For audiences, Golu Gupta's love for books became one of the defining aspects of her personality in Mirzapur. Whether she was tucked away in a library or finding comfort in the pages of a novel, reading wasn't just a habit for Golu, it shaped the way she saw the world. What many may not know is that long before Golu came into her life, Shweta Tripathi had already built a relationship with books that looked remarkably similar. Looking back, Shweta says that Golu's love for reading was one part of the character that required very little preparation because it mirrored her own life so closely. The actor believes that her curiosity, independent way of thinking and desire to constantly learn are qualities she naturally shares with the much-loved character. Reflecting on the connection, Shweta said, Every actor hopes they'll meet a character who already understands a part of them. For me, that was Golu. Her love for books never felt like research because I'd been living with that habit for years. I've always been the person who walks into a bookstore saying, I'll just browse, and somehow walks out carrying at least three books. If there's one thing that has always connected Golu and me, its reading. Books have shaped the way I see people and the world around me. She added, As an actor, you're constantly trying to understand why someone behaves the way they do, and books allow you to step into hundreds of lives without leaving your own. They've made me less judgemental, more empathetic and endlessly curious. Golu and I also share that need to keep learning, asking questions and not accepting everything at face value. Where we're different is that Golu is much more reserved, while I'm someone who enjoys conversations and expressing what I feel. But at our core, that curiosity and love for discovering something new through every book is what connects us the most. For Shweta, books have never been just a hobby. They have quietly influenced the choices she has made, the characters she has connected with and the stories she wants to tell. That is perhaps why some of her most memorable characters, including Golu Gupta, carry the same love for reading that has been a part of her own life for years. Today, as Shweta continues to evolve both as an actor and a producer, books remain a constant companionforming a quiet thread that connects who she was before Mirzapur, who she became through Golu Gupta, and the storyteller she continues to grow into with every new chapter. Also Read: Sonal Chauhan reveals she was nervous before entering Mirzapur: The Movie; says, There are a lot of iconic characters in Mirzapur who have already built a relationship with the audience
Excel Entertainment and Amazon MGM Studios Mirzapur: The Movie is among the most awaited films in Indian cinema. The film marks the theatrical transition of the popular Mirzapur franchise, bringing its much-loved world to the big screen for the first time. Following the release of its teaser and trailer, anticipation around the film has further increased. As the film approaches its theatrical release, Excel Entertainment co-founder Ritesh Sidhwani is also marking 25 years in the Indian entertainment industry. Over the years, the production house has backed films across genres, with Sidhwani continuing to focus on stories that appeal to audiences. In a recent interview, Sidhwani was asked, How has Excel's run been in the last 25 years? And what makes you believe that a story must be told? Reflecting on Excel Entertainments journey, Ritesh Sidhwani said, Dil Chahta Hai birthed bromance and friendship films in the industry. We then went on to make Lakshya followed by Don and Honeymoon Travels. Each of them were different from the other. Over time, we realized that a production company should feature diverse voices. It shouldn't restrict itself to one particular genre, which many production houses tend to do. Till now, we only proceed with a film if we genuinely believe in the story 100%. However, there have been times when we believed in a project and it did not work. In those cases, we have always stood by our decisions. We have never gone back to the filmmaker and said, I told you this wouldn't work. He further added, We are fortunate that such great stories continue to choose Excel Entertainment and it's still going. Presented by Amazon MGM Studios and Excel Entertainment, Mirzapur: The Movie is directed by Gurmmeet Singh and written by Puneet Krishna. The film is produced by Ritesh Sidhwani and Farhan Akhtar under the banner of Excel Entertainment, and co-produced by Kassim Jagmagia and Vishal Ramchandani. Mirzapur: The Movie is scheduled to release in cinemas on September 4, 2026. Also Read : Mirzapur: The Movie: Ritesh Sidhwani reveals why the film needed its own story; says It needed its own midpoint, emotional journey and payoff
