Keerthy Suresh is set to explore a different side of her acting with Akka, Netflixs upcoming gangster drama in which she plays Bhavani, a powerful woman navigating questions of loyalty, legacy and revenge. The actress, known for her performances in Mahanati, Saani Kaayidham, and Dasara, has revealed that the role pushed her into unfamiliar territory. Before Akka, I didn't know I could play a female gangster, Keerthy said, reflecting on her experience of stepping into the character. Bhavani belongs to the world of Pernuru, a kingdom where women have ruled and protected their own for generations. In this setting, power is inherited, loyalty is central to survival, and protecting a legacy often comes with difficult choices. Speaking about what makes her character compelling, Keerthy said, Bhavani is a woman who knows what she stands for and will go to great lengths to protect her legacy, Keerthy shares. What makes her interesting is that beneath her strength and authority are choices that are never easy, especially when the stakes are so high. The series places Bhavani at the centre of a conflict that threatens to disrupt the established order of Pernuru. Radhika Apte plays Rudra, an outsider whose ambitions and beliefs challenge the kingdoms existing power structure. Their rivalry sets the stage for a confrontation that extends beyond competing claims to authority, with loyalties and long-standing traditions facing a test. Through Bhavani, Akka explores the pressures that accompany power and the personal compromises involved in protecting a legacy. The characters strength is balanced by the difficult decisions she must make as the conflict escalates, placing her beliefs and relationships under pressure. Written and directed by Dharmaraj Shetty and produced by YRF Entertainment, Akka also stars Tanvi Azmi, Mahesh Manjrekar, Anshuman Pushkar and Monica Panwar. The series will premiere on Netflix on October 30, 2026. With Keerthy taking on the role of a female gangster for the first time in her career, Akka marks a new addition to her diverse screen repertoire. Also Read: Akka teaser out: Netflix CONFIRMS October 30 premiere for Keerthy Suresh and Radhika Apte-starrer
The 4th edition of Pinkathon Day witnessed the participation of 4,000-plus women in Mumbai from 54 locations, bringing them together through a shared commitment to physical fitness. Organised by Pinkathon, India's biggest women's running movement, the event saw participants take part in a 3 km run beginning at 6:00 AM, encouraging women to incorporate physical activity into their everyday lives. Mutual Funds Sahi Hai was the Title Partner of this year's edition. The city's participation was part of a wider effort that brought together over 10,000 participants across 168 locations in 65 cities in three countries: India, Bangladesh and the Netherlands. The initiative continued Pinkathon's efforts to build local running communities and encourage women across age groups and fitness levels to embrace an active lifestyle. Family participation was another highlight of this year's edition, with major participants across the initiative joining alongside their family members. Among the participants was a 96-year-old woman who took part with her family, demonstrating how fitness can bring generations together. Venkat N. Chalasani, Chief Executive, Association of Mutual Funds in India (AMFI), said, Through our association with Pinkathon Day, we aim to encourage women to take an active role in managing their finances and securing their financial future. Just as regular physical activity contributes to long-term health, informed financial decisions and disciplined investing can help build financial resilience and enable women to pursue their long-term goals with confidence. He added, With participants coming together across 168 locations in 65 cities and three countries, Pinkathon Day provides a valuable platform to connect womens physical well-being with financial awareness. At AMFI, we believe that financial inclusion goes beyond access to financial products; it is about equipping women with the knowledge, confidence and opportunity to make informed financial decisions, participate meaningfully in the financial system and work towards greater financial security and independence. Milind Soman, Founder of Pinkathon, said, Every edition of Pinkathon Day is an opportunity to see how local communities can come together around a shared goal. The participation across cities reflects the efforts of our ambassadors, volunteers and running groups who encourage women to take that first step towards fitness. What matters now is for participants to carry this momentum into their everyday lives and find ways to stay active beyond the event. Building a healthier lifestyle is a continuous journey, and we hope Pinkathon Day inspires more women to make it a priority. The event was supported by Pinkathon's network of ambassadors, volunteers and local running communities, who helped bring participants together across locations. Through these community-led efforts, Pinkathon continues to encourage women to begin their fitness journeys and sustain healthier habits beyond organised events.
For decades, Hollywood has dominated the market for large-scale cinematic spectacles. From Star Wars and The Lord of the Rings to Avatar and the Marvel Cinematic Universe, American studios have mastered the art of transforming extraordinary fictional worlds into multibillion-dollar entertainment properties. Indian cinema has produced its own spectacular successes, particularly with Baahubali, RRR, KGF and several other ambitious productions. But with Ramayana: Part One, the industry is attempting something particularly audacious. It is taking one of the world's oldest and most culturally significant epic narratives and presenting it as a technologically ambitious, multi-part theatrical spectacle. The project raises a fascinating question. Could Ramayana become India's answer to Hollywood's biggest fantasy franchises? And more importantly, should Hollywood be paying attention? India already possesses something Hollywood spends billions trying to create One of the biggest challenges facing entertainment companies is developing intellectual property that audiences recognise and care about. Hollywood studios invest enormous sums in building cinematic universes, introducing characters, establishing fictional worlds and persuading audiences to return for sequels. Ramayana begins with an extraordinary advantage. Its characters and central narrative have existed in cultural memory for centuries. The epic has inspired literature, theatre, television, music, art and countless retellings across different countries and traditions. For millions of people, Rama, Sita, Lakshman, Hanuman and Ravana are already familiar figures. In commercial terms, that is an extraordinary foundation for a major cinematic project. The makers do not need to create awareness of the underlying story among Indian audiences. They need to persuade viewers that their interpretation is worth experiencing on the big screen. However, this advantage is accompanied by a unique responsibility. Unlike an entirely fictional cinematic universe, the Ramayana carries profound religious and cultural significance. Its characters cannot be treated simply as commercially exploitable intellectual property. The challenge is to combine the ambitions of a global blockbuster with sensitivity towards the traditions from which the story emerges. The Avatar comparison: Technology must create emotion James Cameron's Avatar franchise established new benchmarks for visual effects, immersive world-building and theatrical spectacle. But its success cannot be explained by technology alone. Audiences were drawn into Pandora because the visual environment supported the characters, conflicts and emotional journey. For Ramayana, the technological ambition is similarly important. The involvement of Prime Focus Studios and DNEG has generated expectations of sophisticated visual effects and elaborate cinematic environments. Ayodhya, Lanka, forests, palaces, extraordinary creatures and large-scale battles provide immense opportunities for visual storytelling. Yet the lesson from Avatar is that technical sophistication must create immersion rather than merely showcase expensive imagery. A spectacular digital environment means little if audiences do not believe in the characters inhabiting it. The real test will be whether viewers become emotionally involved in the story rather than simply admiring the scale of its production. The Lord of the Rings comparison: The importance of world-building Peter Jackson's The Lord of the Rings trilogy offers another useful comparison. The films succeeded partly because Middle-earth felt like a coherent world with its own history, geography, cultures and visual identity. The filmmakers devoted extraordinary attention to costumes, architecture, landscapes, weapons, languages