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Flix Flashback Nandanam, directed and written by Ranjith and loosely adapted from MT Vasudevan Nairs Neelathamara, gives a fantastical spin to a love story between a domestic worker and the scion of the family. Neelima Menon YouTube/apimalayalamsongs Though he has made films across a variety of genres, as a writer/director Ranjiths most noted works have given Malayalam cinema the alpha male hero for example, Devasuram and Aaram Thampuran. His oeuvre includes unlikely satirical comedies such asPranchiyettan & the Saint, award-winning dramas such asThirakkatha,and thrillers such asPaleri Manikyam. ButNandanam (2002) stands out for its (decidedly understated yet) divine treatment of a tried-and-tested romantic trope. Balamanis days always begin at the crack of dawn. Though she occupies only a corner of that large ancient tharavadu, fenced by greenery, with an elaborate front yard and backyard and a rectangular in-house pond, its this pint-sized girl who literally runs the show. Its been barely a month since she was hired to take care of the ageing matriarch of the house, but she is even chaperoning the three elderly helpers who were previously employed to nurse Unniyamma (Kaviyoor Ponnamma). In between looking after Unniyamma, she has to boil cauldrons of water, prepare meals, tend to cows, water plants, clean and mop the house. What pushes her forward amidst this chaos is the sight of Lord Krishna, tucked away in the corner of her room. Every morning, she lights a tiny lamp for Lord Krishna and that glow miraculously seems to bring some light into her otherwise mundane routine.Nandanam, directed and written by Ranjith and loosely adapted from MT Vasudevan Nairs Neelathamara, gives a fantastical spin to the love story between the domestic worker and the scion of the family. Ranjith places the story in the backdrop of a flourishing Nair tharavadu, where characters speak with a pronounced Valluvanadan slang, make regular trips to the Guruvayoor temple, and look forward to Yesudas musical sabhas. Balamani (Navya Nair, who almost makes us forget that it is an actor playing the part), despite her daily drudgery, is a positive soul who takes things in her stride. Though she does complain about her workload, its mostly with a forbearance. When the same man she dreams of marrying stands in front of her one fine night soaked in rain, Balamani stares at him open-mouthed. Thats perhaps the first hint of a celestial interference. Manu is the young scion of the tharavadu, Unniyammas widowed daughters son, who has taken a brief detour before his big US visit. Manu (Prithviraj, who makes an endearing debut) is sketched with a kindly brush. Initially he is amused by this little chit of a girl who smoothly runs the household and seems to have created quite an impression on his grandmother. So he employs a mild form of flirting to unsettle her but is surprised to realise that she isnt quite swayed by his attention. UnlikeNeelathamara, where the man lusts after the domestic worker, here Manus intentions are noble. In fact, it is so noble that his interest stems from the ideal, sacrificing, patient and dutiful picture of Balamani. He has every intent of legalising their relationship. Though Balamani keeps reminding herself and Manu about her humble background and the improbability of such an alliance, Manu doesnt really give up on the feeling of playing a saviour. Balamani is the wiser of the two and never harbours any ambitions despite Manus interest in her. The only point of contention for Manu is his mothers approval, whom he thinks the world of. Even when she agrees, he realises that its society that stands between him and Balamani.His mother is portrayed as a strong-willed woman who took care of her son singlehandedly after the demise of her husband. But one wishes she wasnt presented so drearily. It reinstates the stereotype of a widow who doesnt have the capacity to enjoy life and needs to live in the memory of her dead husband. Though she controls her sons life, planning his career and life choices, she is shown as someone with empathy where it is required. There is a nice bit involving a childhood friend (Siddique) who was in love with her and how he remains unmarried in her memory. It is to this largely stereotypical cinematic romance that Ranjith lends a touch of divinity. He plants a human Guruvayurappan for Balamanis eyes alone. Considering that Balamanis devotion to Lord Krishna has been emphatically established, its easy to buy into the divine intervention. And Ranjith sets it up with such ingenuity that we find nothing amiss till the final reveal. Its when she almost tries to jump into the well that a resounding voice snaps her out of her reverie. The human Guruvayurappan has an all-knowing impish smile, like how Lord Krishna is depicted in mythology. Every time Balamani is feeling down, he miraculously appears out of nowhere. And he lets her think that he is the neighbours son. Eventually even their alliance reaches fruition, it evolves so organically that you still dont suspect a divine hand in it. Nandanamalso has fascinatingly loud sub characters. There is Kumbidi aka Palarivattom Sasi (Jagathy Sreekumar), the phony sanyasi whom the matriarch calls during auspicious occasions. He turns out to be a local thief who has various police charges against him, who eats meat and is a womaniser. Its also a sly commentary against