Jackie Shroff recalls how his mother sparked his love for nature: My mother was very fond of flowers
Jackie Shroff has often spoken about his concern for the environment and the importance of keeping the surroundings clean. The actor has also encouraged people, especially the younger generation, to develop a deeper connection with nature. In a recent conversation, Jackie opened up about where his own bond with nature began and recalled how his mother played an important role in shaping his perspective. Sharing a memory from his childhood, Jackie Shroff said, My mother was very fond of flowers. In a 10-by-10 room, there was a tiny little balcony. She used to grow roses there, and she loved those roses. I could see the thorns too. I could see the roses too. So, I saw all these things there and I understood that there is pain as well as happiness. The actor also spoke about how his experiences helped him develop a strong connection with the soil. Recalling his childhood and the loss of his brother, Jackie said, I became friends with the soil. I understood that my mother would water it, give it a little sunlightThen I realised, as I grew older, where did my brother go? He went into the soil. And when I understood that he had gone into the soil, I started becoming friends with the soil. I started loving my soil. I want to save topsoil, which is not there anymore. There was so much talk about topsoil for a while, and then everyone became quiet about it, he adds. Jackie further stressed the importance of understanding the role of topsoil in sustaining life and food production. He urged people to learn more about the Earth's resources and respect the environment. Every child should know that topsoil is the only thing that gives us food. Beneath it, there is all kinds of soil, but there is topsoil. How much topsoil do we actually have? Does anyone know? Look it up sometime in a book and see how much topsoil is actually left on Earth. We keep walking around, enjoying ourselves on this Earth, but we need to respect the Earth. We keep trampling it under our feet as we walk, but look at that Mother Earth. She is protecting us, he says. Concluding his thoughts, Jackie emphasised the need to maintain a healthy relationship with nature. When I go into the ground, everything will become part of the soil. So, lets be friends with the soil. Thats why we are here, basically. Enjoy your life, but dont enjoy life by doing things that you are not supposed to do. Do a little pleasure, a little dance, a little fun, spend time with friends, have little conversations about things - but focus more on what you guys are doing with he concluded. Also Read: Jackie Shroff opens up on his grandfather role in The Great Grand Superhero; says, To be able to portray that kind of warmth on screen gave me a very beautiful, soulful feeling
Shreya Ghoshal calls North America the longest and a landmark chapter in her Unstoppable Tour
Following successful legs across Europe, Australia and Asia, Shreya Ghoshal, one of Indias most celebrated and beloved voices, is set to embark on her spectacular The Unstoppable Tour 2026 across North America this September. The tour is being meticulously organized by leading U.S.-based global event company Intense Entertainment, owned by Manish Sood and Deepa Sahani Sood, Indian-born U.S. citizens who promise to make it a landmark musical experience for audiences. This tour marks the most important chapter in her ongoing global tour, as it will be her longest North American tour to date, spanning an extensive line-up of cities across the United States and Canada in a single month. This tour will cover 12 cities across the United States and Canada throughout September 2026. The tour will kick off in Boston on September 4, followed by Newark on September 5, Virginia on September 6, Columbus on September 9, Chicago on September 11, Toronto on September 13, Houston on September 18, Dallas on September 19, Austin on September 20, Seattle on September 24, the Bay Area on September 26, and conclude in Los Angeles on September 27, 2026. Another interesting aspect of the tour is that Shreya and her entire touring team will travel together between cities in sleeper coaches, a format rarely seen on this scale in America, with A.R. Rahman being among the few Indian artists known to have done something similar. Each