Police Memorial: a monument in Chennai to honour service, sacrifice of policemen

The Police Memorial sculpture, which was unveiled on October 18, 2009, by the then Chief Minister M. Karunanidhi, was designed by veteran artist A.V. Ilango

LGT Business Connextions IPO opens today; company to raise Rs 28 crore

Chennai's LGT Business Connextions is set to launch its IPO today. The IPO aims to raise Rs 28.09 crore. The issue includes fresh equity and an offer for sale. The IPO price is Rs 107 per share. The subscription window will remain open until August 21. The company plans to list on the BSE SME platform on August 26.

CPM set to counter allegations over leaked complaint

THIRUVANANTHAPURAM: A day after a leaked complaint from a Chennai-based businessman to the CPM politburo alleging financial wrong-doings by party leaders triggered a row, the party leadership has come forward to politically counter the same. While the CPM leadership termed the allegations baseless and warned of legal actions, both Opposition Congress and the BJP targeted the Left leadership in this regard. Responding to the media in Delhi, CPM state secretary M V Govindan termed the allegations baseless. Govindan said he doesnt want to respond to such absurd matters. The leader said whether a case should be filed would be decided later. He, however, ignored repeated questions on whether leaking of the complaint was related to any factional issues within the party. Senior leader and party secretariat member Thomas Isaac, who has been named in the letter, too termed the allegations baseless. He also warned of legal actions in the matter. Local Self Government Minister M B Rajesh, another leader named in the letter, alleged attempts to defame him, by raising baseless allegations against him. Responding to media in Kochi, Rajesh said the so-called letter has been doing the rounds on WhatsApp for four years. Since elections are a few months away, such papers tend to surface, he said. General Education Minister V Sivankutty termed the letter insignificant. Alleging an attempt to defame the Left government and the party, Sivankutty said the Congress and the BJP were trying to run a campaign against the party ahead of local body and assembly elections. Since theres a possibility of the Pinarayi government getting another term, such campaigns would further intensify. The BJP, meanwhile, demanded a probe by central agency into the letter controversy. The businessmans letter has brought out the underworld dealings of CPM leaders. The CPM secretary cannot run away from the allegations terming them absurd. If they have nothing to cover up, will the chief minister be ready to demand an investigation by a central agency into the allegations?, asked former Union minister V Muraleedharan. The senior BJP leader said that, in view of allegations coming up against ministers and ex-ministers, revealing more details is democratic decency. The new developments in the CPM prove that allegations he raised during the first Pinarayi government were true, said ex-Opposition leader Ramesh Chennithala. Details about systematic loot by prominent CPM leaders and their family members are now coming out. The letter and the complaint shed light into benami transactions and commission deals related to KIIFB and deep-sea fishing projects. The corruption allegations that I brought out while serving as the Opposition leader have been proven right, said Chennithala. The row erupted after a complaint written by businessman Sharshad to the CPM politburo got leaked to the media. It raised allegations against Rajesh Krishna, a UK-based leader of the Association of Indian Communists, and his links with party leaders and ministers. Sharshad later wrote to CPM general secretary M A Baby alleging the involvement of MV Govindans son Shyam in leaking the confidential complaint. EX-WIFE COMES OUT AGAINST SHARSHAD In another related development, Sharshads ex-wife Ratheena P T came out against him, albeit without naming him. In a detailed Facebook post, Ratheena alleged that the so-called businessman from Chennai is facing non-bailable charges, and was convicted by the court for domestic harassment. She alleged that the businessman took a loan with her father as guarantor and later failed to repay the same, leading to legal actions.It was after meeting the then minister Thomas Isaac that the bank attachment activities were temporarily kept on hold. Even then he failed to repay the money. When I paid the money and avoided bank attachment, he filed a complaint against the bank, she said. She alleged that he has been trying to defame her through social media. In spite of a court verdict in her favour, he failed to repay her `2.20 crore. Rejecting allegations raised by Sharshad, Ratheena said she doesnt know M V Govindan or his son.

Malayali diaspora prefers international migration to internal relocation: Study

KOCHI: Malayalam-speaking folks have got a thing for going global! A new study shows among Indias major linguistic diasporas, Malayalam speakers have the highest ratio of international to internal migration. According to Chinmay Tumbe of the Indian Institute of Management Ahmedabad, the Malayali diaspora hailing mostly from Kerala numbers over 4.6 million. That is 3 million outside India and over 1.6 million within. Tumbes study maps out Indias linguistic diasporas and finds over 60 million Indians in internal diasporas in 2010 nearly thrice the size of Indias international diaspora estimated to be 21.7 million. The internal diaspora is larger than its international counterpart for all major linguistic groups except for Malayalam and Tamil, and a third of the internal diaspora is dispersed across Indias 10 largest cities. The paper reveals that while the phrases internal migration and international migration are widely used around the world, diaspora is specifically used for international migration, almost by definition. Diasporas original meaning of being dispersed away from the original homeland has in recent years also encompassed recent immigration and temporary international migration, in addition to old settlements that have been formed over centuries. Tumbe writes that a detailed analysis of Keralas migration patterns over the past century reveals that internal migration was significant during the 20th Century, particularly to northern India, but shifted dramatically since the 1970s due to the Gulf oil boom. This redirected outmigration toward the Gulf region, including the United Arab Emirates, Oman, Bahrain, Qatar, Kuwait, and Saudi Arabia. There is also a Malayalam-speaking diaspora in USA and Italy and many other countries, as also an older diaspora in Sri Lanka. In the internal diaspora, among cities, Mumbai was by far the most important in 2001, followed by Bengaluru, Chennai and Delhi, the study states. Speaking to TNIE, Tumbe said that Kerala is unique in having both mass outmigration and now mass in-migration as well. While men still dominate outmigration from Kerala for work, it is more gender-balanced than what you see from the North, he said. I think now that Kerala has a very low birth rate, the pressure on land will reduce in the coming days and the migration propensity will gradually wear off. It would well become a state with net in-migration in the coming decades, he added. The Hindi-speaking diaspora (encompassing numerous sub-languages as defined by the Indian Census) is the largest, totalling around 40 million in 2010 across both internal and international migrants. Its estimated international diaspora of over 6 million includes historic communities in Latin America and Africa drawn from the Bhojpuri-speaking belts of Bihar and Uttar Pradesh, outmigration to Nepal, and subsequent flows to countries around the world. The Indian Tamil diaspora comprises over 8 million people, with more than 4 million outside India and nearly 4 million within the country. It stands as the second-largest linguistic diaspora in India, after Hindi.

