When Shaurya was released in 2008, it was appreciated for its subject, treatment, performances and writing. One of the film's most memorable moments was the climax monologue delivered by Kay Kay Menon, which added significantly to its impact. Over the years, this monologue has attained cult status. Interestingly, Kay Kay Menon plays the antagonist, Brigadier Rudra Pratap Singh, and his monologue is essentially hate speech. Yet, a section of the audience has begun viewing his character in a positive light, almost as a hero. This has also sparked criticism from several netizens, who find Brigadier Rudra Pratap Singh's views deeply problematic. Bollywood Hungama exclusively spoke to Rahul Bose, who also starred in Shaurya as an Army defence lawyer who ultimately brings Brigadier Rudra Pratap Singh to justice. When asked how he feels about Kay Kay Menon's character being perceived as a hero by a section of the audience, the actor explained, With changing times, the context changes and values change. But my core values have never changed and will never change. Theres no question of feeling. The idea is that bas apna santulan rakho, dont change your basic values of non-violence and love, etc. The world will change one way and then the world will change another way, but I wont. For instance, one day we are told that tomatoes are good for your health. The next day, we are told to avoid tomatoes as they're unhealthy. A day later, we are asked to avoid tomatoes altogether! Rahul continued, As far as I am concerned, in these days and times, when things seem to have changed so radically, its important to know yourself completely, hold on to that reality and let everything else change. But the reality is that some things about you just need to remain the same. So, I have not moved one inch from who I was and what I am. And Ill stay that way. Loading soon: Directed by Rahul Bose Rahul Bose directed Everybody Says I'm Fine (2001) and Poorna (2017). Does he have plans to helm one more film? Rahul confirmed, Yes. I am writing an action film actually! Its a clever film with lot of humour, though its not of the Udta Teer variety. It is something 100% India has not seen before. But its very massy. Also Read: EXCLUSIVE : Rahul Bose on his experience of working with Kabir Bedi in Berlin: There was a lot of understanding and everything just flowed very smoothly
While Diwali falls this year on Sunday, November 8, Ramayana will release three days before the Festival of Lights, on Thursday, November 5. The decision has surprised the trade and industry. After all, the days leading up to Diwali are traditionally considered dull for the movie business. Audiences are busy with last-minute preparations, shopping and festivities, resulting in reduced footfalls. Even on Diwali, collections tend to dip significantly during the evening hours due to Lakshmi Puja. Interestingly, Bollywood Hungama went back in time and discovered that one of Hindi cinema's biggest blockbusters faced a similar situation in 1995 Dilwale Dulhania Le Jayenge. The Shah Rukh Khan-Kajol romantic drama arrived on Friday, October 20, while Diwali was celebrated on Monday, October 23 (though, as per information on the internet, a section of the population celebrated it on Tuesday, October 25). The film emerged as a blockbuster and continues to run even today at Mumbai's iconic Maratha Mandir. However, what many may not know is that Dilwale Dulhania Le Jayenge was far from an extraordinary opener. In fact, among 15 major releases of 1995, it ranked 15th in both opening-day and opening-weekend collections, earning just Rs. 55 lakhs on day one and Rs. 1.56 crores over its opening weekend. Believe it or not, the opening day and opening weekend collections of Dilwale Dulhania Le Jayenge were lower than those of Karan Arjun, Trimurti, Coolie No 1, Gambler, Rangeela, Barsaat, Andolan, Angrakshak, Haqeeqat, Sabse Bada Khiladi, Ram Jaane, Gundaraj, Hulchul and Veergati! This is particularly remarkable considering that several of these films are barely remembered today, while Dilwale Dulhania Le Jayenge went on to become one of the most iconic films in Indian cinema. However, the picture began to change once the Diwali holidays kicked in. The film's collections picked up considerably, helping it climb from the 15th position in opening-weekend collections to the seventh position in first-week collections, with Rs. 3.37 