night promises an unforgettable evening of Shreya Ghoshals chart-topping hits, powerful vocals and the electrifying energy of her celebrated live performances, bringing her music to the Indian diaspora and Bollywood music lovers across the United States and Canada. Expressing her enthusiasm about the tour, Shreya Ghoshal said, This tour holds a very special place in my heart and marks a landmark chapter in the whole Unstoppable journey. In a career spanning over two decades, this will be my longest tour across North America in a single month, and Im genuinely excited to be coming back. Im also very happy to be working with Manish, Deepa Sood and the entire Intense Entertainment team once again. When youre performing across so many cities in such a short span, having a team that understands you and makes the journey feel effortless means a lot. My last visit gave me some beautiful memories, and I had promised myself and my audiences that I would come back. Im so happy that Im finally keeping that promise. Theres something very special about performing here, especially as we head into the festive season, and Im looking forward to creating that mood and celebrating it with my audiences. Every night on stage reminds me of why I love what I do. Music has this incredible ability to bring people together, no matter where they come from or how far apart they are. There is a certain excitement that comes with experiencing an artist live, and we couldnt be happier to bring Shreya Ghoshal back to North America. The idea behind the Shreya Ghoshal Unstoppable Tour is to celebrate her incredible two-decade musical journey and the music that has become a part of so many memories. Were going all out to make this tour one of the biggest live Bollywood musical experiences the U.S. has ever seen, said Manish Sood, National Promoter and Founder of Intense Entertainment, who has previously helmed several high-profile international shows. The tour is being delivered in close coordination with Shreya Ghoshals management team, BToS, ensuring alignment across the extensive North American leg. With her beautiful and versatile vocal range, Shreya will enthrall audiences with iconic hits such as Teri Ore, Chikni Chameli, Varoon Forever, Re Mann, Duur Huye, Chaudhavi Shab, Shankaraay and many more. The Unstoppable Tour 2026 has already created a series of milestones in the history of Indian live music in North America, with Shreya Ghoshal becoming the only Indian female Bollywood singer to achieve these records. Torontos 15,000-capacity Scotiabank Arena sold out within two days of tickets going on sale, while Newarks 12,000-capacity Prudential Center sold out in just four days. The tour has also seen sold-out shows in Boston, Washington D.C., Chicago, Oakland and Los Angeles, with Seattle and Columbus witnessing exceptional demand despite being weekday shows. Houston, Dallas and Austin, where Indian audiences traditionally tend to buy tickets closer to the show date, are now also nearly sold out. What makes the response even more remarkable is that the entire 12-city tour has been marketed digitally, with no printed flyers, posters or standees used at grocery stores, restaurants or other traditional community outlets. Also Read: Ramayana Delhi trailer launch: Shreya Ghoshal, A R Rahman and Hans Zimmer recorded Ram-Sita swayamvar song as Namit Malhotra celebrated his marriage anniversary
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'It Was A Shot In The Dark': Kunal Kemmu On Directing Mother-In-Law Sharmila Tagore In Vibe
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Some stories take years to reach the screen. Asghar Wajahats Jis Lahore Nai Vekhya, O Jamya E Nai took nearly four decades. Written in 1989, the acclaimed play has now been adapted into Rajkumar Santoshis Batwara 1947, with Sunny Deol in the lead and Shabana Azmi playing the elderly Hindu woman who refuses to leave her Lahore home. The long wait, however, had less to do with the story and more to do with the sheer scale of Santoshis cinematic vision. Speaking about why the screen adaptation took so long to materialise, Wajahat reveals that Santoshi was never interested in making a straightforward, modest adaptation of the play. The filmmaker wanted to recreate the world of Partition with a strong sense of realism. However, that ambition demanded substantial financial backing, which the project did not easily attract. Santoshi wanted to make a film according to his own concept, says the 80-year-old scholar, novelist and playwright to Bollywood Hungama. His concept was that he really wanted