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Hrithik Roshan penned a heartfelt note for his ex-wife Sussanne Khan, leaving fans surprised by their cordial bond post-divorce. Netizens questioned their relationship as the former couple continues to share a healthy equation despite moving on with their respective partners, Saba Azad and Arslan Goni.
Peter Medak, director of The Changeling, The Krays and The Ruling Class, passes away
Varun Dhawan has reflected on his earlier comments about his box-office record and admitted that, with time, he has learnt to let his work speak for itself. During the latest episode of Koffee With Karan 9, the actor revisited a remark he made on the show years ago, when he spoke about his run of successful films in comparison to Ranbir Kapoor and Ranveer Singh. Looking back, Varun suggested that talking too much about professional success may not be the best approach. What I have realised over time, after maturing a little, is that the only flex one should do is with their work. Many years ago, I came here and flexed about how many hits I had. Somewhere, it jinxed me or something, he said. Varun Dhawan revisits his Koffee With Karan Season 6 remark Varuns latest comments brought back a moment from Koffee With Karan Season 6 in November 2018. During that episode, Karan Johar asked him whether he would switch careers with Ranbir Kapoor or Ranveer Singh. Varun answered, None, explaining that both actors had experienced box-office failures, while he had not faced one at that stage of his career. At the time, Varun had delivered a string of commercially successful films, including Student of the Year, Main Tera Hero, Humpty Sharma Ki Dulhania, ABCD 2, Badrinath Ki Dulhania and Judwaa 2. His response was widely discussed as a confident assessment of his box-office run. On the latest episode, Karan brought up the remark while discussing Varuns past comments about his successes. Varun chose not to revisit the numbers in detail, saying he did not want to make another boastful statement. I dont want to correct you. That would feel like a flex now, he told Karan. Janhvi Kapoor then pointed out that the number of hits being discussed had risen to 11. Varun agreed but maintained that he did not want to make a show of his commercial record. Varun Dhawan says Ajay Devgn treats success and failure alike Varun also shared what he has learnt from watching other actors navigate the highs and lows of their careers. He cited Ajay Devgn as an example of someone who maintains the same attitude regardless of professional outcomes. I dont want to flex or say anything in that regard. When you are successful or something becomes a success, sometimes it is better to be like Ajay Devgn. He is someone I have seen treat you the same way through success and failure. It is amazing, Varun said. Varuns 2018 remarks returned to online discussions in December 2024 after his film Baby John underperformed at the box office. Some social media users revisited his earlier comparison with Ranbir and Ranveer, joking that his confident statement had brought him bad luck. Also Read:Koffee With Karan 9: Varun Dhawan says he feels ashamed of himself seeing Ranbir Kapoor as a father, recalls Alia Bhatt wanting kids at 19
Veteran filmmaker and CID creator BP Singh died on October 27, aged 77, after suffering a massive heart attack. Shivaji Satam, Dayanand Shetty, Aditya Srivastava and other CID actors attended his last rites on October 28 in Mumbai.
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She has everything: Actor Zoya Hussain backs Aneet Padda as a future leading star
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'I Should Have Taken Advantage Of My Privilege': Janhvi Kapoor On Peddi Objectification
Janhvi also admitted that she could have been more proactive in raising concerns about the scenes
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Peddi propagated sexual assault, extreme objectification: Janhvi admits film's flaws
Peddi propagated sexual assault, extreme objectification: Janhvi admits film's flaws
Varun Dhawan calls Ranbir Kapoor an amazing father, admits feeling ashamed
Varun Dhawan discusses fatherhood on Koffee with Karan 9, recalling how his mornings have changed since welcoming daughter Lara. He praises Ranbir Kapoors parenting skills and reflects on Alia Bhatts early wish to have children during their Student of the Year days
Janhvi Kapoor has addressed the controversy surrounding her portrayal of Achiyamma in Peddi, admitting that she continues to reflect on her role in a film that faced criticism over the treatment of her character. Speaking on the latest episode of Koffee With Karan Season 9, the actor acknowledged concerns around objectification and the films portrayal of sexual assault, while also saying that she wishes she had spoken up more strongly during the making of the film. Directed by Buchi Babu Sana and headlined by Ram Charan, Peddi released in theatres on June 4, 2026. Following its release, the film faced criticism over the way Janhvis character was presented, with particular attention on camera shots focusing on her body and a romantic sequence that audiences questioned for its treatment of consent. Janhvi Kapoor says she takes responsibility for her part Reflecting on the controversy, Janhvi said, I felt many things, Karan. I think the reason I was so apprehensive to talk about it was because many people worked very hard on that film. I really didn't know what to say or if there was anything really to say. But it's important that I take ownership for my half of whatever that fiasco was because it weighs heavily on my conscience, the sort of negative impact a narrative like that can have on our society, specific to my gender. She went on to question whether she could have done more to challenge how her character was portrayed. Could I have done more? Could I have been more vigilant? Could I have made a bigger scene? A hundred percent, yes. Was it problematic? Was it extreme objectification? Did it even propagate sexual assault narratively? Yes, she said. Janhvi added that her focus now is on ensuring that she does not find herself in a similar situation again. The only thing I can do is to ensure that that doesn't happen again. I went through the beats of really beating myself up. I should have been more vigilant. I should have made a bigger scene, she added. Janhvi explains the challenges she faced during filming The actor also spoke about the dynamics of working on a film where she said, I don't like saying this because it sounds like I'm shifting blame. But you know what it's like, you feel like whatever the director says, be professional, listen to the director. So I was really navigating how to make things less problematic as best I thought, as and when information was becoming available to me. She further said, In the South, there very rarely is a bound script. And very rarely in those scripts do you see where the camera angles are. At the same time, Janhvi reiterated that she believes she could have used her position to speak up more. Having said that, I need to also take responsibility for my half of it. I do come from a place of privilege. I should have taken advantage of that because I'm going to get the criticism for being privileged anyway. So I might as well have leveraged it, she said. Janhvi calls the experience violating When Karan Johar asked whether she felt disappointed at the time or believed the filmmaker had not intended for things to unfold that way, Janhvi described the experience as violating. No, I feel like I get so conscious when I speak about this because I don't want to sound like I'm trying to be the victim here. I mean, it was a violating experience in a way, she said. Janhvi also revealed that she had expressed her discomfort during the filming process and even during post-production. I feel like both of you have sort of been with me through the beats of me trying to articulate discomfort throughout the course of shooting, even post-production, she told Karan and Varun Dhawan, who was also part of the conversation. Janhvi hopes the controversy leads to change Despite the difficult experience, Janhvi said she hopes the conversation around Peddi could make filmmakers think more carefully about how female characters are presented on screen. The good thing that came out of all of this is that maybe tomorrow someone else will think twice before they present a lead actress this way, she said. Also Read:Janhvi Kapoor reveals Shikhar Pahariya took half a semester off to be there for her after Sridevis death
