid in areas where tourists from Russia and Ukraine will converge as there are chances for conflicts erupting between the two groups. The police are also wary about potential showdown between the Israeli tourists and pro-Palestine activists, the officer said. In November, an Israeli tourist was turned away from a Kashmiri handicraft shop at Kumily. Two Australian tourists of Israeli origin were booked by the Fort Police in April for tearing down pro-Palestine posters, which had created a furore. If the tourists from antagonistic countries are staying in the same hotel, then we can anticipate trouble. In such cases, we are taking extra measures. We have intensified night and evening patrolling in such tourist spots. We are also using Janamaithry police in such areas, another police source said. The source added that Bangladeshi nationals will be provided special attention in the wake of sectarian strife going on there post the ouster of Sheikh Hasina from power. Hotels have been asked to make their own security arrangements. The police will coordinate with hotel managements and help them chart out security plans. The police on its own will have separate arrangements, sources added.

Actor Shabana Azmi terms 'Ankur' her favourite film

THIRUVANANTHAPURAM: Veteran actor Shabana Azmi revealed that Ankur holds a special place in her heart and remains her favourite film. Speaking at an interaction as part of the 29th International Film Festival of Kerala (IFFK), the veteran actor said said the films enduring appeal, both in India and abroad, even after 50 years, is its greatest recognition. The session marked her celebration of five decades in cinema. Reflecting on her role in Ankur, Shabana recalled how director Shyam Benegal transformed her from a middle-class college student into Lakshmi, the central character. She also expressed pride in being part of the inaugural IFFK and her joy at returning for the 29th edition. The screening of Ankur on Shyam Benegals birthday at this venue was an emotional moment for her, she added. The event preceding the films screening was inaugurated by former cultural affairs minister M A Baby, who presented a token of appreciation to Shabana Azmi on behalf of the Kerala State Chalachitra Academy. He also extended birthday wishes to Shyam Benegal, who turned 90. A short video showcasing Shabana Azmis contributions to cinema and culture was screened as part of the event. After interacting with the media, the actress attended the screening of the Malayalam film Velicham Thedi at Kairali Theatre before concluding her visit. Sangharsha Ghadana to be screened At times of war, its interesting to know about a book which speaks about the art of war. The answer to whether this art has changed over 3,000 years or not, reveals the relevance of whom to fight and whom not to, opened up the National Awardee Krishand R K, Director of Sangharsha Ghadana (The Art of Warfare) while attending the IFFK. The movie will be screened in the Malayalam Film Today category at Ajantha Theatre on Sunday at 6 pm, Kairali Theatre on Wednesday at 11.30 am and Sree Theatre on Thursday at noon. The film is an adaptation of the ancient Chinese Military Treatise, Art of War, attributed to the then military strategist Sun Tzu.