to create reality, real life. Like a train is moving with the immigrants. All these things had to happen. More funds were required for it. It took a lot of time because the funding was a little difficult. The project remained Santoshis passion project for years. It gathered momentum only in 2024, when Aamir Khan came on board to produce it. The next challenge was to translate the stage play into a mainstream theatrical film that could recreate the upheaval of Partition without losing the soul of the original story. Having previously adapted his play godse@gandhi.com into Santoshis 2023 film Gandhi Godse - Ek Yudh, Wajahat knows that a stage play and a feature film have completely different storytelling grammars. When you convert theatre or stage play into a film script, there are some requirements and possibilities in the film. There are some things that can come out well in the film. The shots that are very emotional and intense have to be added when you make a film script. In theatre, because there is a stage and people are watching, the one sitting at the back will see more of the action. So the play is more based on action than on face expressions. Face expressions don't matter much in theatre. Action and dialogue delivery are more important there, Wajahat says, explaining the differences between the two storytelling mediums. He points specifically to the death sequence in the climax of Batwara 1947 as an example of what cinema can achieve that the stage cannot. There is a death scene in this film. The death scene is very powerful in the film. But it couldn't be as powerful in the play. Wajahat says Jis Lahore Nai Vekhya, O Jamya E Nai was built around three key ideas, and those concerns have remained intact in Batwara 1947. First was the cross-cultural understanding. There are people from two different cultures, but even then they are coming closer to each other. Because they are human beings, reveals the playwright. Secondly, humanity is above religion, caste, creed, and nationality. Humanity is superior and above everything. The third concern was that there should be a liberal attitude. Religion is really very human. There is also the issue of co-existence. You should respect each other. You should respect the other religion. These were the major concerns why the play was written. Over more than six decades of creative writing, Wajahat has published more than 30 books and written dozens of short stories, full-length plays and street plays. He wrote Jis Lahore Nai Vekhya, O Jamya E Nai in 1989, when he was teaching literature and mass communication at Jamia Millia Islamia in Delhi. Speaking about where the idea for the play came from, he recalls Garam Hawa, M.S. Sathyus 1973 film starring Balraj Sahni, which dealt with the plight of a North Indian Muslim businessman and his family in the aftermath of the 1947 Partition. In Garam Hawa, there was a similar kind of old lady. She refuses to go to Pakistan. I had also read somewhere about an old person who refused to migrate. There are many such instances. All these experiences come together, and you conceive a character, Wajahat says, revealing that Shabana Azmis character in Batwara 1947 is loosely modelled on the elderly matriarch in Garam Hawa, who fiercely refuses to leave her ancestral home for Pakistan. Produced by Aamir Khan Productions, directed by Rajkumar Santoshi and starring Sunny Deol, Shabana Azmi, Preity Zinta and Karan Deol, Batwara 1947 released in theatres on August 14, 2026. Also Read: Rajkumar Santoshi disagrees with Shabana Azmi claiming that Batwara 1947 failed due to Sunny Deol playing Muslim
Parvathy Thiruvothu lends her voice to Kareena Kapoor Khans Ajooni in Malayalam version of Daayra
Actor Parvathy Thiruvothu is all set to lend her voice to Kareena Kapoor Khans character, Ajooni, in the Malayalam version of Daayra. The collaboration marks Parvathys foray into voice acting, adding a new dimension to her already celebrated body of work across Indian cinema. Inspired by true events, Daayra is directed by National Award-winning filmmaker Meghna Gulzar and written by Yash Keswani, Sima Agarwal and Meghna Gulzar. The film stars Kareena Kapoor Khan and Prithviraj Sukumaran in the lead roles and is set to release in cinemas on September 18, 2026. For Parvathy, the opportunity is particularly special as it marks the beginning of her journey into voice acting. Known for choosing layered and challenging characters throughout her career, Parvathy brings her distinctive voice and performance sensibility to Ajooni, while staying true to the essence of Kareena Kapoor