Varun Dhawan opened up about fatherhood and life with his daughter Lara during the latest episode of Koffee With Karan 9. The actor shared how his daily routine has changed since becoming a father and revealed that he and his two-year-old daughter already have their share of disagreements, particularly over music. During the conversation with host Karan Johar, Varun spoke about the joy of watching Lara grow up. He explained, A lot has changed. Earlier, I would have a lot of time to myself in the morning. Now, when I wake up, my two-year-old is running around, jumping and trying to go down a slide the wrong way. Natasha and I are almost like fielders. Varun added that watching his daughter experience the world brings him immense happiness. It's a lot of fun. Just seeing the joy and purity in a child brings a lot of joy to your heart, the actor shared. Varun Dhawan says daughter Lara is obsessed with Michael Jackson The conversation took a playful turn when Varun praised Ranbir Kapoor for being a great father to his daughter, Raha Kapoor. Janhvi Kapoor then pointed out that Varun was also a good father, prompting him to agree while revealing that he and Lara often disagree over their music choices. I'm damn good. But Lara and I get into a lot of fights, I feel, Varun said. Karan Johar was surprised by the revelation, considering Lara is only two years old, and asked what the father-daughter duo could argue about. Varun explained that their disagreements usually revolve around music, revealing that Lara is currently obsessed with Michael Jackson. When Janhvi asked whether he did not want to listen to the singer, Varun clarified that he wanted some variety beyond one particular track. I want to listen to another song besides Beat It. She wants to hear Beat It like 68 times, he said. Karan suggested that Varun should let his daughter enjoy the music she likes. However, the actor had another argument ready, joking that he wanted Lara to understand that Michael Jackson's career was bigger than just Beat It. Varun Dhawan married fashion designer Natasha Dalal in 2021. The couple welcomed their daughter, Lara, on June 3, 2024. Since becoming a father, Varun has occasionally spoken about how parenthood has changed his everyday life, from his morning routine to the little moments he shares with his daughter. Also Read:Koffee With Karan 9: Janhvi Kapoor says she lost 6 kg after fallout with Karan Johar, Varun Dhawan recalls calling him a child; says, You became Amitabh Bachchan from Kabhi Khushi Kabhie Gham
Varun Dhawan looked back at his early days with Alia Bhatt and Sidharth Malhotra during the latest episode of Koffee With Karan 9. The actor revealed that Alia had spoken about wanting to have children when they were filming their debut film, Student of the Year. He also praised Ranbir Kapoor for his approach to fatherhood, calling him an amazing father to his and Alias daughter, Raha. During the conversation, host Karan Johar pointed out that all three actors from Student of the Year are now parents to daughters. Varun and his wife Natasha Dalal have a daughter, Lara, while Sidharth Malhotra and Kiara Advani are parents to a daughter named Saraya. Alia and Ranbir, meanwhile, welcomed Raha in November 2022. Varun Dhawan says Alia Bhatt spoke about having children at 19 Reacting to Karans observation, Varun said, I always knew Alia would be the first to have a child. Since we did Student of the Year, she had always mentioned that she would love to have a child. I found it bizarre because she was a kid. Janhvi Kapoor then pointed out that Alia was just 19 at the time. Varun added that she would often talk about children and her wish to become a mother. He also admitted that he had not expected Sidharth to be the last among them to have a child, as he thought the order would be Alia, Sidharth and then himself. Varun Dhawan praises Ranbir Kapoors parenting Karan also asked Varun whether any awkwardness from the past resurfaced when he met Alia and Sidharth, given their history of working together and the time that had passed since their debut. Varun said he and Sidharth get along well whenever they meet. He added that his interactions with Alia and Ranbir are also warm, with plenty of conversation. Speaking about Ranbirs relationship with Raha, Varun praised the actors parenting. When I see Ranbir as a parent, hes amazing. Hes so good as a father, he said, adding that it made him feel really ashamed. Alia Bhatt and Ranbir Kapoor welcomed Raha in 2022 Alia Bhatt and Ranbir Kapoor married in April 2022 and welcomed their daughter, Raha, on November 6 that year. The couple have occasionally shared glimpses of their life as parents, while generally keeping their daughters life away from the spotlight. Varun and Natasha Dalal, who married in 2021, welcomed their daughter Lara on June 3, 2024. Sidharth Malhotra and Kiara Advani also became parents to a daughter, Saraya, in 2025. Also Read:Koffee With Karan 9: Varun Dhawan reveals he fights with 2-year-old daughter Lara over Michael Jackson songs: She wants to hear Beat It like 68 times
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Jimmy Kimmel's Trump Impression Takes An Awkward Turn As Host Admits He's 'Grossing Himself Out'
Jimmy Kimmel has taken aim at Donald Trump over the US presidents suggestive gesture towards Nicki Minaj at a Michigan rally. On the October 26 episode of Jimmy Kimmel Live!, the comedian recreated the moment but admitted, Im grossing myself out even doing it. He then called the U.S. president Horny Donald, describing it as his least favourite version of Trump. Kimmel also joked about the reaction if Joe Biden had made a similar remark, adding another round of late-night mockery to the viral rally moment.
KWK S9: Janhvi Kapoor admits Peddi scenes were 'extreme objectification'
Janhvi Kapoor addresses the Peddi controversy on Koffee with Karan Season 9, stating that she will carry the shame of not questioning those scenes and hopes her experience leads to a more thoughtful portrayal of women.
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10 Spooky Alcohol-Free Cocktails to Make This Halloween
ORIGINAL ARTICLE: 10 Spooky Alcohol-Free Cocktails to Make This Halloween Discover 10 spooky Halloween mocktail recipes featuring deep colours, seasonal spices, and theatrical flair for a non-alcoholic celebration. The post 10 Spooky Alcohol-Free Cocktails to Make This Halloween appeared first on DESIblitz .
AR Rahman celebrates as Mangal Rang from Ramayana claims No. 1 spot on YouTube Music
AR Rahman's latest track, Mangal Rang, from Nitesh Tiwari's upcoming mythological epic Ramayana has topped the YouTube Music charts. The achievement comes amid moderate reactions online.