Parai resounds across citys neighbourhoods

As more people step up to learn this art form, finding a place to practise isnt easy; the parai collectives tell members to focus on career and education, and pursue parai as an art form

The muse for South Indian film industry

New traffic diversions in Chennai test motorists patience

CHENNAI: The new traffic diversions, implemented due to the construction of a flyover at Eldams Road and Thyagaraya Road junction along Anna Salai, caused confusion among motorists and pedestrians on Monday morning, the first working day after the diversions were put in place. Motorists complained of lack of adequate signs regarding the new routes and the narrow roads. A traffic jam which began along Thyagaraya Road caused stagnation till Nandanam, in which ambulances and a fire engine too were caught. Police then moved barricades to allow an ambulance to pass. Raman (44) of Guindy, who was heading to Cathedral Road, said, I knew there was a traffic diversion from Sunday. I thought there would be enough banners and other signs to guide motorists but there were only very few. I had to ask the traffic cops deployed there to get clarifications. During peak-hour traffic on Monday morning, Thyagaraya Road was packed to the brim with traffic flowing in from three directions Nandanam, Eldams Road and a small lane from Anna Salai from the Gemini flyover direction. Even though the traffic was handled using a signal, the slow-moving traffic ended up causing a jam. One of the main reasons for the congestion on Thyagaraya Road was the incomplete removal of the centre median along the road. Stretches where the medians were removed had resulted in uneven ground and in some places, parts of the medians were left untouched resulting in traffic slow-down. Gopaldas, an auto driver from Teynampet, said,The new diversion seems to add to the already existing roads. The roads where the traffic has been redirected are narrow and not suitable to manage the high volume of traffic. I have refused to accept trips that require going through the new route. Apart from the two wheelers and cars, MTC buses too faced difficulties navigating the diversions. While turning into the narrow portions at North Boag Road and Vijayaraghava Road, the buses further slowed down traffic along already congested roads. Police sources said that the current flow of vehicles in the new route is being analysed and the next course of action will be decided.

Bike taxi rider, man die after car rams two-wheeler in Chennai

CHENNAI: Two men died after a car rammed the bike taxi they were riding and sped away without stopping early Monday morning near Chromepet. The deceased have been identified as Balraj (48) from Athipattu in Tiruvallur, the bike taxi rider, and Balamurugan (22) from Tiruppur. While Balamurugan died on the spot, Balraj succumbed to his injuries at a hospital a few hours later. Sources at Chromepet Traffic Investigation Wing said the accident occurred around 2.40 am near a temple near Tambaram Sanatorium. Police said after picking up Balamurugan, Balraj was riding towards Chrompet to drop him off when the speeding car mowed them down. Passersby immediately alerted emergency services, police added. Balraj was rushed to the district hospital, and later referred to Rajiv Gandhi General Hospital. Balamurugan had enrolled at a private coaching centre to prepare for competitive exams and was staying with his friends at Chromepet. Only rider was wearing helmet at time of accident The police said only Balraj was wearing a helmet at the time of the accident. The bodies of both the deceased were sent for postmortem. The police have registered a case and are reviewing the CCTV footage to identify the vehicle and driver involved. Cops review CCTV footage Police are reviewing CCTV footage to identify the vehicle that mowed down the two men in Chromepet

Mirrors that reflect and resonate indoors

Todays mirrors dont just flatter or tattle on wicked queens. They tell stories, bend space, and, with a flicker of light, pull a Beauty and the Beast trick turning a cramped corridor into a ballroom. From the shiny volcanic glass in ancient Anatolia 8,000 years ago, to the silver-backed showpieces of Egypt and Mesopotamia, mirrors have dazzled for a millennium. They have been symbols of life, glimpses of the soul, tools for fortune-telling, and magnets for superstition. Artists from Drer to Magritte and Manet have used them to play with perception, slipping us secret views of the world beyond the frames. Reflections that resonate In homes today, mirrors have stepped out of bathrooms and into living rooms, lobbies, and even Instagram grids, claiming the spotlight. Architect Iraianbu Murugavel calls them lively design features that blend practicality, beauty, culture, and creativity. For him, their magic comes from both material and placement. Traditional silver or aluminium-backed glass still rules, but acrylics, tinted and etched finishes, and even hand-polished metals are rewriting the rules. A well-placed mirror, he says, can transform mood and scale. A full-length panel behind a dining table turns a modest space into a buzzing hub, mirrored ceilings lift the height of urban flats, and mirrored wardrobes make storage disappear into light. For M Murali, chief architect at Murali Architects, mirrors are active design tools used to shape perception, guide movement, and evoke emotion. His team has drawn daylight deep into narrow corridors, brought sunsets indoors with angled panels, and doubled the lushness of terrace gardens using tempered outdoor mirrors to create secret courtyards. Tradition and storytelling Indias mirror magic has deep roots. Murali points to the Sheesh Mahal in palaces of Rajasthan, where walls and ceilings are inlaid with fragments that sparkle like jewels under oil lamps. In modern homes, these reappear as mosaic feature walls or mirrored ceilings. Harini Vijayakumar, founding partner at Studio ZO, is drawn to ainakari, the Mughal-era mirror work of Jaipur and Udaipur, where bits of glass form dazzling geometric patterns. She also treasures the centuries-old Aranmula Kannadi from Kerala hand-polished metal mirrors made without reflective coating; valued as much for their craftsmanship as their reflection. While the north embraced mirror mosaics for grandeur, the south used them sparingly to channel light, mark auspiciousness, and enrich rituals, says Murali. Architect Subhiksha Thiagarajan recalls the slanting mirrors fixed on ledges in old Tamil homes ingenious little panels that bounced courtyard daylight into the darker rooms beyond. The placement of these mirrors was also part of a practice rooted in Vasthu Sastra and the belief that it brings prosperity while warding off evil and negative energy. When too much is too much Mirrors can lift a rooms spirit, but if you overdo it, you risk restlessness. Iraianbu advises against placing mirrors directly opposite each other, keeping large mirrored surfaces to a single wall, and pairing them with matte textures to avoid visual overload. Murali compares them to spice. He says, Too much can be overwhelming. Overuse creates restlessness, clutter, or mild disorientation. Hes seen intimate spaces turn into mirror mazes, where constant movement becomes distracting. Harini also confesses to having felt unsettled once at the Kochi Biennale, where mirrored panels formed an uncanny maze. Subhiksha, however, sees it differently. I dont think theres ever a line. It depends on personal preferences. Antique pieces bring nostalgia, while clear glass enlivens. Frames and finishes shift a rooms mood sleek panels for modern minimalism, ornate carvings for tradition. Harini calls mirrors perky, bold choices that work across styles minimalist, boho, bling, modernist making spaces look infinite or almost kaleidoscopic. For Subhiksha, mirrors swing from extravagant to understated, carrying emotional weight. Mirrors can be styled in an extravagant and in an understated way. Either ways, I love the drama and the depth they create in spaces. Creative explorations In Tharun Vikass Mogappair home, Muralis mirrored ceiling crowns a double-height dining space, flooding it with light and stretching it skyward. Meals there feel expansive, interactive, and just a little theatrical. Subhiksha recalls framing mirrors for a functional training centre with hand-cut rosewood shaped into waves. Harini once revived a dark hallway with a Mondrian-patterned mirror wall that lit up the passage by day, without a single bulb. Murali looks outdoors for inspiration, too, pointing to Scotlands Garden of Cosmic Speculation, where mirrors merge landscape with sky. Mirrors are also constantly evolving with technology. Iraianbu predicts smart surfaces with built-in displays, adjustable tinting, and anti-microbial coatings. Harini imagines AI-driven mirrors that talk back. Subhiksha notes the growing ease with once-fragile free-standing designs. Murali envisions flexible, curved, eco-friendly panels with augmented reality overlays, all hinting at how mirrors will soon change not just how we see ourselves, but how we inhabit space.