Khans original portrayal. Speaking about the experience, Parvathy Thiruvothu said, Working on Daayra was a dream come true, mainly as somebody who has been aspiring to do voice acting for the longest time, dreaming about it, and always thought that the best opportunities in voice acting would come with animation films or some such. But it was such a pleasant surprise to get this opportunity to begin this journey for me by portraying Ajooni for Kareena. And adding to that is the fact that it is a Meghna Gulzar movie, and that it's a movie that would stay with us for like the longest time after watching. It's an extremely impactful work as a character as well. The Malayalam version of Daayra is being created to make the films story accessible to audiences in Kerala while retaining the emotional depth and intent of the original. Parvathys association adds an authentic Malayalam voice to Ajooni, allowing the character to connect with audiences in the region while preserving the nuances of Kareena Kapoor Khans performance. With this collaboration, Parvathy continues to explore new dimensions as a performer. She will next be seen in Pradhama Drishtya Kuttakkar, releasing on September 11, followed by her upcoming projects, including the HRX and Prime Video series Storm. Also Read: Daayra trailer launch: Prithviraj Sukumaran ADMITS, I am at that UNCOMFORTABLE stage where I have to tell my 11-year-old daughter what is safe and unsafe; if theres an extra ounce of responsibility, it is with us, the men
Priyadarshan on why he hates making comedy movies; says, Hera Pheri made my life miserable
Filmmaker Priyadarshan is known for delivering some of Bollywoods most popular comedies, but the director has revealed that the genre was never his preferred choice. Ahead of the release of his upcoming film Haiwaan, Priyadarshan opened up about his journey in Hindi cinema, his association with comedy and his decision to return to serious storytelling. Priyadarshan began his Bollywood career with Muskurahat, a drama, before Gardish and Virasat established him as a filmmaker capable of handling serious subjects. However, the success of Hera Pheri in 2000 changed the trajectory of his Hindi film career and strongly influenced how audiences perceived him. I started with serious films. Gardish worked for me, Virasat worked for me. Then Hera Pheri made my life miserable. After that, it was just comedy, comedy, and comedy. To be honest, I hate shooting comedies, Priyadarshan said in an interview with Hindustan Times. Between 2001 and 2021, the filmmaker directed 20 Hindi films, with 16 of them being comedies. Even films such as Bhool Bhulaiyaa and Billu featured substantial elements of humour. His Hindi comeback, Bhooth Bangla, was also a horror-comedy. Priyadarshan now wants to move away from the expectation of having a recognisable filmmaking formula. Explaining his approach, he said, Now, I have realised I can shoot films with humour and stories that have humour, instead of just joke after joke. He added that he prefers situational humour and does not rely on gags or separate comedy tracks. The filmmaker also stressed that he does not want to develop a fixed Priyadarshan signature. When you make so many films in the same genre, you need a change. A lot of directors have a signature. But I dont want that, he said. Haiwaan, a remake of Priyadarshans 2016 Malayalam film Oppam, stars Saif Ali Khan as a blind man and Akshay Kumar as a killer. Boman Irani, who has previously worked with Priyadarshan, praised his kinetic filmmaking style and said the director keeps both the camera and audience constantly engaged. The psychological thriller also features Shriya Pilgaonkar, Saiyami Kher, Rajpal Yadav, Sharib Hashmi, Rajesh Sharma, Manoj Joshi and Jisshu Sengupta. Mohanlal will make a cameo, while the film marks the final screen appearance of late actor Asrani. Produced by KVN Productions and Thespian Films, Haiwaan is scheduled to release in theatres on September 11. Also Read : Boman Irani on reuniting with Priyadarshan after 12 years; says, He had his own group of people whom he was comfortable with Boman Irani , Reuniting , Priyadarshan , 12 Years
