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IIFA 2026: Here is the full list of winners, Dhurandhar rules
Mumbai: The 26th International Indian Film Academy (IIFA) Awards 2026 winners have been announced, and Aditya Dhars Dhurandhar has emerged as the biggest winner, leading the list with an impressive 12 awards across various categories. Ranveer Singh won Best Actor for his performance in the spy thriller, while Aneet Padda bagged Best Actress for her Get the latest updates in Hyderabad City News , Technology , Entertainment , Sports , Politics and Top Stories on WhatsApp & Telegram by subscribing to our channels. You can also download our app for Android and iOS .
5 Crazy Things That Happened in the Celebrity Traitors Finale
ORIGINAL ARTICLE: 5 Crazy Things That Happened in the Celebrity Traitors Finale Explore the defining moments from the Celebrity Traitors finale. Find out why this episode left fans buzzing after the shocking ending. The post 5 Crazy Things That Happened in the Celebrity Traitors Finale appeared first on DESIblitz .
Sanjay Dutt promises to fulfil late friend Sanjay Guptas dream of Kaante 2
Sanjay Gupta dies at 57 after suffering head injury in bathroom; last rites to be held today
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Diljit Dosanjh responded to criticism over his stance on CJP-led student protests at his Aura India Tour concert in Delhi. He declared that Punjabis need no lessons in fighting for their rights. Earlier, his 'I'm an artist, bro' remark drew backlash.
Is Bengali cinema losing its rootedness?
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Lee Jae-wook and Ko Min-si's horror series Dead-End Job has grabbed viewers' attention ever since it premiered on Netflix on Friday, October 30. The Korean horror series follows a young man who is in debt and takes up lucrative part-time jobs offered by a mysterious agency. However, things take a nightmarish turn when he realises that his quest to earn more money comes with unexpected dangers.
Zaheer Iqbal reveals why he and Sonakshi Sinha got several romantic film offers
Watch the Official teaser from kannada movie 'Rudhirvana' starring Paavana Gowda, Bala Rajawadi and Priya Shatamarshan. 'Rudhirvana' movie is directed by Agni To know more about 'Rudhirvana' teaser watch the video. Check out the latest kannada teasers, new movie teasers, trending kannada movie teaser, and more at ETimes - Times of India Entertainment.
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Yash recalls sons shock over his role as Ravana in Ramayana
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A family walks into a cinema to watch Ramayana: Part One. The grandfather wants to see a respectful portrayal of Lord Rama. The parents hope to experience the story they grew up watching on television, this time on a spectacular big screen. Their teenage children are excited about the visual effects, action sequences and the prospect of watching Ranbir Kapoor and Yash in an epic confrontation. All four are buying tickets for the same film. But are they really buying the same experience? This is perhaps the most fascinating commercial challenge facing Nitesh Tiwari's Ramayana, which is scheduled to release on November 5. The film is attempting to attract audiences whose reasons for watching may be fundamentally different. For some, the Ramayana is a sacred narrative. For others, it evokes powerful childhood memories. And for a younger generation accustomed to Hollywood spectacles and contemporary action blockbusters, it represents the possibility of experiencing Indian mythology on an unprecedented cinematic scale. Religion, nostalgia and spectacle three powerful motivations, but not always compatible expectations. If Ramayana can satisfy all three, it could achieve something extraordinary. Audience one: Those who come for faith and tradition For a significant section of Indian audiences, the Ramayana is not merely a story. It is deeply connected to religious beliefs, family traditions and cultural identity. These viewers may approach the film with expectations that differ from those associated with a conventional entertainer. They may place particular importance on the portrayal of Lord Rama, Sita, Hanuman and other revered figures. Dialogues, costumes, characterisation and the overall tone could matter as much as the visual spectacle. For such audiences, technical excellence cannot compensate for a portrayal they consider emotionally or culturally unconvincing. The makers must ensure that their interpretation feels respectful and emotionally authentic without reducing the film