The versatile lawn-ruiner turns garden MVP

Lemongrass and Citronella are so much more than an afterthought in herbal teas or the odd Thai curry. Its every landscapers secret fencing superstar and a medicinal marvel hiding in plain sight. But are they same or different? Citronella has a red or magenta base, grows much taller (up to 6 feet!), and has wider leaves than lemongrass. Lemongrass sports a plain green base, tops off at about 2 feet, and is the chefs favorite for its gentle lemon scent and flavour. What are they best for? Citronella: The MVP of mosquito-repelling oils and candles. Used mostly for its strong scent in insect-repellent products dont toss it into your Tom Yum soup! Lemongrass: Your culinary hero Asian cooking, teas, health and beauty products, and a mild natural repellent for mosquitoes and bugs. Pro tips If you see a tall grass with a reddish stem base, leave it for the garden path or the insect sprays thats citronella. If you want to flavour a curry or make a zesty herbal tea, choose lush green lemongrass. Both will make your garden look lush and landscaper-approved, but only lemongrass will get you compliments at dinner. Care Same for both, I am going to use them interchangeably below. Why are all the pros obsessed with these plants Tired of nosy neighbors or stray cats using your flower beds as urban lounges? Plant lemongrass along borders and watch it out-compete weeds, form lush hedges, and give your garden a professional look. Partial to bright, indirect sun, this plant is the ultimate low-maintenance buddy. Average water, any regular potting mix, and the occasional fertilizer spa day. In other words, if you can make Maggi noodles, you can keep lemongrass alive. Garden makeover magic Plant a row along your fence and suddenly your garden looks intentional, plush, and professionally designed. When you have too much, chop and use as nitrogen-rich mulch a hack every pro swears by. Cures, brews, & aromatherapy Lemongrass isnt just easy on the eyes (and noses). It keeps away pests, graces your kitchen with fresh flavor, and makes your morning start with a whiff of a tropical holiday. How it spreads Use seeds if youre feeling lucky, but most swear by splitting pups from a mature plant just like the big guys do.

Reviving interior spaces with a retro touch

Nostalgia offers the most comforting escape from the tech-driven, fast-paced lives we have today. That thread of emotions is what we hold onto tightly because it reminds us of home, safety, and love. This has become a more than significant part of the spaces we design today, and appropriately so. The undeniably captivating charm of vintage and retro is what is causing it to gush back into vogue. We are now seeing everyone being drawn to spaces that are not just serving functions but also those that are telling stories. They want to create spaces that have personality, warmth, and layers of lived-in character. Retro styles with their charm and character help us connect with the past while celebrating our individuality. The correct blend of nostalgia and functionality creates spaces that really resonate. Lets dive into the main characteristic features of vintage interiors. Pattern play Vintage design thrives on brave patterns. Checkerboard instantly resonates with the olden times while being fairly modern too. Geometric patterns, chevron on walls or fabrics, striped everything...its all retro in plenty. Floral wallpapers paired with wainscoting, printed upholstery, or detailed rugs not just bring character to a space, but evoke nostalgia. That unexpected combination of florals with geometrics or stripes and polka dots creates that authentic throwback aura that cannot be achieved with restraint. Mid-century modern furniture Mid-century era, roughly from the 40s-60s brought us some iconic furniture pieces. Clean lines and organic forms flourished while the focus stayed on functionality. A timeless style that effortlessly blends with modern interiors. Pieces like the Eames Lounge Chair or the Saarinen Tulip Table have become timeless classics. Statement lighting Characteristic lighting puts the spotlight really well on this style of design. Think pendant lights with oversized shades, layered chandeliers, and dramatic floor lamps that act as the focal point. Materials like metallic finishes, fluted glass, and stained, colour glass accentuate this style. These lights balance personality and practicality while they illustrate retro elegance. Iconic colours Colours can most effortlessly dictate the theme of any space. From fabrics to walls to wallpapers and dcor, there are multiple ways to bring in colour to a space. Deep colours, when paired with the correct prints, can transport any space to the retro era. Fearlessly using psychedelic patterns from the 60s to the geometric designs from the 70s can make your space eclectic and playful with just a few variations. Unlike the clinical precision of ultra-modern spaces, these spaces celebrate imperfection and character. Vintage and Retro Revival is a trend that calls you to explore the past while embracing the present. By incorporating elements from iconic eras, you can create spaces that are not only stylish and timeless but also accurately yours. Choosing vintage or retro furniture dcor is a sustainable choice. Repurposing and reusing items can contribute to a more eco-friendly style, making it a better choice for the planet.

Mild weather to prevail over T.N. this week; rainfall activity to increase from August 22

Inadequate signage leads to chaos on day 1 of Teynampet traffic diversion

GCC uses AI-altered image to close complaint sans redressal, backfires

State govt launches school bus service to improve student safety, raise attendance

Neet cut-off for TN govt colleges decreases by more than 100 marks

Two Killed, Six injured In Road Mishap Near Nayudupalem

The deceased were identified as Madhava Rao (52) and S.K. Hussain (48), both from Chennai. Police said the victims were returning from a wedding in Kavali to Chennai when the accident occurred.

AIADMK not on right track, says Sasikala

Pramod Kumar moves SC over DGP post; TN to reply by Friday

TNCC, CPM respond to VCK on sanitary workers

Tasmac loot continues in state, says EPS

Pressure on DMK to back CPR, but INDIA bloc mulls options

Mylapore fund chief seeks bail; offers sto sell assets and settle claims

Madras HC initiates suo motu writ to fast-track minor criminal cases

Alumnus donates 30,000 sq ft land worth more than Rs 1crore to TN govt school

A new building with 110 beds at Saidapet GH

Senior physician appointed as international advisor

Applications invited for posts of Coastal Home Guards

Reconsider decision to engage faculty members as invigilators

Five, including woman, held for attempting to murder her husband in Sriperumbudur

Doctor killed, 17 injured as bus rams into pedestrians in Chengalpattu

Bike taxi driver and passenger die in accident near Chromepet

Spike in usage: 2,500 international passengers use free Wi-Fi facility at Chennai airport

Encroachments have come up near the elevated tracks of MRTS at Perungudi

Tamil Nadu sanctions record payout of Rs 1,137 crore to settle transport staff dues

Second edition of VIS U-15 football tournament powered by The Hindu set for kick-off

Webinar on healthy ageing to be organised on August 20

City Police has rich legacy: Greater Chennai City Police Commissioner A. Arun

Actor who issued death threat to Kamal moves HC for advance bail

Admission season upon us, but director of medical edu post vacant

No stay on use of TVKs party flag

Compassionate post process simplified

Chennai Students Using Courier Apps for Drug Trafficking: A Growing Concern

Chennai confronts a surge in student-run drug rackets utilizing delivery apps like Porter and Zepto for discreet distribution of substances like LSD and MDMA. Narcotics officials reveal over half of drug peddlers exploit these platforms. Students use encrypted Telegram groups and cryptocurrency, complicating law enforcement efforts. Ganja smuggling also evolves, with traffickers using train AC compartments for drop-offs, evading detection.