Filmmaker Madhur Bhandarkar has expressed his appreciation for the recently released Hindi devotional drama Hanuman Ansh. Taking to X, Bhandarkar shared his experience of watching the film in a theatre and praised director Vishal Chaturvedi, lead actor Shobhinav Satyaa and the entire team for their work on the project. Sharing his thoughts after watching Hanuman Ansh, Madhur Bhandarkar highlighted the audience response inside the theatre and lauded Vishal Chaturvedis approach to the story. He wrote on X: Witnessed pure cinematic magic watching #HanumanAnsh in the theatre the audience was completely glued to the screen! @filmervishal direction is wonderfully honest & tender, while actor Shobhinav Satyas portrayal of Neem Karoli Baba is purely natural and flawless. Bhandarkar also pointed to the films modest scale and non-star cast, describing Hanuman Ansh as an example of how strong storytelling can connect with audiences without relying on a large budget or established stars. He wrote, This small budget film with a non-star cast is a crucial case study for the entire Indian film industry. It proves that true conviction and powerful storytelling always triumph over massive budget films at the box office. Witnessed pure cinematic magic watching #HanumanAnsh in the theatre the audience was completely glued to the screen! @filmervishal direction is wonderfully honest & tender, while actor Shobhinav Satyas portrayal of Neem Karoli Baba is purely natural and flawless. This pic.twitter.com/rZGJmtqcRg Madhur Bhandarkar (@imbhandarkar) September 1, 2026 The filmmaker further congratulated the producers, actors and technicians involved with Hanuman Ansh, while acknowledging the audience for its response to the film. My heartiest congratulations to the entire team the producers, actors, and technicians for their brilliant dedication, and a big thank you to the audience for making this incredible film a roaring blockbuster! Directed and written by Vishal Chaturvedi, Hanuman Ansh is based on the life of Neem Karoli Baba, popularly known as Maharaj-ji. The film features Chandan Anand and Shobhinav Satyaa in leading roles, along with Nikhil Dubey, Udaysinh Rajput, Purnima Tiwari and Mannish Chaudhary, among others. Produced by Swambhu Media Network Pvt. Ltd., Ragini S., Namrata G. S. and Anupriya A. Nagar, the film features cinematography by Vishal Bawa and editing by Shankh Rajadhyaksha. Shishir Chousalkar serves as the sound designer, while Pankaj Vashisht has handled the VFX. Hanuman Ansh released in theatres on August 7, 2026. After a slow start, the film has reportedly gained momentum at the box office amid appreciation from audiences across platforms. Also Read: BREAKING: Hanuman Ansh ends with the promise of a sequel; writer-director Vishal Chaturvedi begins work on the second part
Ram Kapoor recalls fathers death due to cancer: I was super thrilled that his pain was over
Ram Kapoor has opened up about his fathers prolonged battle with cancer and the emotional circumstances surrounding his death. The actor revealed that while losing a parent is deeply painful, he experienced a sense of relief after his father passed away because he was no longer suffering. Speaking about the difficult period, Ram recalled how distressing it was to watch his fathers health deteriorate. He explained that cancer had caused immense physical and mental suffering, leaving the family to deal with severe pain and hallucinations. It was not easy. Cancer is a very bad way to go. Its a very bad disease. Sometimes hes in severe pain, sometimes hes hallucinating, sometimes hes So I had to deal with all of that he said, in conversation with Nayandeep Rakshit. The Kasam Se actor said that despite the emotional difficulty, he wanted to ensure that his father retained his dignity during his final days. Ram recalled that his father had lived like royalty and that he wanted him to leave the world as a noble. Remembering the moment of his fathers death, Ram said, I was super thrilled that his pain was over. So, in that process, I was happy about the death. I was smiling at the death. So, when you start smiling at death, how can you fear it? So, now its a joke to me. Ram also acknowledged that his decision to stand by his father during his final days came with a personal cost. His choice reportedly created an emotional divide within his family, with his mother and sister not speaking to him for five years. The actor, however, said he has no regrets about his decision. He believes supporting his father at the end of his life was the right thing to do. Ram also revealed that he had honoured his fathers wishes by keeping the family unaware that his pancreatic cancer had returned and that the treatment was no longer working. Also Read : Lock Upp: Ram Kapoor reveals he was molested at 13 in boarding school; says, I became silent and traumatised
