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Mirzapur: The Movie Review: New, Improved Swagger
The cast, once again, remains the biggest reason to invest in this world, notes Mayur Sanap.
Star Cast: Ali Fazal, Pankaj Tripathi, Divyenndu, Jitendra Kumar Director: Gurmmeet Singh Mirzapur The Movie Review Synopsis: MIRZAPUR THE MOVIE is the story of power and ambition. Akhandanand Tripathi aka Kaleen Bhaiyya (Pankaj Tripathi) is the undisputed king, or baahubali, of Mirzapur. He has little faith in his son, Phoolchand Tripathi aka Munna (Divyenndu), and is far more impressed by the abilities of Govind Pandit aka Guddu (Ali Fazal) and Vinay Pandit aka Bablu (Jitendra Kumar). Meanwhile, J P Yadav (Pramod Pathak) puts pressure on Kaleen Bhaiyya to arrange funds for his upcoming election campaign. In order to raise the money, Kaleen begins looking for a new supplier. This is when Bablu gets a tip about Babban Yadav (Ravi Kishan), a Jaisalmer-based businessman who is looking to sell seven truckloads of drugs. However, Babban has an ulterior motive he intends to eliminate Kaleen Bhaiyya. What happens next forms the rest of the film. Mirzapur The Movie Story Review: Puneet Krishna's story is impressive and organically fits into the MIRZAPUR universe. Puneet Krishna's screenplay is very captivating and peppered with strong confrontational and action sequences. However, the writing in the middle of the second half leaves a lot to be desired. Puneet Krishna's dialogues are one of the highlights. A few one-liners are sure to be lapped up by the masses and could also go viral on social media. Gurmmeet Singh's direction is mass-appealing. MIRZAPUR THE MOVIE is a unique experiment as it takes a popular web-series universe to the big screen. Moreover, it is not a continuation of the most recent season that dropped digitally. Instead, its story is set between Episodes 6 and 7 of the first season. This is a challenging proposition since the developments in the film cannot contradict or affect what happens subsequently in the series. In this regard, the writer emerges victorious, while Gurmmeet Singh also ensures that the continuity and essence of the MIRZAPUR universe remain intact. The film has a runtime of more than three hours, and yet, one doesn't get bored even for a moment. The action sequences may not be in abundance, but the film compensates with several powerful dramatic face-offs that elevate the impact. Some of the scenes that leave a mark are Guddus tu-tu main-main with his father while his mother tries on the woollen clothes, Guddu and Munnas encounter at the salon, Babbans argument with Vasudha Pandit (Sheeba Chaddha) and Guddus first meeting with Babban. However, the scene that takes the cake is the one in which Munna admonishes J P Yadav. It is sure to create a frenzy among the masses. The finale, too, is bound to get a roaring response in cinemas. On the flipside, the film gets a bit stretched in the post-interval portions, while the romantic sequences feel forced. In fact, except for Beena Tripathi (Rasika Dugal) and Mumtaz Bibi (Sonal Chauhan), the rest of the actresses dont have much to do. Babbans decision to eliminate Kaleen Bhaiyya also seems unconvincing, as he doesnt have a strong enough motive to take such an extreme step. Moreover, the film is predictable because, as mentioned earlier, it is set in the middle of the first season. Hence, one is already aware of the fate of several characters. As a result, a crucial scene in which a characters heart stops beating has limited impact since the viewer knows that the character will survive. Mirzapur The Movie Review Performances: Pankaj Tripathi delivers a supreme performance. Right from the first sequence, he ensures one forgets his light-hearted and comic avatars and sees him as the King of Mirzapur. Ali Fazal is terrific in his massiest performance to date. He plays to the gallery perfectly without going overboard. Divyenndu, too, puts his best foot forward and ensures that viewers get their moneys worth. Apart from his massy scenes, his emotional portion in the beginning also stands out. Jitendra Kumar had a big responsibility as hes replacing Vikrant Massey. But he manages to effortlessly slip into the character. Ravi Kishan is too good. His fan following has gone through the roof lately and thankfully, the makers here have done full justice to his character, especially in the finale. Pramod Pathak, Sheeba Chaddha and Rasika Dugal have limited screen time, but they leave a tremendous mark. Sonal Chauhan looks stunning and delivers a fair performance; an actress who deserves to be seen more. Abhishek Banerjee (Subodh aka Compunder), Kulbhushan Kharbanda (Satyanand Tripathi), Shaji Choudhary (Maqbool) and Anangsha Biswas (Zarina) lend able support. Shweta Tripathi (Golu) and Shriya Pilgaonkar (Sweety) are impressive. Sadly, they dont have much to do. Harshita Gaur (Dimpy) is wasted. Sushant Singh (Bhairav Singh Karnawat) and Rajesh Tailang (Ramakant Pandit) are dependable. Mohitt Maalik (Birju Lohar) delivers a decent performance. Satendra Soni (Chandu Puncture) is entertaining and the surprise of the film. Mirzapur The Movie music and other technical aspects: The songs dont register at all. 'Ghoom Ghoom' is the best of the lot, more due to the picturization and placement. 'Vaaroon Forever', 'Do Numbari', 'Sanson Ki Mala' and 'Vindhyvasini Ki Jao Ho' are average. John Stewart Eduri's background score is much better and enhances the impact of several scenes. Sanjay Kapoor's cinematography is top-notch and lends the film a grandeur that surpasses the web series, giving it the much-needed cinematic feel. Amin Khatib's action is gory, and it works well for the film in this zone. Sonam Singh and Abhijit Gaonkar's production design is classy, while Darshan Jalan and Neelanchal Ghosh's costumes are realistic yet stylish. Manan Ashwin Mehta's editing is functional but could have been sharper in some scenes. Mirzapur The Movie Review Conclusion: On the whole, MIRZAPUR THE MOVIE is a paisa-vasool big-screen entertainer that successfully transports the much-loved world of MIRZAPUR from OTT to cinemas. The powerhouse performances, whistle-worthy dialogues, gripping confrontations, massy moments and a rousing finale compensate for the stretched portions and predictable nature of the narrative. The film has opened strongly at the box office and is on course to enter the Rs. 100 crore club over the opening weekend. With Rs. 200 crore well within reach, its strong audience response and franchise value could translate into a major theatrical success.