crores. Thanks to the strong weekday business during the post-Diwali holidays, Dilwale Dulhania Le Jayenge managed to overtake Angrakshak, Haqeeqat, Sabse Bada Khiladi, Ram Jaane, Gundaraj, Hulchul and Veergati in first-week collections. And that was just the beginning. The film continued its extraordinary run at the ticket windows and ultimately collected a massive Rs. 53 crores in its lifetime, emerging as the highest-grossing film of 1995 by a huge margin. It remains a classic example of how a film's initial performance during the pre-Diwali period can be misleading and how the real picture can emerge only once the festive holidays begin. Another interesting example is Hum Saath Saath Hain (1999). The Salman Khan-starrer arrived on Friday, November 5, while Diwali fell on Sunday, November 7. The Sooraj Barjatya directorial was released on a grand scale. However, the pre-Diwali period affected its initial collections, which were below their full potential, even though it registered the third-biggest opening of 1999. But once the festive period was over, the film witnessed a substantial jump in business. The collections went from strength to strength, and Hum Saath Saath Hain ultimately emerged as the biggest hit of the year. It now remains to be seen how Ramayana fares during its first four days. However, one thing is certain the film will get an opportunity to showcase its full box office potential from Monday, November 9, when the lucrative post-Diwali holiday period begins. After all, as Dilwale Dulhania Le Jayenge proved 31 years ago that a relatively subdued pre-Diwali opening need not come in the way of creating box office history. A list of top 15 grossers of 1995 and their first day, first weekend, first week and lifetime collections Dilwale Dulhania Le Jayenge First day collections: Rs. 55 lakhs First weekend collections: Rs. 1.56 cr First week collections: Rs. 3.37 cr Lifetime: Rs. 53 cr Karan Arjun First day collections: Rs. 80 lakhs First weekend collections: Rs. 2.24 cr First week collections: Rs. 4.29 cr Lifetime: Rs. 25.29 cr Trimurti First day collections: Rs. 1.06 cr First weekend collections: Rs. 3.07 cr First week collections: Rs. 5.04 cr Lifetime: Rs. 8.58 cr Coolie No 1 First day collections: Rs. 72 lakhs First weekend collections: Rs. 2.07 cr First week collections: Rs. 3.70 cr Lifetime: Rs. 20.33 cr Gambler First day collections: Rs. 72 lakhs First weekend collections: Rs. 2.06 cr First week collections: Rs. 3.46 cr Lifetime: Rs. 7.17 cr Rangeela First day collections: Rs. 71 lakhs First weekend collections: Rs. 2.05 cr First week collections: Rs. 3.73 cr Lifetime: Rs. 20.22 cr Barsaat First day collections: Rs. 68 lakhs First weekend collections: Rs. 1.96 cr First week collections: Rs. 3.67 cr Lifetime: Rs. 19.19 cr Andolan First day collections: Rs. 69 lakhs First weekend collections: Rs. 1.95 cr First week collections: Rs. 3.20 cr Lifetime: Rs. 6.05 cr Angarakshak First day collections: Rs. 69 lakhs First weekend collections: Rs. 1.90 cr First week collections: Rs. 3.10 cr Lifetime: Rs. 5.65 cr Haqeeqat First day collections: Rs. 64 lakhs First weekend collections: Rs. 1.83 cr First week collections: Rs. 3.02 cr Lifetime: Rs. 6.25 cr Sabse Bada Khiladi First day collections: Rs. 65 lakhs First weekend collections: Rs. 1.82 cr First week collections: Rs. 3.15 cr Lifetime: Rs. 9.40 cr Ram Jaane First day collections: Rs. 62 lakhs First weekend collections: Rs. 1.78 cr First week collections: Rs. 3.16 cr Lifetime: Rs. 8.61 cr Gundaraj First day collections: Rs. 61 lakhs First weekend collections: Rs. 1.67 cr First week collections: Rs. 2.87 cr Lifetime: Rs. 5.08 cr Hulchul First day collections: Rs. 59 lakhs First weekend collections: Rs. 1.65 cr First week collections: Rs. 2.80 cr Lifetime: Rs. 5.75 cr Veergati First day collections: Rs. 57 lakhs First weekend collections: Rs. 1.58 cr First week collections: Rs. 2.62 cr Lifetime: Rs. 4.99 cr
Ramayana Part 3 possible? Namit Malhotra's viral video sparks buzz; Ranbir may have leaked plans
The possibility of a third instalment of Ranbir Kapoor's Ramayana has emerged after producer Namit Malhotra revealed that the makers could revisit their original plan depending on how audiences respond to the first two films. While the ambitious adaptation is currently being made as a two-part project, his latest comments have raised questions about whether the epic could eventually become a trilogy.