to a purely devotional presentation. After all, a theatrical feature requires dramatic momentum, compelling performances and cinematic storytelling. Finding that balance will be crucial. Audience two: Those who come for nostalgia The second major audience consists of viewers who grew up with the Ramayana through television, books, family storytelling and cultural traditions. For many Indians, Ramanand Sagar's television adaptation remains an important reference point. The series became a shared viewing experience for families and helped establish enduring screen images of the characters. A new cinematic adaptation inevitably invites comparisons with these memories. However, nostalgia is a double-edged sword. It can generate enormous anticipation because audiences want to revisit something they love. But it can also create expectations that are almost impossible to satisfy. A viewer who has carried a particular image of Lord Rama or Ravana for decades may find it difficult to accept a significantly different interpretation. This is where casting, dialogue delivery, music and emotional tone become especially important. Ranbir Kapoor, Sai Pallavi and Yash must make the characters their own while remaining convincing to audiences who already have deeply established expectations. The filmmakers cannot simply reproduce older adaptations. But they also cannot ignore the emotional connection viewers have with them. Audience three: Those who come for spectacle The third audience could be commercially decisive. Younger moviegoers, particularly those accustomed to Hollywood franchises, superhero films, anime and contemporary Indian action spectacles, may approach Ramayana primarily as a cinematic event. For them, the attraction could lie in the scale of the production, visual effects, elaborate battles, immersive environments and the star combination. These viewers may be familiar with the broad outline of the story without having the same attachment to earlier screen adaptations. Their expectations are shaped by films such as Avatar, Avengers: Endgame, Baahubali and other large-scale spectacles. They will judge whether Ramayana delivers an experience worthy of the big screen. But there is a potential conflict. A slower, emotionally detailed treatment may appeal to audiences seeking traditional storytelling while testing the patience of viewers expecting relentless action. Conversely, an excessively action-oriented interpretation could alienate audiences who value the epic's emotional and spiritual dimensions. The challenge is not simply to include enough of everything. It is to make the different elements work together. The international complication The challenge becomes even more interesting outside India. For Indian-origin audiences overseas, Ramayana may represent a connection to cultural identity, childhood memories and family traditions. For viewers unfamiliar with the epic, however, the film must work as an accessible piece of storytelling. They may not recognise the religious significance of particular characters or events. The film must therefore establish its emotional conflicts clearly enough to engage people who have no prior knowledge of the source material. This creates a fascinating balancing act. The filmmakers must preserve the story's cultural identity while making its dramatic themes understandable to an international audience. If they succeed, Ramayana could demonstrate that deeply Indian stories can appeal to global audiences without abandoning their roots. The real commercial opportunity From a box-office perspective, satisfying these different audiences could create a powerful combination. Traditional family viewers may contribute to broad-based attendance. Nostalgia-driven audiences could generate strong initial interest. Younger spectacle-seekers may help sustain demand for premium formats and repeat viewing. The overseas Indian diaspora could add another important layer, while positive word of mouth among non-Indian viewers would expand the film's reach. However, these are potential audience segments, not established findings about actual ticket buyers. The true composition of the audience will only become clearer through booking patterns, surveys and theatrical performance. Ramayana is not simply attempting to sell a film. It is attempting to deliver several experiences within one cinematic narrative. The challenge for Nitesh Tiwari is to ensure that none of these audiences feels that the film has been made entirely for someone else. And perhaps that is where the greatest opportunity lies. A truly successful adaptation would not force audiences to choose between devotion, nostalgia and spectacle. It would use the power of cinema to bring all three together. The biggest victory for Ramayana may not be attracting three different audiences. It may be making all three applaud the same scene. Also Read: Is Yash the REAL box-office trump card of Ramayana? The uncomfortable question Bollywood cant ignore