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Sara Ali Khan visits Kedarnath amid Sanatan affidavit debate
Sara Ali Khan has returned to Kedarnath for prayers amid the ongoing discussion surrounding a proposed affidavit requirement for non-Hindus visiting the shrine. The actor reportedly reached the temple by helicopter around October 25 and joined the regular queue to offer prayers, waiting for approximately 30 minutes despite snowfall and cold weather. According to reports, Sara participated in puja and aarti during her visit and did not seek special treatment. Her trip has drawn attention as it comes months after the Badri-Kedar Temple Committee (BKTC) said that non-Hindus wishing to visit Kedarnath and Badrinath could be asked to submit a written affidavit affirming their faith in Sanatan Dharma. No public confirmation exists on whether Sara submitted an affidavit before entering the temple. Her visit alone does not establish whether the proposed requirement has been implemented or what arrangements were followed in her case. View this post on Instagram A post shared by Bollywood Hungama (@realbollywoodhungama) Why is Sara Ali Khan's Kedarnath visit in focus? In March 2026, the BKTC proposed requiring non-Hindus seeking entry to Kedarnath and Badrinath to submit a written declaration affirming their faith in Sanatan Dharma. The proposal was approved by the committee and forwarded to the Uttarakhand government for consideration. Sara was specifically mentioned in the discussion because of her frequent visits to Kedarnath over the years. The actor made her Bollywood debut with Kedarnath, which was filmed in the region, and has regularly returned to the shrine since then. At the time, BKTC chairman Hemant Dwivedi addressed the question of Sara's future visits, saying, If she says that she has belief in Sanatan and submits an affidavit, we will allow her for darshan. Sara's visits to Kedarnath have been a recurring part of her public life since her debut film. She has often shared glimpses of her spiritual trips, making the shrine a familiar destination for her beyond her film commitments. This time, reports said she arrived by helicopter and waited alongside other devotees during the snowfall. She also offered prayers and participated in aarti during the visit. On the professional front, Sara was recently seen in Udta Teer, a spy comedy co-starring Ayushmann Khurrana. Directed by Aakash A Kaushik, the film was released in theatres on October 23, 2026. Earlier this year, she appeared in Pati Patni Aur Woh Do, which was released in May. Also Read:Ayushmann Khurrana, Sara Ali Khan visit Attari-Wagah border to promote Udta Teer
Budget 2026: What Does it Mean for You?
ORIGINAL ARTICLE: Budget 2026: What Does it Mean for You? Chancellor John Healey announced the 2026 Budget. Here are the key points and the main announcements. The post Budget 2026: What Does it Mean for You? appeared first on DESIblitz .
Jumanji: Open World - Official Trailer
Watch the Official Trailer from English movie 'Jumanji: Open World' starring Dwayne Johnson, Jack Black, Kevin Hart, Karen Gillan, Alex Wolff, Madison Iseman and Morgan Turner. 'Jumanji: Open World' movie is directed by Jake Kasdan. To know more about 'Jumanji: Open World' trailer watch the video. Check out the latest English trailers, new movie trailers, trending English movie trailers, and more at ETimes - Times of India Entertainment.
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'Ramayana' early review: Ranbir Kapoor impresses as Rama, Yash shines as Ravana amid mixed reactions
Highlights Early reactions to Nitesh Tiwaris Ramayana: Rise of a Legend praise Ranbir Kapoor as Rama and Yash as Ravana. One viewer compared the films scale and storytelling to The Lord of the Rings . Despite praise for its ambition and cliffhanger, another early reaction described the film as a mixed bag. Early reactions to Nitesh Tiwaris Ramayana: Rise of a Legend have started emerging following its premiere in Los Angeles on Tuesday night (October 27). Starring Ranbir Kapoor as Rama, Sai Pallavi as Sita and Yash as Ravana, the mythological epic has drawn praise for its scale and performances, although some viewers feel it falls short of expectations. The Los Angeles premiere was attended by the films lead stars, director Nitesh Tiwari and producer Namit Malhotra. Following the screening, viewers began sharing their initial, spoiler-free reactions online, with one comparing the cinematic experience to watching The Lord of the Rings for the first time. Ranbir Kapoor and Yash impress in early reactions One viewer praised the films ambition and storytelling, saying there was nothing quite like it in the cinematic landscape. The reviewer also reflected on the cultural significance of the Ramayana and compared the experience to watching the first The Lord of the Rings film in 2001. Calling the film very grand and very epic, the reviewer highlighted its scale while expressing admiration for the story. Ranbir Kapoors portrayal of Rama also drew attention. The reviewer expressed surprise at the characters depiction, although the initial reaction did not offer further details about the performance. Yash received praise for his portrayal of Ravana from another reviewer, who described the actors introduction scenes as a major highlight. However, the response was not entirely positive. The same reviewer described Ranbir Kapoor and Sai Pallavi as solid in their roles as Rama and Sita, while suggesting that the characters divine presence and emotional depth did not always translate fully on screen. Ranbir Kapoor, Sai Pallavi, Yash and Nitesh Tiwari attend the Los Angeles premiere of Ramayana at the Academy Museum of Motion Pictures Getty Images Epic cliffhanger leaves viewers wanting more The films ending emerged as another talking point in the early reactions. One viewer described being so caught up in the cliffhanger that they shouted no when the screen went black. The reaction suggests the ending could leave audiences eager to see how the story continues in the next instalment. The second part is reportedly scheduled for release during Diwali 2027. The reviewer also highlighted the films runtime, describing it as a lengthy, substantial cinematic experience. They said they chose to watch the original Hindi version rather than the English-dubbed cut, which they claimed was 30 minutes shorter. Summing up the experience, the reviewer compared the film to leaving a fairy tale, while emphasising its connection to Indian cultural history. Ramayana receives mixed early verdict Despite the enthusiasm over its scale and individual performances, the early feedback has been mixed. One reaction praised the films ambition and described it as watchable, but argued that it did not fully meet the enormous expectations surrounding the project. The viewer also suggested that the film had greater potential than the final result delivered. These initial responses offer a glimpse of how the epic is being received after its Los Angeles screening, but they do not represent a broader critical consensus. More reviews will be needed to establish how the film fares with critics and audiences. Directed by Nitesh Tiwari, Ramayana: Rise of a Legend features Ranbir Kapoor as Rama, Sai Pallavi as Sita and Yash as Ravana. The ensemble cast also includes Sunny Deol, Ravie Dubey, Lara Dutta, Arun Govil and Rakul Preet Singh. The first instalment is scheduled to release in theatres on November 5, with the second part planned for 2027.