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Shah Rukh Khan's King strikes gold with Rs 665 crore pre-release haul
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Two hits, Rs 500 crore and counting: Suriya eyes hat-trick in 2026 with Scene
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Aman releases second single Tanha Main backed by Raah Records after debut track Jaadugari
Singer-songwriter Aman has released his second single, Tanha Main, following his debut track Jaadugari. Released under Raah Records, the music label of Yash Raj Films, the new song explores the feeling of missing someone during a temporary separation and the sense of incompleteness that can accompany their absence. Written and composed by Aman, Tanha Main centres on the emotions that surface when someone close is away, even if only for a short time. The song touches upon longing, the need for reassurance and the small insecurities that can emerge when a familiar presence is missing from everyday life. Rather than focusing on the end of a relationship, the track explores a more specific emotion: knowing that someone will return, but still finding it difficult to get through the time apart. Its central theme revolves around how the absence of one person can change the way ordinary moments feel. Tanha Main combines Indie Pop with Indian instrumentation Musically, the track brings together Indie Pop arrangements and traditional Indian instruments. The harmonium forms the foundation of the composition, while the tabla and dholak add rhythmic elements. The sarangi lends another layer to the arrangement, complementing the song's theme of longing. The combination gives Tanha Main an Indian musical character while retaining the melodic approach of independent pop. The instrumentation also supports the song's intimate storytelling, keeping the focus on the emotions at its centre. Aman continues his journey with Raah Records With Tanha Main, Aman follows up on the musical direction introduced through Jaadugari. The two releases mark the early stages of his journey as a singer-songwriter under Raah Records, where he continues to explore personal themes through original compositions. The latest single brings together his songwriting, composition and interest in Indian musical influences, offering another look at the sound he is developing as an independent artist. Also Read:YRFs Raah Records first song Jaadugari out: Aman drops heartfelt song about love, loss and regret
Ramayana 3 on the cards? Namit Malhotra says makers may revisit plans after audience feedback
Could Ramayana eventually expand beyond its planned two-part format? Producer Namit Malhotra has opened up about the possibility of a third instalment of the ambitious mythological saga, revealing that the project was initially envisioned as a trilogy before the makers decided to tell the story across two films. While no decision has been taken, Malhotra indicated that audience response could influence whether the team revisits the format. Speaking to international media during the films recent Los Angeles premiere, Malhotra said the original plan involved three parts, but the creative approach subsequently changed. He also left room for the possibility of further additions once the films reach audiences. So we started out the film, we were going to make it in three (parts), then we decided to make it in two. We're still in the middle of filming, so you know, I'm not going to give any spoilers for anything - but you know, who knows the way, once we get all the response and all the feedback, we may sit back on the table and the drawing board and see if there is anything else that we want to add or subtract, depending on how the world has received it, Namit said. Malhotra also revealed that the makers currently have two versions of Ramayana: Part 1, each with a different runtime. The team is assessing audience feedback to determine whether one version can work for viewers worldwide or whether an extended cut could be considered. He went on to continue, While we say that, we also have two different versions of the same film, but two different run times on one - on part one itself. So, depending on which way the next round of feedback goes, I'd love to not have to make two different versions. I'm sure Nitesh would also prefer that, that if you could just stick to one, one version for the world. #Ramayana Part 3 So there is still a chance of 3rd Part confirm by Namit Malhotra Just look at the smile of Nitesh Tiwari #RanbirKapoor #Yash #SaiPallavi https://t.co/KwvKx7NbJt Prof DK2 (@who_are_u07) November 3, 2026 Drawing a comparison with the extended editions of The Lord of the Rings, he added, I mean, that we can also do. I think we have enough material to warrant a separate version within the same master version - we've got two different run times. So those are the kind of things that we're trying to assess, depending on how audiences really consume this. Directed by Nitesh Tiwari, Ramayana: Part 1, subtitled Rise of a Legend, stars Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita, Yash as Ravana, Sunny Deol as Hanuman and Ravie Dubey as Lakshman. Produced by Malhotras Prime Focus Studios in collaboration with DNEG and Monster Mind Creations, the film features an original score by Hans Zimmer and A.R. Rahman. It is scheduled for a worldwide theatrical release on November 5, 2026, in standard and IMAX formats. Also Read: Ramayana: Bombay High Court grants anti-piracy protection to Ranbir Kapoor starrer ahead of November 5 release