and the smallest details of the fictional universe. Ramayana presents a comparable challenge, although its source material and cultural context are fundamentally different. The filmmakers must establish distinctive visual identities for Ayodhya and Lanka, create convincing environments and ensure that the world feels internally consistent. The audience should be able to understand the differences between these places through their architecture, atmosphere, design and storytelling. This is particularly important for viewers unfamiliar with the epic. A strong cinematic world can make an unfamiliar narrative accessible without requiring lengthy explanations. But the comparison with The Lord of the Rings also highlights another crucial factor. World-building succeeds when audiences feel that the environment is real within the logic of the story. Expensive sets and elaborate visual effects cannot compensate for an inconsistent cinematic vision. The financial equation: Bigger isn't always better Hollywood's largest franchises are supported by sophisticated commercial ecosystems. Their revenue comes not only from theatrical collections but also from streaming, television, licensing, merchandise, games and long-term franchise exploitation. A film's worldwide gross is only one component of its financial performance. For Ramayana, the economics of such an ambitious project deserve close examination. The scale of the production implies substantial financial expectations. But reported budgets must be interpreted carefully, particularly when expenditure may cover multiple instalments, shared assets and long-term production infrastructure. A project can achieve enormous box-office collections and still face profitability challenges if costs are exceptionally high. Conversely, investments in visual assets, technology and production infrastructure may deliver benefits across sequels or future projects. This is where the comparison with Hollywood becomes especially relevant. The world's biggest studios do not merely produce expensive films. They build commercial systems that can generate returns over many years. Whether Ramayana can create a comparable long-term model will depend on far more than its opening weekend. The sequel challenge A major advantage of a multi-part cinematic project is the possibility of building anticipation across instalments. Baahubali: The Beginning demonstrated how a compelling narrative cliffhanger could transform a sequel into a nationwide event. The Lord of the Rings showed how a sustained creative vision across multiple films could deepen audience engagement. For Ramayana, the first instalment must achieve two objectives simultaneously. It must deliver a satisfying theatrical experience in its own right while creating anticipation for the continuation. If audiences leave feeling that they have watched an incomplete film rather than a compelling chapter of a larger story, the sequel strategy could become a disadvantage. On the other hand, if the first instalment establishes memorable characters, a convincing world and powerful emotional stakes, the next chapter could benefit from substantial built-in demand. Why Hollywood should pay attention The significance of Ramayana extends beyond whether it matches the collections of Avatar or The Lord of the Rings. The larger question is whether major cinematic spectacles must continue to emerge predominantly from Hollywood. India possesses a vast storytelling tradition, a large domestic theatrical market, increasingly sophisticated production capabilities and audiences willing to support ambitious films. If Ramayana demonstrates that these advantages can be combined into a globally successful franchise, it could encourage more large-scale productions rooted in Indian stories. That would not necessarily threaten Hollywood's dominance overnight. But it could broaden the industry's understanding of where globally marketable cinematic properties can originate. There is also a creative opportunity. Rather than imitating Hollywood's storytelling formulas, Indian filmmakers could introduce international audiences to narrative traditions, visual identities and emotional sensibilities that feel genuinely different. That distinctiveness may ultimately prove more valuable than attempting to replicate an American blockbuster. The final verdict It would be premature to call Ramayana India's Avatar or The Lord of the Rings. Those franchises earned their reputations through their films' execution, audience response, commercial success and long-term cultural influence. Ramayana has yet to undergo those tests. But the ambition itself is significant. For years, Indian cinema has looked towards Hollywood for benchmarks in visual effects, production scale and international distribution. With Ramayana, the industry has an opportunity to demonstrate that its own stories can support cinematic spectacles of comparable ambition. The question is not whether India can spend enough money to compete with Hollywood. It is whether Indian filmmakers can combine technology, storytelling and cultural authenticity to create something that global audiences have never experienced before. Hollywood doesn't need to fear Ramayana. But it may have a very good reason to watch it. Also Read: Is Ramayana benefiting from Adipurushs failure? The surprising advantage nobody is talking about
Filmmaker Karan Johar has marked 10 years of Ae Dil Hai Mushkil by revisiting the films themes of unrequited love, heartbreak and emotional vulnerability. Sharing a video montage featuring moments from the romantic drama, Johar reflected on the personal experiences and beliefs that shaped the story, while acknowledging the polarised responses it received, particularly to its third act. Released in 2016, Ae Dil Hai Mushkil starred Ranbir Kapoor, Anushka Sharma, Aishwarya Rai Bachchan and Fawad Khan. The film explored the complexities of one-sided love and the emotional challenges of loving someone who may not feel the same way. Karan Johar reflects on the meaning of one-sided love In his anniversary post, Johar described Ae Dil Hai Mushkil as a deeply personal story that drew from his own experiences of love, longing and heartbreak. He wrote, Ae dil hai mushkil will always be a personal story to me a cumulation of many pieces of my pursuits of love and longing and perhaps also many of my own heartbreaks. The filmmaker added that, during a vulnerable phase of his life, he came to see one-sided love differently. You dont need to have someone love you back to empower yourself - the feeling itself is so awakening and so so powerful! Johar wrote, explaining that this realisation inspired him to tell the story. He also reflected on what he believes makes love selfless, writing, Loving someone has to be an act of selflessness and we as a community of lovers have to disassociate the I in I LOVE YOU. Selflessness is where true love truly resides I would have still told it the same way even today Johar acknowledged that the film was not without its shortcomings and received divided reactions from audiences. However, he maintained that he would not change his approach to the story if he were making it today. I do admit that it wasnt without its flaws and had several polarised responses especially to its third act. BUT truth be told I would have still told it the same way even today, with its flaws with its perceived imperfections he wrote. No art can be perfect and all interpretation is welcome but conviction has to trump all logic and sensibility when you want to be an unabashed story teller, Johar added. Karan Johar thanks Ranbir Kapoor, Anushka Sharma and the cast Johar also expressed gratitude to the films cast for supporting his vision. He thanked Ranbir Kapoor, Anushka Sharma, Aishwarya Rai Bachchan and Fawad Khan for their performances and contribution to the project. He further acknowledged the cast and crew for creating the right atmosphere during filming, referring to it as the perfect Vatavaran on set. Reflecting on the films legacy, Johar said that while the story centred on ek tarfa pyaar (one-sided love), his appreciation for the people who embraced it remained unconditional. View this post on Instagram A post shared by Karan Johar (@karanjohar) 10 years ago we told a story about unrequited love. The essence of our story was ek tarfa pyaar but the love we have towards all the lovers of our love story is unconditional he wrote. He ended the anniversary note with a line from the films soundtrack, writing, Accha chalta hoon duaon mein yaad rakhna With the anniversary post, Johar revisited not only the films emotional themes but also the creative conviction behind a story that continues to invite conversations about love, longing and the absence of reciprocation. Also Read:Karan Johar to host ELITE most influential 2026 at Oxford University on December 14
Aditi Rao Hydari Birthday Special: 7 ethnic looks that prove her royal fashion game is unmatched