Is Tamil Nadu Losing the War on Drugs? The Surge of Meth and Hydroponic Weed Raises Alarms

Tamil Nadu's drug enforcement faces a complex challenge as methamphetamine surges, overshadowing traditional ganja. Hydroponic cannabis, sourced internationally, is increasingly seized at Chennai airport. Pharmaceutical tablet abuse has skyrocketed, with opioids and anti-anxiety medications diverted from legal channels. Authorities are now focused on mapping digital footprints and understanding the intricate logistics of drug supply chains.

Chennai tops the list of cities with households facing challenge accessing water

Chennai residents have high contact rates with councillors but the city ranks low in basic service delivery while a large number of people rely on intermediaries for service delivery, says a study

Property documents, digital devices seized during ED searches on premises linked to Minister I. Periyasamy

The Directorate of Enforcement says the search team also found certain paper companies being operated from the premises of Irulappa Mills, in which Mr. Periyasamy and his younger son P. Prabhu are directors. The accounts of these companies are being verified

Top athletes to take part in National inter-state meet in Chennai

IIT Madras finds aerosols transported from north India worsen air quality over Chennai, southeast coast

Researchers from IIT Madras and SRM IST study regional aerosol transport over eastern India, impacting air quality

Docs related to paper companies, investments seized from DMK minister's company: ED

AP seeks speedy approval for Kuppam - BengaluruChennai industrial corridor, NH upgradesfrom Centre

Nara Lokesh discusses infrastructure projects and diaspora engagement with Union Ministers Nitin Gadkari and S Jaishankar

TV actor who threatened Kamal Haasan seeks anticipatory bail

Television actor T. Ravichandran has moved the Madras High Court seeking anticipatory bail in a case filed against him by the Central Crime Branch (CCB) police in Chennai.

Seized asset, investment documents after raids against TN minister Periyasamy, family: ED

Enforcement Directorate raided Tamil Nadu minister I Periyasamy and his family. The raids happened in Chennai and Dindigul. ED seized property and investment documents. The investigation relates to a disproportionate assets case. The case was filed by Tamil Nadu Directorate of Vigilance and Anti-Corruption. Madras High Court ordered a trial. However, the Supreme Court has stayed the trial.

Seized asset, investment documents after raids against TN minister Periyasamy, family: ED

Enforcement Directorate raided Tamil Nadu minister I Periyasamy and his family. The raids happened in Chennai and Dindigul. ED seized property and investment documents. The investigation relates to a disproportionate assets case. The case was filed by Tamil Nadu Directorate of Vigilance and Anti-Corruption. Madras High Court ordered a trial. However, the Supreme Court has stayed the trial.

Stella Maris Fine Arts graduates of 1987 come together for reunion art show in Chennai

Four decades later, the Stella Maris batch of 87 reunites in a show where friendship is as much on display as the art

Vijay Deverakonda, Rashmika Mandanna lead 43rd India Day Parade in New York

Chennai: Actors Vijay Deverakonda and Rashmika Mandanna led the 43rd India Day Parade in New York, much to the delight of their fans and film buffs. Both stars were honoured as Grand Marshals at the parade, believed to be the largest Independence Day celebration outside India. Video clips of the actors greeting the crowds who Get the latest updates in Hyderabad City News , Technology , Entertainment , Sports , Politics and Top Stories on WhatsApp & Telegram by subscribing to our channels. You can also download our app for Android and iOS .

Net leasing of office space in Bengaluru down 3% in January-June to 6 mn sq ft: Cushman & Wakefield

Office leasing in Bengaluru witnessed a slight dip. However, overall office leasing across major Indian cities surged. Cushman and Wakefield reported a significant rise in net leasing. Mumbai, Delhi-NCR, Chennai, and Pune experienced increased demand. Hyderabad's demand remained stable. New office space supply also saw an annual increase. The Indian office market continues to perform well.

Heritage walk at Chennai port highlights its role in trade, architecture and the making of the city

Behind its high walls, Chennai Port holds the pulse of a city shaped by ships and storms, by trade and war. This Madras Month, a heritage walk opened the gates to where it all began

Does ISRO need reshuffle Questions arise over satellite and rocket production shifts

CHENNAI, Aug 18: With the production of satellites and rockets now being outsourced and the Indian governments satellites are managed under the public sector NewSpace India Ltd (NSIL), the future of Indian Space Research Organisation (ISRO) looks uncertain and the question arises whether the key part of the Department of Space (DoS) under the central government needs a reshuffle. Recently in a highly debated decision, private space sector regulator Indian National Space Promotion and Authorisation Centre (IN-SPACe), announced that the [] The post Does ISRO need reshuffle Questions arise over satellite and rocket production shifts appeared first on Daily Excelsior .

UGD pipe leakage: Road caves in at Ambattur, narrow escape for biker

CHENNAI: A biker had a narrow escape on Sunday afternoon after the Karukku Main Road near Ambattur suddenly caved in, plunging him and the bike into the crater on Sunday afternoon. Saravanan, the biker, was pulled out with minor injuries by passersby who immediately came to his aid. Police sources stated that the man owned a medical shop in the neighbourhood. The rear wheels of a lorry passing on the stretch also got stuck in the pit. Traffic remained largely unaffected as it was a weekend, even as the police quickly barricaded the spot, diverted two-wheelers to interior lanes, and barred heavy vehicles. Speaking to TNIE, a Chennai Metropolitan Water Supply and Sewerage Board official said the cave-in must be due to a possible leakage in the 750mm sewage pumping main that runs beneath the road, carrying waste water from Karuppampulam to Karukku and further to Korattur and Kodungaiyur treatment plants. Leakages over days may have loosened the soil and made it hollow beneath, causing the collapse, said the official. Repair works began around 6pm. The official added that a similar cave-in had occurred on the same stretch two years ago due to pipeline leakage. Since it is underground, detecting such faults early is challenging, the official said. Police, city corporation, and metro water teams rushed to the site after the incident to check on the issue. While locals rescued the biker, police personnel later retrieved the two-wheeler and the lorry stuck in the crater. The corporation official said the road will be restored at the earliest possible. In June, a similar cave in, around 6ft deep and 8ft wide, appeared in the middle of Perambur High Road, above the century-old British-era brick arch drains, which run beneath the roadway. The officials had then claimed the rain must have loosened the soil. Last year, two such cave ins occurred owing to leakage in the underground drainage pipeline - a 10ft deep crater on Kuppusamy Street near Anna Salai in Chinna Porur, just 15 days after the road was laid, and another 10ft deep crater on Greams Road near Thousand Lights in October.