In an era when theatrical audiences are becoming increasingly fragmented, Bollywood faces an unusual problem. A film that appeals to teenagers may not necessarily attract their parents. An action spectacle that draws young adults may struggle to bring senior citizens to cinemas. Meanwhile, family dramas that appeal to older viewers may not generate the opening-weekend excitement associated with major event films. But what happens when a film has the potential to attract all these audiences simultaneously? That is one of the most interesting possibilities surrounding Nitesh Tiwari's Ramayana: Part One. With Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita and Yash as Ravana, the film combines a familiar cultural narrative with the promise of large-scale theatrical spectacle. It could become one of those rare cinematic events where grandparents, parents and children all want to watch the same film. And if that happens, the commercial implications could be enormous. Bollywood's forgotten audience: The entire family Over the years, the economics of Hindi cinema have increasingly revolved around opening-weekend collections, premium ticket prices and the ability to attract younger moviegoers. Action entertainers and star-driven spectacles often generate enormous initial demand, particularly among audiences who prefer to watch major releases during the first few days. But family audiences behave differently. A family outing requires coordination. Parents must consider children's schedules, senior citizens' comfort, show timings, travel arrangements and ticket affordability. Such audiences may not necessarily rush to the first available show. Instead, they could contribute to collections over a longer period, particularly during holidays and weekends. This is where Ramayana could possess an unusual advantage. The familiarity of the story means that multiple generations may have their own reasons to watch it. Grandparents may be emotionally connected to the epic. Parents may remember earlier adaptations. Younger viewers may be attracted by the stars, visual effects and cinematic scale. The film could therefore create a shared motivation for a family outing. The Diwali advantage The release timing adds another interesting dimension. Ramayana is scheduled to arrive just before the Diwali holiday period, when families traditionally spend more time together. This creates an opportunity for the film to attract viewers who may not ordinarily visit cinemas frequently. A major theatrical release during a festive period can become part of a larger family outing, particularly when the subject is familiar across generations. However, the timing also creates challenges. Pre-Diwali days can be affected by shopping, travel, household preparations and other commitments. Consequently, the film's opening-day collections may not fully reflect its eventual family-audience potential. A stronger indication could emerge during the holiday period, when viewers have greater flexibility to attend cinemas together. This makes the film's performance beyond the opening weekend particularly interesting. The 3,170 ticket-price problem There is, however, a significant obstacle to the family-blockbuster theory. Ticket affordability. Premium-format ticket prices for Ramayana have attracted considerable attention, with some high-end seats reportedly priced above 3,000. For an individual enthusiast, paying a premium to experience a major spectacle may be an acceptable indulgence. For a family of four or five, the economics are very different. Four tickets priced at 3,170 would cost 12,680 before food, beverages, parking or transportation. Even tickets priced at 500 each would amount to 2,000 for a family of four. The difference is substantial. This raises a crucial question. Could aggressive premium pricing maximise revenue from affluent audiences while discouraging the larger family groups that might otherwise contribute to sustained collections? The answer will depend on the availability of reasonably priced shows, the balance between premium and standard screens, and the film's appeal across different cities. A genuine family blockbuster cannot depend exclusively on expensive premium formats. It needs broad accessibility. Why footfalls could matter more than gross collections One of the most important distinctions in box-office analysis is the difference between revenue and attendance. A film can generate substantial collections through high ticket prices without necessarily attracting a record number of viewers. For Ramayana, footfalls could be an especially revealing measure of success. If the film draws large family groups across multiplexes and single-screen cinemas, it could demonstrate a breadth of appeal that is not always visible in opening-day revenue figures. Consider two hypothetical scenarios. It is possible for a film to achieve extraordinary revenue without achieving equally extraordinary audience penetration. Can Ramayana revive repeat viewing? Another intriguing possibility is repeat attendance. Traditionally, some of Indian cinema's biggest hits benefited from audiences returning to cinemas multiple times. Today, the abundance of entertainment options and the relatively short gap between theatrical and digital releases have changed viewing habits. However, major cinematic spectacles can still generate repeat attendance when audiences feel that the experience is worth revisiting. Ramayana could potentially benefit from this behaviour. Repeat viewing will ultimately depend on the quality of the film and the strength of word of mouth. The importance of emotional accessibility For Ramayana to become a genuinely multi-generational event, it must