Rajkumar Hirani has offered a major update on one of the most awaited potential sequels in Hindi cinema. The filmmaker recently spoke to ANI about 3 Idiots 2, revealing that the story for the follow-up is currently being written. More importantly, Hirani confirmed that the much-loved original cast of Aamir Khan, R Madhavan, Sharman Joshi and Kareena Kapoor Khan will return for the sequel. Speaking about the progress of the film, Hirani said, Kahani likhi jaa rahi hai (The story is being written), we are still writing. Once it reaches the right point, then we will talk about it. Abhi toh (Right now) we are still writing. Casting will be the same. Hirani also revealed that the story was not originally conceived as a sequel to 3 Idiots. According to the filmmaker, the idea emerged while he and his team were working on another story. He explained, Abhi jo likh raha hoon voh bhi nahi socha ki sequel ke hisaab se likh raha hoon. Hum koi aur kahani likh rahe the phir aisa laga ki jo likh di hai voh iss second part par fit ho jayegi (Even the story I am writing right now was not being written with the intention of making a sequel. We were writing another story and then felt that what we had written could fit into this second part). Drawing a parallel with the Munna Bhai franchise, Hirani said that the sequel to Munna Bhai M.B.B.S. also came together without an initial intention to make another film. Munna Bhai ka bhi jab sequel banaya tha, voh koi intention nahi tha banaen ka. Agar aap uss waqt ko yaad kare toh uss time par belief was that sequels dont work. Pehle jitne sequels bane the kabhi nahi chale (When we made the sequel to Munna Bhai, there was no intention to make one. If you remember that time, the belief was that sequels did not work because the earlier sequels that had been made had never succeeded), he added. Released in 2009, 3 Idiots became a cultural phenomenon, with its characters, dialogues and themes continuing to remain popular years later. The film also made a significant impact internationally and became one of the most widely recognised Hindi films in overseas markets, particularly in countries such as China, Japan and South Korea. With Hirani now working on the story and the original cast expected to reunite, 3 Idiots 2 has already become one of the most anticipated projects for fans of the franchise. Also Read: Vidhu Vinod Chopra Films says 3 Idiots is not re-releasing on September 4
When cinema lovers watch a movie in a language they dont understand, they rely on sub-titles. But there is a large section of the audience that relies on dubbed versions of films that are in an alien language for them. The task is carried out by dubbing artistes who are today more known as voice artistes or voice actors. Ketan Kavva is one such artiste who has been in the dubbing field for over 15 years. He has dubbed for various movies and shows. His noteworthy assignment this year involves voicing Jaafar Jacksons character in Michael in Hindi. In other words, he gave voice to the character of the legendary Michael Jackson in the film. Interestingly, he started his journey by dubbing one dialogue in the Shahid Kapoor and Kareena Kapoor Khan starrer Chup Chup Ke, for which he earned Rs. 300. In an exclusive chat with Bollywood Hungama, Ketan Kavva opened up about his work and journey so far. What did you keep in mind or what kind of preparations did you do while giving the Hindi voice for the character of Michael Jackson in Michael? Voicing Michael was a very special responsibility for me because he is such an iconic personality. My first priority was to make sure that the Hindi voice felt authentic to the character and, at the same time, remained natural for the Indian audience. I paid a lot of attention to his mannerisms, his pauses, his emotional expressions and the way he delivered his lines. Since I was voicing Jaafar Jackson portraying Michael, I also had to make sure that my performance complemented his performance rather than becoming an imitation of Michael Jackson. After 15 years in dubbing, Ive learned that you cannot just translate the words - you have to understand the character and the emotion behind every line. That was my biggest focus while dubbing Michael. Did you also carry out any research on the real Michael Jackson? Yes, definitely. I went back to Michael Jacksons interviews, performances and videos to understand his personality, his mannerisms and especially the way he spoke. The film is a performance by an actor portraying Michael, so my job was to support that performance in Hindi. The research helped me understand the person behind the character, which ultimately helped me make my dubbing more convincing. How was the experience of carrying out the Gujarati dubbing for Tom