IFFK to honour veteran actresses today

THIRUVANANTHAPURAM: Taking film lovers to a nostalgic past of yesteryear, the 29th IFFK will honour a number of veteran actresses of Malayalam cinema on Sunday. The special event named Marakkillorikkalum will honour veteran actresses of Malayalam silver screen from its early days until the 1980s. The ceremony will be held at Nishagandhi Auditorium at 4 pm. Cultural Affairs Minister Saji Cherian will lead the felicitation. The actresses being honoured include K R Vijaya, T R Omana, Vidhubala, Bhavani (Lisa), Shobha (Chembarathi), Hema Chowdhary, Kanakadurga, Reena, Shanthikrishna, Sreelatha Namboothiri, Surekha, Jalaja, Menaka, Anupama Mohan, Shanthakumari, Mallika Sukumaran, Sachu (Saraswathi), Usha Kumari, Vinodini, Rajasree (Gracy), Vanchiyoor Radha, and Vanitha Krishnachandran. This event is part of a broader effort by this years festival to celebrate the significant contributions of women in cinema. A musical performance featuring songs from their films will follow the felicitation. Tribute to Global Masters of Cinema Lifetime Achievement Awardee Ann Hui inaugurated the Exhibition, titled Cinema Alchemy: A Digital Art Tribute. The exhibition honours 50 legendary filmmakers from around the world and is curated by noted filmmaker and former Chalachitra Academy chairman T K Rajeev Kumar. The exhibition at Tagore Theatre features 50 digital paintings by art director and filmmaker Razi Muhammad. The inaugural ceremony was attended by Chalachitra Academy chairman Premkumar, secretary C Ajoy, KSFDC chairman Shaji N Karun, and festival deputy director H Shaji. This tribute celebrates cinematic legends such as Akira Kurosawa, Alain Resnais, Alfred Hitchcock, Andrei Tarkovsky, Adoor Gopalakrishnan, G Aravindan, K G George, Agnes Varda, Marta Meszaros, and Mira Nair, among others. The exhibition seamlessly blends digital art with cinematic storytelling, drawing large crowds of film enthusiasts and students. The artworks showcase surrealistic and hyper-realistic visual styles, offering in-depth insights into the unique cinematic approaches of each filmmaker. Ann Hui highlighted the exhibitions ability to reflect the evolution of cinema across eras, emphasising its portrayal of technological advancements. She expressed her delight at the effort behind the project and the opportunity it offers for viewers to engage deeply with cinema. T K Rajeev Kumar noted that the exhibition has been a long-standing dream and expressed excitement at the enthusiastic responses from viewers. He also remarked that the paintings provide a rare opportunity for cinephiles and students to explore the essence of filmmaking. Movies of the day On the third day audiences can look forward to films from the International Competition, Indian Cinema Now, Festival Favourites, World Cinema, and Malayalam Cinema Today sections. A total of 67 films will be showcased, offering a rich mix of global and regional storytelling. One of the highlights of the day is a conversation with Lifetime Achievement Award recipient Ann Hui, hosted by Saraswathy Nagarajan, at Nila Theatre from 2.30pm to 3.30 pm. The session is expected to provide insights into the filmmakers illustrious career and her perspective on cinema. Among the prominent films being screened is Feminichi Fathima, one of two Malayalam entries in the international competition. The film, which narrates the story of a housewife reclaiming her independence, will be shown at Kairali Theatre at 3 pm. Another notable feature is Patth, directed by Jithin Issac Thomas, which explores the mysteries surrounding a Kenyan tribal song. It will be screened at Sree Theatre at 6:15 pm. Jacques Audiards Emilia Prez, part of the Festival Favourites category, delves into the transformation of a ruthless cartel leader into a woman. The film will be screened at Sree Padmanabha Theatre at noon. In the World Cinema section, Queer, set in 1960s Mexico, tells the story of an American expats romantic obsession with a younger man. It will be showcased in Ajantha Theatre at 9.30 pm.

Women musicians havent received the credit they deserve: French composer Batrice Thiriet

THIRUVANANTHAPURAM: French composer Batrice Thiriets musical journey started as a five-year-old when she decided to surprise her mom with a Mothers Day gift. The musical piece that she weaved together is a cherished memory, that also set her on a career path that saw her evolve as one of the few music composers in world cinema in the early 1990s. Now, the 64-year-old stands as a master of her art whose body of work is as sterling as it is inspiring. TNIE spoke to Batrice on the sidelines of the 29th International Film Festival of Kerala (IFFK) which is currently on in the capital. Excerpts: You have composed pieces of classical music and scores for films. What is the difference? Writing an opera is a personal creation, where I usually focus on women-centric themes. Through this, I am seeking to break stereotypes. For example, there has historically been commendable work done by women in music, yet, they have not got the credit they deserve. So, for operas, I let my mind flow free, bringing out the creative elements that I want to focus on. When composing for movies, it is the filmmaker who leads the way. I sit with him or her, organise meet-ups with artistes, visit locations and shoots, and then craft my piece in keeping with the language and style of the film. How important is the script in composing for films? It is very important to me, more so because I am a literary person who enjoys reading and writing poems. I insist on the script, read it in full, and then allow myself to dream. The music must enhance the texture of the film, be a carrier for unspoken emotions that the frames convey, and play the role of the films silent signature. Music is something that people carry with them, long after a film is done. And, when a similar event plays out in real life, deep in their minds these tunes linger, albeit in silence. That is the role of music -- to be a films syntax. Music has undergone changes with the introduction of new technologies. How do you view this evolution? I have done synchronous as well as techno music, and an amalgamation of both. It is more about constant updation and keeping up with technology, which is not something to be afraid of. It is to be understood and adapted. You have worked with both seasoned and young filmmakers. How has the experience been? I started working at a time when women faced odds as a professional in a field dominated by men. My first film, Petits Arrangements avec les morts (Coming to Terms with the Dead), was directed by a woman -- Pascale Ferran. I worked with her again, doing Lady Chatterley in 2006 and Bird People in 2014. There were, however, many, especially male filmmakers, who could not identify with my credentials as a musician. But there were also many who did, and they have stuck with me since. I have worked repeatedly with them. I have been working with the younger lot, too. For me, it is about the work. I have also worked with some Indian filmmakers. The Song of Scorpions (2017) was my first such film. Later, Suruchi Sharma approached me for her short film Gagan Gaman. Now, she is planning a long feature, and I will be doing the music for that as well. Your expertise is in western music. How much do you identify with music from others parts of the world? The various genres are just expressions. Tunes and rhymes are what matters. I tried learning dhrupad during the Covid lockdown. While working on Indian films, I came to know more about the countrys musical tradition, which is vast and rich. It was difficult for me to learn in a short time, and I collaborated with Indian musicians on those films. In the process, I learnt about the musical instruments used here. My favourites are the ektara used by the Baul singers of Bengal, the double flute used by the Rajasthani musicians. I am also a great fan of the sitar.