deliver more than spectacular visuals. The storytelling needs to be accessible to children without feeling simplistic to adults. The emotional conflicts must engage older viewers without appearing excessively slow to younger audiences. The action sequences must be exciting, while the character relationships must provide sufficient emotional depth. This is a difficult balance. A film that satisfies only the expectations of spectacle-seeking viewers may struggle to attract older audiences. Conversely, a treatment that feels too traditional may not generate the enthusiasm needed to sustain premium-format demand. The ideal outcome would be a film that allows different generations to connect with different aspects of the same story. The opportunity beyond the metros The family-audience opportunity also extends beyond Mumbai, Delhi, Bengaluru and other major metropolitan markets. In smaller cities and towns, the Ramayana enjoys widespread cultural recognition, and the film could attract audiences who do not regularly watch expensive large-scale theatrical productions. A strong performance in Tier 2 and Tier 3 markets would provide important evidence that the film's appeal extends beyond premium urban audiences. Could Ramayana become one of Indian cinema's defining multi-generational theatrical events? The opportunity certainly exists. The story possesses extraordinary familiarity. The casting combines major stars from different industries. The visual ambition could attract younger audiences, while the emotional and cultural significance of the epic may appeal to families and older viewers. But the ultimate outcome will depend on two factors: whether the film delivers a satisfying experience and whether audiences can afford to watch it together. After years of increasingly fragmented theatrical audiences, Ramayana has the opportunity to remind Bollywood of something it once understood exceptionally well. Sometimes, the biggest blockbuster is not the film that attracts the loudest opening-day crowd. It is the film that gives an entire family a reason to return to the cinema together. Also Read: Ramayana faces a BIG test in China: Why Bollywoods former GOLDMINE has changed and what Ranbir Kapoors epic needs to succeed
Ayushmann Khurrana has built his filmography around stories that often step away from conventional Bollywood templates while retaining their mainstream appeal. From making his debut with Vicky Donor to starring in films like Shubh Mangal Saavdhan, Andhadhun and Dream Girl, the actor has explored different genres and subjects. With Udta Teer, Yeh Prem Mol Liya and Mupapa adding to his upcoming slate, Ayushmann says he intends to continue backing stories that offer audiences something different. Speaking about his approach to choosing projects, the actor emphasised that experimentation has remained central to his journey. I have always believed in walking the road less travelled. Whether it is from Vicky Donor, Shubh Mangal Saavdhan, Dream Girl, Andhadhun to Udta Teer, Yeh Prem Mol Liya or Mupapa, my choices continue to reflect that and I want to keep exploring stories that are content-forward and break away from the expected. It is the audience's trust in my choices that gives me the confidence to take risks and the freedom to experiment, challenge myself and move between genres. Ayushmanns filmography has included social comedies, romantic dramas and dark thrillers, allowing him to move between different storytelling spaces rather than remain associated with a single genre. At a time when franchises, large-scale spectacles and familiar formulas continue to occupy a significant space in the industry, the actor believes there is still room for films that take a different approach. He also spoke about the importance of balancing unusual premises with entertainment, adding that audience acceptance ultimately encourages him to keep experimenting. As an actor, I have always wanted to be part of films that offer them something new while keeping entertainment at the heart of it. The love Udta Teer continues to receive is humbling, and it only tells me that audiences are always ready for something different. They will embrace a fresh perspective, an unusual premise or a new way of storytelling, as long as it entertains and connects with them. I'm thankful to every director, writer and team that has trusted me with these stories, and to the audience for showing that unconventional stories can find a place in mainstream entertainment, he added. With Udta Teer receiving attention and Yeh Prem Mol Liya and Mupapa representing different facets of his upcoming work, Ayushmann continues to explore varied narratives. His latest comments underline his intention to keep choosing projects that combine distinctive storytelling with theatrical entertainment. Also Read: Ayushmann Khurrana, Tahira Kashyap already welcome Diwali season in glamorous ethnic looks: End October and early November is full of butterflies
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Ramayana enters Rs 100 crore club already, eyes Rs 1000 crore
Hyderabad: The wait for Ranbir Kapoors much-awaited portrayal of Lord Ram is almost over, and the excitement surrounding Ramayana: Part One is now translating into big numbers at the box office. With just two days left for its grand worldwide theatrical release, the epic has crossed the Rs 100 crore mark in global advance bookings, Get the latest updates in Hyderabad City News , Technology , Entertainment , Sports , Politics and Top Stories on WhatsApp & Telegram by subscribing to our channels. You can also download our app for Android and iOS .