fraudster sanyasis who lead double lives and the societys blind faith in them. The three ageing caretakers are hilariously entertaining. From gluttony to gossiping to procrastinating, and unexpectedly turning Balamanis allies, there is never a dull moment when they are around. There is Balamanis uncle and Unniyammas trusted Karyasthan (Innocent) who also helps in bringing the lovers together. In hindsight, this is also the least pretentious film in Ranjiths career. He beautifully sets up the narrative for his Guruvayurappan devotee. The tharavadu is placed in the vicinity of the Guruvayoor temple, it also stands amidst an expansive forestry littered with ancient wells, broken brick walls heaving with foliage and songs (Raveendran melodies) that evoke mischief, romance, and mysticism. He pits Balamani against an intrinsically casteist, classist and patriarchal society and allows her dreams to take flight without making heavy weather out of it. The uncles and aunts who bicker against the alliance are such a typical lot, seen in every traditional, patriarchal family. MTsNeelathamarawas a dark, tragic story of exploitation by the upper caste that dug deeper into the caste oppression that prevailed in society. The man discards the domestic worker after manipulating her emotionally and physically. Even the ending hints at the pattern getting repeated. Ranjith on the contrary sprinkles some pixie dust in the air, swirls a magic wand, heralds a human God, and facilitates a warm, fuzzy closure to the same romance. Perhaps he was giving us broad hints too, that such an alliance without divine intervention is highly unlikely. Neelima Menon has worked in the newspaper industry for more than a decade. She has covered Hindi and Malayalam cinema for The New Indian Express and has worked briefly with Silverscreen.in. She now writes exclusively about Malayalam cinema, contributing to Fullpicture.in and thenewsminute.com. She is known for her detailed and insightful features on misogyny and the lack of representation of women in Malayalam cinema.
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Kollywood With Over-the-Top platforms making films across languages accessible to viewers, many are only just discovering the magic Vijay Sethupathi brings to the screen. TNM Staff Vijay Sethupathi's Vikram with Kamal Haasan and Fahadh Faasil is among the most anticipated releases of 2022. Though the actor struggled for several years to find his footing in the Tamil film industry, Vijay Sethupathi has since not only established himself, his fan base has grown wider than Tamil Nadu. VJS, as he's known, is also called 'Makkal Selvan' because of the popularity he enjoys with the audience. With Over-the-Top platforms making films across languages accessible to viewers, many are only just discovering the magic he brings to the screen. If you are new to the Vijay Sethupathi fan club, here are five films you can watch online. Trust us, you won't be disappointed! Super Deluxe (Netflix): Thiagarajan Kumararaja's 2019 hyperlink film saw Vijay Sethupathi playing transwoman Shilpa. Though the film had several stars in the cast, including Fahadh, Samantha, Ramya Krishnan and others, it was Vijay Sethupathi's empathetic portrayal of Shilpa and her relationship with her son that moved audiences the most. Vijay Sethupathi won Best Supporting Actor at the National Awards for the film. Naduvula Konjam Pakkatha Kaanom (MX Player): Directed by Balaji Tharaneetharan, this comedy revolves around a man who suffers from temporary memory loss on the eve of his wedding. He does not realise that he has to get married the next day and his friends come up with an idea to see him through the event. Interestingly, the film is based on a bizarre incident that happened in real life to its cinematographer Prem Kumar. VJS is hilarious in the role, repeating the same lines and looking completely clueless about what's happening around him. Soodhu Kavvum (Zee 5): Nalan Kumaraswamy's black comedy is about a gang of kidnappers that specialises in 'low-profile kednaping'. VJS as Das, the leader of the gang, is a riot as he has conversations with his imaginary girlfriend, Shalu. The film, which came out in 2013, became an instant fan favourite and is still looked upon as one of the best Tamil black comedies to have come out. Vikram Vedha (Amazon Prime Video): The Hindi remake of the film with Hrithik Roshan and Saif Ali Khan is on the cards, but true blue VJS fans have serious doubts about how well it will hold up. The film explores the clash between good and bad, right and wrong, with a cop and criminal playing a cat and mouse game. It's based on the premise of the Vikram-Vetal folklore where the Vetal presents a predicament to King Vikram and he has to give an answer. The dialogue Oru kadha sollata sir (Shall I tell you a story, Sir?) from the film has become part of common parlance in Tamil Nadu. 96 (Sunnxt): The music of the film became such a sensation that even before it was released, 96 managed to create an impact on fans of romance films. Directed by Prem Kumar, the film is about two high school sweethearts who meet after decades at a reunion. The female lead is played by Trisha. Vijay Sethupathi plays Ram, an introverted photographer who cannot forget his first love, and is happy to live in the memory of it. Shy, awkward and honest, Vijay Sethupathi's portrayal of Ram floored the audience, prompting remakes in Telugu and Kannada.