Aditi Rao Hydari has consistently made a case for timeless Indian fashion, with a wardrobe that balances intricate craftsmanship, rich colours and understated elegance. Whether she is dressed in a beautifully embellished saree or a statement lehenga, the actress brings a sense of regal sophistication to her ethnic ensembles. As Aditi celebrates her birthday on October 28, we revisit seven fashion moments that showcase her versatility and eye for traditional dressing. 1. Pretty in Pink Aditi made a striking statement in a bright pink ombre saree featuring intricate embellishments across the drape and its delicate border. She paired it with a matching blouse detailed with golden lace, creating a coordinated look that let the vibrant colour take centre stage. Heavy jhumkas and kadas added a traditional finishing touch, lending the ensemble a celebratory appeal. View this post on Instagram A post shared by Aditi Rao Hydari (@aditiraohydari) 2. A Contemporary Take on Sharara Dressing Giving the classic sharara a playful update, Aditi opted for an embellished short kurta paired with a bandhani sharara. The combination brought together contrasting patterns and textures without making the look feel overwhelming. She kept her jewellery minimal and completed the outfit with golden one-toe heels, allowing the ensemble to strike a balance between traditional detailing and contemporary styling. View this post on Instagram A post shared by Aditi Rao Hydari (@aditiraohydari) 3. Black and Gold Glamour Aditi embraced a more dramatic aesthetic in a black and golden lehenga featuring elaborate detailing. The combination of the deep base colour and gold embellishments gave the ensemble a sophisticated, festive appeal. She styled her hair in a neat bun and added statement jewellery, allowing the outfits craftsmanship to remain the focal point. View this post on Instagram A post shared by Aditi Rao Hydari (@aditiraohydari) 4. Metallic Gold Elegance For a look rooted in understated traditional dressing, Aditi chose a metallic golden kurta suit paired with a black dupatta. The rich finish of the kurta created a striking contrast with the darker drape, while a pair of jhumkas completed the ensemble. The styling demonstrated how a simple silhouette can make an impact through colour, texture and carefully chosen accessories. View this post on Instagram A post shared by Aditi Rao Hydari (@aditiraohydari) 5. Understated Saree Sophistication Aditi brought together neutral tones and intricate detailing in an off-white and beige saree embellished across the drape. Paired with a strappy blouse, the ensemble offered a contemporary take on classic saree dressing. A statement golden neckpiece added definition, while a bold lip introduced contrast to the otherwise muted colour palette. View this post on Instagram A post shared by Aditi Rao Hydari (@aditiraohydari) 6. A Royal Purple Moment A bright purple lehenga brought colour and traditional grandeur to Aditis ethnic wardrobe. She paired the lehenga with an off-white blouse featuring puffed sleeves, creating a contrast that made both elements stand out. The dupatta, finished with a red border, added another layer of colour and complemented the vibrant ensemble. Heavy jewellery completed the look, reinforcing its regal aesthetic. View this post on Instagram A post shared by Aditi Rao Hydari (@aditiraohydari) 7. In Her Gilded Era Aditi leaned into elaborate detailing with a richly worked sharara set featuring a corset-inspired blouse with wavy edges and matching bottoms with similar detailing. The coordinated silhouettes gave the traditional ensemble a distinctive shape, while her loose waves softened the overall look. Statement jewellery provided the finishing touch without taking attention away from the outfit. View this post on Instagram A post shared by Aditi Rao Hydari (@aditiraohydari) From vibrant colours and intricate embellishments to contemporary silhouettes and classic drapes, Aditi Rao Hydaris ethnic fashion choices offer plenty of inspiration for festive dressing. Which of these seven looks is your favourite? Also Read: Aditi Rao Hydari opens up about her emotional scene with Gajraj Rao in Lust Stories 3; says, I find that very wonderful generally in life
Anil Sharma shares Arjun Naga song shoot update; says Shenshah se less nahi hota director set par
Filmmaker Anil Sharma has shared a special update from the sets of his upcoming directorial Arjun Naga, offering a glimpse into the ongoing shoot and revealing that a song featuring music by Himesh Reshammiya has been filmed. Known for directing films such as Gadar: Ek Prem Katha and Gadar 2, Sharma took to social media to share a photograph from the set along with a note reflecting his experience of working on the project. In his post, Anil Sharma wrote, Shenshah se less nahi hota director set par .. ya jab aadmi ke dil ka kam ho toh woh uss woqt apne dil ka Badsaha hota hai (A director is no less than an emperor on set. And when a person is doing work that comes from the heart, they are the king of their own heart at that moment).. while shooting #ARJUNNAGA .. feeling the same .. we shot a song great music by #HIMESHRESHMIYA. The behind-the-scenes glimpse has added to the curiosity surrounding Arjun Naga, which is being developed as a period action drama. The film stars Utkarsh Sharma in the titular role, with Arjun Rampal playing the primary antagonist. Randeep Hooda and Celina Jaitly are also part of the ensemble cast. shenshah se less nahi hota director set par .. ya jab aadmi ke dil ka kam ho toh woh uss woqt apne dil ka Badsaha hota hai .. while shooting #ARJUNNAGA .. feeling the same .. we shot a song great music by #HIMESHRESHMIYA https://t.co/ZsnAuRJB9A Anil Sharma (@Anilsharma_dir) October 27, 2026 Envisioned as a four-part cinematic saga, the project is set against the backdrop of Dubais oil rush in the 1960s. Its story traces the regions transformation following the oil discoveries of 1966, while following a protagonist who rises from extreme poverty to become a powerful and wealthy figure amid intense power struggles. Produced under the banner of Anil Sharma Productions, the first instalment is currently being filmed across Mumbai, Rajasthan and international locations. The film is slated for a worldwide theatrical release in 2027. With shooting underway and a song featuring Reshammiyas music now filmed, Sharmas latest social media update offers a small look at the production as the team works towards bringing the ambitious saga to the big screen. Also Read: Dhurandhar and Ramayana have 2 parts each, but Anil Sharma goes FOUR steps ahead; confirms Arjun Naga will be a four-part saga
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Taapsee Pannu has reflected on building her career in Hindi cinema without the backing of an established industry family, a godfather or a studio. The actress, who has moved between women-led dramas, thrillers and mainstream entertainers, recently spoke about why her professional journey has often been difficult for people to explain, citing her casting in Shah Rukh Khan starrer Dunki as an example. When asked which aspect of her journey makes her the proudest, Taapsee pointed to the fact that her career cannot be attributed to the conventional routes often associated with success in the film industry. She said, How easy is it to say shes successful because she has a godfather, or because shes from that family, or because shes signed by a studio? None of this applied to me. I realised this when I was cast in Dunki. For the longest time, no one could wrap their head around it. How is she in this movie? I wasnt part of Shah Rukh sirs social circle, nor had Rajkumar Hirani ever worked with me before. He had called me to his office once just to ask how Id approached a certain role. Much later, he called to ask if Id be okay hearing the script of Dunki. No one could digest that this had happened. They cannot put me in a box. So, Ive started hearing all sorts of stories about me. Shes difficult, no one wants to work with her, she has this problem, that problem. Because no one knows me, its easy to make up stories. Taapsees account highlights how her casting in Dunki, directed by Rajkumar Hirani and headlined by Shah Rukh Khan, became a point of discussion because she had not previously worked with the filmmaker and did not belong to the superstars social circle. According to the actress, Hirani had first invited her to his office to discuss her approach to a particular role before later asking if she would be interested in hearing the script of Dunki. The actress also addressed the speculation surrounding her personality, suggesting that the absence of personal familiarity can make it easier for people to form their own narratives about her. She believes that her refusal to fit into a predictable category has contributed to the stories circulating about her. Over the years, Taapsee has built a filmography spanning commercial entertainers, thrillers and character-driven dramas. Her choices have frequently taken her across genres, allowing her to explore different roles rather than follow a single, easily defined screen identity. Her latest remarks underline her pride in a career that, as she sees it, has developed without the conventional advantages often associated with access and industry connections. Also Read: Taapsee Pannu on wanting producers to back films on her name: Its been relentless work