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Aren't you Rama? Yash reveals son's dilemma over his Ravana role in Ramayana
Aren't you Rama? Yash reveals son's dilemma over his Ravana role in Ramayana
The birthday of Shah Rukh Khan on November 2 saw wishes pour in from colleagues and friends across the film industry. Among the messages that caught fans attention was Kareena Kapoor Khans birthday post for the superstar, which has fuelled speculation about her possible appearance in his upcoming action thriller, KING. Taking to Instagram, Kareena shared a silhouette photograph featuring herself alongside Shah Rukh Khan. Accompanying the picture was a birthday message that read, Happy Birthday King The forever Ruler of the kingdom. She followed it with another line that particularly caught the attention of fans: Let's dance together... Can't wait. 24-12-26. The reference to December 24, 2026, is significant as it is the scheduled worldwide theatrical release date of KING. Kareenas message has prompted speculation that she could be part of a special dance number in the film. However, the makers have not officially announced her involvement or shared details about the reported track. The post also drew reactions from members of the film fraternity. Kareenas sister, Karisma Kapoor, responded with, Cant waitttt. Gauri Khan, who is producing KING, added to the excitement with her comment, Its going to be insane. Her response further fuelled curiosity around the possibility of Kareena and Shah Rukh sharing screen space again. View this post on Instagram A post shared by Kareena Kapoor Khan (@kareenakapoorkhan) The two actors have previously worked together in films such as Asoka (2001), Kabhi Khushi Kabhie Gham... (2001) and Ra.One (2011). Their on-screen pairing has remained familiar to audiences, making the prospect of another collaboration an interesting talking point among fans. Directed by Siddharth Anand, KING is jointly produced by Red Chillies Entertainment and Marflix Pictures. Shah Rukh Khan plays the titular role, with the cast also featuring Suhana Khan, Abhishek Bachchan as the primary antagonist and Deepika Padukone in an extended appearance. Jaideep Ahlawat and Raghav Juyal are also part of the ensemble. The action thriller is scheduled to release worldwide in cinemas on December 24, 2026. While Kareenas Instagram post has added to the anticipation surrounding the film, an official confirmation of her reported dance collaboration is awaited. Also Read: Abhay Verma recalls best day of his life after sharing screen with Shah Rukh Khan in King
Pratap: Amit Sadh starrer gets a custom-built jail set in Bhopal to recreate the films prison world
The makers of Pratap, starring Amit Sadh in the lead, have recreated a jail in Bhopal as part of the films production design. Rather than relying entirely on existing locations, the team constructed a dedicated set to bring greater authenticity to the prison environment, which plays an important role in the films narrative. Written and directed by Sachin Saraf, Pratap follows a decorated encounter specialist whose life takes an unexpected turn, eventually placing him on the other side of the law. With the story moving into a prison setting, the makers felt that creating a space specifically for the film would help establish the atmosphere required for the narrative. The production team undertook the construction of the jail set in Bhopal, paying attention to its structure, surroundings and finer details. The approach also gave the filmmakers greater creative control over the environment, allowing them to design the space according to the requirements of the story. Speaking about the decision, director Sachin Saraf said, We wanted the world of Pratap to feel as authentic as possible. The jail plays an important role in the films narrative, and recreating the environment in Bhopal gave us the freedom to design the space according to the requirements of the story. A lot of thought and effort went into getting the detailing right because we wanted the setting to feel believable on screen. The specially constructed set was also intended to provide the cast with an environment that complemented the circumstances their characters experience in the film. The makers believe that the attention given to the setting would contribute to the overall visual treatment and help establish the world in which the story unfolds. Pratap features Amit Sadh alongside Esha Deol, Tigmanshu Dhulia, Seema Biswas and Milind Gunaji. The film is produced by Pradeep Rangwani under the banner of UV Films and is scheduled for a theatrical release on November 20, 2026. With the release date approaching, the newly revealed production detail offers a glimpse into the work undertaken by the team to recreate the films central setting. Also Read: EXCLUSIVE: Amit Sadh calls his Pratap character Mike Tyson of police force; admits BO success matters to him more than ever: I am told even Instagram followers matter. Toh yeh toh box office hai yaar!
Less than a week is left for the release of Ramayana, and the trade and industry are eagerly waiting to see whether the film will live up to the gigantic expectations. Though touted as a Diwali release, the film arrives in cinemas on November 5, four days before the festival. Over the years, filmmakers have preferred to release their films either on Diwali or a day later, as the post-Diwali holiday is considered one of the most lucrative days at the box office. Interestingly, for Ramayana, this all-important day will fall on its fifth day of release. Trade veteran Taran Adarsh explained, This is a time when a lot of people are busy with festivities, ghar ki safaai, shopping, etc. Hence, theres a perception in the industry that this is a time when people dont go to watch movies. However, I believe that theres a strong section of moviegoers that would go and watch a film like Ramayana. It is so beautifully timed and is the most appropriate release for this season. Vishek