Traffic crawls on roads to Chennai as people return after I-Day weekend

CHENNAI: As the extended three-day weekend drew to a close, there was heavy vehicular movement and bottlenecks at multiple points as hundreds of residents who had travelled to their hometown or tourist destinations outside Chennai began returning on Sunday evening. Key stretches that witnessed congestion included Perungalathur near Tambaram, and Padalam and Pukkathurai close to Chengalpattu. Intermittent rainfall in and around Tambaram added to the traffic woes. According to sources, traffic slowed considerably near the Perungalathur flyover as a large number of vehicles attempted to merge onto the elevated stretch at the same time. To manage the volume and prevent long pileups, traffic police personnel stationed along the route regulated the flow of vehicles, the source added. Further down, Padalam and Pukkathurai witnessed sluggish movement for nearly two kilometres owing to the ongoing construction work being carried out by the National Highways Authority of India (NHAI). The travel time to cross the section, which is usually quick, has now increased by an additional 5-10 minutes, another source pointed out. Adding to the heavy vehicle inflow were not just private cars, but also MTC and private buses. As a result, roads adjoining major bus stands and railway stations experienced intermittent jams during the evening peak hours when traffic volume picked up further. The vicinity of Perungalathur bus stop, Chengalpattu railway station, and Urapakkam-Tambaram stretch were among the worst-affected. Officials from the Chengalpattu traffic police said they had anticipated the surge and adequate personnel and officers were deployed in advance.

Man gets electrocuted while using ATM to take cash in Kancheepuram, hospitalised

CHENNAI: A man was hospitalised after he got electrocuted while withdrawing cash from an ATM in Kancheepuram on Saturday. The police said the electrocution was caused by low-voltage leakage and was not life-threatening. The victim, Venkatesan (35) of Kammala Street, had gone to the vegetable market near Kancheepuram railway station with his eight-year-old son in the morning. When he needed money, he entered a ATM kiosk near the head post office on Railway Station Road. As he keyed in his PIN, he suddenly felt a jolt of electricity. Thinking it might be his mind playing tricks, he tried again, only to be shocked again, this time with greater intensity. He was rushed to the district government hospital and was admitted for treatment. Meanwhile, other users also complained of similar shocks while pressing the keypad. The Vishnu Kanchi police inspected the spot and confirmed current leakage in the keypad area, though at low intensity. They alerted the bank to carry out immediate repairs. Soon after the incident, other users were seen using sticks and other items to press the keypad.

Kannagi statue in Chennai: an embodiment of justice and wrath caught up in controversy

A character in the epic Silappadhikaram, Kannagi is known for cursing the city of Madurai and burning it down as revenge for the unjust execution of her husband Kovalan

Flight of stairs at Chennais Rajaji Hall where intense scenes in Tamil cinema unfold

The Rajaji Hall, with its grand colonial-era architecture, has become a popular shooting locale. Many iconic scenes from yesteryear hits such as Thalapathi and Alexander were filmed here

Gaana music: a versatile art form that steals Chennais heart

With its thumping rhythm, easy lyrics, and quick beats, Gaana music captures not only the essence of the lives of the working class but also the struggles of marginalised communities, particularly those from the citys northern areas

A versatile art form that steals Chennais heart

With its thumping rhythm, easy lyrics, and quick beats, Gaana music captures not only the essence of the lives of the working class but also the struggles of marginalised communities, particularly those from the citys northern areas

Chennai weather: Warm, humid temperatures with patchy rain expected today

Chennai faces a warm, humid Monday with patchy rain and an 89% chance of precipitation, reaching 33C. The city is set for a week of similar monsoon weather, with temperatures consistently in the low to mid-30s and high chances of rain daily. Residents are advised to carry umbrellas and stay hydrated amidst the intermittent showers.

Laya: a practice that dissolves ignorance

The design patterns of nature have a strong recurring structure associated with subtle elements that are both destructive as well as elevating. These formless elements control the ocean currents, climate, and also include volcanic bursts and earthquakes. Since the body is made of the same elements, imagine its scope and impact within. While the fundamental physical, mathematical, and chemical properties of these elements that can be observed have been applied to engineering and design principles in Western schools, the same have found an aesthetic value in the Oriental systems. In Indias traditional knowledge system, the principles of ebb and flow are the study of laya , a nuanced aspect of beauty hidden within nature. In Indian literature and culture, laya is the principal thought and idea that is most venerated and celebrated, going beyond mere rhythm, carrying philosophical weight that can enhance the relish of the essence of life and nature. In fact, the esoteric elements of laya have taken shape as the tantra of temple science and art forms, thereby integrating profound experiential knowledge of beauty as an extension of daily discipline. Engagement with laya also meant training the intellect to pragmatic thinking for emotional stability. For knowing more about the aesthetic aspects within laya , I approached accomplished mridangist Mannarkoil Balaji. Laya is an abstract idea that cant be directly taught. It is a realised knowledge that comes only through repeated practice. Approaches to learning laya through artistic discipline begin with the concrete principles of talam, which actually denotes any measured span of form in space. Mastering laya , thus, boils down to how talam is practised first. When asked what he considered a good way to practise, he shared how he practised. To master a laya vadyam (instrument of percussion), repetition is the charm. A sadhaka has to go that extra mile. If my teacher asked me to practise 100 times, I would do it at least 120-150 times. Another way of going the extra mile would mean, if I had to practise 50 times, and had gotten 48 times correct, but I made a mistake in the 49th time, then I would begin my practise from one. Besides these intensive practises, I would steal time in between other chores to also mentally internalise rhythmic patterns, he said. Apart from being a performer, Balaji is an academic who has also written a book A Practical Guide to South Indian Rhythm Through Konnakkol. Nataraja in Elephanta Caves While nudging him on the intricacies and the challenges that percussionists of Carnatic schools face, interestingly, he touched on the formless states of laya manifested within the mind. He said, In our traditional approach, the pressure of creating something just by merely being in the moment can be daunting. Often, I find that my advanced students have an inherent fear when it comes to talam . The only advice I give for them is to actually detach from talam , break away from it as a numerical activity of the brain to instead focus on laya, the experience of synchronicity in nature. What he means is that since the metaphysical aspect of laya is associated with the dissolution of fear and ignorance, letting go of the gross is the only way to achieve steadiness, whether for creating beauty or living an enriched life. This attribute can be best understood while observing breath and its various components. While cycles of breathing itself are rhythmic, the patterns of breathing can be associated with moods and temperaments. Needless to say, every one of us would have come across how our breathing differs when we are anxious or angry. Hence, chanting of mantras and regulation of breath were traditionally recommended practices to initiate sadhakas into the complex and abstract nature of synchronicity. More and more studies and research in pranayama and healing chants are also establishing that mastery of laya can curb the impulsive and psychological dormant energy states within the body. Seeyamangalam Natarajar All in all, when a practitioner masters breathing, the veil of ignorance is said to drop off. This is sculpturally depicted in the Elephanta Caves, where the dancer is portrayed holding a piece of cloth in the left arm over the shoulder, symbolising the lifting of the veil. Although the panel is dilapidated, the composition is still so profoundly sensual due to the usage of tribhang . Among other noticeable aspects of this depiction is also the placement of an instrument that resembles a mridangam. Percussion instruments that are laya -based are used to bring out the virility within the creative and destructive aspects of nature. Similarly, one of those early iconographies of Nataraja in Tamil Nadu that showcases the placement of a mridangam by the feet of the dancing lord can be found at a Pallava temple in Seeyamangalam, near Kancheepuram. The presence of the instrument conveys the dissolution, more so of the sculptor whose expression plentifully conveys what it means to merge with the experiences of the divine proportions. Such depictions make it clear how contemplative engagement of mirroring nature is a fountainhead principle of aesthetics commonly shared across all oral traditions. The aesthetic tasting of Indian art requires, thus, not only a state of deep involvement and unification but also the need to effect the undergoing of a catharsis for finding a repose.