Buoyed by bypoll wins, UDF to go for micro-level management

THIRUVANANTHAPURAM: Taking a cue from the BJP which prioritised assembly constituencies as A, B and C on the basis of winnability, the UDF is also taking a similar step to maximise its winning chances in the coming LSG and assembly elections. However, unlike the BJP, the UDF would be focusing on booths, instead of assembly segments. The UDF is set to enter into micro-level election management ahead of the 2026 assembly elections by prioritising each booth in the assembly constituencies as A, B and C based on the strength of the front. The UDF meeting to be held on December 17 would start a preliminary discussion on formulating a strategy along this line. In the last assembly election, the BJP had classified around 40 constituencies as A class and identified these as seats where the party had a good chance of win. The candidate selection was also based on the winnability factor in these seats. However, the UDF plans to go one step further. The front leadership has decided to classify booths as A, B and C based on the fronts strength in each booth. The UDF has created wonderful results through micro-management and disciplined work, UDF secretary C P John told TNIE. This is an achievement for the front. We will prepare a plan for this, he said. According to the UDF leadership, of the 100 constituencies, there are 15 in which the fronts chances of winning are grim. In 20 seats the front could win. The idea of booth- level classification came after the UDF implemented it successfully in Palakkad, Chelakkara and Wayanad by-election. In Palakkad, where all the fronts fought for survival, the booth-level experiment gave an upper hand for the UDF. In Palakkad, we identified 2,000 elders who had crossed 85. We categorised the booths based on winning chances. Around 40 booths were in C category in Palakkad, a UDF leader who was in charge of the constituency told TNIE. In Thiruvananthapuram parliament constituency, out of 1,300 booths, 175- 180 are identified in C category. The leadership is also of the view that after identifying the fronts strengths and weaknesses in the booths ahead of the election, it could concentrate on rectifying the faults. There are some booths where we couldnt do much as our opponents have the majority there. As far as B category booths are concerned, we can recapture them if we rectify the weaknesses. Through this we could increase the chances of winning, a Congress leader told TNIE. The idea to concentrate on booths came up as the Congress, which is leading the UDF has organisational issues at the grassroots level. The lack of workers in many booths is a challenge to the Congress and UDF. The leaders are also aware that in the assembly elections the strategy used in by-elections would not work. In by-elections, we can successfully parachute workers from other constituencies. However, in the general election it is not possible. Hence, identifying the pitfalls will be decisive, he said. Meanwhile, the Congress central leadership has started a survey ahead of the assembly election. The aim is to categorise assembly segments into A, B and C. There are some seats where we could win if we field a good candidate. Community is also a factor. In Thiruvananthapuram district, in the last election, there was a complaint that enough representation was not given to Ezhava and Nadar communities. Such matters would be taken care of in the future, a KPCC leader said. Tried and true method The UDF has decided to classify booths as A, B and C based on the fronts strength in each booth According to the UDF leadership, of the 100 constituencies, there are 15 in which the fronts chances of winning are grim and 20 where it could win The idea of booth- level classification came after the front implemented it successfully in Palakkad, Chelakkara and Wayanad by-elections. In Palakkad, the booth-level experiment gave an upper hand for the UDF