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The Telugu film by director Chandra Mohan Chintada delivers a few laughs, but is let down by its dated treatment
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I'm Game Review: Squanders Killer Premise
I'm Game starts with a wickedly fun possessed-hand premise and plenty of style, only to lose its grip in a predictable second half.
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A growing cohort of Indias policewomen on screen, addressed as Madam Sir, fight crime but must still keep patriarchy comfortable
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In Im Game, starring Dulquer Salmaan, filmmaker Nahas Hidhayath manages to keep the hold on the audience only for a while, before indulging in familiar narrative patterns
Im Game movie review: Dulquer Salmaan-starrer squanders a winning idea
In Im Game, starring Dulquer Salmaan, filmmaker Nahas Hidhayath manages to keep the hold on the audience only for a while, before indulging in familiar narrative patterns
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Star Cast: Taapsee Pannu, Ishwak Singh, Mita Vashisht Director: Devashish Makhija Gandhari Movie Review Synopsis: GANDHARI is the story of a brave mother. Bani (Taapsee Pannu) is married to Gokul (Ishwak Singh), and they have a daughter, Mishty (Myrah Shivan). While on a holiday, they pass through Joypurra. At the railway station, Mishty is kidnapped. Bani runs after the kidnapper but gets injured in the process, causing her to lose her eyesight. Bani and Gokul immediately approach the cops. Though the police assure them that theyll find Mishty, they don't seem to take the case seriously. However, they are forced into action when AHTU sends a tough officer, Kabir (Jatin Sarna), to investigate the rising number of kidnappings of girls from Joypurra. Meanwhile, Bani bumps into Jhunu Amba (Mita Vashisht), with whom she shares a connection from the past. Jhunu motivates Bani to toughen up and take on the gang responsible for Mishtys kidnapping. What happens next forms the rest of the film. Gandhari Movie Story Review: Kanika Dhillon's story is promising. Kanika Dhillon's screenplay is a mixed bag. While a few aspects are novel, there are places where the writing falters as well. Kanika Dhillon's dialogues heighten the drama. Devashish Makhija's direction is commercial. The manner in which Banis blindness track is handled is unexpected and unlike anything one has seen in films featuring protagonists who have lost their eyesight. Even the Bahrupi community of Joypurra adds to the intrigue. The town, the community and the Chaumukhi festival are depicted so realistically that viewers might assume they actually exist and are not fictional. The film is less than two hours long, and the makers dont waste any time, keeping the focus firmly on the principal plot of a mother seeking revenge. On the flipside, there are far too many cinematic liberties. In some scenes, it is difficult to believe that Bani could have pulled off certain acts without anyone getting a whiff of her true intentions. The whole kidnapping and missing girls angle gets a bit confusing. A few characters, such as Uma (Chhaya Kadam) and Somesh (Chandan Roy), are also introduced rather abruptly into the narrative. However, where the film falters the most is in its depiction of the bond between Bani and Gokul. The manner in which things unfold between them in the climax is highly unconvincing. One can even argue that it was not even needed in the first place. Lastly, it is bewildering and even unintentionally amusing that Bani doesnt remember her past or the fact that she had gone through a similar ordeal earlier. Gandhari Movie Review Performances: Taapsee Pannu, as expected, delivers a fabulous performance. Shes apt for such roles and impresses not just in action but also in the emotional scenes. Ishwak Singh puts up a sincere act but is let down a bit by the writing. Jatin Sarna leaves a tremendous mark. Mita Vashisht gets to play a badass role and performs ably. Chhaya Kadam is great and one wishes she had more screen time. The same goes for Chandan Roy. Myrah Shivan is cute. Prashant Narayanan (Dada) and Swastika Mukherjee (Churni) do well in small roles. Priti Shroff (ASI Sanjukta) is a great find, while Vishwanath Chatterjee (Inspector Saha) is fair. Gandhari movie music and other technical aspects: Shor Police's music is well-woven into the narrative. However, none of the songs register. Shor Police's background score is better, especially in the action scenes. Amit Roy's cinematography is satisfactory. Brahim Achhabake, Riyaz Shaikh, Habib Sayed and Anis Shaikh's action is exciting and not too gory, though there was scope to make it more violent. Nikhil Kovale and Apurva Bhagat's production design is authentic, and Prashant Sawant's costumes are realistic. Naman Arora's editing is too slick in some places but overall, fine. Gandhari Movie Review Conclusion: On the whole, GANDHARI is a below-average revenge drama that is salvaged to an extent by Taapsee Pannus powerful performance, an interesting setting and a few engaging moments. However, the impact is heavily diluted by excessive cinematic liberties, confusing portions and weak writing, particularly in the third act.
Beyond The Archetype: How Meghna Gulzar Keeps Breaking The Mould With Every New Character
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