Behind the Glow: The Untold Story of Chennais Light Artisans

Art often escapes the boundaries of the traditional canvas. Light painting in photography captures fleeting trails of brightness in the air, while graffiti and street murals transform urban walls into open-air galleries. Some artists turn spaces into immersive, site-specific works, tattoo artists use skin as their medium, and even culinary artists create edible compositions meant to be admired before they are consumed. But we rarely think of those whose work lights up our streets with creativity and colour. During the month of Aadi and in fact, throughout the year their craft comes alive in spectacular ways. Over the last few weeks, Chennai brimmed with stalls outside temples, bustling streets filled with devotees in reds and yellows, neem leaves adorning doorways, and intricate kolams gracing thresholds. By dusk, the streets shimmered with images of gods and goddesses outlined in radiant bulbs, casting their luminous presence into the night. Behind these dazzling displays are artists who design and bring to life these towering, light-traced visions of the divine. If you, like many others, assumed that our local electrical and light shop vendors and contractors were the ones creating these artworks, you are mistaken. There lies a specialised craft a business in its own right where skilled artisans produce these larger-than-life-sized installations. RKV Sammy, a light decorating contractor, clarifies, We purchase these installations from artists who specialise in creating these stencil-like cutouts. Our men then tie them up to frames and adorn them with strings of lights. He adds that there are very few artists who create these installations in the city and have honed their skills. Among them is Aasai Raj from Saidapet, who has been in the business for 35 years. I was 13 years old when I first took an interest in this. I would often spot my late guru, Boobathy, making these and began to learn from him. I quit my schooling after class 10 and got into the business with him first before setting out on my own, he says. Cut-out Arumugam, another student of Boobathy, also started out young. I have also been doing this for more than 30 years with my base in T Nagar. Chennai has only a few people who are experienced artists in this business, not more than five or seven, he says, adding this is because the work demands years of practice, precise calculations, creative vision, and skilful craftsmanship. From temple inaugurations and grand weddings to political meetings and illuminated portraits of leaders, the demand is constant. Months like Aadi bring a surge of devotional displays, December calls for Christmas-related displays, and so on. But beyond these, theres always a project underway. For these artists, the calendar is a continuous cycle of creation, leaving them with hardly a day to truly take off. The process The first step is to visualise the subject and apply mental calculations. Lets assume that for Aadi , someone wants an Amman piece. If it is 30 feet tall, I will first see the image the client has as reference and decide mentally, the height and breadth of each part legs, face, torso, and so on. Then, Ill start sketching it on the floor, says Aasai Raj. He often begins at the base of the subject shaping the legs first, then the torso, followed by the hands, the neck, and finally, the face. After the sketch is complete, the real work begins. Bamboo sticks are cut, shaved, and sharpened, then carefully bent and positioned to trace the lines of the artwork. Each piece is joined with nails, creating a sturdy, stencil-like framework that later becomes the base for the strings of lights. Until a few decades ago, bamboo shaping was done entirely by hand using blades, but today it is commonly done with machinery. Though seemingly harmless, shaving and cutting bamboo releases fine dust that can trigger respiratory allergies, but workers simply pull on masks and carry on. We use a particular variety of bamboo for this. In Tamil, we call it Kanni Oodai, Arumugam says. Aasai Raj further explains. Bamboo can grow up to a hundred feet or more. The base is very strong, and it gets thinner as we trace its height. So, the midsection of bamboo trees is what we use. Due to seasonal unavailability of bamboo, like in extreme summers and wet and cold seasons, these artists are often required to buy and store it in advance, either in their workshops if space allows it, or in small godown spaces they may rent. The work, however, is also met with other challenges. My workshop space is only about 14 feet wide and 20 feet tall. So the only option while making huge installations is to make it in parts. Although it may sound easy, the challenge is in ensuring that when pieced together, every part is proportional to one another and the picture comes to life perfectly, Aasai Raj says. He gives the example of the jewellery on goddesses, explaining that if the waistband on the torso is made to a certain width and length, the necklaces must be in proportion. If one piece is too large, it becomes obvious that it was made separately, breaking the harmony of the design. Aasai Raj has made up to 60-foot-tall pieces, all in parts that are later also shipped to their destinations, where they are assembled as a whole. I have made and sent installations of Tamil Gods to Malaysias famous Murugan temple. The installation travelled in a ship for 28 days, he says, gleaming with pride. The work demands not just unwavering attention to detail, but time too. To create a piece that is 20 feet tall and 15-16 feet wide, it takes Arumugam about seven to eight days. Aasai Raj also echoes a similar timeline. The bigger the installations, the moretime. But is it a one-man job? While not impossible to share, these artists often end up doing the bulk of the work alone, not by choice, but out of necessity. Arumugam laments that people who come to learn the art dont stick to it. People come and leave in two to three years. With the little they have learnt, they started their own business, but they only offer small art pieces like banana trees, lamps, and two hands folded into a welcome that people put up for weddings and other small functions. For such big installations, they need years of practice. We dont have enough skilled people to help, learn, and continue on their own, he rues. On the other hand, artists say women are not known to be in this business, and the reason remains unclear. It is not that they cant do the work. I have taught my wife after marriage, and she helps around and does the work really well, Aasai Raj observes. Improvising along the way Initially, people requested the familiar, most common depictions of gods and goddesses. But during thiruvizhas , new challenges emerged as villages began asking for more imaginative designs. Soon, scenes expanded to include Amman rising from flames, Arjunan from the Mahabharata on his chariot, Murugan accompanied by peacocks, and many more. I like such challenging work because it makes me think creatively and come up with newer ideas. People even started to ask for the installation of their loved ones to be put up on their death anniversary. There, I am being trusted with the job of replicating ones features as accurately as possible to honour their memory. That is difficult work, but I enjoy that challenge, Aasai Raj says. Visual storytelling, too, has entered this world, as static images no longer hold peoples attention, and they want things to move, to feel alive. Artists now infuse images with a sense of movement and action, as if the figures themselves have come to life. Taking the example of the Arjunan on his chariot, Aasai Raj explains, We will make three wheels in the place of one and the light men will give connection in such a way that one wheel will be lit up first and go off only for the next wheel to light up and so on. It will give the illusion of the wheels rotating. Similarly, he has also created installations of Amman speaking, by making two to three mouths that share a message, brought to life through three separate lighting circuits, so each mouth might light up in a sequence to create the illusion of speech. Another work, a peacock turning its head back and forth along with multiple feathers, each lighting up in a sequence, demanded 64 circuits, he says, adding, It was very complex, but I achieved the result and it became a big hit. For these artists, word-of-mouth promotion is powerful. Once their work is showcased and appreciated, theyre quickly sought after for the next big social event. Keeping up with the times, some have also begun promoting themselves on social media, building portfolios to showcase their creations. Aasai Raj, for instance, posts the videos and pictures his clients send to his Facebook and YouTube. He believes it makes it easier for new light contractors to trust him with new work. Their artworks, however, do not vanish into nothingness after a single use, nor do they lose their worth overnight. Many light decorators reuse the bamboo stencils for years, carrying their glow from one celebration to the next, before finally reselling them to other contractors and seeking fresh designs for their inventory. The lights and celebrations may be fleeting, but the artists creations endure carrying their glow from one festival to the next, long after the dawn cracks.