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The Valimai star requested to be referred to as only Ajith Kumar or AK henceforth
Kollywood The actor issued a press release through his PRO, asking that he's only to be called Ajith, Ajith Kumar or AK. TNM Staff In a surprise move, actor Ajith, who is popularly known as 'Thala', has issued a press release through his PRO Suresh Chandra, requesting everyone to stop calling him by the title. In fact, Ajith does not want any prefixes to his name and wishes to be known only as Ajith, Ajith Kumar or just AK. Addressing the release to the public, media and genuine fans, Ajith's note reads, I henceforth wish to be referred to as Ajith, Ajith Kumar or Just AK n not as Thala or any other prefix b4 my name. I sincerely wish you all to have a beautiful life filled with good health, happiness, success, peace of mind and contentment forever. Love, Ajith (sic). Ajith is known as 'Thala' while his closest rival in the Tamil industry, Vijay, is known as 'Thalapathy'. Thala and Thalapathy fans clash often on social media, with abusive hashtags trending several times. It was the 2001 film Dheena that gave Ajith the title 'Thala'. It was around this time that the actor starred in three action films Dheena, Vaali and Amarkalam. These films marked his transition from a soft, romantic star to an action hero. pic.twitter.com/hguhrjbJG9 Suresh Chandra (@SureshChandraa) December 1, 2021 Ajith does not have any social media profile and usually communicates through his PRO. He has previously taken a stance against fans indulging in social media abuse. In a strongly-worded statement in 2017, Ajith issued an unconditional apology to those who were targeted by people claiming to be his fans. The statement, which came through his lawyers, read: Persons misusing our client's name have also been trolling members of the film industry, journalists, critics and other individuals. While it is important to identify such miscreants and hold them accountable, our client unconditionally apologises for any hurt or harm caused. Although he has a massive fan following, in 2011, Ajith dismantled his fan clubs, stating that he was unhappy about some people misusing his name for political gains. In Tamil Nadu, where fan associations are dime a dozen for the big stars, this came as a surprise. Ajith's last release was Nekonda Paarvai with H Vinoth. The film is a remake of the Hindi film Pink, and according to the director, Ajith had expressed regret to him for doing films that promoted stalking and crimes against women. His next is Valimai, also directed by H Vinoth. After fans started asking for 'Valimai updates' at random events, including cricket matches, Ajith issued a statement asking them to desist from indulging in such acts.
Ajith in a note has requested his fans torefer to him asAjith, Ajith Kumar or just AK, and not as 'Thala'or any otherprefix before my name.
Ajith doesn't want to be known as Thala. Requests fans to call him AK
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Kollywood Pooja is Sai Pallavi's sister and is playing a medical student in the film while Rima plays a cop. TNM Staff Fight choreographer-turned-director 'Stunt' Silva's film Chithirai Sevvaanam will release on OTT platform on December 3. Produced by director AL Vijay, the film features Pooja Kannan, Samuthirakani and Rima Kallingal. One of the reasons why fans have been eagerly waiting for this film is because Pooja, who plays one of the leads, is the younger sister of popular actor Sai Pallavi. Many feel that the sisters have striking similarities and quite a number of people are eager to see if Pooja is as good a dancer as Sai Pallavi. Meanwhile, Rima Kallingal, who plays a pivotal character in the film, had recently said that essaying the role of a police officer was quite a ride. Asha Nayyar - The first time playing a Police officer was quite a ride, she said, taking to social media. When I heard I will be directed by THE stunt master Stunt Silva, I naturally expected to throw a few punches and have a few back flips. But it was a whole beautiful, emotional journey we embarked on. The film, which is to hit screens on December 3 on ZEE5, is about the relationship between a father and his daughter. The filmmakers had released the first look of the film on November 22. The film, which has music by Sam CS, will have lyrics by Vairamuthu. Shot by Manoj Paramahamsa, Chithirai Sevvaanam will be edited by KL Praveen. The director, Stunt' Silva as he is popularly known as, has choreographed stunts for many of the biggest blockbusters from the south including Rajinikanth's 2.0, Vijay's Master and director Gautham Vasudev Menon's Achcham Enbadhu Madamaiyada. Speaking to IANS earlier, he had said, Just because I am a stunt master, don't expect an action-packed film from me. Chithirai Sevvaanam is a poetic story that imparts a beautiful message for parents and children. Family audiences will have a good time watching this movie. Watch the trailer ofChithirai Sevvaanamhere: With IANS inputs
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