Kerala CM URges Modi to Reconsider VGF Repayment Terms for Vizhinjam

THIRUVANANTHAPURAM: Kerala's Chief Minister, Pinarayi Vijayan, on Saturday, appealed to Prime Minister Narendra Modi to reconsider the central government's directive requiring the state to repay the Viability Gap Fund (VGF) for the Vizhinjam Seaport project in instalments. In the letter, the Chief Minister asserted that the Vizhinjam International Seaport project would be the only instance in the country where the Centre has sought repayment of VGF assistance. The project is designed to benefit from VGF under the Scheme for Financial Support to Public-Private Partnerships (PPP) in infrastructure, managed by the Department of Economic Affairs, Ministry of Finance. The Ministry has sanctioned an amount of Rs 817.80 crore as VGF for the project. However, for the disbursement of the VGF amount, the Union Ministry of Finance has stipulated that the assistance must be repaid by the Kerala government in Net Present Value (NPV) terms through premium (revenue) sharing. The chief minister said in the letter ; Needless to say , if the Centre insists upon the payback, the assistance provided would not be a capital grant but would be a loan. This clearly contradicts the very intent of the scheme. It also mentioned that despite the state government's repeated requests to the Union Ministry of Finance at various levels to revoke this condition and release the VGF unconditionally, these appeals have not been favorably considered. The Chief Minister pointed out that because the Rs 817.80 crore provided by the Central government is to be repaid on an NVP basis, it would result in an actual repayment of Rs 10,000 to Rs 12,000 crore from the state exchequer, based on projected interest rates and expected revenue from the port. In addition to the Viability Gap Funding (VGF) of Rs 817.80 crore provided by the Centre, the Kerala government has also contributed an equal amount as VGF to the Concessionaire. Furthermore, the state is investing Rs 4,777.80 crore in the project. The significant investment made by the state in a project of national importance, despite its limited financial resources, should be given due consideration, the Chief Minister stated.

Kerala MPs protest against Centre's demand for Funds on Airlifting Disaster Victims

Thiruvananthapuram: Kerala MPs on Saturday staged a demonstration outside Parliament to protest against the Centre's demand for reimbursement of funds used for airlifting survivors during the Mundakkai Chooralmala landslides in Wayanad. The Centre has requested Rs 132.62 crore for disaster victim airlifts since 2006. In a letter to the Chief Secretary, IAF officials listed several disasters, including the 2019 floods and Wayanad landslides, and urged the state to settle the bill promptly. The MPs chanted slogans to remind the Centre that Kerala is part of India. Wayanad MP Priyanka Gandhi, who participated in the protest, criticized the Centre for withholding assistance to the landslide victims due to political reasons. There should be no discrimination during natural disasters, she stated. We have approached the home minister, written to the Prime Minister, and appealed to all possible authorities to recognize this as a severe calamity and to approve a special package. The Prime Minister has met with the victims. At least we had hoped for relief from the Centre on humanitarian and compassionate grounds. We still hope the Centre will demonstrate some understanding as this issue goes beyond politics, she remarked. She mentioned that the entire country witnessed the extensive destruction in Wayanad and the pain and suffering of the people. Yet, due to political reasons, the Centre is withholding the rightful aid for the victims. CPM MP K. Radhakrishnan has written to the home minister criticizing the Centre's indifferent attitude towards the demand for central assistance for the victims in Wayanad. The MP accused the Centre of adopting a `master-servant attitude in dealing with the state's genuine demands for help in the disaster-affected areas. We will intensify our protest against the Centre if it fails to fulfil the state's demands, he stated. DMK MP Kanimozhi also raised the issue of the Centre delaying disaster relief funds to Tamil Nadu and Kerala. BJP State President K Surendran refuted claims that the Centre was charging for the use of helicopters in airlifting landslide victims. He stated that, according to standard procedures, states are required to compensate for services provided by various departments. He emphasized that it is incorrect to accuse the Centre of exploiting the state financially. Kerala has vehemently opposed the Central Government's demand for Rs 132.62 crore for the airlift of disaster victims, including those from Wayanad. The state intends to request the Centre to waive this amount. The Central Government insists that all states must pay the air force bills from the State Disaster Response Fund (SDRF), stating that this policy applies not just to Kerala. In disaster situations, the army's assistance is sought, and it is stipulated that the costs incurred should be covered by the respective states from their Disaster Management Funds. The Central Government has requested reimbursement of Rs 132.62 crore for the 2019 floods and the airlifting of Wayanad disaster victims, with Wayanad's share amounting to Rs 69.65 crore.