Chauhan, owner of Roopbani Cinema in Purnia, Bihar, opined, Theres a pre-Diwali effect as people are busy with the festivities. The makers could have released the film on November 7 or November 8, closer to Diwali. Thats because the day after Diwali is the biggest at the box office. But probably the makers are confident of the product and of the opening that it would take. Advances are good to great so far. If it manages to sell 6 lakh tickets before release at the highest possible ATP, then you are easily looking at a Rs. 100 crore plus day. He also said the decision has been a godsend for exhibitors like him, Ramayana is now releasing 4 days before Diwali. Had it come on November 9 instead of November 5, I may have had to shut shop until Ramayanas release, as the holdover releases are now coming to the end of their run. Thanks to Ramayana, Ill be making money even before the festival. So, exhibitors are happy. Meanwhile, the producers get an extended festive first week. Its a win-win situation from that perspective. He added, Normally films are released on Diwali or a day after. Hence, its a gutsy move on the part of the producers. Trade analyst Atul Mohan clarified, I wont call this pre-Diwali. The film is releasing in the Diwali week. Diwali falls on Sunday while the film releases 4 days before, on Thursday. He continued, Ramayana is such a topic that every parent would want their child to watch it. We all know what the story is. But now, with the advent of technology, makers can make it visually appealing. This advantage was not there. Yet, the makers of the TV show Ramayan did a commendable job. Now, VFX makes things easier in making visually appealing cinema. Ranbir Kapoor is one of the biggest stars. These factors have gone in favour of the film. Distributor and exhibitor Raj Bansal agreed, In the earlier versions of Ramayan, popular actors didnt play the lead roles. But in this film, we have Ranbir Kapoor and Yash, who are immensely popular, being cast as Lord Rama and Ravana. Meanwhile, who can be better for the role of Lord Hanuman than Sunny Deol? This will be a major advantage for the film and will also entice those who may not be followers of the epic, Ramayana, or those belonging to other religions. However, he admitted, The labour class and families are busy with the celebrations. That keeps them away from cinemas on Diwali and before. The same effect is also seen during Ramzan. Also Read: Dhurandhar The Revenges Rs. 100 crore single-day feat is Ramayanas FIRST TARGET! Trade predicts EXPLOSIVE collections: You will see mayhem in cinemas
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Watch the Official Promo from Hindi movie 'Ramayana' starring Ranbir Kapoor, Yash, Sai Pallavi, Ravi Dubey and Sunny Deol. 'Ramayana' movie is directed by Nitesh Tiwari. To know more about 'Ramayana' Promo watch the video. Check out the latest Hindi Promos, new movie Promos, trending Hindi movie Promos, and more at ETimes - Times of India Entertainment.
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Ranbir Kapoor, Sai Pallavi, Yash Go Casual For Ramayana London Promotions. See Pics
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Rs 100 crore advance booking for Ramayana, Dhurandhar 2 record in sight
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Earlier this year, Sab TVs Taarak Mehta Ka Ooltah Chashmah entered its name in the Guinness Book of World Records for being the longest running sitcom on Indian television after completing 18 years and over 4800 episodes after the first episode aired in July 2008. Mandar Chandwadkar is one of the actors who has been constant on the show since its inception. He is known for playing the iconic character of Aatmaram Tukaram Bhide, the ekmeva secretary of Gokuldham Society. In an exclusive chat with Bollywood Hungama, Chandwadkar candidly looked back at his journey with the show and shared some interesting bits about the behind the scenes happenings while shooting at TMKOCs iconic sets at Mumbais Film City. Taarak Mehta Ka Ooltah Chashmah has completed 18 years. You have completed 18 years while playing Atmaram Tukaram Bhide. How do you look at your journey so far? The journey has been in different phases. When I had just joined, there was a feeling of a struggler getting a daily soap. At that time, it was important to get a daily soap, so that you start earning a fixed income. I felt good then. The character was also such that there was scope for performance. In those days, there were a lot of female-oriented shows like Kyunkii Saas Bhi Kabhi Bahu Thi, Kahaani Ghar Ghar Kii and Kasauti Zindagi Kay where male characters hardly got a chance to do anything. At that time, this show came out where every character had an equal scope to perform. In 2010, we realized that there is something in this show that the audience is admiring and finding funny. However, such themes have also been explored before. But the special thing about this show is that it shows unity in diversity, just like our country India. Asit Kumar Modi came up with this chamatkar by adapting Taarak Mehtas Duniya Ne Undha Chashma. We have our writers who come up with different stories and characters; every character has a caricature hidden inside. For example, every society has one Jethalal, who doesnt give maintenance on time, is happy and doesnt take tension but problems always find him. There is also Daya, who is a very different type of a lady. Disha (Vakani) played that character wonderfully. Then there is Bhide, who vows by his principles. He doesnt like unnecessary spending. Popatlal is eager to get married since years but its not happening. Sodhi family has an amazing combination of Punjabi and Parsi. Similarly, nobody can think of a combination of Babita and Iyer. Then came a time when we realized that this is responsibility wala kaam and we need to keep it up. We kept on improving year after year. I got to learn a lot from Dilip (Joshi) bhai (who plays Jethalal) as a senior