Bigg Boss 20: Did Love Gills team send Kaashvi Hiranandani a parcel?
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Katrina Kaif breaks silence on post-pregnancy weight trolling
New Delhi: Trolled for her weight gain following her first public outing after the birth of her son, an unconcerned Katrina Kaif says she wont let the ever-changing winds of opinions affect this lovely part of her life. The Namaste London star, who is married to actor Vicky Kaushal and has a one-year-old son Vihaan, Get the latest updates in Hyderabad City News , Technology , Entertainment , Sports , Politics and Top Stories on WhatsApp & Telegram by subscribing to our channels. You can also download our app for Android and iOS .
Here's how Nani-Anjana Yelavarthy's love story began
Shahid Kapoor, Mira Rajput and Ishaan Khatter are set to bring some festive fun to Netflix's The Great Indian Kapil Show, as seen in the latest promo of the episode. The special Diwali episode will feature the trio together for the first time on an OTT platform.
Man Shoved into Car during Birmingham Kashmir Clash
ORIGINAL ARTICLE: Man Shoved into Car during Birmingham Kashmir Clash Footage captured a heated clash outside Birmingham's Pakistan Consulate and saw a man shoved into a parked car. The post Man Shoved into Car during Birmingham Kashmir Clash appeared first on DESIblitz .
Keerthy Suresh is set to explore a different side of her acting with Akka, Netflixs upcoming gangster drama in which she plays Bhavani, a powerful woman navigating questions of loyalty, legacy and revenge. The actress, known for her performances in Mahanati, Saani Kaayidham, and Dasara, has revealed that the role pushed her into unfamiliar territory. Before Akka, I didn't know I could play a female gangster, Keerthy said, reflecting on her experience of stepping into the character. Bhavani belongs to the world of Pernuru, a kingdom where women have ruled and protected their own for generations. In this setting, power is inherited, loyalty is central to survival, and protecting a legacy often comes with difficult choices. Speaking about what makes her character compelling, Keerthy said, Bhavani is a woman who knows what she stands for and will go to great lengths to protect her legacy, Keerthy shares. What makes her interesting is that beneath her strength and authority are choices that are never easy, especially when the stakes are so high. The series places Bhavani at the centre of a conflict that threatens to disrupt the established order of Pernuru. Radhika Apte plays Rudra, an outsider whose ambitions and beliefs challenge the kingdoms existing power structure. Their rivalry sets the stage for a confrontation that extends beyond competing claims to authority, with loyalties and long-standing traditions facing a test. Through Bhavani, Akka explores the pressures that accompany power and the personal compromises involved in protecting a legacy. The characters strength is balanced by the difficult decisions she must make as the conflict escalates, placing her beliefs and relationships under pressure. Written and directed by Dharmaraj Shetty and produced by YRF Entertainment, Akka also stars Tanvi Azmi, Mahesh Manjrekar, Anshuman Pushkar and Monica Panwar. The series will premiere on Netflix on October 30, 2026. With Keerthy taking on the role of a female gangster for the first time in her career, Akka marks a new addition to her diverse screen repertoire. Also Read: Akka teaser out: Netflix CONFIRMS October 30 premiere for Keerthy Suresh and Radhika Apte-starrer
The 4th edition of Pinkathon Day witnessed the participation of 4,000-plus women in Mumbai from 54 locations, bringing them together through a shared commitment to physical fitness. Organised by Pinkathon, India's biggest women's running movement, the event saw participants take part in a 3 km run beginning at 6:00 AM, encouraging women to incorporate physical activity into their everyday lives. Mutual Funds Sahi Hai was the Title Partner of this year's edition. The city's participation was part of a wider effort that brought together over 10,000 participants across 168 locations in 65 cities in three countries: India, Bangladesh and the Netherlands. The initiative continued Pinkathon's efforts to build local running communities and encourage women across age groups and fitness levels to embrace an active lifestyle. Family participation was another highlight of this year's edition, with major participants across the initiative joining alongside their family members. Among the participants was a 96-year-old woman who took part with her family, demonstrating how fitness can bring generations together. Venkat N. Chalasani, Chief Executive, Association of Mutual Funds in India (AMFI), said, Through our association with Pinkathon Day, we aim to encourage women to take an active role in managing their finances and securing their financial future. Just as regular physical activity contributes to long-term health, informed financial decisions and disciplined investing can help build financial resilience and enable women to pursue their long-term goals with confidence. He added, With participants coming together across 168 locations in 65 cities and three countries, Pinkathon Day provides a valuable platform to connect womens physical well-being with financial awareness. At AMFI, we believe that financial inclusion goes beyond access to financial products; it is about equipping women with the knowledge, confidence and opportunity to make informed financial decisions, participate meaningfully in the financial system and work towards greater financial security and independence. Milind Soman, Founder of Pinkathon, said, Every edition of Pinkathon Day is an opportunity to see how local communities can come together around a shared goal. The participation across cities reflects the efforts of our ambassadors, volunteers and running groups who encourage women to take that first step towards fitness. What matters now is for participants to carry this momentum into their everyday lives and find ways to stay active beyond the event. Building a healthier lifestyle is a continuous journey, and we hope Pinkathon Day inspires more women to make it a priority. The event was supported by Pinkathon's network of ambassadors, volunteers and local running communities, who helped bring participants together across locations. Through these community-led efforts, Pinkathon continues to encourage women to begin their fitness journeys and sustain healthier habits beyond organised events.