Sai Pallavi reveals she has not started shooting for Ramayana Part 2 at the premiere in Los Angeles
Ramayana: Rise of a Legend has begun generating attention following its world premiere in Los Angeles, but it appears the two parts of the ambitious epic were not filmed together. Sai Pallavi, who plays Sita in the Nitesh Tiwari directorial, has revealed that she has not yet started shooting for the second instalment. In a video circulating online, Sai Pallavi was asked by a media person whether the team had shot both parts of Ramayana together. The actor appeared to surprise the journalist with her response, saying, I haven't started filming yet. #SaiPallavi just confirmed that she hasnt started filming for Ramayana Part 2 yet! So its true that Ramayana part 2 will come out in 2028! Her first ever LA premier red carpet for Ramayana premier https://t.co/vM0wBtqYSx Annihilator (@Gargi16191) October 28, 2026 Her brief comment indicates that her portions for Ramayana: Rise of a Legend Part 2 are yet to be filmed. The revelation comes shortly after Part 1 held its world premiere at the David Geffen Theatre inside the Academy Museum of Motion Pictures in Los Angeles on October 27. Ramayana Part 2 is scheduled for 2027 Ramayana: Rise of a Legend is planned as a two-part adaptation of the Indian epic. While Part 1 is scheduled to release in 2026, the second instalment is planned for release in 2027. The project features Ranbir Kapoor as Rama, Sai Pallavi as Sita and Yash as Ravana, with Sunny Deol playing Hanuman. Directed by Nitesh Tiwari, the film is being produced by Namit Malhotra, with Yash also involved in the production. The project brings together Indian and international talent, including composers Hans Zimmer and A.R. Rahman and visual effects company DNEG. The Los Angeles premiere was held as an invite-only 3D screening, with the cast attending the Diwali-themed red carpet. Ranbir, Sai Pallavi and Yash were among the stars who walked the carpet, while several international guests were also present. Sai Pallavi's latest comment provides an update on the production timeline for the second part, suggesting that her work on the sequel is still to begin despite the planned 2027 release. Also Read:Ramayana producer Namit Malhotra calls Los Angeles premiere his Oscar moment ahead of November 5 release
Singer Papon is delighted to witness audiences across generations embracing the soulful world of ghazals through Mehfilz with Papon. Bringing the timeless charm of a traditional mehfil into an intimate musical setting, the experience celebrates the beauty of poetry, melody and emotions, creating a deeper connection between the singer and his listeners. What makes the journey particularly special for Papon is witnessing Gen Z discover and connect with ghazals, a genre cherished by generations of music lovers. The response reflects how soulful music continues to find relevance among younger audiences while retaining its emotional resonance for those who have grown up listening to it. Expressing his gratitude, Papon said exclusively, I feel truly grateful for the love and response to Mehfilz with Papon. It makes me especially happy to see Gen Z discovering ghazals alongside listeners who have loved this music for years. It reminds me that soulful music has no age or generation; it simply needs to touch your heart. Through Mehfilz, I hope to continue celebrating this timeless tradition and creating meaningful musical experiences for everyone. Rooted in the warmth of a traditional ghazal mehfil, Mehfilz with Papon moves beyond the conventional concert experience to create an atmosphere where music takes centre stage. The intimate setup allows audiences to immerse themselves in the nuances of each composition, the depth of the lyrics and the emotions woven into every rendition. The growing connection with younger audiences is also a reminder that traditional musical forms can transcend generations when experienced in meaningful ways. For Papon, Mehfilz with Papon is a celebration of this enduring bond between music and its listeners, bringing together people with different musical journeys through a shared love for soulful sounds. As the experience continues to bring audiences closer to the world of ghazals, Mehfilz with Papon celebrates the timeless power of music to evoke emotions, create memories and unite generations through melodies that stay long after the last note fades. Also Read: Papon on his passion project Mehfilz and reviving ghazals for a new era: Sound has to change in every generation
Family Full House: Rohit Sharma says parenting taught him to approach teammates differently!
Cricketer Rohit Sharma recently opened up about the lessons he has learnt from his two children and how their different personalities have influenced the way he approaches situations, including his role as a captain. Appearing on Family Full House with Rohit Sharma, the former India captain spoke about how his seven-year-old daughter and two-year-old son have different personalities and behaviours. According to Rohit, observing their innocence has taught him to approach people differently. Mere dono bachche alag-alag character hain, dono ka bartav alag hai kyunki umar alag hai. Ek 7 saal ki hai, ek 2 saal ka hoga. Toh unse mujhe jo seekhne ko milta hai, woh un bachchon ke andar jo bholaapan hota hai na, innocence. Kyunki kabhi-kabhi ye innocence mujhe apne ground pe bhi leke jaana padta hai. Jab main captaincy karta hoon, Rohit said. Rohit Sharma on communicating with teammates Rohit went on to explain how the lesson sometimes comes into play when he communicates with teammates on the field. He gave the example of guiding a player through a particular situation and said that people may need to be approached differently depending on how they respond. Toh Kuldeep Yadav, Arey bhai, ye ball daalni hai aapko, aapko aise perform karna hai. Main chahta hoon ki aap ground mein aaiye. Main ek example de raha hoon, par logon ke saath aisa bartav karna padta hai, toh I think ye cheez apne bachchon se mujhe seekhne ko mili hai, he added. Rohits comments highlight how experiences outside cricket can also shape his approach to leadership. Rather than focusing only on the technical aspects of the game, he said his interactions with his children have taught him about patience, communication and understanding different personalities. Family Full House with Rohit Sharma airs every Saturday and Sunday at 9:30 PM on Sony Entertainment Television and streams on Sony LIV. Also Read:Family Full House: Geeta Kapur says Rohit Sharma has qualities she wants in an ideal partner; Mukesh Chhabra names Vicky Kaushal, Ranbir Kapoor for biopic
Anil Kapoor may be testing contestants reasoning and general awareness on India Ke Top 1%, but the actor has revealed that he faces some stiff competition at home too. The host shared that his wife Sunita Kapoor and daughters Sonam Kapoor and Rhea Kapoor regularly join him for family game nights, with Sonam emerging as the one who gets most of the answers right. Speaking about how the show has become part of his familys routine, Anil Kapoor said, We play along at home too! Sunita, Sonam and Rhea join in at the dinner table, and Sonam gets most answers right. I may host the show, but she gives me tough competition! For me, thats the biggest win: bringing families together and turning an ordinary evening into a game night. The actor also thanked viewers for embracing the show, which has emerged as the biggest family game show launch in a decade, based on non-celebrity game show launches on JioHotstar. Since its premiere on September 19, India Ke Top 1% has celebrated three winners in its first six episodes, with Bijal Shah winning Rs. 94 lakhs in the opening episode. Expressing gratitude for the response, Anil added, The response to India Ke Top 1% has been phenomenal! Messages have been pouring in from across the country and seeing that love reflected in the numbers makes this start even more special. Thank you for making us part of your family time and game nights with friends. Keep the love coming! The show's reach has extended beyond television, with over 220,000 viewers joining the Play Along experience on JioHotstar. The feature allows audiences to participate from home and compete for prizes, including smartphones and Smart TVs, bringing an additional layer of interaction to the weekend viewing experience. Produced by