actor. Then Asit bhai showed more trust in Bhide and family, so he started creating stories revolving around them. The audience showered us with love from day one till today. Two generations have grown up but this shows magic still sustains. There are people who dont eat their meals without watching TMKOC. People who used to stay in separate rooms started coming together to watch this show. Do you recall the moment when you got selected for the show back then? Absolutely! I had given an audition in 2008, which was like any other audition. At that time, there were no online auditions. My co-star Sonalika Joshi (who plays Madhavi) had referred 2-3 actors for the show, including me. I was in Indore, so I took a flight and came to Mumbai, as there was an urgency. I met Asit bhai and our earlier director Dharmesh Mehta, who took my audition. Asit bhai must have given green signal to him as he would have liked. So, I was okayed then itself. This was a big thing for me. How did you get into the character of Bhide for the first time? What was your preparation like? There wasnt a preparation process as such. I just kept on learning basically. Taarak Mehta wrote Duniya Ne Undha Chashma for years but, being a Maharashtrian, I wasnt aware of it. Just like PL Deshpande is to Marathi, Taarak Mehta is to Gujarati. He used to observe and write. He also created fictional characters like PL Deshpande did. I understood and realized what they want and I gradually kept on learning. Asit bhai helped me a lot in understanding what exactly they want in the character. At that time, Taarak bhai was also associated with us. He used to watch all the episodes. Initially, he didnt understand and like it much but after one or one and a half year, Asit bhai told me that Taarak bhai has now started liking my character. It was an achievement for me that the writer who made this character has started liking it. In a humorous show like yours, do the actors improvise or strictly stick to the script? We have been given a lot of freedom by Asit bhai. The writers have been doing their work 100%. While reading, we add some tadka from our side. But we will be able to add tadka only if we have something (in the writing). The main plus point of the writers and Asit bhai is the atrangi ideas they bring. For example, a whistle being stuck in Bhides throat, Haathi bhai being stuck inside a rickshaw, my moustache getting stuck on my face, Jethalal getting involved in funny problems, etc. These are next level ideas. They already have humour. We just see what we can do with it while performing. All of you are tasked with bringing out six episodes per week, which involves a lot of shooting. Do you all get time to watch your own show? We surely do. In todays times, technology has gone so ahead that we are able to see it anytime on Sony LIV. Its not necessary that we watch only at 8:30 pm. When we are at home, we watch with everyone. If not, we watch whenever we get time. But we surely watch. I definitely do, so that I realize how better I could have done in a scene. Even after 18 years I feel like, There was a punch missing. I will make sure next time. Is the atmosphere on the sets as light-hearted as the show? Its the same light-hearted. There is no tension and pressure about anything. We have such creative freedom. Today, in every other serial (on other channels), there is an interference by the channel on how a scene is shot and even when it comes to the choice of curtains and tea cups. But by the grace of God, we dont have any such restrictions. We have such creative freedom that if we feel this character wont speak like this, we are allowed to change that. We dont need anyones permission. Thats because we have been fully into our characters all these years. What are the similarities between Aatmaram Tukaram Bhide and Mandar Chandwadkar? There is only one similarity. I am very disciplined in real life, just like Bhide. But the way Bhide thinks so much before spending money is not something that I do (laughs). In the show, there is a playful leg-pulling between your character and Jethalal. How is your bond with Dilip Joshi in real life? We share a very good bond. I personally have been a fan of Dilip bhai as I have seen a lot of his serials like Kya Baat Hai, Yeh Duniya Hai Rangeen, etc, when I was a struggler. I really like how he deeply observes his characters and gets into them. I got to see that from close quarters after joining this show. We share the same room and have our meals together. The observation continues round the clock of how he works on his character. TMKOC has a lot of characters but not a single saas (mother-in-law). Have you all ever discussed this? No, there has never been a discussion about this. Thats because people have seen that a lot in all these years. Even today, every second serial is about that; it has a saas along with bahu, son and daughter. Thats why people actually dont miss that there is no saas here. But you must have noticed that all these years, there has been Jethalals saas (who is never shown). They keep speaking about her and she gives funny nicknames to Jethalal. Do you keep getting acting offers for other projects? I never feel the need. An artist should feel satisfied. If the job which you are doing has satisfaction, you dont need anything else. When I shoot 12 hours here daily, I am absolutely satisfied as an actor. And its a responsibility; its a daily soap. The show has been successful because every actor has been dedicated towards the show. You wont find any of them in any other serial. Thats because Asit bhai has kept such a bonding intact. On a lighter note, will Popatlal get married first or Tapu? (laughs) As Bhide, I am not at all concerned about Tapus marriage. I just want Sonu to be married off. But not with Tapu I guess That is for sure (laughs). Also Read: Taarak Mehta Ka Ooltah Chashmah: Why did Vishwasur exclude Tapu Sena from Navratri celebrations?
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