Rahul Bose is known for his serious, no-nonsense persona, though he has tickled the audience's funny bone in the past. However, in Udta Teer, he has surprised moviegoers like never before. He plays M D Burman, head of the Counter Terrorism Squad (CTS), who slips into a coma just as he discovers the protagonist (Ayushmann Khurrana) is a Pakistani spy. From this point onwards, his eyes do all the talking, leaving audiences in splits. Meanwhile, the Pakistani spy loses his memory and begins believing that he is an Indian patriot. A hilarious sequence in which he saves M D Burman in the hospital brought the house down. In an exclusive interview with Bollywood Hungama, Rahul Bose opened up about the overwhelming response to his performance, and much more. You have played funny roles in the past. But is the kind of response you've received for Udta Teer unlike anything you've experienced before? Honestly, I haven't done comedy like this before. It's physical comedy that almost borders on mime because there are no dialogues. So, it was very different from what most actors do in cinema, forget about me. I asked Aakash (writer-director Aakash A Kaushik), 'Why would you cast someone like me?'. He replied, 'That's because with you, nobody is expecting the film to turn funny'. My character comes across as very serious. He's the head of the CTS. It's a typical Rahul Bose kind of role, which I played earlier in Berlin (2024). Hence, no one can imagine what happens to this character. Aakash said, 'If I had cast a renowned comedy actor, people would know that ab kuch funny aane waala hain. Nahin toh iss actor ko kyun cast karte?'. I felt that this was a very intelligent reply to my question. Then, he said, 'I saw you on a game show where the audience had to find out who the liar was'. I forgot the name of the show. There were eight of us. Questions were asked to us throughout the day, and then the audience had to decide who the most truthful person was. I won that show, though I lied throughout! He remarked, 'I was so shocked because we thought you were speaking the truth. However, you were lying the whole time. If a guy can do that with his eyes, then I am very confident he can pull this off'. How was it shooting the crazy scenes in the movie? For me, personally, it was very interesting. Don't forget that all those scenes were not in the script. The script would simply say that 'Ayushmann saves Rahul in the hospital'. But hospital bed pe kya hota hai, defibrillator pads ke saath kya hota hain, Rahul ke taang ke saath woh kisko maarta hain, Rahul kispe girta hain, etc., were all improvised. The morgue sequence was written, the one where my character kisses the dead body! However, the lift door banging on his head ten times was not written in the script. So, that whole action sequence was designed by the action director, keeping comedy in mind. I had to prepare accordingly. When the lift door kept banging against the side of my head, I made sure that my expression was different every single time so that people would find it amusing. The same happened with the love track. The script only mentioned that Holkar (Smita Tambe) was in love with my character. How he reacts, how their track develops and how it reaches the point where he's in a wheelchair and gives her a rose were also not entirely on the page. So, you have to see how it works out. The best way to know whether or not it's working is to see whether the unit laughs. The unit gets tired by the time we go for the third take, fourth take, sometimes even the eighteenth take. They don't really pay attention. But if the unit laughs, then you know you're in a good space. They already know what's coming and what the shot is, and yet they're laughing. On stage, I started my career doing physical comedy. That was in 1990, 36 years ago. So, it was not unfamiliar territory for me. However, I knew that in my cinema career, this would be something new. I am grateful to Aakash for thinking of me. I told him, 'From the glorious heights of Mr & Mrs Iyer (2002), I have now become a slapstick comedian. This is on you!' (smiles). Thankfully, your funniest scenes were not shown in the trailer. That added to the surprise... A lot of people saw the trailer and told me, 'Didn't you tell us that you are in the film? But you are hardly there in the trailer. Tumhara role kat gaya kya?'