Banijay Asia in association with BBC Studios UK, India Ke Top 1% places logic, observation, reasoning and common sense at the centre of its format. The questions are designed to encourage family members to participate together, discuss possible answers and test their thinking skills. Deepak Dhar, Founder and Group CEO of Banijay Asia, said, The success of India Ke Top 1% reflects the power of a format that brings intelligence, entertainment and family participation together. Whats particularly encouraging is how the Play Along feature is extending the experience beyond the television screen, turning viewers into active participants and bringing the excitement of the game into homes across the country. Its exciting to see audiences embrace the show so enthusiastically, and this is only the beginning of its journey in India. Alongside the quiz format, Anils interactions with contestants have brought personal stories into the spotlight. Episodes have featured Bittu Tabahis river-cleaning efforts and Mumbai auto driver Sandeep Bachches acts of service. The show has also featured on Dubais Burj Khalifa as part of JioHotstars expansion into the MENA region. India Ke Top 1% airs every Saturday and Sunday at 8 PM on Star Plus and is available to stream on JioHotstar. Also Read: Anil Kapoor gets emotional remembering Satish Kaushik on India Ke Top 1%; says, Agar mera koi judwa bhai ban sakta hai, toh woh sirf Satish tha
Katrina Kaif has addressed the online scrutiny she faced over her appearance at the Ambanis Ganesh Chaturthi celebrations, months after welcoming her child. The actor questioned the idea that women should be expected to quickly return to their pre-pregnancy bodies after giving birth and said she would rather focus on motherhood and her own journey. Katrina discussed the criticism while speaking to Vogue, reflecting on how public opinion can quickly turn harsh, particularly when it comes to a womans appearance after childbirth. We live in a world that wants to blow us around in the ever-changing winds of opinions, she said. The actor also addressed the criticism surrounding postpartum bodies. I think most people are aware of what a womans body goes through after giving birth. And if they still choose to view that body through a harsh lens, its a personal choice. It cant be blamed on a lack of information, because there is so much information out there. I just want to focus on this lovely part of my life and where Im headed, Katrina said. Katrina Kaif questions the idea of ouncing back Katrina also challenged the commonly used phrase bounce back when discussing a womans body after childbirth. For the actor, motherhood is not a step backwards from her previous life but something she had wanted deeply. Bounce back? From where? she asked. I have taken a step ahead to something that was a deep desire in my heart, so why would I want to go back? she added. Her comments come after her appearance at the Ambanis Ganesh Chaturthi celebrations became the subject of online commentary. Social media accounts and meme pages criticised the actors appearance and made remarks about her body, with some posts going as far as declaring that her career was finished. Katrina says she will progress at her own pace The actor also clarified that focusing on motherhood does not mean she has stopped paying attention to her fitness. I am very aware of my fitness journey and where my body feels at its most energetic. I will reach there at my own pace, Katrina said. Also Read:Katrina Kaif marks Kay Beautys first year in the UK: Weve always created products with South Asian skin tones and beauty needs at the heart of everything we do
As Diwali approaches, composer and music producer Sneha Khanwalkar is ready to add a generous dose of festive cheer to the celebrations with Puranpoli from Lust Stories 3. Featuring Vijay Varma, Vikramaditya Motwane, Kratex, Ganesh Chandanshive and Sneha Khanwalkar creating an unexpected on-screen ensemble that adds to the tracks quirky appeal. With its high-energy beats and celebratory mood, the video promises to be an invitation to let loose and groove as the festive season gets underway. The track is set to step beyond its cinematic setting with a standalone music video releasing on October 28. Originally part of filmmaker Vikramaditya Motwanes segment in Lust Stories 3, the song is now gearing up to find a wider audience with its infectious energy and playful musical spirit. Named after the much-loved Maharashtrian delicacy that has found a place in kitchens and celebrations across India, Puranpoli brings together music, culture and the joy of festive gatherings. Speaking about the song and its festive release, Sneha Khanwalkar said, Puranpoli has a very playful and infectious energy to it, and I love how the song brings together different musical influences with a sense of fun. With Diwali around the corner, it felt like the perfect time to take it beyond the film and bring it to audiences as a standalone music video. The idea is to get people to let go, enjoy themselves and simply dance. Having Vijay, Vikramaditya, Kratex and Ganesh Chandanshive come together for the video makes the experience even more special. I hope it becomes a part of everyones festive celebrations. Puranpoli promises to add a fresh, playful beat to the Diwali season. The music video releases on October 28, inviting audiences to turn up the volume, embrace the festive spirit and join the celebration. Also Read: EXCLUSIVE: Husne Shabnam on acting in Lust Stories 3 and coaching Alia Bhatt, Shabana Azmi in Rocky Aur Rani Kii Prem Kahaani: Alia is a superstar and a sweetheart; reveals, Though I was a dialect coach, I still had a vanity van for myself; I was STUNNED
Sharvari recently shared a special moment with one of her biggest inspirations, Madhuri Dixit, as the two actresses came together for a dance to the title track of Yeh Prem Mol Liya. The collaboration brings together the veteran star, who remains closely associated with Sooraj Barjatyas iconic family entertainer Hum Aapke Hain Koun..!, and Sharvari, who is set to headline the filmmakers upcoming romantic family drama opposite Ayushmann Khurrana. Sharing the video on Instagram, Sharvari expressed her admiration for Madhuri and described dancing alongside her idol as an unforgettable experience. She wrote, So honoured to receive this much prem from one of the OG Rajshri heroines of Sooraj Barjatya sir.. the one and only Madhuri Dixit maam Getting to dance alongside my idol feels surreal and soooo special Thankyou maam, you are the best! Hum Aapke Hain Kaun #YehPremMolLiya In theatres 27th Nov 2026. View this post on Instagram A post shared by Sharvari (@sharvari) The moment also draws a connection between two generations of Rajshri heroines. Madhuri became synonymous with the banners celebrated cinematic legacy through Hum Aapke Hain Koun..!, whose music, dance sequences and emphasis on family continue to resonate with audiences. Sharvari, meanwhile, is preparing to take on a leading role in Sooraj Barjatyas next directorial, carrying forward the filmmakers signature blend of romance, family relationships and celebrations. Titled Yeh Prem Mol Liya, the upcoming film marks Ayushmann Khurranas first collaboration with Barjatya. The actor will portray the titular character Prem, with Sharvari playing the female lead. The film is positioned as a musical family entertainer rooted in traditional Indian festivities, wedding rituals and the dynamics of a joint family. The ensemble cast includes Anupam Kher, Supriya Pathak, Seema Pahwa, Saumya Tandon, Shaad Randhawa and Swanand Kirkire. The films music has been composed by Himesh Reshammiya. Produced by Rajshri Productions in association with Mahaveer Jain Films, Yeh Prem Mol Liya is scheduled to release in cinemas worldwide on November 27, 2026. Sharvaris dance with Madhuri has offered audiences a nostalgic connection to Rajshris past while building anticipation for the upcoming film. Also Read: Seema Pahwa recreates Jhumka Patola from Yeh Prem Mol Liya; Sharvari, Richa Chadha and others react
Ramayana's Sai Pallavi says Ravana was not all bad, shares update on sequel
As Ramayana gears up for release, Sai Pallavi has shared an update on the second instalment of the film, while speaking at the LA premiere. She also opened up about the film and its moral themes
Gondhal: Makers of Indias Oscar entry unveil global trailer ahead of theatrical re-release
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Vaggeyakara Bharatham: When two traditions spark new possibilities
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Take That to perform at Earthshot Prize Awards in India
ORIGINAL ARTICLE: Take That to perform at Earthshot Prize Awards in India Take That will make their India debut at the 2026 Earthshot Prize in Mumbai, joining a star-studded line-up. The post Take That to perform at Earthshot Prize Awards in India appeared first on DESIblitz .