Divine depictions mark Lord Krishnas birthday

Boothavakam , the fearsome tale of Bakasurans destruction, frozen in mid-moment, stood in one corner. A few steps away, children giggled as they pointed at Krishna, his cheeks and little palms smeared with butter, caught in the act of stealing from clay pots. In another corner, the Rasleela unfolded in a swirl of colour and music. The exhibition at Geeta Bhavan in Gopalapuram brimmed with many functional displays snapshots of epics brought to life. From Sitas marriage to Rama and Arjunas wedding to Draupadi, to Sabaris devotion, the bridge to Lanka, Hanuman swallowing the sun, Ravanas abduction of Sita, and even the divine union of Shiva and Parvati, these moments are deeply ingrained in Indias storytelling traditions. Visitors lingered at each stop at Gajendra Moksham, Krishna lifting Govardhana, the tableau of Kuselas friendship absorbing not just mythology but also the artistry and devotion behind them. This three-day exhibition, inaugurated on Saturday evening by Santosh Kumar, Inspector General of Police (Economic Offences Wing, Tamil Nadu), was the heart of the 35th annual Sri Krishna Janmashtami celebrations organised by the Shree Geeta Bhavan Trust. Paired with rituals, competitions, and performances, the display transformed Geeta Bhavan Hall into a living tapestry of stories, making mythology not just remembered but experienced. The celebrations began with a Go Puja performed by Smt & Sri Krishnamurthi Sastrigal. Lamps were lit and the exhibition opened to the public. In his address, managing trustee Manu Goel reflected on the significance of the milestone. He welcomed the gathering noting that over 800 students had participated in drawing, fancy dress, Carnatic music, and bhajan competitions. The overall trophy was given to DAV Girls Senior Secondary School, Gopalapuram by the chief guest. Manu also took the opportunity to highlight the trusts ongoing social service work financial aid to students, medical camps, annadhanam, mass marriages, welfare measures for persons with disabilities and the transgender community, and disaster relief. These initiatives are possible because of the support, trust and blessings from you [trust members and contributors] all, he said. The chief guest praised both the cultural and humanitarian sides of the trusts work. Normally, I make it a point to visit a temple on Janmashtami. This year, a friend insisted I be here at Geeta Bhavan, and I am very glad I came, said Santosh, recounting the joy of joining the lamp lighting and cow worship rituals. The Geeta Bhavan Trust is doing wonderful work in the field of social service, helping many needy people. My appreciation to them, and I hope they continue their good work. Delivering the vote of thanks, trustee Shiv Kumar Goenka echoed that mood of reflection. Gratitude makes sense of our past, brings peace for today and creates vision for tomorrow. The more grateful we are, the more powerful we are, he said, thanking the dignitaries, parents, judges, artisans, and volunteers who contributed to the evening. As the inauguration and felicitation came to an end, the devotional mood shifted into song and rhythm as Sanju and Monu Poddar took the stage for an evening of bhajans and cultural performances. The exhibition, however, continued to be the evenings anchor, with families walking through again after the performances, this time at an unhurried pace. Elders found themselves reminiscing about stories first heard in childhood, now re-told with colour, craft, and devotion. The exhibition will remain open until today, giving Chennai residents more chances to experience the stories of Krishna, Rama, and Shiva not as distant mythology, but as vivid living moments. In a city that often hurries past its heritage, Geeta Bhavans Janmashtami celebrations offered a pause, a chance to walk slowly through an exhibition of gods and epics, to listen to bhajans under the glow of oil lamps, and to remember that devotion is as much about shared stories as it is about prayer.

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CHENNAI: Chandrapuram Ponnusamy Radhakrishnan, 67, a veteran BJP leader and lifelong RSS swayamsevak, is poised to become Indias Vice-President making him the third Tamil Nadu-born leader to occupy the nations second-highest constitutional office. He follows in the footsteps of Dr Sarvepalli Radhakrishnan (195257) and R Venkataraman (198487), both of whom later rose to the presidency. On Sunday, the BJP announced Radhakrishnan as the-ruling NDA's candidate for the September 9 vice-presidential elections. Born on October 20, 1957, in Tiruppur -- the knitwear capital of India in Tamil Nadus Kongu belt -- Radhakrishnan was drawn to the Rashtriya Swayamsevak Sangh (RSS) early. At just 17, he joined the Bharatiya Jan Sangh, the political forerunner to the Bharatiya Janata Party (BJP). A founding foot soldier of the BJP since its inception in 1980, Radhakrishnan has held multiple key roles in the party's Tamil Nadu unit, including State President (200407). His 19,000-km, 93-day Rath Yatra across Tamil Nadu during this period spotlighted issues ranging from river-linking and counter-terrorism to social reform and anti-drug campaigns. He later led two more padayatras for separate causes. Radhakrishnan entered Parliament from Coimbatore in 1998 and retained the seat in 1999. He contested the same constituency multiple times, finishing strong even in 2014 when the BJP went solo, with nearly 3.9 lakh votes. During his time in Parliament, he served as Chairman of the Parliamentary Standing Committee on Textiles and was a member of panels on PSUs, finance, and the stock exchange scam. Beyond politics, Radhakrishnan holds a BBA and made his mark as an entrepreneur. Between 1985 and 1998, he pioneered the export of 100% cotton knitted fabric to Bangladesh and developed textile links with countries across Europe, Asia, and the Middle East. In administrative roles, he was Chairman of the Coir Board (20162020) and later BJPs Kerala in-charge (202022). His appointment as Governor of Jharkhand in February 2023 marked a transition from party politics to constitutional office. In his first four months as governor, Radhakrishnan toured all 24 districts. He briefly held additional charges as Governor of Telangana and Lt. Governor of Puducherry. Since July 2024, he has been Governor of Maharashtra. Known for his grassroots connect and political adaptability, Radhakrishnan has maintained cordial relations across party lines including recent gestures such as visiting Tamil Nadu Chief Minister MK Stalin to inquire about his health. Though he has remained outspoken on national issues, Radhakrishnan ruled out any return to active politics. An advocate after becoming a judge cannot go back to being an advocate... I don't think about returning to active politics, he said in a recent interview, drawing a parallel with his gubernatorial responsibilities. A tireless campaigner, a disciplined ideologue, and a seasoned parliamentarian, Radhakrishnans elevation to the Vice-Presidency marks a symbolic coming-of-age for the BJP in Tamil Nadu, a state where the party still seeks a significant electoral breakthrough.