For decades, Hollywood has dominated the market for large-scale cinematic spectacles. From Star Wars and The Lord of the Rings to Avatar and the Marvel Cinematic Universe, American studios have mastered the art of transforming extraordinary fictional worlds into multibillion-dollar entertainment properties. Indian cinema has produced its own spectacular successes, particularly with Baahubali, RRR, KGF and several other ambitious productions. But with Ramayana: Part One, the industry is attempting something particularly audacious. It is taking one of the world's oldest and most culturally significant epic narratives and presenting it as a technologically ambitious, multi-part theatrical spectacle. The project raises a fascinating question. Could Ramayana become India's answer to Hollywood's biggest fantasy franchises? And more importantly, should Hollywood be paying attention? India already possesses something Hollywood spends billions trying to create One of the biggest challenges facing entertainment companies is developing intellectual property that audiences recognise and care about. Hollywood studios invest enormous sums in building cinematic universes, introducing characters, establishing fictional worlds and persuading audiences to return for sequels. Ramayana begins with an extraordinary advantage. Its characters and central narrative have existed in cultural memory for centuries. The epic has inspired literature, theatre, television, music, art and countless retellings across different countries and traditions. For millions of people, Rama, Sita, Lakshman, Hanuman and Ravana are already familiar figures. In commercial terms, that is an extraordinary foundation for a major cinematic project. The makers do not need to create awareness of the underlying story among Indian audiences. They need to persuade viewers that their interpretation is worth experiencing on the big screen. However, this advantage is accompanied by a unique responsibility. Unlike an entirely fictional cinematic universe, the Ramayana carries profound religious and cultural significance. Its characters cannot be treated simply as commercially exploitable intellectual property. The challenge is to combine the ambitions of a global blockbuster with sensitivity towards the traditions from which the story emerges. The Avatar comparison: Technology must create emotion James Cameron's Avatar franchise established new benchmarks for visual effects, immersive world-building and theatrical spectacle. But its success cannot be explained by technology alone. Audiences were drawn into Pandora because the visual environment supported the characters, conflicts and emotional journey. For Ramayana, the technological ambition is similarly important. The involvement of Prime Focus Studios and DNEG has generated expectations of sophisticated visual effects and elaborate cinematic environments. Ayodhya, Lanka, forests, palaces, extraordinary creatures and large-scale battles provide immense opportunities for visual storytelling. Yet the lesson from Avatar is that technical sophistication must create immersion rather than merely showcase expensive imagery. A spectacular digital environment means little if audiences do not believe in the characters inhabiting it. The real test will be whether viewers become emotionally involved in the story rather than simply admiring the scale of its production. The Lord of the Rings comparison: The importance of world-building Peter Jackson's The Lord of the Rings trilogy offers another useful comparison. The films succeeded partly because Middle-earth felt like a coherent world with its own history, geography, cultures and visual identity. The filmmakers devoted extraordinary attention to costumes, architecture, landscapes, weapons, languages and the smallest details of the fictional universe. Ramayana presents a comparable challenge, although its source material and cultural context are fundamentally different. The filmmakers must establish distinctive visual identities for Ayodhya and Lanka, create convincing environments and ensure that the world feels internally consistent. The audience should be able to understand the differences between these places through their architecture, atmosphere, design and storytelling. This is particularly important for viewers unfamiliar with the epic. A strong cinematic world can make an unfamiliar narrative accessible without requiring lengthy explanations. But the comparison with The Lord of the Rings also highlights another crucial factor. World-building succeeds when audiences feel that the environment is real within the logic of the story. Expensive sets and elaborate visual effects cannot compensate for an inconsistent cinematic vision. The financial equation: Bigger isn't always better Hollywood's largest franchises are supported by sophisticated commercial ecosystems. Their revenue comes not only from theatrical collections but also from streaming, television, licensing, merchandise, games and long-term franchise exploitation. A film's worldwide gross is only one component of its financial performance. For Ramayana, the economics of such an ambitious project deserve close examination. The scale of the production implies substantial financial expectations. But reported budgets must be interpreted carefully, particularly when expenditure may cover multiple instalments, shared assets and long-term production infrastructure. A project can achieve enormous box-office collections and still face profitability challenges if costs are exceptionally high. Conversely, investments in visual assets, technology and production infrastructure may deliver benefits across sequels or future projects. This is where the comparison with Hollywood becomes especially relevant. The world's biggest studios do not merely produce expensive films. They build commercial systems that can generate returns over many years. Whether Ramayana can create a comparable long-term model will depend on far more than its opening weekend. The sequel challenge A major advantage of a multi-part cinematic project is the possibility of building anticipation across instalments. Baahubali: The Beginning demonstrated how a compelling narrative cliffhanger could transform a sequel into a nationwide event. The Lord of the Rings showed how a sustained creative vision across multiple films could deepen audience engagement. For Ramayana, the first instalment must achieve two objectives simultaneously. It must deliver a satisfying theatrical experience in its own right while creating anticipation for the continuation. If audiences leave feeling that they have watched an incomplete film rather than a compelling chapter of a larger story, the sequel strategy could become a disadvantage. On the other hand, if the first instalment establishes memorable characters, a convincing world and powerful emotional stakes, the next chapter could benefit from substantial built-in demand. Why Hollywood should pay attention The significance of Ramayana extends beyond whether it matches the collections of Avatar or The Lord of the Rings. The larger question is whether major cinematic spectacles must continue to emerge predominantly from Hollywood. India possesses a vast storytelling tradition, a large domestic theatrical market, increasingly sophisticated production capabilities and audiences willing to support ambitious films. If Ramayana demonstrates that these advantages can be combined into a globally successful franchise, it could encourage more large-scale productions rooted in Indian stories. That would not necessarily threaten Hollywood's dominance overnight. But it could broaden the industry's understanding of where globally marketable cinematic properties can originate. There is also a creative opportunity. Rather than imitating Hollywood's storytelling formulas, Indian filmmakers could introduce international audiences to narrative traditions, visual identities and emotional sensibilities that feel genuinely different. That distinctiveness may ultimately prove more valuable than attempting to replicate an American blockbuster. The final verdict It would be premature to call Ramayana India's Avatar or The Lord of the Rings. Those franchises earned their reputations through their films' execution, audience response, commercial success and long-term cultural influence. Ramayana has yet to undergo those tests. But the ambition itself is significant. For years, Indian cinema has looked towards Hollywood for benchmarks in visual effects, production scale and international distribution. With Ramayana, the industry has an opportunity to demonstrate that its own stories can support cinematic spectacles of comparable ambition. The question is not whether India can spend enough money to compete with Hollywood. It is whether Indian filmmakers can combine technology, storytelling and cultural authenticity to create something that global audiences have never experienced before. Hollywood doesn't need to fear Ramayana. But it may have a very good reason to watch it. Also Read: Is Ramayana benefiting from Adipurushs failure? The surprising advantage nobody is talking about