Ranbir on marriage mantra with Alia, makes Raha listen to Bachchan's Hanuman Chalisa
Bigg Boss 20: Qazi Touqeer recalls sharing a room with Arijit Singh
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Sudhir Mishra slams airline: Filmmaker hits out over lost bag
Director Sudhir Mishra slams IndiGo Airlines for leaving his luggage in Delhi
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Rising Sun: An inspiring tale of differently abled lives
The new Assamese film Rising Sun, produced under the banner of Geet Film Makers, has officially been released in theatres. Released on Friday, October 23, 2026, across roughly 44 cinema halls throughout the state, the narrative of the film, based on a true story and featuring a cast of talented specially-abled artistes, offers an authentic [] The post Rising Sun: An inspiring tale of differently abled lives appeared first on NorthEast Now .
Get Karva Chauth-Ready With These Styles
This Karva Chauth, elevate your festive wardrobe beyond the traditional red with stunning, Bollywood-inspired outfit ideas, embracing a palette of vibrant colours and elegant silhouettes.
Katrina on post-partum weight: 'Its their choice, if they still view it through a harsh lens'
Saiyami Kher to make international film debut with Indo-Russian drama
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Ramayana post-credit scene teases Sunny Deol as Lord Hanuman, fans can't keep calm
Buzz around Ramayana: Rise of a Legend has grown after its Los Angeles premiere on October 28, with several social media posts drawing attention to a possible tease of Lord Hanuman played by Sunny Deol. The film is set to arrive in theatres worldwide on November 5.
Leeds Playhouse showcases Hit Play
ORIGINAL ARTICLE: Leeds Playhouse showcases Hit Play Peanut Butter & Blueberries Peanut Butter & Blueberries has arrived at Leeds Playhouse, with new production images revealing the story of love, faith and family. The post Leeds Playhouse showcases Hit Play Peanut Butter & Blueberries appeared first on DESIblitz .
Hyderabad gears up for Qadir Ali Baig Theatre Festival 2026
Hyderabad: The Qadir Ali Baig Theatre Festival, one of South Indias most celebrated theatre assemblies, is set to return to Hyderabad for its 21st edition from November 12 to 20. Over the past two decades, the festival has brought some of the worlds most distinguished theatre personalities to India, establishing itself as a significant platform Get the latest updates in Hyderabad City News , Technology , Entertainment , Sports , Politics and Top Stories on WhatsApp & Telegram by subscribing to our channels. You can also download our app for Android and iOS .
Parineeti Chopra slams reports of ignoring Jennifer Winget
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This Hyderabad play explores social media and modern love
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Sara Ali Khan says father Saif 'never begged people' to take her in films
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What happens when three of modern arts most recognizable names are taken off the canvas? At CMYK Bookstore in Delhi, more than 60 original lithographs and etchings offer a closer look at Picasso, Mir and Dal
Picasso, Mir and Dals original prints go on show at CMYK Bookstore in Delhi
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Ramayana: Rise of a Legend has received a positive response following its premiere in Los Angeles on October 28. Viewers have taken to social media to share their reactions, praising the film's visuals, performances and grand scale.
Tehseen Poonawalla, political commentator and Bigg Boss 13 wild card contestant, is set to enter Virender Sehwag-hosted show Rise and Fall 2 as a wild card contestant. He was introduced by the former Indian cricketer during the October 28 episode. However, the upcoming promo suggests that Tehseen's entry has left his brother, Shehzad Poonawalla, unhappy.
Kartik Aaryan to star in Vivek Agnihotri's Operation Sindoor
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Avengers Doomsday to release in India on December 17, a day before US release
Marvel Studios has a Diwali surprise for Indian fans as Avengers: Doomsday arrives in theatres on December 17, 2026, a day before its US release. Robert Downey Jr. and Chris Evans, who play Doctor Doom and Steve Rogers, respectively, have also shared a special Diwali message
In recent years, several Hindi films, including Dhurandhar, Border 2, Fighter, Sky Force, Article 370 and Tiger 3, have been denied a release in certain Middle Eastern markets. However, the recently released Ayushmann Khurrana-Sara Ali Khan starrer Udta Teer faced a roadblock closer to home, in the neighbouring country of Nepal. Bollywood Hungama was the first to break the news that the spy comedy was not granted permission for release in Nepal. Bollywood Hungama exclusively spoke to Akash A Kaushik about it. When asked about the reason behind the film's no-release in Nepal, Akash A Kaushik said, I dont know. I was very sad because my sister studied in Nepal. I have visited Pokhara many times, and I just love that country a lot. Hence, I was quite shocked. We have made such a good film, and I wanted the people of Nepal to enjoy it as well. We have such great relations with Nepal. Hence, it was very disheartening for me to know that they banned our film. That never happens. I can understand Pakistan not showing our film! But why would Nepal do so? I fail to understand that. He added, I have friends in Nepal who told me, Humein dekhni hai picture. Itna accha trailer hai. Hence, it pains me a lot. I still hope they can lift the ban so that the people of Nepal can enjoy Udta Teer. Udta Teer 2 on the cards? Udta Teer is a film that has the potential for a sequel. Can the audience expect Udta Teer 2? Akash A Kaushik replied, A lot of people have been asking me whether I have thought of making a sequel (laughs). But honestly, I have not thought about it because aap kabhi woh soch ke kahaani nahin likhte. If I get a worthy idea which can be made as Udta Teer 2, most definitely, well make it. As of now, there are no plans to make a sequel. The final scene involving Sara Ali Khan is hilarious, but it also makes one wonder: was she bluffing or telling the truth? Akash laughed and explained the reason behind the scene, We need to tease the audience. That adds to the fun! Also Read: EXCLUSIVE: Akash A Kaushik reveals Rahul Bose left Udta Teer crew in splits: We had to dub a few scenes as giggles could be heard!; hails Ayushmann Khurrana for daring to play a Pakistani: Dont think many actors would be GUTSY enough
Debutant director Radhika Bansal aims to bright up this Diwali with her feel-good, slice of life movie Meethe Mein Kya Hai. As the film inches closer to its Diwali week release, the makers have been dropping songs from the album composed by Amit Trivedi. Building on the success of Jagmaga and Chhad De, the makers dropped the third track from the album. Ichak Dana Bichak Dana, sung by Nakash Aziz and written by Kumaar, marks a vibrant third song for the film, bringing a heavy dose of nostalgia to Meethe Mein Kya Hais musical line-up. Ichak Dana Bichak Dana is an upbeat, feel-good number by Amit Trivedi, it brings to life the joy of a family coming together under one roof. With its catchy tune and nostalgic feel, the song fits into Meethe Mein Kya Hai's storyline. Full of energy and warmth, it captures the films lively family dynamic and celebrates the little moments, shared traditions and bonds. Set over four days during Diwali at the family matriarchs home in Lucknow, Meethe Mein Kya Hai is a warm, witty family entertainer that explores the chaos, affection and unexpected surprises that come with a multigenerational family reunion. The movie's trailer, which was released on October 21, has been received well by the audience. The film stars and ensemble cast that includes Ritwik Bhowmik, Rohini Hattangady, Ayesha Raza, Gaurav Sharma, Tarana Raja, Abhay Kaul, Dalai, Vikram Bakshi, Ayuushman Ghai, Kiara Chouhan and Shivika Rishi. Written and directed by debutant filmmaker Radhika Bansal, the film premieres on Netflix on 30 October. Also Read: Meethe Mein Kya Hai trailer out: Debutant director Radhika Bansal brings a multigenerational family story to Netflix