. I assured them, 'Aap film dekho. Phir aapko pata chalega'. But that sounds like something a loser would say! And now, looking at the feedback, I think not showing me was a good strategy. Udta Teer has a scene where you mistakenly kiss a dead body. Even the sequence where your head bangs on the lift floor could be considered a bit too extreme by some viewers. Did you ever fear trolling or criticism? After all, these days, almost anything can invite criticism on social media... There was no fear as such. You may see one funny scene and you'll be like, 'Ha ha ha ha. Theek hai'. However, it's actually a performance. He does a lot, including dancing to 'It's The Time To Disco'! That's when people realize that this is a performance and not just an item. If it was an item, then people would wonder, 'What is wrong with this guy? What is he doing with his career?'. That didn't happen in the case of Udta Teer because it's a performance. Somebody told me, 'I saw you in Bulbbul (2020), and now I see you here, and my mind is completely scrambled'. Hence, I wouldn't have done this role had Aakash not assured me that this was a proper performance and not just one scene where you come in as an item. I had faith in Aakash, and he lived up to his word. In fact, he even increased my role after seeing the rough cut. There's also an amusing track involving unrequited love between your character and Holkar. If Udta Teer gets a sequel, could we finally see their romance blossom? (Laughs) Firstly, I don't know if there's a part 2. If there's a sequel, Aakash will definitely find a way to present me in yet another absolutely ridiculous avatar! I am sure, as he has a very funny and twisted mind. I have worked with 15 first-time directors, starting with Dev Benegal (English, August; 1994), Saket Chaudhary (Pyaar Ke Side Effects; 2006), Sujoy Ghosh (Jhankaar Beats; 2003), Anvita Dutt (Bulbbul; 2020), Vinta Nanda (White Noise; 2005), Anil Senior (Dil Kabaddi; 2008), etc. I look for some madness in these debutant directors. They don't have anything else to show except for that spark. Their films are quite pure. Even my first film as a director, Everybody Says I'm Fine (2001), was also very pure. So, it's great fun working with first-time directors, though there's also a risk involved. Also Read: EXCLUSIVE: Akash A Kaushik reveals Rahul Bose left Udta Teer crew in splits: We had to dub a few scenes as giggles could be heard!; hails Ayushmann Khurrana for daring to play a Pakistani: Dont think many actors would be GUTSY enough
Rajeev Siddhartha has a special connection with the hills. Having studied at The Doon School and CJM Hampton Court School in Mussoorie, the actor spent a significant part of his growing-up years surrounded by mountains. Interestingly, the hills have also become an important part of his recent projects. His upcoming film, Kinaare, premiered at the 15th edition of the Dharamshala International Film Festival (DIFF), while his recently released Netflix series, Musafir Cafe, is also set against the picturesque backdrop of the hills. Co-starring Vikrant Massey, Vedika Pinto and Mahima Makwana, Musafir Cafe has struck a chord with audiences and become quite a rage. In fact, the show's popularity has inspired the creation of two real-life cafes in Uttarakhand and Himachal Pradesh! In an exclusive interview with Bollywood Hungama, Rajeev Siddhartha spoke about it and a lot more. Rajeev Siddhartha said, The feedback has been absolutely fantastic. Every time your film or show releases, you hope to receive immense love and appreciation. The same was true for this show as well. But the only difference was that the love and appreciation that I received for my performance, and that the show received as a whole, have been way beyond anything I had imagined. It's just amazing. He remarked, I keep telling my actor and director friends, 'I don't know why we always make shows or films that are so fast-paced'. Our minds are in a daze because of overexposure to Reels on social media. Agreed that people's attention spans are probably getting shorter, but that doesn't mean every piece of content needs to have fast cuts and no thehrav. Hence, Musafir Cafe's success is significant because it is a slow-burn. It goes to show that if you tell a good story, the audience will happily consume it. Hopefully, this changes people's mindsets. Rajeev further added, I truly love slow-burn storytelling, and I am glad that Musafir Cafe has become such a rage. Also, slow-burn doesn't mean