Filmmaker Karan Johar has marked 10 years of Ae Dil Hai Mushkil by revisiting the films themes of unrequited love, heartbreak and emotional vulnerability. Sharing a video montage featuring moments from the romantic drama, Johar reflected on the personal experiences and beliefs that shaped the story, while acknowledging the polarised responses it received, particularly to its third act. Released in 2016, Ae Dil Hai Mushkil starred Ranbir Kapoor, Anushka Sharma, Aishwarya Rai Bachchan and Fawad Khan. The film explored the complexities of one-sided love and the emotional challenges of loving someone who may not feel the same way. Karan Johar reflects on the meaning of one-sided love In his anniversary post, Johar described Ae Dil Hai Mushkil as a deeply personal story that drew from his own experiences of love, longing and heartbreak. He wrote, Ae dil hai mushkil will always be a personal story to me a cumulation of many pieces of my pursuits of love and longing and perhaps also many of my own heartbreaks. The filmmaker added that, during a vulnerable phase of his life, he came to see one-sided love differently. You dont need to have someone love you back to empower yourself - the feeling itself is so awakening and so so powerful! Johar wrote, explaining that this realisation inspired him to tell the story. He also reflected on what he believes makes love selfless, writing, Loving someone has to be an act of selflessness and we as a community of lovers have to disassociate the I in I LOVE YOU. Selflessness is where true love truly resides I would have still told it the same way even today Johar acknowledged that the film was not without its shortcomings and received divided reactions from audiences. However, he maintained that he would not change his approach to the story if he were making it today. I do admit that it wasnt without its flaws and had several polarised responses especially to its third act. BUT truth be told I would have still told it the same way even today, with its flaws with its perceived imperfections he wrote. No art can be perfect and all interpretation is welcome but conviction has to trump all logic and sensibility when you want to be an unabashed story teller, Johar added. Karan Johar thanks Ranbir Kapoor, Anushka Sharma and the cast Johar also expressed gratitude to the films cast for supporting his vision. He thanked Ranbir Kapoor, Anushka Sharma, Aishwarya Rai Bachchan and Fawad Khan for their performances and contribution to the project. He further acknowledged the cast and crew for creating the right atmosphere during filming, referring to it as the perfect Vatavaran on set. Reflecting on the films legacy, Johar said that while the story centred on ek tarfa pyaar (one-sided love), his appreciation for the people who embraced it remained unconditional. View this post on Instagram A post shared by Karan Johar (@karanjohar) 10 years ago we told a story about unrequited love. The essence of our story was ek tarfa pyaar but the love we have towards all the lovers of our love story is unconditional he wrote. He ended the anniversary note with a line from the films soundtrack, writing, Accha chalta hoon duaon mein yaad rakhna With the anniversary post, Johar revisited not only the films emotional themes but also the creative conviction behind a story that continues to invite conversations about love, longing and the absence of reciprocation. Also Read:Karan Johar to host ELITE most influential 2026 at Oxford University on December 14
Aditi Rao Hydari Birthday Special: 7 ethnic looks that prove her royal fashion game is unmatched
Aditi Rao Hydari has consistently made a case for timeless Indian fashion, with a wardrobe that balances intricate craftsmanship, rich colours and understated elegance. Whether she is dressed in a beautifully embellished saree or a statement lehenga, the actress brings a sense of regal sophistication to her ethnic ensembles. As Aditi celebrates her birthday on October 28, we revisit seven fashion moments that showcase her versatility and eye for traditional dressing. 1. Pretty in Pink Aditi made a striking statement in a bright pink ombre saree featuring intricate embellishments across the drape and its delicate border. She paired it with a matching blouse detailed with golden lace, creating a coordinated look that let the vibrant colour take centre stage. Heavy jhumkas and kadas added a traditional finishing touch, lending the ensemble a celebratory appeal. View this post on Instagram A post shared by Aditi Rao Hydari (@aditiraohydari) 2. A Contemporary Take on Sharara Dressing Giving the classic sharara a playful update, Aditi opted for an embellished short kurta paired with a bandhani sharara. The combination brought together contrasting patterns and textures without making the look feel overwhelming. She kept her jewellery minimal and completed the outfit with golden one-toe heels, allowing the ensemble to strike a balance between traditional detailing and contemporary styling. View this post on Instagram A post shared by Aditi Rao Hydari (@aditiraohydari) 3. Black and Gold Glamour Aditi embraced a more dramatic aesthetic in a black and golden lehenga featuring elaborate detailing. The combination of the deep base colour and gold embellishments gave the ensemble a sophisticated, festive appeal. She styled her hair in a neat bun and added statement jewellery, allowing the outfits craftsmanship to remain the focal point. View this post on Instagram A post shared by Aditi Rao Hydari (@aditiraohydari) 4. Metallic Gold Elegance For a look rooted in understated traditional dressing, Aditi chose a metallic golden kurta suit paired with a black dupatta. The rich finish of the kurta created a striking contrast with the darker drape, while a pair of jhumkas completed the ensemble. The styling demonstrated how a simple silhouette can make an impact through colour, texture and carefully chosen accessories. View this post on Instagram A post shared by Aditi Rao Hydari (@aditiraohydari) 5. Understated Saree Sophistication Aditi brought together neutral tones and intricate detailing in an off-white and beige saree embellished across the drape. Paired with a strappy blouse, the ensemble offered a contemporary take on classic saree dressing. A statement golden neckpiece added definition, while a bold lip introduced contrast to the otherwise muted colour palette. View this post on Instagram A post shared by Aditi Rao Hydari (@aditiraohydari) 6. A Royal Purple Moment A bright purple lehenga brought colour and traditional grandeur to Aditis ethnic wardrobe. She paired the lehenga with an off-white blouse featuring puffed sleeves, creating a contrast that made both elements stand out. The dupatta, finished with a red border, added another layer of colour and complemented the vibrant ensemble. Heavy jewellery completed the look, reinforcing its regal aesthetic. View this post on Instagram A post shared by Aditi Rao Hydari (@aditiraohydari) 7. In Her Gilded Era Aditi leaned into elaborate detailing with a richly worked sharara set featuring a corset-inspired blouse with wavy edges and matching bottoms with similar detailing. The coordinated silhouettes gave the traditional ensemble a distinctive shape, while her loose waves softened the overall look. Statement jewellery provided the finishing touch without taking attention away from the outfit. View this post on Instagram A post shared by Aditi Rao Hydari (@aditiraohydari) From vibrant colours and intricate embellishments to contemporary silhouettes and classic drapes, Aditi Rao Hydaris ethnic fashion choices offer plenty of inspiration for festive dressing. Which of these seven looks is your favourite? Also Read: Aditi Rao Hydari opens up about her emotional scene with Gajraj Rao in Lust Stories 3; says, I find that very wonderful generally in life