Yash spoke about his journey from the Kannada film industry to an international platform while attending the grand premiere of Ramayana at the Academy Museum of Motion Pictures in Los Angeles. The actor, who plays Ravana in Nitesh Tiwaris two-part cinematic adaptation, attended the event alongside his wife, Radhika Pandit, director Nitesh Tiwari, producer Namit Malhotra and co-stars Ranbir Kapoor and Sai Pallavi. Yash received an enthusiastic welcome from fans, with chants of his name echoing through the venue as he arrived for the premiere. Addressing the gathering, the actor reflected on his journey and the significance of presenting an Indian epic to audiences worldwide. Where you start can never define how far you can go, Yash said, highlighting his journey and the importance of remaining connected to his roots. He went on to continue, Today, Im proud being a member of the Kannada film industry, the Indian film industry, telling our story, which is not just a story, he said. Before Yash took the stage, Namit Malhotra acknowledged his contribution to the project, highlighting their association as producing partners through Monster Mind Creations. Speaking about their collaboration, Namit said, Yash is not just the superstar of the film, but hes also my producing partner. And from the very first day we met in LA, I think it was his conviction and my vision that really brought everything together. So, thank you, Yash. Yash began his address by greeting the audience in Kannada before speaking about the cultural significance of Ramayana and how the epic has continued to be passed down through generations. In our country, we just dont tell the storywe remember it, and we pass it down for generations to come. And this story has travelled for thousands of years, he stated. Emphasising the importance of introducing the epic to international audiences, Yash added, We are proud to present this story to the world, and hope it will give a message to the world which India as a culture, India as a heritage, what it offers to the global audience or the world. He concluded his address by inviting the audience to celebrate the epic, saying, Lets celebrate Ramayana. Thank you. Directed by Nitesh Tiwari, Ramayana features Ranbir Kapoor as Lord Ram, Sai Pallavi as Sita and Yash as Ravana, alongside Sunny Deol as Hanuman and Ravi Dubey as Laxman. The film is produced by Namit Malhotras Prime Focus Studios in collaboration with Monster Mind Creations. Ramayana: Part 1 is scheduled to release worldwide in cinemas on November 5, 2026. Also Read: Ramayanas biggest challenge isnt the box office. Its 140 crore Indians who already know the story
2026 has been a remarkable year for Mona Singh, with the actor delivering six diverse projects that have found success and further showcased her versatility as a performer. From exploring different characters to taking on new challenges on screen, Mona has continued to push her boundaries, with Kohrra Season 2 emerging as one of the notable projects in her impressive year. While Mona has consistently demonstrated her ability to slip into varied roles, Kohrra Season 2 presented her with a challenge she had never experienced before. The series saw her take on an action sequence for the first time in her life, with the shoot becoming an unforgettable experience owing to the extreme weather conditions and the physical demands of the scene. Reflecting on the most challenging scene she has ever filmed, Mona shared, Most challenging scene I've ever filmed I guess would be in my series Kohrra Season 2 where we did the action sequence and I was also like doing action for the first time in my life and it was freezing cold. It was almost one degree at night, so it was pretty challenging and action was even more challenging. So yeah, that is one night I will never forget. The experience highlights Mona's willingness to step outside her comfort zone and embrace demanding roles that require her to explore new aspects of her craft. Shooting an action sequence for the first time, especially in temperatures dropping to almost one degree at night, made the experience particularly demanding, turning it into a memorable milestone in her journey as an actor. With six projects to her credit in 2026, each offering a different creative experience, Mona Singh has had a year marked by variety, consistency and successful screen outings. Kohrra Season 2 stands out as another example of her continued evolution as a performer, reinforcing her ability to take on unfamiliar challenges and bring something new to every project she undertakes. Also Read: EXCLUSIVE: Vikas Bahls next stars Jimmy Shergill, Siddhant Chaturvedi, Mona Singh, Alizeh Agnihotri; based on the explosive rise of Punjabi music in 90s UK
Saiyami Kher is set to explore new creative territory with her international debut in an upcoming Indo-Russian drama directed by Maksim Kuznetsov. Produced by Kartina Entertainment, White Night Films and Wish Media, the project brings together Indian and Russian talent for a cross-cultural cinematic collaboration. Shot across Russia and India, the film gave Saiyami an opportunity to work with a predominantly foreign crew and experience a different filmmaking environment. The project also marked her first visit to Russia, with the actor describing the experience as a refreshing change from her previous work. Speaking about the film and her experience on the sets, Saiyami Kher said, This was a completely different and new experience for me, working with an entirely foreign crew. We shot in Russia, and it was my first time there. Moscow was beautiful, and the overall film experience was incredible. The working atmosphere was very different from what Im used to, and I really enjoyed being part of this collaboration. I hope this is the first of many more international projects to follow. The actor also spoke about the creative opportunities that come with working across languages and cultures, highlighting how such collaborations can offer new perspectives on storytelling. She added, its so much fun to work across borders and language barriers. Working across cultures gives you a different perspective on storytelling and allows you to learn from people who approach cinema in their own unique ways. It was a wonderful opportunity to experience Im grateful to have been part of it. While its still too early to share details about the film, it is a drama with a very strong female lead at its heart. While the makers have kept the films title, supporting cast and release plans under wraps, Saiyami has confirmed that the project is a drama built around a strong female protagonist. The film brings together creative perspectives from India and Russia, with the collaboration extending across locations, languages and filmmaking practices. For Saiyami, the project marks a new professional milestone, offering her the opportunity to work within an international production setup and explore a different cinematic culture. The actor has expressed hope that this collaboration will lead to more international projects in the future. Further details about the Indo-Russian drama, including its title and release timeline, are awaited. Also Read: Saiyami Kher on wanting to share screen space with Waheeda Rehman: I draw immense inspiration from her
Blockbuster directors of Indian cinema whose next projects have fans eagerly waiting