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Investment scam busted; four held from Chennai

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Historic Buchi Babu Tournament Finds New Relevance In State Units Chasing Red-ball Readiness

All India Buchi Babu Invitational: A couple of months still remain before the Ranji Trophy gets underway, and the All India Buchi Babu Invitational tournament, set to begin in Chennai on Monday and run till September 9, will once again serve as the appetiser that state units eagerly seek to get into red-ball groove. For teams eyeing a head start to do well in red-ball cricket, the timing could not be better. With the Duleep Trophy slated to begin from August 28, squads will soon lose their top players to the zonal tournament duties. The Buchi Babu tournament, revived in 2023 after a 12-year-long hiatus, offers just the right platform for state teams to rediscover their red-ball cricket rhythm. Its a very historical and old tournament which we won in 2011. After 2013, we had not played in this tournament. Why this is important is because elsewhere in India, there are no three-day or four-day quality tournaments like the Buchi Babu competition offering challenging conditions. We normally play on spinning pitches in India, and playing in Buchi Babu tournament is one such preparation for that because as the season goes on in Ranji Trophy, you might find some spinning and turning pitches, as well as different conditions. So that is one of the reasons to participate and obviously all good teams come here to compete - so it's an opportunity to just check our bench strength, who we're going to try in the coming season and even sorting the team combinations. These are the points why this tournament is important for our preparation for the Ranji season, said Samad Fallah, the former Maharashtra pacer turned bowling coach, to IANS in an exclusive conversation. For Bengal head coach Laxmi Ratan Shukla, the attraction of the tournament lies in its offering providing valuable red-ball cricket practice. It's a good tournament. We have come to play in the Buchi Babu competition after 6-7 years. Before this, we have played in Buchi Babu many times. In the last few seasons, we could not come here as we would be going to play another tournament in Bengal or had camps. We are looking forward to it. We have a new team and are in the process of firming up selections for the upcoming season. That's why we came here so far it's good and boys are ready to go. Red ball cricket is such a thing that the better your preparation is, the better your play will be. White-ball cricket comes at the end, as the red-ball format is the one which makes you a cricketer. That's why all of us attach a lot of importance towards red-ball cricket preparation, he said to IANS. Shukla, a former India all-rounder, also pointed to the nuances players can only experience in long-form cricket. Playing red-ball cricket is an art where you get to see reverse swing, googly, leg spin, off spin, and left arm spin. But if you look at white-ball cricket, you won't see the variation of the bowler as it's flat, while red-ball cricket is always magic. That's why we all came here for this tournament and I hope it's an opportunity for all the teams to prepare well. The tournament was first held in 1909/10 and named after Mothavarapu Venkata Mahipathi Naidu, popularly known as Buchi Babu Naidu, regarded as the father of Madras cricket. However, the tournament was removed from the Tamil Nadu Cricket Association calendar in 2017 to accommodate the Tamil Nadu Premier League. Since its revival in 2023, the tournament has once again captured the attention of every state unit, as well as that of Indian team players and those on the verge of making it to the national set-up. The main attractions for the upcoming tournament are Ruturaj Gaikwad, Prithvi Shaw, Ayush Mhatre, Sarfaraz Khan, Musheer Khan, Vijay Shankar, Shahrukh Khan, Umran Malik, Abdul Samad, Prabhsimran Singh, Ramandeep Singh, and Abishek Porel. The presence of players like Gaikwad and new signing Shaw has further motivated Maharashtras squad, says Fallah. When they come, it gives a big boost to the 30-35 probable players and lifts them too. It makes them feel that our best players are putting their efforts when they recently played a three-day game. I got motivated when my senior players were playing with us. We get to know that we belong to this level. Ruturaj is such a person that he will be always there to help others. Prithvi has just come to Maharashtra and I don't feel that he is coming from some other region. All kids have played with Prithvi in the under-19 age groups, and so many boys shared the dressing room with him - so everyone have been welcoming towards him. Ruturaj has been working really hard on himself, as he wants to be perfect in every department. It was so motivating for the players that he and Prithvi shared their experiences and how can they go towards achieving the targets for this new season. Fourteen state units have signed up this year, along with two TNCA teams - the Presidents XI and TNCA XI. The attraction is not financial: the winners receive Rs 3 lakh, the runners-up Rs 2 lakh. Rather, it is about preparation, match readiness, and fine-tuning combinations. Fallah also highlighted the demanding Chennai conditions players will have to adjust to during the competition. Lots of our boys from Maharashtra do go and play on red soil pitches in Mumbai anyways. But again, it's the conditions - like Chennai's conditions, are extreme, you play in the heat and it is a nice preparation. I'll give you an example - if you're manufacturing a tyre, you have to put it into a 400 degree so it can sustain in 40 degrees, isn't it? It is same like that here. Buchi Babu is a nice extreme conditions offering tournament where one gets everything from it - fitness part, mentality, and how much can you concentrate in three days? As coaches, we can check on the players who can put lots of effort in the coming season and that's what we are trying to achieve as a team and as an association. This year, we thought, okay, we can participate in it and I'm sure it will surely help for the team combination also, he said. While noting the weather in Chennai is milder as compared to previous years, Shukla warned the conditions will still test players. The red soil is helpful for both spinners and batters. The bowlers will also have to put in some effort. The climate is not as hot as it used to be in Chennai - its better now. But still, it's going to be a challenging game and it's going to be fun. 16 teams are divided into four groups of four each. The league phase matches will be played across three days, with the first innings capped at 90 overs and the second innings to be of 45 overs. The knockouts will revert to a four-day affair with 90 overs per innings. Group winners advance directly to the semifinals. The tournament once attracted a lot of fanfare alongside fellow traditional red-ball tournaments - Moin-ud-Dowlah Gold Cup in Hyderabad and the KSCA Invitational in Bengaluru. While the Hyderabad competition is long gone and the KSCA tournament scaled down, the Buchi Babu competition stands as a vital platform - offering players a rare chance to sharpen skills, test their squads depth and toughen up themselves for the red-ball grind that lies ahead in the domestic season. Buchi Babu Invitational tournament groups Group A: TNCA Presidents XI, Himachal Pradesh, Chhattisgarh, Maharashtra Group B: Railways, Jammu & Kashmir, Baroda, Odisha Group A: TNCA Presidents XI, Himachal Pradesh, Chhattisgarh, Maharashtra Also Read: LIVE Cricket Score Group D: Hyderabad, Punjab, Madhya Pradesh, Jharkhand. Article Source: IANS

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