boring. That's a misconception people have. In fact, fast-paced content can be so tiresome sometimes! One of the most fascinating developments surrounding Musafir Cafe is that the show has inspired two real-life cafes, one each in Uttarakhand and Himachal Pradesh. When asked about this unique phenomenon, Rajeev smiled and said, If somebody watches a film or series and loves it, that's great. But if it inspires people to open a cafe in real life, then it is absolutely insane in the best way possible! It shows that you've touched a chord in people's hearts to such an extent that they feel compelled to do something like that. He continued, I am sure the creators, director and producers must be feeling overwhelmed because it's so beautiful that their work has inspired and influenced people to take that step. In fact, it's the most beautiful feeling possible. Rajeev summed it up beautifully, saying, If there's a shift that has happened because of your work, then there's nothing like it. With Musafir Cafe receiving such tremendous love, a second season is in the works. However, Rajeev Siddhartha remained tight-lipped about what audiences can expect from the next instalment. He said, I have some idea, but I cannot share it at all. Please forgive me for that (laughs). Whenever I am allowed to, I'll speak to you. Apart from Musafir Cafe, Rajeev Siddhartha is also known for his role in the hugely popular series Aashram, starring Bobby Deol. The new season is currently being shot, but the actor confirmed that he won't be a part of the upcoming season. He explained, In the last season, my character was shot dead. I am so grateful that Aashram has been watched by probably the whole country and even audiences abroad. Thanks to Prakash Jha sir, who is a legend, I got to work on such a big production. Kinaare is an intimate production. There were fewer people on the sets. Meanwhile, in Aashram, on average, we had 100-200 extras on the sets. And Prakash sir handles everything with such coolness and calmness. Hence, it was a learning experience to be around that energy. I am glad that the latest season is being shot. Having been part of the show since Season 1 and being one of the protagonists, I am looking forward to it. I want to know how it ends! Also Read: EXCLUSIVE: Rajeev Siddhartha ECSTATIC about his film festival debut at Dharamshalas DIFF; compares Kirti Kulharis maiden production Kinaare to Iranian cinema: It DOESNT have fast cuts or a frantic pace
Bollywood Director Sanjay Gupta dies aged 57
ORIGINAL ARTICLE: Bollywood Director Sanjay Gupta dies aged 57 The acclaimed director, Sanjay Gupta, who was known for films, including 'Jazbaa' and 'Kaabil', has died aged 57. The post Bollywood Director Sanjay Gupta dies aged 57 appeared first on DESIblitz .
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ScoutOP quits Bigg Boss 20? Here
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Early Ramayana Reviews: 'Impressive'
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Darshan murder case takes a new turn as witness turns hostile
Sanjay Gupta, known for his work as a director, writer and producer, died at the age of 57 after reportedly suffering a head injury at his Mumbai residence. The incident came to light early on Saturday morning, according to Mumbai Police. An investigation into the matter is currently underway.
Maharashtra Epstein Files - Official Trailer
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There can be no man worse than you: Salman Khan blasts ScoutOP on Bigg Boss 20
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Watch the Official trailer from telugu movie 'Jayannth & The Jingo Pen' starring Master Jayannth Bolisetty and Ashish Gandhi. 'Jayannth & The Jingo Pen' movie is directed by Madhu Rupala. To know more about 'Jayannth & The Jingo Pen' trailer watch the video. Check out the latest telugu trailers, new movie trailers, trending telugu movie trailer, and more at ETimes - Times of India Entertainment.
Anupama Parameswaran calls out double standards in cryptic post
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Director Sanjay Gupta, Known For Kaante And Zinda, Dies At 59 After Suffering A Fall
He fell in the kitchen around 2:30 pm and sustained a head injury
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Shootout at Wadala director Sanjay Gupta dies at 57
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Bollywood Diwali party calendar: Akshay-Twinkle, Manish Malhotra, Ektaa to host bashes
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Ramayana: Can Ranbir Kapoor End Arun Govil's 39-Year Reign As Lord Ram?