Indian cinema has witnessed several filmmakers who have left audiences in awe with their vision, scale and storytelling on the big screen. From larger-than-life spectacles to ambitious cinematic universes, these directors have delivered projects that have stayed with audiences long after their theatrical runs. With each film raising the bar, fans are now eagerly looking forward to what these filmmakers bring to the big screen next. Heres looking at 11 such filmmakers who have raised the bar of Indian cinema: S.S. Rajamouli Baahubali franchise, RRR S.S. Rajamouli left audiences spellbound with the grandeur of the Baahubali franchise and the spectacle of RRR. His ability to create immersive cinematic worlds has made every new project an event, with fans eagerly anticipating his next film, Varanasi, starring Mahesh Babu. Prashanth Neel KGF franchise, Salaar: Part 1 Ceasefire Prashanth Neel redefined mass-action storytelling with the KGF franchise and Salaar. His signature style, powerful characters and high-octane action have earned him a devoted fan following, with audiences eagerly awaiting his next big-screen spectacle. Nag Ashwin Mahanati, Kalki 2898 AD Nag Ashwin first impressed audiences with Mahanati, earning acclaim for his portrayal of legendary actress Savitris life, before taking on the ambitious scale of Kalki 2898 AD. His ability to move between a moving biographical drama and a big-budget science-fiction spectacle has left audiences eager to see what he brings to the big screen next. Sanjay Leela Bhansali Devdas, Bajirao Mastani, Padmaavat, Gangubai Kathiawadi Sanjay Leela Bhansali has consistently mesmerised audiences with his grand sets, visual extravagance and immersive storytelling. From the grandeur of Devdas to the spectacle of Padmaavat, his films have created a distinct cinematic experience, making his upcoming projects, including Love & War, highly anticipated. Aditya Dhar Uri: The Surgical Strike and Dhurandhar duology Aditya Dhar impressed audiences with Uri: The Surgical Strike, delivering a gripping theatrical experience driven by powerful storytelling and impactful action. This was followed by the historical Dhurandhar duology. Following the anticipation surrounding his subsequent big-scale projects, audiences are keen to see how he pushes the boundaries of action filmmaking next. Siddharth Anand War, Pathaan, Fighter Siddharth Anand has delivered some of Hindi cinemas most talked-about action spectacles, with War and Pathaan bringing star power and large-scale action to theatres. Having established himself as a director of event films, he has audiences looking forward to his next cinematic outing. Atlee Jawan Atlee made a spectacular entry into Hindi cinema with Jawan, leaving audiences impressed with its mass appeal, action sequences and larger-than-life presentation. Following the films phenomenal theatrical response, fans are eager to see what he has planned next. Sukumar Pushpa: The Rise, Pushpa 2: The Rule Sukumar transformed the Pushpa franchise into a Pan-Indian phenomenon, with its striking characters, memorable moments and mass appeal captivating audiences across languages. His ability to build an immersive world has left fans eager for his next directorial venture. Lokesh Kanagaraj Kaithi, Vikram, Leo, Coolie Lokesh Kanagaraj has kept audiences invested with his gritty action films and interconnected cinematic universe. His distinctive storytelling and unpredictable narratives have sparked considerable fan interest in what he will explore next. Sandeep Reddy Vanga Arjun Reddy, Kabir Singh, Animal Sandeep Reddy Vanga has consistently generated strong audience reactions with his intense, unconventional storytelling. From Arjun Reddy and Kabir Singh to Animal, his films have sparked conversations and drawn audiences to theatres, with fans eagerly anticipating his next project. Ayan Mukerji Brahmstra: Part One Shiva Ayan Mukerji took audiences into a visually ambitious fantasy world with Brahmstra, blending Indian mythology with spectacular visual effects. The films expansive universe left audiences curious about its future, with anticipation building around the next chapter of the story. From creating cinematic universes to delivering unforgettable big-screen spectacles, these directors have consistently given audiences experiences that go beyond the ordinary. Having witnessed their distinctive visions unfold in theatres, fans are now eagerly waiting for their next ambitious projects and the magic they promise to bring to the big screen. Also Read: Following twin National Award win for Kalki 2898 AD, Nag Ashwin readies for the sequel; says, Its a blessing to have a star like Prabhas trust your vision
Producer Namit Malhotra spoke about his journey of bringing Ramayana to an international audience as the film held its Los Angeles premiere at the David Geffen Theater inside the Academy Museum of Motion Pictures. Addressing the gathering, Malhotra described the screening as a significant moment in his career and reflected on his journey from starting a post-production company to producing an ambitious adaptation of the Indian epic. He also introduced director Nitesh Tiwari and the films lead cast, including Ranbir Kapoor, Sai Pallavi and Yash. I wanted to host this evening at the Academy Theatre because this is my Oscar moment, Malhotra said during his address. Namit Malhotra reflects on his journey Malhotra also spoke about his association with Los Angeles and his work in visual effects through DNEG. He noted that the company has won eight Academy Awards, including seven over the past 11 years, for its collaborations with filmmakers such as Christopher Nolan and Denis Villeneuve. Reflecting on his beginnings, he said, For a third generation film family background, garage startup kid at 19 with an Apple computer working with three of his teachers who are all of 21, Merzin, Prakash and Josefa, this is what dreams are made of and what better place to share this moment than the city of Angels, Los Angeles. Malhotra also recalled moving to Los Angeles in 2007 as part of his efforts to build a company that could connect Indian and international film industries. In my pursuit of building a global company and connecting the east and the west I set foot in LA in 2007 and haven't looked back since, he said. He further spoke about the financial difficulties he faced during the 2008 crisis and how the experience shaped his journey. An immigrant who lost 90% of his wealth with the fun times in 2008 as I'm sure some of you may remember to bounce back today and being able to bring the biggest independent production in the world the Ramayana, I can't even tell you what it feels like to stand here today, he said. Ranbir Kapoor, Sai Pallavi and Yash introduced at premiere During his address, Malhotra brought the film's key collaborators on stage. He introduced Nitesh Tiwari as the director, Ranbir Kapoor as Lord Ram and Sai Pallavi as Sita. As you all can see Ram without Sita does not work. So please welcome Sai Pallavi, he said. He then introduced Yash, who plays Ravana in the film, saying, And the reason that you know this film happened or the conflict happened is because they have to fight Raavan, and that is the rocking star Yash. Malhotra also acknowledged the contribution of international and Indian talent involved in the project, including composer Hans Zimmer and choreographer Terry Notary. Namit Malhotra calls it a collaboration between India and the West Speaking about the larger vision behind Ramayana, Malhotra said the film brought together talent from both India and the West. I stand here to showcase the best of India and the best of the west working together to create a motion picture that means more to billions of people around the world than you all can imagine, he said. He also thanked his family, collaborators, backers and the Sony Pictures team for supporting the project. The Los Angeles premiere reportedly drew a large gathering of guests, with the primary screening at the 945-seat David Geffen Theater described by the makers as oversubscribed. The team also arranged an additional screening space to accommodate guests. Ramayana stars Ranbir Kapoor as Lord Rama, Sai Pallavi as Sita, Yash as Ravana, Sunny Deol as Hanuman and Ravi Dubey as Lakshman. Directed by Nitesh Tiwari, the film is being produced by Namit Malhotra's Prime Focus Studios in collaboration with DNEG and Yash's Monster Mind Creations. The two-part film is scheduled to begin with Part 1 on November 5, 2026, followed by Part 2 in Diwali 2027. The film is planned for release in Hindi, Tamil, Telugu, Kannada and Malayalam, with Sony Pictures handling its international distribution. Also Read:Please dont try to find small faults in VFX: Yash makes an EMOTIONAL appeal at Ramayana event; urges fans to PROTECT Namit Malhotra
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