Anil Sharma shares Arjun Naga song shoot update; says Shenshah se less nahi hota director set par
Filmmaker Anil Sharma has shared a special update from the sets of his upcoming directorial Arjun Naga, offering a glimpse into the ongoing shoot and revealing that a song featuring music by Himesh Reshammiya has been filmed. Known for directing films such as Gadar: Ek Prem Katha and Gadar 2, Sharma took to social media to share a photograph from the set along with a note reflecting his experience of working on the project. In his post, Anil Sharma wrote, Shenshah se less nahi hota director set par .. ya jab aadmi ke dil ka kam ho toh woh uss woqt apne dil ka Badsaha hota hai (A director is no less than an emperor on set. And when a person is doing work that comes from the heart, they are the king of their own heart at that moment).. while shooting #ARJUNNAGA .. feeling the same .. we shot a song great music by #HIMESHRESHMIYA. The behind-the-scenes glimpse has added to the curiosity surrounding Arjun Naga, which is being developed as a period action drama. The film stars Utkarsh Sharma in the titular role, with Arjun Rampal playing the primary antagonist. Randeep Hooda and Celina Jaitly are also part of the ensemble cast. shenshah se less nahi hota director set par .. ya jab aadmi ke dil ka kam ho toh woh uss woqt apne dil ka Badsaha hota hai .. while shooting #ARJUNNAGA .. feeling the same .. we shot a song great music by #HIMESHRESHMIYA https://t.co/ZsnAuRJB9A Anil Sharma (@Anilsharma_dir) October 27, 2026 Envisioned as a four-part cinematic saga, the project is set against the backdrop of Dubais oil rush in the 1960s. Its story traces the regions transformation following the oil discoveries of 1966, while following a protagonist who rises from extreme poverty to become a powerful and wealthy figure amid intense power struggles. Produced under the banner of Anil Sharma Productions, the first instalment is currently being filmed across Mumbai, Rajasthan and international locations. The film is slated for a worldwide theatrical release in 2027. With shooting underway and a song featuring Reshammiyas music now filmed, Sharmas latest social media update offers a small look at the production as the team works towards bringing the ambitious saga to the big screen. Also Read: Dhurandhar and Ramayana have 2 parts each, but Anil Sharma goes FOUR steps ahead; confirms Arjun Naga will be a four-part saga
Ranbir Kapoor believes that friendship is the foundation of every relationship, with love, trust and respect playing equally important roles in keeping a bond strong. The actor shared his perspective on relationships during the Diwali special episode of Kaun Banega Crorepati, where he also spoke about a personal ritual he has followed since the birth of his daughter, Raha. During his interaction with host Amitabh Bachchan, Ranbir reflected on the values that help relationships endure. Emphasising the importance of friendship as the starting point of a meaningful bond, he said, Hamaari rishte ki jo neev hai, jo jad hai, woh dosti hai. Main hamesha se yeh manta hoon ki... prem ek rishte ko jodta hai, vishwas ek rishte ko mazboot banata hai, aur samman ek rishte ko kayam rakhta hai, and I think these are the important foundations in a relationship, sir.. View this post on Instagram A post shared by sonytvofficial (@sonytvofficial) The actors words highlighted how love brings people together, trust strengthens their connection, and respect helps sustain it over time. His remarks drew warm applause from the audience during the special episode. Ranbir also shared a personal detail about his family life, revealing that mornings at home begin with Amitabh Bachchans rendition of the Hanuman Chalisa. Speaking about the practice he and his family have followed since Rahas birth, the actor said, Jabse meri beti Raha paida hui hai, aisa koi din nahi guzra hai jahan hum subah aapke gaaye hue Hanuman Chalisa se shuru.. The revelation prompted a warm response from Bachchan, who replied, Wah, kya baat hai.. View this post on Instagram A post shared by sonytvofficial (@sonytvofficial) The Diwali special episode of Kaun Banega Crorepati will also feature actors Sai Pallavi and Ravi Dubey. The programme is set to celebrate the festival of lights through conversations and performances centred on faith, tradition and the epic Ramayana which will feature Ranbir as Lord Ram, Sai Pallavi as Sita, and Ravi Dubey as Laxman. The Nitesh Tiwari cinematic adaptation of the Indian epic also feature an ensemble cast and it is slated to release on November 5. Meanwhile, the special episode in question, will air on October 29 and 30 at 9 PM on Sony Entertainment Television. Also Read: Ranbir Kapoor calls Amitabh Bachchan the ultimate aura farmer, recalls childhood visit to Ajooba sets on Kaun Banega Crorepati
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Highlights Godzilla Minus Zero may arrive in Indian theaters two weeks later than originally planned. The reported delay would help the Japanese sequel avoid competing with Ramayana for premium large-format screens, including IMAX. Ramayana: Part One , starring Ranbir Kapoor and Yash, is scheduled to release on November 5. Godzilla Minus Zero may be heading for a delayed theatrical release in India, with the Japanese monster movie reportedly moving its debut by two weeks to avoid a box-office clash with Ranbir Kapoor and Yashs Ramayana: Part One . According to Variety India, the sequel to Godzilla Minus One was originally scheduled to arrive in Indian theaters on November 6, just one day after Ramayana opens on November 5. The reported postponement is intended to protect the films box-office prospects, particularly its chances of securing premium screens. Why Godzilla Minus Zero may avoid Ramayana Ramayana , one of the most anticipated Indian films of 2026, is expected to command a significant share of premium large-format (PLF) screens, including IMAX theaters. This could leave Godzilla Minus Zero with limited opportunities to screen in those formats if it retains its original release date. A two-week delay would give the film a better chance of securing premium screenings and reaching audiences who want to experience its spectacle on the biggest screens. A source familiar with the development told Variety India that Ramayana was likely to arrive on its announced date, while Godzilla Minus Zero would follow two weeks later. The source also drew a comparison with Project Hail Mary , which was rescheduled to arrive two weeks after Dhurandhar: The Revenge . The revised release date has not been officially confirmed in the supplied report. What to know about Godzilla Minus Zero Written and directed by Takashi Yamazaki, Godzilla Minus Zero follows the success of Godzilla Minus One , which was released in 2023. The sequel sees Ryunosuke Kamiki, Minami Hamabe, Sakura Ando, and Miou Tanaka return to their respective roles. The reported delay could give the film more room to compete for audiences and premium theatrical formats in India. When does Ramayana release? Directed by Nitesh Tiwari, Ramayana: Part One stars Ranbir Kapoor as Lord Ram, Sai Pallavi as Sita, and Yash as Ravana. The cast also includes Ravie Dubey, Sunny Deol, Lara Dutta, Arun Govil, and Rakul Preet Singh. The film is scheduled to release in theaters on November 5, with the second installment of the mythological epic planned for 2027. With Ramayana expected to occupy a substantial number of premium screens, the reported change to Godzilla Minus Zero s release schedule highlights how competition for theatrical formats can influence a films release strategy.