Holland in Spider-Man? It has been a very special experience because Tom Hollands Spider-Man has been a character that Ive had the opportunity to voice in Gujarati, including Spider-Man: Homecoming and Spider-Man: Far From Home. Gujarati dubbing also comes with its own challenge because you want the language to sound completely natural while retaining the energy, humour and personality of the original performance. For me, it was particularly satisfying because Spider-Man is such a globally loved character, and being able to bring that character to Gujarati-speaking audiences in their own language is something Im very proud of. Apart from voicing human characters, Im also known for specialised voice work involving animal sounds, reactions and character voices. For instance, in Netflixs animated series Sharkdog, I have voiced Sharkdog in Hindi, including his barking sounds, reactions and expressions. In Superpupz, I have also dubbed the parrot character in Hindi. I have also dubbed for Luke in Kalki 2898 AD in Hindi. In gaming, I voiced the character Maxim in Free Fire, and my Hindi voice can be heard in-game itself. I have been the Hindi voice of Robin, the lead character in Teen Titans Go! on Cartoon Network for over 10+ years. Being associated with the character for such a long period has been one of the most memorable parts of my dubbing journey. What is the biggest challenge for a dubbing artiste? I think the biggest challenge is to make people forget that they are watching a dubbed performance. The audience should feel that the character is actually speaking in their language. For that, you have to match the actors emotion, timing, expressions and lip movements, while also making the dialogue sound natural. Sometimes you may have only a few seconds to deliver a line with exactly the right emotion and timing. So, dubbing is not just about having a good voice - it requires acting, observation, timing and a lot of discipline. View this post on Instagram A post shared by Ketan Kavva (@ketankavva) Are there more opportunities for dubbing artistes because of the emergence of OTT? Absolutely. OTT has changed the dubbing industry tremendously. Today, audiences are consuming content from different countries and in different languages, so the demand for quality dubbing has increased significantly. Earlier, dubbing was often looked at as something secondary. Today, there is much more awareness about the importance of a good dubbed performance. With films, web series, animation, anime and even games being localised into multiple Indian languages, there are definitely more opportunities for voice artistes. At the same time, the competition has also increased, so artistes need to constantly improve their acting and language skills. You were paid Rs. 300 for your services as a dubbing artiste for Chup Chup Ke, which was your first proper assignment. Can you recall that experience? I remember it very clearly because Rs. 300 may sound like a very small amount today, but at that time it meant something completely different to me. It was my first proper professional dubbing assignment, and honestly, I was just extremely excited to be inside a studio and getting paid to do something I genuinely loved. I dont think I was thinking about how much I was earning. I was thinking, this is what I want to do. Looking back after 15 years, those Rs. 300 feel more valuable than many bigger cheques because it was the beginning of my professional journey. It gave me the confidence that I could actually build a career out of dubbing. You gained an interest in dubbing from your uncle (kaka). He has dubbed for popular shows like Ramayan and Mahabharat in Gujarati. Did you ever hear any interesting stories from him while he was dubbing for these two epic shows? Yes. My uncle was one of the inspirations behind me getting into dubbing. As a child, I used to hear about his work and that naturally created an interest in me. One thing that stayed with me was how different dubbing was in those days. There was no technology or convenience like we have today. The process was much more manual, and artistes had to be extremely precise with their dialogue and timing. Hearing about his experiences on shows like Ramayan and Mahabharat made me realise that voice acting could actually be a profession. In a way, I feel I inherited my interest in dubbing from him, and then over the years I developed my own style and identity as a voice artiste. Also Read: Michael becomes FIRST non-dubbed Hollywood film to screen at Raj Mandir, Jaipur
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