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Sanjay Gupta, Kaante, Shootout at Wadala director, dies
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Surbhi Jyoti on modern motherhood: We shouldnt be adamant'
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Mumbai: Calling someone your sister comes with expectations, and Salman Khan has some tough questions for Scout about precisely that. The latest Weekend Ka Vaar promo of Bigg Boss 20 shows the host confronting him over his failure to stand up for Love. The conversation centres on Scouts silence when Kaashvi accused Love of manipulating Get the latest updates in Hyderabad City News , Technology , Entertainment , Sports , Politics and Top Stories on WhatsApp & Telegram by subscribing to our channels. You can also download our app for Android and iOS .
Varun Dhawan shares fun moment with Sidharth Malhotra and Kiara Advani
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Abhinay Deo looks forward to brother Ajinkya's performance in Ramayana
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Is Telugu cinema music dying a slow death?
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Jordon Hudson's relationship with Bill Belichick came to an end in late 2025, marking a discreet breakup while ensuring their business ties and friendship remain intact. At just 25, Hudson previously dated 64-year-old businessman Joshua L. Zuckerman, who had defended her reputation amid claims of being a gold digger during her time with Belichick. Their conversations often revolved around business strategies, psychological insights, and a mutual appreciation for nature.
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Devgn's petition stated that the notice was arbitrarily issued to him as an actor rather than to the manufacturing company
Bigg Boss 20: Who gets evicted this Weekend Ka Vaar?
Mumbai: Mumbai: Another weekend, another goodbye! Bigg Boss 20 is back with Weekend Ka Vaar, and apart from the weekly confrontations, the spotlight is on the elimination. With six contestants in the danger zone, the latest eviction update suggests that one more journey inside the house has come to an end. This week, Love Gill, Get the latest updates in Hyderabad City News , Technology , Entertainment , Sports , Politics and Top Stories on WhatsApp & Telegram by subscribing to our channels. You can also download our app for Android and iOS .
Diljit Dosanjh salutes Delhi Police, hugs woman cop at concert
Diljit Dosanjh paused his Delhi concert to acknowledge and salute the police personnel on duty. He invited a woman officer on stage, hugged her and shared that she reminded him of his mother. The singer also thanked Delhi Police for ensuring public safety
Sara Ali Khan's net worth grows from Rs 13 crore to Rs 41 crore
'King' UPDATE: First song to release on Shah Rukh Khan's birthday
One and done: Sarpanch Harmanpreet Singh shows what sets him apart in Jalandhar
One and done: Sarpanch Harmanpreet Singh shows what sets him apart in Jalandhar
Actress and Bigg Boss OTT contestant Jiyaa Shankar and her fiance Kaaran Dhanak, also known as KD, have found themselves at the centre of speculation, with reports suggesting that the couple had called off their engagement. However, on Friday, Jiyaa took to social media to address the rumours.
Dont worry about the leopard. Its a man you dont want to run into: Delhi women reclaim the outdoors
Jordon Hudson and Bill Belichick reportedly ended their relationship in late 2025, according to reports. Following their breakup, Hudson's relationship status has become uncertain but fans are speculating about her new boyfriend. Some social media users have humorously suggested that her new companion could be football legend Lee Corso. Despite their breakup, Hudson and Belichick maintain a professional connection and remain friends.
Diljit Dosanjh Responds To 'Satluj' Controversy, Says Don't Teach Punjabis How To Fight
Earlier this year, Diljit Dosanjh starrer Satluj', premiered on ZEES on July 3 but was taken down from the platform within two days.
Have you heard? Varun Dhawans next with Maamla Legal Hai director
After Hai Jawani Toh Ishq Hona Hai, Varun Dhawan is reportedly teaming up with Maamla Legal Hai director Rahul Pandey for his next project. Meanwhile, Imtiaz Ali has revealed his interest in collaborating with Malayalam actor Fahadh Faasil
'Aadarsha Kutumbam House No. 47' BO day 1