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Taapsee Pannu has reflected on building her career in Hindi cinema without the backing of an established industry family, a godfather or a studio. The actress, who has moved between women-led dramas, thrillers and mainstream entertainers, recently spoke about why her professional journey has often been difficult for people to explain, citing her casting in Shah Rukh Khan starrer Dunki as an example. When asked which aspect of her journey makes her the proudest, Taapsee pointed to the fact that her career cannot be attributed to the conventional routes often associated with success in the film industry. She said, How easy is it to say shes successful because she has a godfather, or because shes from that family, or because shes signed by a studio? None of this applied to me. I realised this when I was cast in Dunki. For the longest time, no one could wrap their head around it. How is she in this movie? I wasnt part of Shah Rukh sirs social circle, nor had Rajkumar Hirani ever worked with me before. He had called me to his office once just to ask how Id approached a certain role. Much later, he called to ask if Id be okay hearing the script of Dunki. No one could digest that this had happened. They cannot put me in a box. So, Ive started hearing all sorts of stories about me. Shes difficult, no one wants to work with her, she has this problem, that problem. Because no one knows me, its easy to make up stories. Taapsees account highlights how her casting in Dunki, directed by Rajkumar Hirani and headlined by Shah Rukh Khan, became a point of discussion because she had not previously worked with the filmmaker and did not belong to the superstars social circle. According to the actress, Hirani had first invited her to his office to discuss her approach to a particular role before later asking if she would be interested in hearing the script of Dunki. The actress also addressed the speculation surrounding her personality, suggesting that the absence of personal familiarity can make it easier for people to form their own narratives about her. She believes that her refusal to fit into a predictable category has contributed to the stories circulating about her. Over the years, Taapsee has built a filmography spanning commercial entertainers, thrillers and character-driven dramas. Her choices have frequently taken her across genres, allowing her to explore different roles rather than follow a single, easily defined screen identity. Her latest remarks underline her pride in a career that, as she sees it, has developed without the conventional advantages often associated with access and industry connections. Also Read: Taapsee Pannu on wanting producers to back films on her name: Its been relentless work
Sai Pallavi reveals she has not started shooting for Ramayana Part 2 at the premiere in Los Angeles
Ramayana: Rise of a Legend has begun generating attention following its world premiere in Los Angeles, but it appears the two parts of the ambitious epic were not filmed together. Sai Pallavi, who plays Sita in the Nitesh Tiwari directorial, has revealed that she has not yet started shooting for the second instalment. In a video circulating online, Sai Pallavi was asked by a media person whether the team had shot both parts of Ramayana together. The actor appeared to surprise the journalist with her response, saying, I haven't started filming yet. #SaiPallavi just confirmed that she hasnt started filming for Ramayana Part 2 yet! So its true that Ramayana part 2 will come out in 2028! Her first ever LA premier red carpet for Ramayana premier https://t.co/vM0wBtqYSx Annihilator (@Gargi16191) October 28, 2026 Her brief comment indicates that her portions for Ramayana: Rise of a Legend Part 2 are yet to be filmed. The revelation comes shortly after Part 1 held its world premiere at the David Geffen Theatre inside the Academy Museum of Motion Pictures in Los Angeles on October 27. Ramayana Part 2 is scheduled for 2027 Ramayana: Rise of a Legend is planned as a two-part adaptation of the Indian epic. While Part 1 is scheduled to release in 2026, the second instalment is planned for release in 2027. The project features Ranbir Kapoor as Rama, Sai Pallavi as Sita and Yash as Ravana, with Sunny Deol playing Hanuman. Directed by Nitesh Tiwari, the film is being produced by Namit Malhotra, with Yash also involved in the production. The project brings together Indian and international talent, including composers Hans Zimmer and A.R. Rahman and visual effects company DNEG. The Los Angeles premiere was held as an invite-only 3D screening, with the cast attending the Diwali-themed red carpet. Ranbir, Sai Pallavi and Yash were among the stars who walked the carpet, while several international guests were also present. Sai Pallavi's latest comment provides an update on the production timeline for the second part, suggesting that her work on the sequel is still to begin despite the planned 2027 release. Also Read:Ramayana producer Namit Malhotra calls Los Angeles premiere his Oscar moment ahead of November 5 release
Singer Papon is delighted to witness audiences across generations embracing the soulful world of ghazals through Mehfilz with Papon. Bringing the timeless charm of a traditional mehfil into an intimate musical setting, the experience celebrates the beauty of poetry, melody and emotions, creating a deeper connection between the singer and his listeners. What makes the journey particularly special for Papon is witnessing Gen Z discover and connect with ghazals, a genre cherished by generations of music lovers. The response reflects how soulful music continues to find relevance among younger audiences while retaining its emotional resonance for those who have grown up listening to it. Expressing his gratitude, Papon said exclusively, I feel truly grateful for the love and response to Mehfilz with Papon. It makes me especially happy to see Gen Z discovering ghazals alongside listeners who have loved this music for years. It reminds me that soulful music has no age or generation; it simply needs to touch your heart. Through Mehfilz, I hope to continue celebrating this timeless tradition and creating meaningful musical experiences for everyone. Rooted in the warmth of a traditional ghazal mehfil, Mehfilz with Papon moves beyond the conventional concert experience to create an atmosphere where music takes centre stage. The intimate setup allows audiences to immerse themselves in the nuances of each composition, the depth of the lyrics and the emotions woven into every rendition. The growing connection with younger audiences is also a reminder that traditional musical forms can transcend generations when experienced in meaningful ways. For Papon, Mehfilz with Papon is a celebration of this enduring bond between music and its listeners, bringing together people with different musical journeys through a shared love for soulful sounds. As the experience continues to bring audiences closer to the world of ghazals, Mehfilz with Papon celebrates the timeless power of music to evoke emotions, create memories and unite generations through melodies that stay long after the last note fades. Also Read: Papon on his passion project Mehfilz and reviving ghazals for a new era: Sound has to change in every generation
